Easter Term 2019
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DANCING DAY MUSIC FORCHRISTMAS FIFTH AVENUE,NEWYORK JOHN SCOTT CONDUCTOR Matthew Martin (B
DANCING DAY MUSIC FOR CHRISTMAS SAINT THOMAS CHOIR OF MEN & BOYS, FIFTH AVENUE, NEW YORK JOHN SCOTT CONDUCTOR RES10158 Matthew Martin (b. 1976) John Rutter (b. 1945) Dancing Day 1. Novo profusi gaudio [3:36] Dancing Day Part 1 Music for Christmas Patrick Hadley (1899-1973) 17. Prelude [3:35] 2. I sing of a maiden [2:55] 18. Angelus ad virginem [1:55] 19. A virgin most pure [5:04] Benjamin Britten (1913-1976) 20. Personent hodie [1:57] A Ceremony of Carols, Op. 28 Part 2 Saint Thomas Choir of Men & Boys, Fifth Avenue, New York 3. Procession [1:32] 21. Interlude [4:05] 4. Wolcum Yole! [1:24] 22. There is no rose [1:53] 3-15 & 17-24 5. There is no Rose [2:26] 23. Coventry Carol [3:54] Sara Cutler harp [1:46] 1 & 16 6. That yonge child 24. Tomorrow shall be my Stephen Buzard organ 7. Balulalow [1:21] dancing day [3:03] Benjamin Sheen organ 2 & 25-26 8. As dew in Aprille [1:02] 9. This little babe [1:30] Traditional English 10. Interlude [3:32] arr. Philip Ledger (1937-2012) John Scott conductor 11. In Freezing Winter Night [3:50] 25. On Christmas Night [2:00] 12. Spring Carol [1:14] (Sussex Carol) 13. Adam lay i-bounden [1:12] 14. Recession [1:37] William Mathias (1934-1992) [1:41] 26. Wassail Carol Benjamin Britten 15. A New Year Carol [2:19] Total playing time [63:58] Traditional Dutch arr. John Scott (b. 1956) About the Saint Thomas Choir of Men & Boys: 16. -
Sept 2010 Pp. 20-23.Indd
A Celebration of Joe Hoppe’s Legacy at St. Patrick’s Church, New Orleans Marijim Thoene High school graduation, 1956 Notre Dame Seminary, 1967 concerts with the Saint Louis Cathedral M.T.: You have all the qualities I At St. Patrick’s Evening of Celebration, Choir under the direction of Elise Cam- think a man of the cloth should when Joe was honored for his 40 years bon and Father Stahl. have—compassion, a fi ne education, of service to the church and when he re- Joe at Evening of Celebration In August 1968 Msgr. John P. Reyn- integrity, reverence, a sense of hu- ceived the Alumnus of the Year Award from the University of New Orleans, olds hired him as the organist for St. Pat- mor. Are you glad that you chose to presented by his dear friend and de- Introduction rick’s Church, where, as Joe said, “There serve the church as a musician rath- partment chair, Dr. James Hammann Joe Hoppe has been organist and di- was no choir or cantor. I was the music er than as a priest, that you chose to rector of music for over 40 years at St. program!” Over time he recruited sing- follow “a road less traveled ?” Patrick’s Roman Catholic Church in New ers, and had a choir of over 40 voices. In J.H.: Yes. After two years in the active Orleans, Louisiana, located in the busi- September 1990 he was accepted into ministry, I came to the realization that ness district at 734 Camp Street. This the master’s program at the University for personal and spiritual reasons, I had historic church, completed in 1840, is in of New Orleans, where he studied or- to make a change in my life. -
New Head for Hawford, OV Artists, Stephen Cleobury Concert & A
N ew Head for Hawford, OV Artists, Stephen Cleobury concert & a tribute to Cecil Duckworth Announcement of New Head at King’s Hawford The Headmaster and Governors of The King’s School, Worcester are delighted to announce the appointment of Mrs Jennie Phillips as the new Head of King’s Hawford, one of Worcester’s leading 2 – 11 Prep Schools. Jennie will join in April 2021 from Monmouth School Girls’ Prep School where she is currently the Head. She was appointed from a dynamic field of sitting Heads and Deputies, and was the unanimous choice of the Headmaster, Governors and the staff who met her. Jennie was educated at Oxford High School, and read Education at the University of Exeter. A keen hiker and swimmer, Jennie