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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
In Less Than a Decade, DUFF Mckagan Shot
36-43 Duff feature 3/16/04 2:10 PM Page 36 36-43 Duff feature 3/16/04 2:14 PM Page 37 Bulletproof In less than a decade, DUFF McKAGAN shot from strung-out GUNS N’ ROSES megastar to sober bass-groovin’ dude for VELVET REVOLVER. Bass Guitar’s E.E. Bradman gets the rock-solid bass man in his sight. BG 37 36-43 Duff feature 3/16/04 4:25 PM Page 38 36-43 Duff feature 3/16/04 5:22 PM Page 39 “Every good rock band has to . You need that something that moves people.” uff McKagan knows covers-only Spaghetti Incident and the so-so Live Era didn’t measure up to the band’s HAIR FORCE ONE: about missed opportuni- Duff, with Rose and Slash, debut, and by 1992 Izzy and Adler had been in his GN’R daze ties. He was, after all, the replaced by Gilby Clarke and Matt Sorum. In founding bassist of the 1993, McKagan released his first solo album, legendary Guns N’ Roses, Believe in Me. Guns eventually crumbled, leaving an uncompleted (and still unreleased) whose rock-star excesses, album, tentatively titled Chinese Democracy, volatile live shows and incendiary in the balance. albums made them the biggest band in McKagan’s second effort, Beautiful D Disease, was lost to record company politics, the world before they spluttered to a but he stayed busy producing Betty Blow- messy close a decade later. But McKa- torch, playing several instruments with gan—who after a drug-and-alcohol- Screaming Trees vocalist Mark Lanegan, and related pancreas explosion 10 years ago handling guitar and bass duties for Iggy Pop, was told by doctors that his next drink Ten Minute Warning, Loaded, the Neurotic Outsiders (with John Taylor of Duran Duran would kill him—also knows a thing or and Steve Jones of the Sex Pistols) and the two about second chances. -
Psychiatry 1998; 59 (Suppl 20): 22–33; Quiz 4–57
Response to treatment with antidepressants and B vitamins 32 Bohn MJ, Babor TF, Kranzler HR. The Alcohol Use Disorders Identification effects for those with B12 deficiency and hyperhomocysteinemia. Stroke Test (AUDIT): validation of a screening instrument for use in medical settings. 2006; 37: 547–9. J Stud Alcohol 1995; 56: 423–32. 37 Jonsson K. Using panel data to increase the power of modified unit root tests 33 Folstein MF, Folstein SE, McHugh PR. ‘‘Mini-mental state’’. A practical in the presence of structural breaks. Appl Math Comput 2005; 171: 832–42. method for grading the cognitive state of patients for the clinician. 38 Group VTS. B vitamins in patients with recent transient ischaemic attack or J Psychiatr Res 1975; 12: 189–98. stroke in the VITAmins TO Prevent Stroke (VITATOPS) trial: a randomised, double-blind, parallel, placebo-controlled trial. Lancet Neurol 2010; 9: 34 Kroenke K, Spitzer RL, Williams JB. The PHQ-9: validity of a brief depression 855–65. severity measure. J Gen Intern Med 2001; 16: 606–13. 39 Brown RD, Langshaw MR, Uhr EJ, Gibson JN, Joshua DE. The impact of 35 Sheehan DV, Lecrubier Y, Sheehan KH, Amorim P, Janavs J, Weiller E, et al. mandatory fortification of flour with folic acid on the blood folate levels of The Mini-International Neuropsychiatric Interview (M.I.N.I.): the development an Australian population. Med J Aust 2011; 194: 65–7. and validation of a structured diagnostic psychiatric interview for DSM-IV and 40 Papakostas GI, Petersen T, Mischoulon D, Ryan JL, Nierenberg AA, ICD-10. J Clin Psychiatry 1998; 59 (suppl 20): 22–33; quiz 4–57. -
Guns N' Roses
Guns N’ Roses ‘Live And Let Die’ Guns N’ Roses SONG TITLE: LIVE AND LET DIE ALBUM: USE YOUR ILLUSION I RELEASED: 1991 LABEL: GEFFEN GENRE: HARD ROCK PERSONNEL: W. AXL ROSE (VOX) SLASH (GTR) IZZY STRADLIN (GTR) DUFF MCKAGAN (BASS) MATT SORUM (DRUMS) DIZZY REED (KEYS) UK CHART PEAK: N/A US CHART PEAK: 33 BACKGROUND INFO seven years before Axl Rose decided to fire all the members who remained in the mid 1990s. Sorum McCartney and James Bond get the Guns N’ Roses remained faithful to guitarist Slash and played in the treatment. This popular cover was released in 1991 latter’s Velvet Revolver band. Prior to that, Sorum at a time when G N’ R was probably the most famous was a regular guest drummer for The Cult and played band on the planet. This is naturally a heavier version drums for a very young Tori Amos on her first tour. than the 1972 original but they still captured a lot of More recently Sorum has contributed to a Buddy Rich the song’s underlying humour and playfulness. The tribute album which showcased his technical abilities song features a mix of regular and half-time grooves in jazz drumming. along with a reggae-inspired middle section requiring the drummer to be alert and keep it tight. The player featured here is Matt Sorum. RECOMMENDED LISTENING The G N’ R legacy is based on six studio albums THE BIGGER PICTURE of which the most important by far is their debut, Appetite for Destruction (1987). This record single Matt Sorum’s big rock sound in Guns N’ Roses handedly propelled the band to superstardom and tends to obscure other aspects of his playing. -
