Beyond Feelings a Guide to Critical Thinking
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Kristof K. P. Vanhoutte, Gavin Fairbairn & Melanie Lang
Edited by Kristof K. P. Vanhoutte, Gavin Fairbairn & Melanie Lang Bullying and the Abuse of Power Critical Issues Series Editors Dr Robert Fisher Dr Daniel Riha Advisory Board Dr Alejandro Cervantes-Carson Dr Peter Mario Kreuter Professor Margaret Chatterjee Martin McGoldrick Dr Wayne Cristaudo Revd Stephen Morris MiraCrouch ProfessorJohnParry Dr Phil Fitzsimmons Paul Reynolds Professor Asa Kasher Professor Peter Twohig Owen Kelly Professor S Ram Vemuri Revd Dr Kenneth Wilson, O.B.E A Critical Issues research and publications project. http://www.inter-disciplinary.net/critical-issues/ The Ethos Hub ‘Bullying and the Abuse of Power’ 2010 Bullying and the Abuse of Power Edited by Kristof K. P. Vanhoutte, Gavin Fairbairn & Melanie Lang Inter-Disciplinary Press Oxford, United Kingdom © Inter-Disciplinary Press 2010 http://www.inter-disciplinary.net/publishing/id-press/ The Inter-Disciplinary Press is part of Inter-Disciplinary.Net – a global network for research and publishing. The Inter-Disciplinary Press aims to promote and encourage the kind of work which is collaborative, innovative, imaginative, and which provides an exemplar for inter-disciplinary and multi-disciplinary publishing. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means without the prior permission of Inter-Disciplinary Press. Inter-Disciplinary Press, Priory House, 149B Wroslyn Road, Freeland, Oxfordshire. OX29 8HR, United Kingdom. +44 (0)1993 882087 ISBN: 978-1-84888-045-0 First published in the United Kingdom in eBook format in 2010. First Edition. Table of Contents Introduction vii Kristof K.P. Vanhoutte, Gavin Fairbairn & Melanie Lang Part 1: The Source of Bullying Sovereign Authority or Leviathan Bully? Kojève on 3 Distinguishing the Use and Abuse of Power Murray S.Y. -
THE HISTORY of ORLANDO FURIOSO
ElizabethanDrama.org presents the Annotated Popular Edition of THE HISTORY of ORLANDO FURIOSO By Robert Greene Written c. 1590 Earliest Extant Edition: 1594 Featuring complete and easy-to-read annotations. Annotations and notes © Copyright Peter Lukacs and ElizabethanDrama.org, 2020. This annotated play may be freely copied and distributed. THE HISTORY OF ORLANDO FURIOSO BY ROBERT GREENE Written c. 1590 Earliest Extant Edition: 1594 DRAMATIS PERSONÆ. INTRODUCTION to the PLAY Marsilius, Emperor of Africa Robert Greene's Orlando Furioso is a brisk play that Angelica, Daughter to Marsilius. is very loosely based on the great Italian epic poem of the Soldan of Egypt. same name. The storyline makes little logical sense, but Rodomont, King of Cuba. lovers of Elizabethan language will find the play to be enter- Mandricard, King of Mexico. taining, if insubstantial, reading. The highlights of Orlando Brandimart, King of the Isles. Furioso are comprised primarily of the comic scenes of Sacripant, a Count. the hero and knight Orlando, who has gone mad after losing Sacripant's Man. his love, the princess Angelica, interacting with local rustics, Orlando, a French Peer. who in the fashion of the age are, though ostensibly inter- Orgalio, Page to Orlando. national, thoroughly English. Though never to be confused Medor, Friend to Angelica. with the greatest works of the age, Greene's Orlando de- serves to be read, and perhaps even occasionally staged. French Peers: Ogier. OUR PLAY'S SOURCE Namus. Oliver. The text of this play was originally adapted from the Turpin. 1876 edition of Greene's plays edited by Alexander Dyce, Several other of the Twelve Peers of France, whose but was then carefully compared to the original 1594 quarto. -
Jonesexcerpt.Pdf
2 The Texts—An Overview N’ot que trois gestes en France la garnie; ne cuit que ja nus de ce me desdie. Des rois de France est la plus seignorie, et l’autre aprés, bien est droiz que jeu die, fu de Doon a la barbe florie, cil de Maience qui molt ot baronnie. De ce lingnaje, ou tant ot de boidie, fu Ganelon, qui, par sa tricherie, en grant dolor mist France la garnie. La tierce geste, qui molt fist a prisier, fu de Garin de Monglenne au vis fier. Einz roi de France ne vodrent jor boisier; lor droit seignor se penerent d’aidier, . Crestïenté firent molt essaucier. [There were only threegestes in wealthy France; I don’t think any- one would ever contradict me on this. The most illustrious is the geste of the kings of France; and the next, it is right for me to say, was the geste of white-beardedPROOF Doon de Mayence. To this lineage, which was full of disloyalty, belonged Ganelon, who, by his duplic- ity, plunged France into great distress. The thirdgeste , remarkably worthy, was of the fierce Garin de Monglane. Those of his lineage never once sought to deceive the king of France; they strove to help their rightful lord, . and they advanced Christianity.] Bertrand de Bar-sur-Aube, Girart de Vienne Since the Middle Ages, the corpus of chansons de geste has been di- vided into groups based on various criteria. In the above prologue to the thirteenth-century Girart de Vienne, Bertrand de Bar-sur-Aube classifies An Introduction to the Chansons de Geste by Catherine M. -
