2017 Program Book
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July 14–19, 2019 on the Campus of Belmont University at Austin Peay State University
July 14–19, 2019 On the Campus of Belmont University at Austin Peay State University OVER 30 years as Tennessee’s only Center of Excellence for the Creative Arts OVER 100 events per year OVER 85 acclaimed guest artists per year Masterclasses Publications Performances Exhibits Lectures Readings Community Classes Professional Learning for Educators School Field Trip Grants Student Scholarships Learn more about us at: Austin Peay State University does not discriminate on the basis of race, color, religion, creed, national origin, sex, sexual orientation, gender identity/expression, disability, age, status as a protected veteran, genetic information, or any other legally protected class with respect to all employment, programs and activities sponsored by APSU. The Premier Summer Teacher Training Institute for K–12 Arts Education The Tennessee Arts Academy is a project of the Tennessee Department of Education and is funded under a grant contract with the State of Tennessee. Major corporate, organizational, and individual funding support for the Tennessee Arts Academy is generously provided by: Significant sponsorship, scholarship, and event support is generously provided by the Belmont University Department of Art; Community Foundation of Middle Tennessee; Dorothy Gillespie Foundation; Solie Fott; Bobby Jean Frost; KHS America; Sara Savell; Lee Stites; Tennessee Book Company; The Big Payback; Theatrical Rights Worldwide; and Adolph Thornton Jr., aka Young Dolph. Welcome From the Governor of Tennessee Dear Educators, On behalf of the great State of Tennessee, it is my honor to welcome you to the 2019 Tennessee Arts Academy. We are so fortunate as a state to have a nationally recognized program for professional development in arts education. -
Vanya and Sonia and Masha and Spike
VANYA AND SONIA AND MASHA AND SPIKE BY CHRISTOPHER DURANG DRAMATISTS PLAY SERVICE INC. VANYA AND SONIA AND MASHA AND SPIKE Copyright © 2014, Christopher Durang All Rights Reserved CAUTION: Professionals and amateurs are hereby warned that performance of VANYA AND SONIA AND MASHA AND SPIKE is subject to payment of a royalty. It is fully protected under the copyright laws of the United States of America, and of all countries covered by the International Copyright Union (including the Dominion of Canada and the rest of the British Commonwealth), and of all countries covered by the Pan-American Copyright Convention, the Universal Copyright Convention, the Berne Convention, and of all countries with which the United States has reciprocal copyright relations. All rights, including without limitation professional/amateur stage rights, motion picture, recitation, lecturing, public reading, radio broadcasting, television, video or sound recording, all other forms of mechanical, electronic and digital reproduction, transmission and distribution, such as CD, DVD, the Internet, private and file-sharing networks, information storage and retrieval systems, photocopying, and the rights of translation into foreign languages are strictly reserved. Particular emphasis is placed upon the matter of readings, permission for which must be secured from the Author’s agent in writing. The English language stock and amateur stage performance rights in the United States, its territories, possessions and Canada for VANYA AND SONIA AND MASHA AND SPIKE are controlled exclusively by DRAMATISTS PLAY SERVICE, INC., 440 Park Avenue South, New York, NY 10016. No professional or nonprofessional performance of the Play may be given without obtaining in advance the written permission of DRAMATISTS PLAY SERVICE, INC., and paying the requisite fee. -