Chinese Democracy Movement in U.S. Perspective
UCLA UCLA Pacific Basin Law Journal Title The Chinese Democracy Movement in U.S. Perspective Permalink https://escholarship.org/uc/item/0ch5w3f7 Journal UCLA Pacific Basin Law Journal, 10(2) Author Josephs, Hilary K. Publication Date 1992 DOI 10.5070/P8102021995 Peer reviewed eScholarship.org Powered by the California Digital Library University of California ARTICLES THE CHINESE DEMOCRACY MOVEMENT IN U.S. PERSPECTIVE Hilary K. Josephst TABLE OF CONTENTS PRECIS OF THE ANALYSIS ............................ 286 I. INTRODUCTION .................................. 287 A. The Democracy Movement in the context of change within the socialist bloc .................. 287 B. The appeal of the Democracy Movement to American observers .............................. 288 C. The reaction of informed observers to the Democracy Movement ........................... 289 D. The Democracy Movement as a vehicle for examining national implementation of international rights standards .................... 290 II. VALIDITY OF AN APPROACH ANALYZING FREE SPEECH IN CHINA FROM THE U.S. PERSPECTIVE ..................................... 293 A . Introduction .................................... 293 B. Arguments against a comparative approach ....... 293 C. Arguments favoring a comparative approach ..... 296 D. U.S. influence on China's human rights policy .... 297 III. BACKGROUND OF FREE SPEECH IN THE UNITED STATES AND CHINA WITH SPECIAL EMPHASIS ON THE LEGAL REGULATION OF DEMONSTRATIONS ............................... 298 t Associate Professor of Law, Syracuse University College of Law. The author would like to acknowledge the generous research support of the College of Law. Capa- ble research assistance was provided by Daniel Callahan, College of Law '91, and Michael Laws, College of Law '93. Rob Levy of the New York Civil Liberties Union supplied some of the original inspiration for this article. The author alone is responsible for any errors which remain. -
Guns N' Roses in Spain
Backstage Pass Volume 2 Issue 1 Article 2 2019 Guns N' Roses in Spain Ailey L. Butler University of the Pacific, [email protected] Ailey is a music industry major at UOP. She is hoping to break into the live music/touring scene of the music industry after being passionate about music her whole life. ...Read More This article was written as part of the curriculum for the Bachelor of Music in Music Management and the Bachelor of Science in Music Industry Studies at University of the Pacific. Each student conducted research based on his or her own areas of interest and study. To learn more about the program, visit: go.pacific.edu/musicindustry All images used from album covers are included under the Fair Use provision of U.S. Copyright law and remain the property of their respective copyright owners. Follow this and additional works at: https://scholarlycommons.pacific.edu/backstage-pass Part of the Arts Management Commons, Music Performance Commons, and the Radio Commons Recommended Citation Butler, Ailey L. (2019) "Guns N' Roses in Spain," Backstage Pass: Vol. 2 : Iss. 1 , Article 2. Available at: https://scholarlycommons.pacific.edu/backstage-pass/vol2/iss1/2 This Concert and Album Review is brought to you for free and open access by the Conservatory of Music at Scholarly Commons. It has been accepted for inclusion in Backstage Pass by an authorized editor of Scholarly Commons. For more information, please contact [email protected]. Butler: Guns N' Roses in Spain Guns N’ Roses in Spain By Ailey Butler This concert was held on July 1st, 2018 in Barcelona at the Estadi Olímpic Lluís Companys. -
Guns N' Roses to Continue Thrilling Fans with Newly