Contact the Phoenix Project
CONTACT THE PHOENIX PROJECT “YE SHALL KNOW THE TRUTH AND THE TRUTH SHALL MAKE YOU MAD!n VOLUME 7, NUMBER 10 NEWS REVIEW $ 3.00 JANUARY 3, 1995 SpotlightNow l?h$zg On Arkansas Gov. Guy Tucker Free RichardWavne Snell! J/2/95 #l HATONN EDITORIAL TO GOVERNOR GUY TUCKER, ARKANSAS: * Mr. Tucker-the eyes of the WORLD are focused ON YOU. We know you INSIDE THIS ISSUE thought the opening of 1995 would be parades of roses and re-inforced rings- through-noses as the New World Order settles in for the FINAL KILL. NO SIR, To Better See Our Plight, Look To Canadian Parasites, p.2 we-the-people are not only not going to march to the ring-bear-er, we aregoing to hang rings on or about the alternativeportions of anatomy of the PARASITES The (C.I.A.) Pipeline, Part XII, p.6 who have taken our FREE NATION which was once UNDER GOD WITH LIBERTY AND JUSTICE for ALL. Recent Sky Activity Is Secret Technology In Action, p.8 As you will find as you turn through this paper- WE KNOW!! We KNOW Donahue Show Tries To Railroad Militias, p.8 all about the antics and total miscarriage of all Justice in our sick judicial system and throughout the so-called *‘government(s)” of our also ONCE Great Parasites, Pets And Other Ethical Matters, p. 12 Nation. You have opportunity here, with the spotlight shining directly upon your Criminal Benchwarming Judges? Keep Patriot SpotIight Blazing, p. 14 person-to SERVE: the people, God and OUR Country. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter 6ce, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell & Howell Infoimation Company 300 North Zeeb Road, Ann Arbor Ml 48106-1346 USA 313/761-4700 800/521-0600 FICTION, REALITY, AND FEMALE SUICIDE DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Elizabeth L. -
As Above, So Below. Astrology and the Inquisition in Seventeenth-Century New Spain
Department of History and Civilization As Above, So Below. Astrology and the Inquisition in Seventeenth-Century New Spain Ana Avalos Thesis submitted for assessment with a view to obtaining the degree of Doctor of History and Civilization of the European University Institute Florence, February 2007 EUROPEAN UNIVERSITY INSTITUTE Department of History and Civilization As Above, So Below. Astrology and the Inquisition in Seventeenth-Century New Spain Ana Avalos Thesis submitted for assessment with a view to obtaining the degree of Doctor of History and Civilization of the European University Institute Examining Board: Prof. Peter Becker, Johannes-Kepler-Universität Linz Institut für Neuere Geschichte und Zeitgeschichte (Supervisor) Prof. Víctor Navarro Brotons, Istituto de Historia de la Ciencia y Documentación “López Piñero” (External Supervisor) Prof. Antonella Romano, European University Institute Prof. Perla Chinchilla Pawling, Universidad Iberoamericana © 2007, Ana Avalos No part of this thesis may be copied, reproduced or transmitted without prior permission of the author A Bernardo y Lupita. ‘That which is above is like that which is below and that which is below is like that which is above, to achieve the wonders of the one thing…’ Hermes Trismegistus Contents Acknowledgements 4 Abbreviations 5 Introduction 6 1. The place of astrology in the history of the Scientific Revolution 7 2. The place of astrology in the history of the Inquisition 13 3. Astrology and the Inquisition in seventeenth-century New Spain 17 Chapter 1. Early Modern Astrology: a Question of Discipline? 24 1.1. The astrological tradition 27 1.2. Astrological practice 32 1.3. Astrology and medicine in the New World 41 1.4. -
ROSALIND-The-Facts-T
THE PLAY “AS YOU LIKE IT” THE WOMAN ROSALIND THE FACTS WRITTEN: The year of 1599 was an especially busy year for Williams Shakespeare who wrote four plays for the Globe stage – “Much Ado About Nothing”, “Henry V”, “Julius Caesar” and “As You Like It”. PUBLISHED: The play was first published in the famous First Folio of 1923 AGE: The Bard was 35 years old when he wrote the play. (Born 1564-Died 1616) CHRONO: “As You Like It” holds the 21st position in the canon of 39 plays immediately after “Julius Caesar” and before “Hamlet” in 1601 GENRE: The play is most often joined with “The Two Gentlemen of Verona” and “The Comedy of Errors” to comprise the trio of “Early Comedies”. SOURCE: Shakespeare’s principal source was a prose pastoral romance, “Rosalynd”, published in 1590 by the English poet Thomas Lodge and “improved upon beyond measure” (Bloom); the two key