is married to Eddie and they have two daughters, Amelia and Daisy, who are all excited about the move. Reflecting on her appointment, Mrs Phillips said, “I am absolutely delighted to be joining the team at King’s Hawford. The school has a wonderful warmth and a sense of community which is clearly held dear by parents, staff and pupils alike. I very much look forward to getting to know the school community and building on the excellent work of Mr Jim Turner, whilst working closely with Mr Richard Chapman, Head of King’s St Albans, under the Head of our Foundation, Mr Gareth Doodes. We will work together to provide parents with the choice of two outstanding, vibrant Prep school learning environments with high aspirations, that prepare our pupils well for the next step in their journey as they move on to King’s Worcester at the age 11.” The Headmaster of the King’s Foundation, Gareth Doodes, celebrated Jennie’s appointment. -
Preces and Responses
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Trinity Choral Services:Choral Services 2
Trinity College Chapel Choral Services & Anthem Texts Lent Term 2010 Sundays COLLEGE COMMUNION 10.00 a.m. COLLEGE EVENSONG WITH ADDRESS 6.15 p.m. Tuesdays EVENSONG 6.15 p.m. Thursdays EVENSONG 6.15 p.m. Tuesday 2nd February: Sung Eucharist for Candlemas 10.55 a.m. Ash Wednesday 17th February: Holy Communion & Imposition of Ashes 6.15 p.m. Holy Communion is celebrated each Wednesday lunchtime 12.30 p.m. Morning Prayer is said each weekday (except Friday) and Saturday morning 8.45 a.m. Holy Communion is celebrated each Friday morning during term 8.00 a.m. Evening Prayer is said on Monday and Wednesday evenings 6.15 p.m. The Reverend Dr Michael Banner Dean of Chapel Stephen Layton Director of Music The Reverend Alice Goodman Chaplain The Reverend Christopher Stoltz Chaplain Michael Waldron, Simon Bland Organ Scholars JANUARY 17 The Second Sunday after Epiphany 10:00 am College Communion Hymn 377: St Denio (Welsh melody / Roberts) Mass (MacMillan) 1st Lesson Isaiah 62: 1-5 Hymn 367 (i): Capetown (Filitz) Gospel John 2: 1-11 Preacher The Dean of Chapel Hymn 141: Salisbury (Howells) Hymn 484, omitting *: Aurelia (Wesley) Voluntary March (Choveaux) 5:40 pm Organ Music Before Evensong Stephen Cleobury (King’s College) Prelude and Fugue in c, BWV 546 (Bach) Sei gegrüßet, Jesu gütig, BWV 768 (Bach) 6:15 pm College Evensong Responses (McWilliam) Psalm 89: 1-8 Magnificat Primi toni (Victoria) Nunc Dimittis Double Choir (Holst) Anthem This worldes joie (Bax) Hymn 47: Dix (Kocher / Monk) Preacher Professor Amartya Sen, formerly Master of Trinity Hymn 49 (i): Wessex (Surplice) Voluntary Fantasia and Fugue in c, BWV 537 (Bach) 19 Tuesday 6:15 pm Choral Evensong Joint Service with the Choir of King’s School Ely Voluntary Postlude in G (Stanford) Introit Justorum animæ (Stanford) Responses (Rose) Psalm 150 1st Lesson Amos 7: 1-17 Canticles Service in C (Stanford) 2nd Lesson 1 Corinthians 6: 12-end Anthem Te lucis ante terminum (Balfour Gardiner) Hymn 413: Nun danket (Crüger / Mendelssohn) Final Responses (Rose) Voluntary Symphony No. -
'Daylight Upon Magic': Stained Glass and the Victorian Monarchy
‘Daylight upon magic’: Stained Glass and the Victorian Monarchy Michael Ledger-Lomas If it help, through the senses, to bring home to the heart one more true idea of the glory and the tenderness of God, to stir up one deeper feeling of love, and thankfulness for an example so noble, to mould one life to more earnest walking after such a pattern of self-devotion, or to cast one gleam of brightness and hope over sorrow, by its witness to a continuous life in Christ, in and beyond the grave, their end will have been attained.1 Thus Canon Charles Leslie Courtenay (1816–1894) ended his account of the memorial window to the Prince Consort which the chapter of St George’s Chapel, Windsor had commissioned from George Gilbert Scott and Clayton and