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Printmakers Presspack
THE PRINTMAKERS “In the old days, this band would have had the words “All-Stars” in their name. Every one of them is a leading figure in British contemporary jazz. Together, they create 10 evocative sound-pictures of places and times. It’s remarkable how just five instruments and voice can suggest space and depth as they do.” Dave Gelly, The Observer The word supergroup is common currency, especially in the rock world. Jazz, of course, has its fair share of supergroups too. Sometimes, one supergroup comes along that really is very special indeed. The Printmakers is such a group. The group formed at the instigation of Steve Mead at The Manchester Jazz Festival several years ago and since then has gone from strength to strength. Award winning Nikki Iles is one of the heroines of British jazz. She has made an invaluable contribution to the jazz scene in this country and beyond, while also making a very personal musical statement in many groups, not least her own superb Anglo-American trio with Rufus Reid and Jeff Williams. Grammy nominated and ECM recording artist Norma Winstone MBE, pioneering innovator of the voice, has been a leading light in European music for many years. She collaborated with Kenny Wheeler and John Taylor in Azimuth, described by Richard Williams as “one of the most imaginatively conceived and delicately balanced of all contemporary chamber jazz groups“. She has also worked with Fred Hersch, Steve Swallow, Jimmy Rowles, Mike Gibbs and Ralph Towner. She has had a resurgence recently, with three superb award winning ECM releases in collaboration with European musicians, Klaus Gesing and Glauco Venier. -
Gwilym Simcock
Gwilym Simcock Chick Corea simply calls him an "original. A creative genius", while Jamie Cullum raves about his playing: "I'll be watching our finest young piano-player Gwilym Simcock." Born 1981 in Wales, Simcock – now living in London –is undoubtedly right at the top of European jazz and considered one of the most gifted pianists and imaginative composers on the British scene. He took classical piano lessons at one of England's most renowned music schools from the age of three, building up a musical background that defines his playing to this day. He certainly could have become a successful classical pianist if he had not discovered Keith Jarrett's and Pat Metheny's music by the age of 15, finally drawing him into jazz. Having completed his studies at the Royal Academy of Music he is able to move effortlessly between jazz and classical. Simcock was acknowledged as a great talent very early on and soon got to play with stars like Dave Holland, Lee Konitz, Bob Mintzer and on Bill Bruford's "Earthworks". Winner of the Perrier Award, BBC Jazz Awards and British Jazz Awards in 2005, Simcock was the first BBC Radio 3 "New Generation Jazz Artist". He also was voted "Jazz Musician of the Year" at the 2007 Parliamentary Jazz Awards. The release of his ACT debut "Good Days at Schloss Elmau" (ACT 9501-2) early in 2011 marks his final breakthrough. Along with recordings by Adele, Katy B and James Blake, the solo piano album was nominated for the prestigious Mercury Prize as one of Great Britain's 12 best albums of the year. -
An Evening with Pat Metheny with Antonio Sánchez, Linda May Han Oh, and Gwilym Simcock
Thursday, October 25, 2018, 8pm Fox Theater, Oakland An Evening with Pat Metheny with Antonio Sánchez, Linda May Han Oh, and Gwilym Simcock Cal Performances’ 2018 –19 season is sponsored by Wells Fargo. ABOUT THE ARTISTS Pat Metheny was born in Lee’s Summit (MO) on one of the very first jazz musicians to treat the August 12, 1954, into a musical family. Starting synthesizer as a serious musical instrument. on trumpet at the age of eight, he switched to Years before the invention of MIDI technology, guitar at age 12. By the age of 15, he was work - Metheny was using the Synclavier as a compos - ing regularly with the best jazz musicians in ing tool. He has also been instrumental in the Kansas City, receiving valuable on-the-band - development of several new kinds of guitars, in - stand experience at an unusually young age. cluding the soprano acoustic guitar, the 42-string Metheny first burst onto the international jazz Pikasso guitar, Ibanez’s PM