characters of Touchstone and Jaques were Shakespeare’s memorable creations. TIMELINE: The action of the play covers a brief number of weeks allowing for the “to-ing & fro-ing” of getting from the Palace to the Forest. FIRST PERFORMANCE: The play’s first performance is uncertain although a performance at Wilton House – an English country house outside of London and the seat of the Earl of Pembroke – has been suggested as a possibility. The play’s popularity must surely have found its place in frequent Globe seasons but no records seem to attest to that fact. Page 2 “PASTORALS”: “There is a unique bucolic bliss that is conventional in pastorals, for it is common for people trapped in the hurly-burly of the crowded haunts of men to imagine wrongly that there is some delight in a simple life that existed in the ‘good old days’. -
A Uses and Gratifications Perspective of the Relationships Among Consumption of Government-Conspiracy-Theory-Oriented Media Fare
A Uses and Gratifications Perspective of the Relationships among Consumption of Government-Conspiracy-Theory-Oriented Media Fare, Trust in Government, and Political Participation A dissertation submitted to the College of Communication and Information of Kent State University in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Communication Studies by Rekha Sharma August, 2017 Dissertation written by Rekha Sharma B.S., Kent State University, 2002 M.A., Kent State University, 2004 M.S., Kent State University, 2004 Ph.D., Kent State University, 2017 Approved by ________________________________ Paul M. Haridakis, Ph.D., Chair, Doctoral Dissertation Committee ________________________________ Danielle S. Coombs, Ph.D., Member, Doctoral Dissertation Committee ________________________________ Janet R. Meyer, Ph.D., Member, Doctoral Dissertation Committee ________________________________ James D. Ponder, Ph.D., Member, Doctoral Dissertation Committee Accepted by _________________________________ Elizabeth Graham, Ph.D., Director, School of Communication Studies _________________________________ Amy Reynolds, Ph.D., Dean, College of Communication and Information ii Table of Contents Page TABLE OF CONTENTS ............................................................................................................... iii LIST OF FIGURES ........................................................................................................................v LIST OF TABLES ....................................................................................................................... -
Arkansas Supreme Court Project Arkansas Supreme Court Historical Society Interview with Ray Thornton Little Rock, Arkansas September 20, 2011
This oral history with former Justice Ray Thornton was conducted in two parts, on September 20, 2011, by Scott Lunsford of the David and Barbara Pryor Center for Oral and Visual History at the University of Arkansas and on February 21, 2013, by Ernest Dumas. The second interview goes into more detail on some aspects of his political career, particularly the Supreme Court. The Dumas interview follows the end of the Lunsford interview. Arkansas Supreme Court Project Arkansas Supreme Court Historical Society Interview with Ray Thornton Little Rock, Arkansas September 20, 2011 Interviewer: Scott Lunsford Scott Lunsford: Today’s date is September 20 and the year is 2011 and we’re in Little Rock at 1 Gay Place. I’m sorry, I don’t know the name of the person whose residence we are at, but we decided we wanted kind of a quiet, withdrawn place to do this interview and Julie Baldridge, your loyal helper… Ray Thornton: She and I have worked together for many years and she is really an extraordinary person. And on this day she has just been named the interim director of the Arkansas Scholarship Lottery Commission staff in Little Rock. SL: That’s a great honor. RT: Well, it is for her and she deserves it. SL: Well, we’re very grateful for her help in finding this place and getting us together. Let me say first that it is a great honor to be sitting across from you and I’ve looked forward to this for some time. Now, let me give you a brief description of what we’re doing here. -
Finding Voice