A Study of the Rap Music Industry in Bogota, Colombia by Laura
The Art of the Hustle: A Study of the Rap Music Industry in Bogota, Colombia by Laura L. Bunting-Hudson Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy under the Executive Committee of the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2017 © 2017 Laura L. Bunting-Hudson All Rights Reserved ABSTRACT The Art of the Hustle: A Study of the Rap Music Industry in Bogota, Colombia Laura L. Bunting-Hudson How do rap artists in Bogota, Colombia come together to make music? What is the process they take to commodify their culture? Why are some rappers able to become socially mobile in this process, while others are less so? What is technology’s role in all of this? This ethnography explores those questions, as it carefully documents the strategies utilized by various rap groups in Bogota, Colombia to create social mobility, commoditize products and to create a different vision of modernity within the hip-hop community, as an alternative to the ideals set forth by mainstream Colombian society. Resistance Art Poetry (RAP), is said to have originated in the United States but has become a form of international music. In conducting ethnographic research from December of 2012 to October 2014, I was able to discover how rappers organize themselves politically, how they commoditize their products and distribute them to create various types of social mobilities. In this dissertation, I constructed models to typologize rap groups in Bogota, Colombia, which I call polities of rappers to discuss how these groups come together, take shape, make plans and execute them to reach their business goals. -
2013 Skyhawk Volleyball 3 HHEADEAD CCOACHOACH DDARRINARRIN Mmcclurecclure
UT MARTIN SKYHAWKS 2013 VOLLEYBALL 22013013 SSkyhawkkyhawk VVolleyballolleyball 22013013 UUTT MMARTINARTIN SSKYHAWKKYHAWK VVOLLEYBALLOLLEYBALL ##11 LynseyLynsey HazelwoodHazelwood ##22 CColleenolleen LLarsonarson ##33 EEmilymily KeatonKeaton ##44 CChelseahelsea BBowlesowles OOHH • 55-10-10 • SSophomoreophomore LL/DS/DS • 55-5-5 • FreshmanFreshman OOHH • 66-1-1 • JJuniorunior LL/DS/DS • 55-4-4 • SSophomoreophomore LLouisville,ouisville, KKy.y. NNaperville,aperville, IIll.ll. SSt.t. CCharles,harles, MMo.o. LLouisville,ouisville, KKy.y. ((HolyHoly CrossCross HS)HS) ((NapervilleNaperville NNorthorth HHS)S) ((IncarnateIncarnate WWordord AAcademy)cademy) ((AssumptionAssumption HS)HS) ##55 AAlishalisha EErvesrves ##66 SShelbyhelby HHoskinsoskins ##99 JJuliaulia DDevinneyevinney ##1111 AAlliellie WWhimpeyhimpey MMBB • 55-11-11 • FreshmanFreshman MMBB • 66-0-0 • SSophomoreophomore MMBB • 66-2-2 • FreshmanFreshman OOHH • 66-0-0 • JJuniorunior TTyrone,yrone, GGa.a. NNewew AAlbany,lbany, IInd.nd. PPlano,lano, TTexasexas CCary,ary, IIll.ll. ((SandySandy CCreekreek HHS)S) ((NewNew AAlbanylbany HHS)S) ((PlanoPlano WWestest SSeniorenior HHS)S) ((Cary-GroveCary-Grove HHS)S) ##1414 AAmandamanda CCraskrask ##1818 MMichelleichelle MMcLaughlincLaughlin ##2121 KKellyelly HHoganogan ##3535 MMadisonadison WWesslingessling S • 55-7-7 • SSophomoreophomore OOHH • 5-105-10 • FreshmanFreshman OOHH • 55-9-9 • RR-Senior-Senior OOHH • 5-105-10 • FreshmanFreshman LLouisville,ouisville, KKy.y. BBartlett,artlett, IIll.ll. SSt.t. CCharles,harles, IIll.ll. LLouisville,ouisville, -