Bell. Erected in time for the wedding of Albert’s son the Prince of Wales in 1863, the window attempted to ‘combine the two ele- ments, the purely memorial and the purely religious […] giving to the strictly memorial part, a religious, whilst fully preserving in the strictly religious part, a memorial character’. For Courtenay, a former chaplain- in-ordinary to Queen Victoria, the window asserted the significance of the ‘domestic chapel of the Sovereign’s residence’ in the cult of the Prince Consort, even if Albert’s body had only briefly rested there before being moved to the private mausoleum Victoria was building at Frogmore. This window not only staked a claim but preached a sermon. It proclaimed the ‘Incarnation of the Son of God’, which is the ‘source of all human holiness, the security of the continuousness of life and love in Him, the assurance of the Communion of Saints’. -
Cracking a Centuries-Old Tradition
Cracking a Centuries-Old Tradition hen I went to Cambridge, WEngland, on sabbatical in 2013–14, I never dreamed I would wind up conducting one of the world’s great choirs, and pos- sibly changing the way they sing early music. My project for the year was to write a follow-up to Shakespeare’s Songbook (Norton, 2004), my study of all the songs sung, quoted, or alluded to in the plays of Shakespeare. The sequel is a broader look at songs in English Equal Temperament Ruined Harmony (and by Ross W. why you should care) (Norton, 2007); one Duffin Renaissance comedy, from the on Just Intonation in the Renaissance; one 15th century through the plays of on keyboard temperament; and one on Just Intonation in the 18th century. So, in spite of Shakespeare’s contemporaries. the central purpose of my sabbatical, my tun- Being at Clare Hall at the University of ing work was getting a lot of attention, and I Cambridge allowed me easy access to the was pleased when Stephen Cleobury at King’s resources of the superb University Library College and Andrew Nethsingha at St John’s across the street, a wonderful advantage for College each asked me to coach their choral my work. But it also allowed me the option scholars (the men from the men and boys to attend choral services, virtually every choir) in Just Intonation. By coincidence, it day if I wanted, at any of the thirty-one happened that both coachings were to occur Cambridge colleges. Nowadays, colleges post on the same day, and that became a red-letter the music for all the services each term in day on my calendar—the expected high point an online “Term List,” so I could pick out in of my entire year in Cambridge. -
Pentecost IV
X Week from Sunday 17 th to Sunday 24th June 2018 X Music at English Martyrs’ PILGRIMAGE TO HOLYWELL Low Mass today - organist away Sunday 1st July Music at St. Walburge’s A coach will leave from SW at 11am. Price £15. Gregorian Chant sung by the Sisters Adorers For those not going to Holywell Mass Setting: Kyriale XI & Credo III there will be a Low Mass at SW at the usual time of 10.30 am. Offertory: Da Pacem Domine (M. Franck) Communion: Panis Angelicus (C. Franck) 2.30pm in Holywell (CH8 7PN): Last Gospel: Salve Regina (simple tone) Solemn High Mass, Recessional: All people that on earth do dwell (20) followed by Rosary Procession to St Winefride’s We l l . TEA & COFFEE AFTER MASS TODAY PLEASE PRAY Please join us for conversation for the sick members of our shrines: and refreshments after Mass today. Anita Richards, Jean O’Connor, Nathan and many others. WEEKLY SCHEDULE SAINT WALBURGE’S WEEKLY SCHEDULE SAINT THOMAS OF Sunday CANTERBURY & ENGLISH MARTYRS 10 am Confessions Sunday 10.30 am High Mass 9am Low Mass with organ 5.30 pm Vespers, Rosary & Benediction Monday - Friday Monday – Thursday 7.30 am Lauds (except Thurs) (morning prayer) 11.30am Rosary 8.30 am Angelus, followed by Low Mass 12 noon Angelus followed by Low Mass 5 pm Confessions 5.30 pm Vespers (evening prayer) Friday 6 pm Adoration 