GUNS N’ ROSES TO CONTINUE THRILLING FANS WITH NEWLY ADDED NORTH AMERICAN STOPS ON THE NOT IN THIS LIFETIME TOUR Special Guests ZZ Top, Deftones, Sturgill Simpson, Royal Blood, LĪVE, and Our Lady Peace Announced for Various Stadium Shows New Stadium and Arena Dates Added to the NortH American Leg this August, October, and November Tickets On Sale Saturday, June 3 at LiveNation.com Los Angeles, CA (May 25th, 2017) – Unstoppable rock music icons Guns N’ Roses will electrify fans into the fall, announcing today a series of fifteen additional North American Stadium and Arena stops on their ongoing worldwide Not In This LifetIme Tour. Produced by Live Nation, the exhilarating global phenomenon is letting fans get closer with a newly added round of arena shows throughout the U.S. and Canada including stops at New York’s famed Madison Square Garden and Los Angeles’ Forum and Staples Center over Thanksgiving weekend. In addition to the arena shows, a larger-than-life performance for the people of Little Rock, AK has been added on August 5 at War Memorial Stadium. Tickets for the new StadIum and Arena dates go on sale to the general publIc startIng Saturday, June 3. Exclusive Guns N’ Roses VIP packages available for North American dates at vipnation.com. Special guests for the colossal stadium shows have also been revealed including ZZ Top on the El Paso, TX and San Antonio, TX dates; Deftones on the St. Louis, MO and Minneapolis, MN dates; Sturgill Simpson on the Denver, CO, Little Rock, AK, and Miami, FL dates; Royal Blood on the Vancouver, BC and George, WA dates; LĪVE on the Winston-Salem, NC and Hershey, PA dates; and Our Lady Peace on the Montreal, QC, Ottawa, ON, Winnipeg, MB, and Edmonton, AB dates. -
Robert Walser Published Titles My Music by Susan D
Running With the Devil : Power, Gender, title: and Madness in Heavy Metal Music Music/culture author: Walser, Robert. publisher: Wesleyan University Press isbn10 | asin: 0819562602 print isbn13: 9780819562609 ebook isbn13: 9780585372914 language: English Heavy metal (Music)--History and subject criticism. publication date: 1993 lcc: ML3534.W29 1993eb ddc: 781.66 Heavy metal (Music)--History and subject: criticism. Page i Running with the Devil Page ii MUSIC / CULTURE A series from Wesleyan University Press Edited by George Lipsitz, Susan McClary, and Robert Walser Published titles My Music by Susan D. Crafts, Daniel Cavicchi, Charles Keil, and the Music in Daily Life Project Running with the Devil: Power, Gender, and Madness in Heavy Metal Music by Robert Walser Subcultural Sounds: Micromusics of the West by Mark Slobin Page iii Running with the Devil Power, Gender, and Madness in Heavy Metal Music Robert Walser Page iv WESLEYAN UNIVERSITY PRESS Published by University Press of New England, Hanover, NH 03755 © 1993 by Robert Walser All rights reserved Printed in the United States of America 5 4 3 2 1 CIP data appear at the end of the book Acknowledgments for song lyrics quoted: "Electric Eye": Words and music by Glenn Tipton, Rob Halford, and K. K. Downing, © 1982 EMI APRIL MUSIC, INC. / CREWGLEN LTD. / EBONYTREE LTD. / GEARGATE LTD. All rights controlled and administered by EMI APRIL MUSIC, INC. International copyright secured. All rights reserved. Used by permission. "Suicide Solution": Words and music by John Osbourne, Robert Daisley, and Randy Rhoads, TRO© Copyright 1981 Essex Music International, Inc. and Kord Music Publishers, New York, N.Y. -
Gnr Flyer SE.Pdf
GAME FEATURES 21 Full-Length Studio Master Recordings of GNR Favorites Exclusive Original Pinball Music created and performed by Slash Exclusive Original Instrumentation and Sound Effect Recordings performed by Slash, Duff McKagan, and Richard Fortus Game Narration By Duff McKaganand Melissa Reese Additional Voice Recording by Axl Rose, Slash, Richard Fortus, Frank Ferrer, Dizzy Reed and GnR announcer MC Bob Timed Play option for every song Original Hand-Drawn digitally printed Playfield, Cabinet, and Backglass Artwork Live Footage and Concert Screen Animations from the Not In This Lifetime World Tour Showcased on the 27” Backbox Display Jukebox Attract Mode Option Selectable Content Settings: Family Friendly(default), Adult-Adds explicit songs, video content, and voice work 120 Watt 2.1 Stereo Sound System Bluetooth Headphone and WIFI Connectivity Drumstick Ramp: 2 Real Frank Ferrer Thunderchucker Vater Drumsticks Direction-Sensing Spinning Platinum Record Playfield Toy Sculptures: Slash’s Iconic Top Hat, Screaming Axl Rose, Concert Speaker Stack 2 Guitar Pic-shaped RGB Lit Spinners 30 RGB GNR Hexagonal Stage Lighting 7” Stage Display Showcasing Additional Game Rules and Animations All 21 Concert Songs playable as Multiball 5 Additional Unique Multiball Modes 4 Concert Booster Modes 4 Unique GNR Album Modes Not In This Lifetime Final Wizard Mode Familiar In-Song Performance Assessment Rock-it Meter New Non-Mechanical Ball Sensors 75+Mini-insert LEDs for World Tour Map and Music Notes Unique Guaranteed-Progress Inlane Configuration COMA -
Guns N' Roses 'Not in This Lifetime Tour'