Finding Voice by Bonnie Nish B.A., University of Toronto, 1985 Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in the Arts Education Program Faculty of Education © Bonnie Nish 2012 SIMON FRASER UNIVERSITY Fall 2012 All rights reserved. However, in accordance with the Copyright Act of Canada, this work may be reproduced, without authorization, under the conditions for “Fair Dealing.” Therefore, limited reproduction of this work for the purposes of private study, research, criticism, review and news reporting is likely to be in accordance with the law, particularly if cited appropriately. Approval Name: Bonnie Nish Degree: Master of Arts Education Title of Thesis: Finding Voice Examining Committee: Chair: Allan McKinnon, Associate Professor Carolyn Mamchur Senior Supervisor Professor Celeste Snowber Supervisor Professor David Paterson External Examiner Associate Dean, Undergraduate, Education Simon Fraser University Date Defended/Approved: November 15, 2012 ii Partial Copyright Licence iii Abstract Individuation, as defined by Jung, is a process that we go through which allows us to examine who we are as we delve into our shadows. These shadows both shape and constrain us as teachers, as partners, as parents and as human beings. As we seek to uncover all the hidden meanings, we throw off the constraints imposed upon us by the world. We are then able to mine our inner depths in order that we may discover our authentic selves. Having gone through this process, we as educators and artists, have some profound messages to bring to our students, and the world around us. Through the use of both poetic inquiry and autobiographical inquiry I illustrate how Jung’s theory of the process of individuation works. -
0 Musical Borrowing in Hip-Hop
MUSICAL BORROWING IN HIP-HOP MUSIC: THEORETICAL FRAMEWORKS AND CASE STUDIES Justin A. Williams, BA, MMus Thesis submitted to the University of Nottingham for the degree of Doctor of Philosophy September 2009 0 Musical Borrowing in Hip-hop Music: Theoretical Frameworks and Case Studies Justin A. Williams ABSTRACT ‗Musical Borrowing in Hip-hop‘ begins with a crucial premise: the hip-hop world, as an imagined community, regards unconcealed intertextuality as integral to the production and reception of its artistic culture. In other words, borrowing, in its multidimensional forms and manifestations, is central to the aesthetics of hip-hop. This study of borrowing in hip-hop music, which transcends narrow discourses on ‗sampling‘ (digital sampling), illustrates the variety of ways that one can borrow from a source text or trope, and ways that audiences identify and respond to these practices. Another function of this thesis is to initiate a more nuanced discourse in hip-hop studies, to allow for the number of intertextual avenues travelled within hip-hop recordings, and to present academic frameworks with which to study them. The following five chapters provide case studies that prove that musical borrowing, part and parcel of hip-hop aesthetics, occurs on multiple planes and within myriad dimensions. These case studies include borrowing from the internal past of the genre (Ch. 1), the use of jazz and its reception as an ‗art music‘ within hip-hop (Ch. 2), borrowing and mixing intended for listening spaces such as the automobile (Ch. 3), sampling the voice of rap artists posthumously (Ch. 4), and sampling and borrowing as lineage within the gangsta rap subgenre (Ch. -
PONDER REVIEW Volume 2 • Issue 2 Fall 2018 PONDER REVIEW
PONDER REVIEW Volume 2 • Issue 2 Fall 2018 PONDER REVIEW Editors Jacqueline Clowney, Madelain Garcia, Elizabeth Hines, William Kessler, Lauren Ostrander, Daniel Putney, Lauren Rhoades, Thomas Richardson, Bailey Hammond Robertson, Maggie Sanderson Advisor Brandy Wilson Ponder Review is published bi-annually by the low-residency MFA program in creative writing at Mississippi University for Women. The views expressed herein are those of the writers, not the editors or Mississippi University for Women. Ponder Review considers new media, visual art, creative nonfiction, fiction, flash fiction, and poetry twice a year from December 15 – March 15 and June 15 – September 15. No previously published material will be accepted. See our website for full submission guidelines: PonderReview.com Single copies are $12 and subscriptions are $20 per year for addresses within the United States. Foreign postage is additional. For submissions and subscriptions use Submittable: ponderreview.submittable.com All rights revert to the authors after publication; however, we reserve the right to reprint online and in anthologies of the magazine. For the rights to perform plays or to reprint any work published in Ponder Review, please contact the author. As a courtesy, the editors are willing to assist in establishing contact whenever possible. We request Ponder Review be credited with initial publication. Queries or other correspondence may be emailed to: [email protected]. Queries and subscriptions sent by mail should be addressed to: The Editors, Ponder Review, MFA Creative Writing, 1100 College St., W-1634, Columbus, MS 39701. ISSN 2572-6455 (print) ISSN 2572-6463 (online) Copyright © 2018 Mississippi University for Women Cover Art by Seungkyung Oh • “Cactus Woman” A Note to Readers As we at Ponder Review close out our second year of publishing thought-provoking pieces of literature, art, and new media, we continue to discuss our identity as a magazine.