series of jazz guitars, scene in 1974. Over the course of his three-year and a variety of other custom instruments. stint with vibraphone great Gary Burton, the It is one thing to attain popularity as a musi - young Missourian quickly displayed his soon- cian, but it is another to receive the kind of to-become trademark playing style, which acclaim Metheny has garnered from critics and blends the loose and flexible articulation peers. Over the years, he has won countless polls customarily reserved for horn players with an as Best Jazz Guitarist along with awards includ - advanced rhythmic and harmonic sensibility— ing gold records for (Still Life) Talking, Letter a way of playing and improvising that is mod - from Home, and Secret Story . -
Downloaded PDF File of the Original First-Edi- Pete Extracted More Music from the Song Form of the Chart That Adds Refreshing Contrast
DECEMBER 2016 VOLUME 83 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Editorial Intern Izzy Yellen ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob; North Carolina: Robin -
Simcock, Garland, Sirkis Simcock, Garland, Sirkis
Jubilee Release # 8 Simcock, Garland, Sirkis Lighthouse ACT 952 555---222 German Release DateDate:: March 30, 2012 Once upon a time … there was a lighthouse A celtic influinfluenceence surfaces on some of the trio's material,material, unsurprising given Simcock's birthplace (Bangor, North On England’s north east coast, just before the Scottish Wales) and Tim's musical history (incl. British Folk/Jazz group border, on an island near Whitley Bay, stands a gleaming 'Lammas' for many years). Strong, distinctive melodies and white lighthouse - St. Mary’s Lighthouse - which ascends into bounding folk-tinged rhythms underpin the music, along with the sky. The five hundred metres between the tiny island and many other influences from around the world and some the coast can only be crossed at low tide. When Tim Garland tributes to a few of the great musicians of recent British took on a job as composer-in-residence at nearby Newcastle contemporary music history. If St. Mary’s Lighthouse is a university he decided to buy a house - near the lighthouse. genuine sight, this Lighthouse is a major aural sight - a new “You enter this space and the first thing you notice is the chapter in lighthouse history. special acoustics. It's totally hollow inside. When the tide is in, the lighthouse stands in water and is cut off from the land 01 Space Junk: This was written after I did some work in and then all you can hear and see is the sea.” For the CD “If Ibiza with two great DJ's, Carl Cox and Yousef. -
Music Jazz Booklet
AQA Music A level Area of Study 5: Jazz NAME: TEACHER: 1 Contents Page Contents Page number What you will be studying 3 Jazz Timeline and background 4 Louis Armstrong 8 Duke Ellington 15 Charlie Parker 26 Miles Davis 33 Pat Metheny 37 Gwilym Simcock 40 Essay Questions 43 Vocabulary 44 2 You will be studying these named artists: Artists Pieces Louis Armstrong St. Louis Blues (1925, Louis Armstrong and Bessie Smith) Muskrat Ramble (1926, Louis Armstrong and his Hot Five) West End Blues (1928, Louis Armstrong and his Hot Five) Stardust (1931, Louis Armstrong and his Orchestra) Duke Ellington The Mooche (1928, Duke Ellington and his Orchestra) Black and Tan (1929, Duke Ellington and his Orchestra) Ko-Ko (1940, Duke Ellington and his Orchestra) Come Sunday from Black, Brown and Beige (1943) Charlie Parker Ko-Ko (1945, Charlie Parker’s Reboppers) A Night in Tunisia (1946, Charlie Parker Septet) Bird of Paradise (1947, Charlie Parker Quintet) Bird Gets the Worm (1947, Charlie Parker All Stars) Miles Davis So What, from Kind of Blue (1959) Shhh, from In a Silent Way (1969) Pat Metheny (Cross the) Heartland, from American Garage (1979) Are you Going with Me?, from Offramp (1982) Gwilym Simcock Almost Moment, from Perception (2007) These are the Good Days, from Good Days at Schloss Elamau (2014) What you need to know: Context about the artist and the era(s) in which they were influential and the effect of audience, time and place on how the set works were created, developed and performed Typical musical features of that artist and their era – their purpose and why each era is different Musical analysis of the pieces listed for use in your exam How to analyse unfamiliar pieces from these genres Relevant musical vocabulary and terminology for the set works (see back of pack) 3 Jazz Timeline 1960’s 1980’s- current 1940’s- 1950’s 1920’s 1930’s 1940’s 1960’s- 1980’s 1870’s – 1910’s 1910-20’s St. -