FOR IMMEDIATE RELEASE Nina Jackson, SMG-NRG Park, 832.250.9274, [email protected] JUNE 23, 2016 Micah Pearl, SMG-NRG Park, 281.520.6896, [email protected] GUNS N' ROSES 'NOT IN THIS LIFETIME TOUR' Satellite and Online Download Information For Access To Opening Night Video and Photo Content Including Performance Highlights - Interviews - Behind The Scenes Satellite Coordinates/Timing For Broadcast TV Friday, June 24th, 2016 5:00am - 5:15am & 7:00am - 7:15AM EDT Galaxy 17 KU Transponder 20 Ch. Slot A UL Freq.14386.50H DL Freq. 12086.50V Data Rate 8.448 FEC ¾ Symbol Rate: 6.111 FTP Site For Digital Media ftp://mhp3.com/projects/Guns-N-Roses Username: mhp3uploader Password: MHP3uploader The 'Not In This Lifetime' tour is one of the biggest and most anticipated music events of the summer set to play in cities throughout North America including shows in New York, Los Angeles, Chicago, Toronto, Miami, San Francisco and more. Guns N’ Roses launched their return in spectacular fashion beginning with the Troubadour in Los Angeles on April 1 for their first live performance in more than 20 years followed by back- to-back arena shows in Vegas filling the house to the rafters, then Coachella for two weekends (April 16 and April 23) including a trip south of the border for two sold out stadium shows in Mexico on April 19-20…April saw almost a half million fans alone in North America! Guns N’ Roses’ are Axl Rose, Duff McKagan (bass), Slash (lead guitar), Dizzy Reed (keyboard), Richard Fortus (rhythm guitar), Frank Ferrer (drums), and Melissa Reese (keyboard). -
An Enigma Wrapped in a Riddle Shrouded in Mystery…Buckethead! by Fumaku! 6-13-08 (Friday the 13Th) Revised 2/4/10 Meet Buckethead…An Enigma Wrapped…Yada, Yada, Yada
An Enigma Wrapped in a Riddle Shrouded in Mystery…Buckethead! By FuMaku! 6-13-08 (Friday the 13th) Revised 2/4/10 Meet Buckethead…an enigma wrapped…yada, yada, yada. Most of you reading this have probably never heard of Buckethead, unless you’re into guitar-shredder extraordinaires and even then maybe not. Some of you may only be aware of Buckethead due to his brief brush with pop culture as a short lived guitar player for Axel Rose’s reconstituted Guns N Roses, though it was years before Chinese Democracy came out. I came to know of Buckethead after seeing him play second guitar with Primus at Ozzfest way back when in the 90’s. After seeing this strange, freakishly tall, bean pole with long hair wearing a porcelain white mask (devoid of expression) sporting a stylish KFC bucket as a hat… shred like an 80’s guitar god. I had to investigate further. After learning that Buckethead had CD’s available, I scoured all the local record stores (When there were Record Stores!) and was rewarded when I found two recently released discs at one of the stores. I would describe these albums as mostly instrumental, techno metal funk forays into prog rock, which I love, so I have been an avid fan ever since. Also since then I have come to realize that, to say Buckethead is prolific would be an understatement. Aside from releasing what seems to be several albums per year every year for nearly 20 years, Buckethead also plays on many other artists’ albums in addition to playing in side bands, such as Praxis, Colonel Claypool’s Bucket of Bernie Brains and, coming soon to a chicken coop near you, Science Faxtion. -
Canada Archives Canada Published Heritage Direction Du Branch Patrimoine De I'edition
REVIEW: A STAGEPLAY FOR TWO PLAYERS A Thesis Presented to The Faculty of Graduate Studies of The University of Guelph by DAVID JAMES BROCK In partial fulfillment of requirements For the degree of Master of Fine Arts August, 2008 © David James Brock, 2008 Library and Bibliotheque et 1*1 Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-42759-0 Our file Notre reference ISBN: 978-0-494-42759-0 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library permettant a la Bibliotheque et Archives and Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par Plntemet, prefer, telecommunication or on the Internet, distribuer et vendre des theses partout dans loan, distribute and sell theses le monde, a des fins commerciales ou autres, worldwide, for commercial or non sur support microforme, papier, electronique commercial purposes, in microform, et/ou autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in et des droits moraux qui protege cette these. this thesis. Neither the thesis Ni la these ni des extraits substantiels de nor substantial extracts from it celle-ci ne doivent etre imprimes ou autrement may be printed or otherwise reproduits sans son autorisation.