11.30am Rosary 7 pm Compline (night prayer) 12 noon Angelus followed by Sung Mass 12.45pm Devotions to the English Martyrs Saturday Saturday 7.30 am Lauds (morning prayer) 10am Low Mass 10 am Rosary (Confessions during) 10.45am Adoration of the Blessed 10.30 am Low Mass & Devotions Sacrament with Confessions available 5 pm Rosary & Benediction 5.30pm Mass (Ordinary Form – Parish 6pm Mass (Ordinary Form – Parish Priest) Priest) NEW 24 H VOTIVE CANDLES for your personal devotion towards CONFIRMATIONS The Sacred Heart, the Immaculate If would like to receive this sacrament and its FOR YOUR DIARY preparation, please contact us asap. -
A Brief History
A Brief History A brief history of St Mary’s Episcopal Cathedral, Glasgow The congregation of St Mary’s can be traced back to Glasgow’s ancient St Mungo’s Cathedral in the turbulent period before the Church of Scotland’s episcopalian structure was dismantled in 1689. Both before and after this change, public worship according to episcopalian traditions caused rioting in the city. However, Glasgow’s Episcopalians continued to meet in private houses or in a succession of meeting houses throughout the eighteenth century, surviving the rigours of the Penal Laws enacted after the 1745 Rising; throughout this period some of them were ardent and influential Jacobites. After the repeal of the Penal Laws in 1792, the congregation expanded, and for many years services took place in a classroom in the Grammar School in George Street. In 1825 St Mary’s Episcopal Chapel opened in Renfield Street to accommodate the growing congregation. The architect of the chapel was Robert Scott. After only forty-five years, the decision was made to move again. George Gilbert Scott, already working as architect for Glasgow University and one of the foremost architects in Britain, was commissioned to design a new church in Great Western Road. The result is one of the city’s best Gothic Revival buildings, constructed by the finest craftsmen available. Most of the stained glass was designed by the studios of Hardman, and Clayton & Bell. The church was opened for worship in 1871 and St Mary’s was consecrated in 1884. Nine years later, the imposing spire, added to the original square tower, was finally completed to the design of Scott’s son. -
Information on Organ and Choral Scholarships in the Colleges at Oxford University Applications for Entry in 2021/2
INFORMATION ON ORGAN AND CHORAL SCHOLARSHIPS IN THE COLLEGES AT OXFORD UNIVERSITY APPLICATIONS FOR ENTRY IN 2021/2 Please note that the information here is provided by the individual colleges, and is subject to change. BALLIOL COLLEGE (ORGAN SCHOLARSHIP ONLY) BRASENOSE COLLEGE (ORGAN AND CHORAL SCHOLARSHIPS) CORPUS CHRISTI COLLEGE (ORGAN SCHOLARSHIP ONLY) CHRIST CHURCH (ORGAN SCHOLARSHIP AND ACADEMICAL CLERKSHIPS) EXETER COLLEGE (ORGAN AND CHORAL SCHOLARSHIPS) HERTFORD COLLEGE (ORGAN SCHOLARSHIP ONLY) JESUS COLLEGE (ORGAN SCHOLARSHIP ONLY) KEBLE COLLEGE (ORGAN AND CHORAL SCHOLARSHIPS) LINCOLN COLLEGE (ORGAN AND CHORAL SCHOLARSHIPS) LADY MARGARET HALL (ORGAN SCHOLARSHIP ONLY) MAGDALEN COLLEGE (ORGAN AND CHORAL SCHOLARSHIPS) MERTON COLLEGE (ORGAN AND CHORAL SCHOLARSHIPS) NEW COLLEGE (ORGAN SCHOLARSHIP AND ACADEMICAL CLERKSHIPS) ORIEL COLLEGE (ORGAN AND CHORAL SCHOLARSHIPS) PEMBROKE COLLEGE (ORGAN SCHOLARSHIP ONLY) QUEEN’S COLLEGE (ORGAN AND CHORAL SCHOLARSHIPS) ST EDMUND HALL (ORGAN AND CHORAL SCHOLARSHIPS) SOMERVILLE COLLEGE (ORGAN AND CHORAL SCHOLARSHIPS) ST PETER’S COLLEGE (ORGAN AND CHORAL SCHOLARSHIPS) UNIVERSITY COLLEGE (ORGAN AND CHORAL SCHOLARSHIPS) WORCESTER COLLEGE (ORGAN AND CHORAL SCHOLARSHIPS BALLIOL COLLEGE Balliol Choir has a warm and lively atmosphere. It is a wonderfully exciting place to be as an Organ Scholar. Balliol Chapel houses a three-manual electric action Harrison organ, complete with pistons and several channels. This is one of the larger college organs in OxFord and is among Oxford’s most versatile for both accompaniment and solo playing. Balliol also has a second organ in the Hall, a splendid Willis instrument previously played at the beginning of celebratory meals and other events. Plans are being made for the Willis to be restored to its full glory. -