2016-17 Ut Martin Skyhawk Men's Basketball
UT MARTIN SKYHAWKS 2016-17 MEN’S BASKETBALL 22016-17016-17 UUTT MMARTINARTIN SSKYHAWKKYHAWK MMEN’SEN’S BBASKETASKETBBALLALL ##00 JALENJALEN JJACKSONACKSON ##11 MMATTHEWATTHEW BBUTLERUTLER ##22 JJACOLBYACOLBY MMOBLEYOBLEY ##33 DDANTEANTE BAILEYBAILEY ##44 KKEDAREDAR EDWARDSEDWARDS ##55 MMIKEIKE FFOFANAOFANA G • 66-1-1 • 160160 • Jr.Jr. G • 66-2-2 • 118585 • R-Jr.R-Jr. G • 66-0-0 • 116060 • R-Sr.R-Sr. F • 66-6-6 • 220220 • Jr.Jr. F • 66-5-5 • 200200 • R-Sr.R-Sr. F • 66-8-8 • 190190 • Fr.Fr. CCleveland,leveland, OOhiohio MMemphis,emphis, TTenn.enn. SStarkville,tarkville, MMiss.iss. CChicago,hicago, Ill.Ill. BBrooklyn,rooklyn, NNYY MMemphis,emphis, TTenn.enn. ##1010 CCHANDLERHANDLER RROWEOWE ##1111 AAJJ NNYWESHYWESH ##1212 FFATODDATODD LEWISLEWIS ##1313 MMALIKALIK PUGHPUGH ##1414 TTRAVAUNRAVAUN COADCOAD F • 66-7-7 • 205205 • Sr.Sr. G • 66-4-4 • 175175 • Jr.Jr. F • 66-8-8 • 215215 • R-So.R-So. G • 66-1-1 • 165165 • R-So.R-So. G • 66-1-1 • 170170 • JJr.r. AAtlanta,tlanta, GGa.a. AAustin,ustin, MMinn.inn. MMemphis,emphis, TTenn.enn. DDyersburg,yersburg, TTenn.enn. WWestest LLawn,awn, PPa.a. ##2121 MMALIKALIK LLONDONONDON ##2222 KKAHARIAHARI BBEAUFORTEAUFORT ##2525 JJAVIERAVIER MMARTINEZARTINEZ ##3333 NNEHEMIAHEHEMIAH MMABSONABSON ##4444 NNICKICK DDETLEVETLEV F • 66-8-8 • 190190 • R-Sr.R-Sr. G • 66-4-4 • 185185 • JJr.r. F • 66-7-7 • 210210 • Sr.Sr. F • 6-66-6 • 250250 • Jr.Jr. C • 77-2-2 • 222525 • R-So.R-So. JJacksonackson HHamlet,amlet, NNCC HHartford,artford, CConn.onn. SSt.t. CCroix,roix, VVirginirgin IIslandsslands LLexington,exington, KKy.y. EEuclid,uclid, OhioOhio AANTHONYNTHONY SSTEWARTTEWART JJERMAINEERMAINE JJOHNSONOHNSON AALEXLEX IRELANDIRELAND DDeANDREeANDRE WALKERWALKER AALILI PPARVAZARVAZ GGREGREG MMAJCHRZAKAJCHRZAK HHeadead CCoachoach • 11stst YYr.r. -
67Th Annual Tony Awards
The American Theatre Wing's The 2013 Tony Awards® Sunday, June 9th at 8/7c on CBS 67TH ANNUAL TONY AWARDS Best Play Best Performance by an Actress in a Leading Role in a Musical Best Costume Design of a Musical The! Assembled Parties (Richard Greenberg) Stephanie! J. Block, The Mystery of Edwin Drood Gregg! Barnes, Kinky Boots Lucky Guy (Nora Ephron) Carolee Carmello, Scandalous Rob Howell, Matilda The Musical The Testament of Mary (Colm Toíbín) Valisia LeKae, Motown The Musical Dominique Lemieux, Pippin Vanya and Sonia and Masha and Spike (Christopher Durang) Patina Miller, Pippin William Ivey Long, Rodgers + Hammerstein’s Cinderella Laura Osnes, Rodgers + Hammerstein’s Cinderella Best Musical Bring! It On: The Musical Best Performance by an Actor in a Featured Role in a Play Best Lighting Design of a Play A Christmas Story, The Musical Danny! Burstein, Golden Boy Jules! Fisher & Peggy Eisenhauer, Lucky Guy Kinky Boots Richard Kind, The Big Knife Donald Holder, Golden Boy Matilda The Musical Billy Magnussen, Vanya and Sonia and Masha and Spike Jennifer Tipton, The Testament of Mary Tony Shalhoub, Golden Boy Japhy Weideman, The Nance Best Book of a Musical Courtney B. Vance, Lucky Guy A! Christmas Story, The Musical (Joseph Robinette) Best Lighting Design of a Musical Kinky Boots (Harvey Fierstein) Best Performance by an Actress in a Featured Role in a Play Kenneth! Posner, Kinky Boots Matilda The Musical (Dennis Kelly) Carrie! Coon, Who’s Afraid of Virginia Woolf? Kenneth Posner, Pippin Rodgers + Hammerstein’s Cinderella (Douglas Carter -
