Popular Music in Ghana: Women and the Changing Perspectives on Gender and Sexuality
POPULAR MUSIC IN GHANA: WOMEN AND THE CHANGING PERSPECTIVES ON GENDER AND SEXUALITY A thesis submitted to the College of the Arts of Kent State University in partial fulfillment of the requirements for the degree of Master of Arts By Samuel Boateng May, 2016 Thesis written by Samuel Boateng B.F.A., University of Ghana, Legon, 2013 M.A., Kent State University, 2016 Approved by ________________________________________________________ Kazadi wa MuKuna, Ph.D., Advisor _________________________________________________________ Ralph Lorenz, Ph.D., Interim Director, School of Music _________________________________________________________ John Crawford-Spinelli, Ed. D., Dean, College of the Arts BOATENG, SAMUEL, M.A., May 2016 POPULAR MUSIC IN GHANA: WOMEN AND THE CHANGING PERSPECTIVES ON GENDER AND SEXUALITY (pp. 119) Director of Thesis: KAZADI wa MUKUNA The traditional concepts of gender and sexuality permeate several socio- cultural spheres in Ghana that include religion, education, and popular music. This study shows that female popular musicians in Ghana are challenging these culturally accepted perspectives of gender roles and sexuality in the country, and that they are also presenting a different narrative about women and womanhood that go contrary to those presented by their male counterparts. The study demonstrates that some selected female musicians accomplish this challenge through their song lyrics and music videos. Chapter one contains an introduction to the study and a general overview of the history of popular music in Ghana. Chapter two focuses on the implications of gender and sexuality in Ghana and concludes with a brief analysis of songs to show the images of women presented by male musicians. Chapter three deals with the social and musical roles of women, the gradual rise of women in the popular music scene of Ghana, and it concludes with discussions on some of the challenges faced by women musicians in the country.
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