View/Download Concert Program
Christmas in Medieval England Saturday, December 19, 2009 at 8 pm First Church in Cambridge, Congregational Christmas in Medieval England Saturday, December 19, 2009 at 8 pm First Church in Cambridge, Congregational I. Advent Veni, veni, Emanuel | ac & men hymn, 13th-century French? II. Annunciation Angelus ad virginem | dt bpe 13th-century monophonic song, Arundel MS / text by Philippe the Chancellor? (d. 1236) Gabriel fram Heven-King | pd ss bpe Cotton fragments (14th century) Gaude virgo salutata / Gaude virgo singularis isorhythmic motet for Annunciation John Dunstaple (d. 1453) Hayl, Mary, ful of grace Trinity roll (early 15th century) Gloria (Old Hall MS, no. 21) | jm ms ss gb pg Leonel Power (d. 1445) Ther is no rose of swych vertu | dt mb pg bpe Trinity roll Ibo michi ad montem mirre | gp jm ms Power III. Christmas Eve Veni redemptor gencium hymn for first Vespers of the Nativity on Christmas Eve, Sarum plainchant text by St Ambrose (c. 340-97) intermission IV. Christmas Dominus dixit ad me Introit for the Mass at Cock-Crow on Christmas Day, Sarum plainchant Nowel: Owt of your slepe aryse | dt pd gp Selden MS (15th century) Gloria (Old Hall MS, no. 27) | mn gp pd / jm ss / mb ms Blue Heron Pycard (?fl. 1410-20) Pamela Dellal | pd ss mb bpe Ecce, quod natura Martin Near Selden MS Gerrod Pagenkopf Missa Veterem hominem: Sanctus Daniela Tošić anonymous English, c. 1440 Ave rex angelorum | mn mb ac Michael Barrett Egerton MS (15th century) Allen Combs Jason McStoots Missa Veterem hominem: Agnus dei Steven Soph Nowel syng we bothe al and som Mark Sprinkle Trinity roll Glenn Billingsley Paul Guttry Barbara Poeschl-Edrich, Gothic harp Scott Metcalfe,director Pre-concert talk by Daniel Donoghue, Professor of English, Harvard University sponsored by the Cambridge Society for Early Music Blue Heron Renaissance Choir, Inc. -
Programme of Meetings - June 1998 to February 1999
Greater Wigston Historical Society White Gate Farm, Newton Lane, Wigston Magna Leicestershire _______________________________________ BULLETIN 51 PETER CHARLES MASTIN 1947-1998 It is with the greatest sadness that we report the very sudden death of Peter Mas tin on 23rd May from a heart attack. Peter was born 16/2/1947 & brought up in Wigs ton. He emigrated with his parents & brother Ian to Australia when a teenager. He married & had three children, Sharon, Richard & Susan. When the family were grown up he felt the need to return to England & lived in Anstey Heights before moving to Wigston. He worked for Jessops the photographers. He joined the Society in 1989 & later became a member of the committee. Always active & involved, he was cheerful, helpful, unassuming & kind, whether offering a lift, operating the slide projector at meetings or directing members to the car park when we moved to the new venue. He will long be remembered for the many photographs he took of the area, both copies of old originals & modern scenes for 'then & now' displays. And for the beautifully designed exhibitions he organised with Stuart Follows in the Methodist Church, South Wigston & with Duncan Lucas at the U.K. Church in Wigston. He was author of "South Wigston-The early years 1883-1913" & "South wigston-Between the wars 1914-1945," & jointly with Duncan & Tricia, of "Wigston Magna & South." A major book on railways was in course of preparation. He was a member of the Mary Webb Appreciation Society & a 'Friend' of the F.W.K. Museum. He had recently become a Trustee of the Oadby & Wigston Buildings Preservation Trust, & was one of those involved in the huge job of moving the Folk Museum into storage.