Eastern Illinois University Athletics
EASTERN ILLINOIS 2013-14 Women’s Basketball EASTERN ILLINOIS (11-13, 6-7 OVC) SCHEDULE/RESULTS at Belmont (12-14, 9-4 OVC) N 8 at Evansville ....................................... L 46-81 Feb. 22, 2014 • 2 p.m. N 12 INDIANA STATE ............................... L 53-65 Curb Event Center • Nashville, Tenn. N 15 at Saint Louis ...................................... L 52-71 Radio: Hit Mix 88.9 FM • TV: None N 21 LOYOLA-CHICAGO .........................W 81-80 (Rich Moser) N 25 WESTERN ILLINOIS ........................W 68-64 HC: Debbie Black HC: Cameron Newbauer ^ UMKC Thanksgiving Tournament GAME 25 N 29 vs. UAB ^ ............................................ L 46-79 Eastern Illinois wraps up play against Ohio Valley Conference East Division N 30 at UMKC ^ .......................................... L 62-69 members this Saturday with an afternoon contest at Belmont. EIU opened D 4 at Bradley ..........................................W 71-67 conference play with five straight games against the OVC East posting a 2- D 16 at Southern Illinois .............................. L 60-66 3 record. The Panthers were 5-1 against the OVC East last year in the first season of the divisional format. EIU improved to 11-13 overall, 6-7 in the OVC # North Florida Holiday Tournament D 20 vs. Georgia Southern # .....................W 57-50 on Monday night as they beat Austin Peay, 65-63, for the Panthers first road D 21 vs. Air Force #....................................W 76-44 conference win. EIU is 2-9 in road games this year. Belmont won on Saturday over Tennessee State as the Bruins took over first place in the OVC East Division D 28 • TENNESSEE STATE ......................W 80-70 standings with a 12-14 record, 9-4 in the OVC. -
Abstract Humanities Jordan Iii, Augustus W. B.S. Florida
ABSTRACT HUMANITIES JORDAN III, AUGUSTUS W. B.S. FLORIDA A&M UNIVERSITY, 1994 M.A. CLARK ATLANTA UNIVERSITY, 1998 THE IDEOLOGICAL AND NARRATIVE STRUCTURES OF HIP-HOP MUSIC: A STUDY OF SELECTED HIP-HOP ARTISTS Advisor: Dr. Viktor Osinubi Dissertation Dated May 2009 This study examined the discourse of selected Hip-Hop artists and the biographical aspects of the works. The study was based on the structuralist theory of Roland Barthes which claims that many times a performer’s life experiences with class struggle are directly reflected in his artistic works. Since rap music is a counter-culture invention which was started by minorities in the South Bronx borough ofNew York over dissatisfaction with their community, it is a cultural phenomenon that fits into the category of economic and political class struggle. The study recorded and interpreted the lyrics of New York artists Shawn Carter (Jay Z), Nasir Jones (Nas), and southern artists Clifford Harris II (T.I.) and Wesley Weston (Lii’ Flip). The artists were selected on the basis of geographical spread and diversity. Although Hip-Hop was again founded in New York City, it has now spread to other parts of the United States and worldwide. The study investigated the biography of the artists to illuminate their struggles with poverty, family dysfunction, aggression, and intimidation. 1 The artists were found to engage in lyrical battles; therefore, their competitive discourses were analyzed in specific Hip-Hop selections to investigate their claims of authorship, imitation, and authenticity, including their use of sexual discourse and artistic rivalry, to gain competitive advantage. -
Conference Program
Connecting Jewish Theatre To the World CONFERENCE PROGRAM AJT Board/Staff Staff Executive Director: Jeremy Aluma Registrar/Finance: Marcy Segal Website Creative/Graphic Designer: Michelle Shapiro Conference Stage Manager/Program Designer: Danny Debner Executive Board President: Hank Kimmel Vice-president: Wendy Kout Vice-president: Ralph Meranto Vice-president: Deborah Baer Mozes Secretary: Jesse Bernstein Treasurer: Susan Lodish Immediate Past President: David Y. Chack Members-at-Large Social Media Manager: Danielle Levsky Toby Klein Greenwald Ronda Spinak Adam Immerwahr Robyn Israel Ex Officio Mira Hirsch Ellen Schiff Robert Skloot Honorary Board Tovah Feldshuh Adam Kantor Theodore Bikel (z”l) We wish to express our gratitude to the Performers’ Unions: ACTORS’ EQUITY ASSOCIATION AMERICAN GUILD OF MUSICAL ARTISTS AMERICAN GUILD OF VARIETY ARTISTS SAG-AFTRA through Theatre Authority, Inc. for their cooperation in permitting the Artists (Tessa Aubergenois, Arye Gross, Karen Malina White, Sally Wingert, Minka Wiltz, and Aviva Pressman) to appear on this program. Program Contents Day One Schedule – Sunday October 25 4 Mara Isaacs 5 Debórah Eliezer 6 Seraph-Eden Boroditsky 7 Lindsey Newman 8 Stories of Jewish Holidays 9 The Great Escape 10 Bubble Schmeisis (excerpt) 11 BJW (excerpt) 12 Imagining Heschel (excerpt) 13 Day Two Schedule – Monday October 26 14 Shimrit Ron 15 Igal Ezraty 16 Hadar Galron 17 Maya Arud Yasur 18 Noam Gil 19 Hanna Azoulay-Hasfari 20 Udi Ben Moshe 21 Joshua Harmon 22 Anike Tourse 23 András Borgula 24 Helen Marcos 25 Rachel -
Download This PDF File
Ethnicity and Race in a Changing World: A Review Journal Volume 3 Issue 1 2012 Copyright © 2012 Manchester University Press While copyright in the journal as a whole is vested in Manchester University Press, copyright in individual articles belongs to their respective authors and no chapters may be reproduced wholly or in part without the express permission in writing of both author and publisher. Articles, comments and reviews express only the personal views of the author. Published by Manchester University Press, Oxford Road, Manchester, M13 9NR www.manchesteruniversitypress.co.uk ISSN 1758-8685 Ethnicity and Race in a Changing World: A Review Journal is a biannual journal, semi peer reviewed and freely available online. Those planning to submit to the journal are advised to consult the guidelines found on the website. The journal is created and edited by the Ahmed Iqbal Ullah Race Relations Resource Centre, University of Manchester, J Floor, Sackville Street Building, Sackville Street Area, M60 1QD Telephone: 0161 275 2920 Email: [email protected] Ethnicity and Race in a Changing World: A Review Journal Volume 3 Issue 1 Spring 2012 Ethnicity and Race in a Changing World: A Review Journal Volume 3, Issue 1, 2012 Journal Editors: Emma Britain, University of Manchester Julie Devonald, University of Manchester Journal Sub-editors: Ruth Tait, University of Manchester Associate Editors: Professor Emeritus Lou Kushnick, University of Manchester Chris Searle, University of Manchester The Editorial Board: Akwasi Assensoh, Professor, Indiana University Alexander O. Boulton, Professor, Stevenson University Andrew Pilkington, Professor, University of Northampton and Director of Equality and Diversity Research Group Aubrey W. -
A-Bronx-Tale-Program-0F4ae47f5e
TOMMY MOTTOLA THE DODGERS TRIBECA PRODUCTIONS EVAMERE ENTERTAINMENT NEIGHBORHOOD FILMS in association with PAPER MILL PLAYHOUSE present Book by Music by Lyrics by CHAZZ PALMINTERI ALAN MENKEN GLENN SLATER Based on the Play by CHAZZ PALMINTERI with JOE BARBARA RICHARD H. BLAKE JOEY BARREIRO MICHELLE ARAVENA BRIANNA-MARIE BELL ANTONIO BEVERLY FRANKIE LEONI SHANE PRY MIKE BACKES MICHAEL BARRA SEAN BELL JOSHUA MICHAEL BURRAGE JOEY CALVERI GIOVANNI DiGABRIELE ALEX DORF JOHN GARDINER PETER GREGUS HALEY HANNAH KIRK LYDELL ASHLEY McMANUS CHRISTOPHER MESSINA ROBERT PIERANUNZI BRANDI PORTER KYLI RAE PAUL SALVATORIELLO BRITTANY WILLIAMS JASON WILLIAMS Scenic Design Costume Design Lighting Design Sound Design BEOWULF BORITT WILLIAM IVEY LONG HOWELL BINKLEY GARETH OWEN Hair and Wig Design Makeup Design Fight Coordinator Technical Supervision PAUL HUNTLEY ANNE FORD-COATES ROBERT WESTLEY HUDSON THEATRICAL ASSOCIATES Orchestrations Music Direction Period Music Consultant Music Coordinator DOUG BESTERMAN BRIAN P. KENNEDY JOHNNY GALE JOHN MILLER Associate Director Associate Choreographer Company Manager Production Stage Manager STEPHEN EDLUND MARC KIMELMAN JEFF MENSCH KELSEY TIPPINS Production Manager Casting Tour Booking, Marketing & Press General Management NETWORKS PRESENTATIONS TARA RUBIN CASTING BROADWAY BOOKING OFFICE NYC GENTRY & ASSOCIATES WALKER WHITE MERRI SUGARMAN, CSA GREGORY VANDER PLOEG Executive Producers Associate Producer DANA SHERMAN LAUREN MITCHELL SETH WENIG Music Supervision and Arrangements by RON MELROSE Choreography by SERGIO TRUJILLO -
FINDING HUMOUR in the PAIN Directing Christopher Durang and Albert Innaurato’S the Idiots Karamazov
FINDING HUMOUR IN THE PAIN Directing Christopher Durang and Albert Innaurato’s The Idiots Karamazov by Chris McGregor B.A. Drama, Bishop’s University, Lennoxville, Quebec 1987 A THESIS SUBMITTED N PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF FiNE ARTS in The Faculty of Graduate Studies (Theatre) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) August, 2009 © Chris McGregor, 2009 Abstract Finding Humour in the Pain-Directing Christopher Durang and Albert limaurato’s Play, The Idiots Karamazov examines the preparation, research, pre-production and rehearsal processes that went into staging The Idiots Karamazov at the University of British Columbia’s Frederic Wood Theatre from March l9to 28, 2009. This paper is broken down into 4 chapters detailing my goals to achieve a successful and relevant production for today’s audience. My rehearsal process was to inspire and guide all artists involved to act upon their creative impulses and to make this production a collaborative effort. Chapter 1 includes a biography of both playwrights, outlining their influences and a brief historical account ofhow The Idiots Karamazov evolved from an 8mm student film to a full-length professional production at Yale Repertory Theater. Chapter 2 provides a directorial analysis of the text and detailed methods and philosophies in directing from several well-known academics and theatre artists. Chapter 3 is a detailed journal chronicling the pre-production process including several e-mail correspondences with playwright, Christopher Durang. Also included in this chapter are several entries detailing early meetings with designers, daily accounts of the rehearsal process, production meetings, and fmally a description of three performances I attended during the run.