Chicago Jazz Festival Spotlights Hometown
NOVEMBER 2017 VOLUME 84 / NUMBER 11 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Hawkins Editorial Intern Izzy Yellen ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Kevin R. Maher 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, -
Piano & Composition
Yves Theiler | piano & composition Born in Zürich, Switzerland, on 23rd of December in 1987. After graduating from the K&S Art School for exceptionally talented instrumentalists, Yves Theiler obtained two Master diplomas of Arts in music at the music faculties of Zürich, Leipzig and Lucerne, where he studied under Richie Beirach and Chris Wiesendanger among others. Yves Theiler made himself a big name in the Swiss jazz scene over the past few years as a young piano virtouso and as a highly respected composer. He was on tour with his band Yves Theiler Trio, Alexander von Schlippenbach Orchestra and MTQ, Castravez and Where’s Africa to name a few. As a solo artist he performed at St. Moritz Festival da Jazz, at Winthertur Radio Festival and at the OHR Festival Zürich. Yves has played with several international musicians like Omri Ziegele, Christoph Grab, Marcel Papeaux, Efrat Alony, Makaya Nsthoko, Raetus Flisch, Harald Haerter, Christian Wolfarth, Terrence McManus, Uli Kempendorff, Rudi Mahall, Yuri Goloubev, Rich Greenblatt, Dave Meier, Gerry Hemingway and others. He is the leader of «Yves Theiler Trio» with Yuri Goloubev and Lukas Mantel. As a co-member, he is part of the «DUO Omri Ziegele & Yves Theiler», the collective Trio «Things To Sounds», the duo The Zan and the duo Raetus Flisch & Yves Theiler. Frequently he’s involved in projects with Uli Kempendorff from Berlin, Robert Lucaciu from Leipzig and Yuri Goloubev from Italy/Russia. As a sideman, Yves plays in the Matthias Tschopp Quartet, Luca Sisera’s Roofer, Compo6 and Where’s Africa. As a composer and arranger he works/worked for his piano trio, for the Zürich and Bern Jazz Werkstatt Collective, Zürich Ensemble MO-NO (new: «Space Garden»), the acoustic guitar duo Bohner & Piller and as an arranger he arranged Wagner pieces for Jazz Piano and Bass Duo for the Zürcher Festspiele 2013. -
EFG London Jazz Festival 2017 at the Barbican Friday 10 – Sunday 19 November
Monday 23 October 2017 EFG London Jazz Festival 2017 at the Barbican Friday 10 – Sunday 19 November Just announced - Renowned keyboardist Django Bates is now confirmed as a featured soloist for the performance of Joe Zawinul’s masterpiece Stories of the Danube Featured artists across the festival at the Barbican include: Pat Metheny, Black Top featuring Orphy Robinson, Pat Thomas, Jean Paul Bourelly and Anthony Joseph, Chucho Valdés + Gonzalo Rubalcaba, Zakir Hussain, Roland Perrin, Chris Thile and Brad Mehldau, Phronesis + Engines Orchestra, Herbie Hancock, Robert Glasper, Carminho, Pharoah Sanders Quartet + Denys Baptiste + Alina Bzhezhinska, Terence Blanchard Quartet, Django Bates The EFG London Jazz Festival - produced by Barbican Associate Producer Serious - celebrates its 25th anniversary this year. The annual event once again presents an array of global talent over a ten day programme of performances, film screenings and talks. As the landmark festival reaches this significant milestone the Barbican’s stages are preparing to host jazz legends, as well as future stars of the genre. Highlights of the EFG London Jazz Festival 2017 include: An event exploring the dynamic between jazz and the paintings of American artist Jean-Michel Basquiat in Basquiat and Jazz featuring Black Top and guests (10 November) Chucho Valdés and Gonzalo Rubalcaba, the leading living exponents of two generations in the great Cuban piano tradition perform together (11 November) The Portuguese fado singer Carminho celebrates the music of Antônio Carlos Jobim, -
Download Booklet
Onyx Brass Onyx Brass Niall Keatley, Alan Thomas trumpets Onyx Noir Andrew Sutton horn · Amos Miller trombone David Gordon-Shute tuba 1 Gwilym Simcock Stomper 8’07 2 Laurence Cottle Holy Chalcedony 4’43 Kenny Wheeler 1 for 5 3 I 4’29 4 II 2’47 5 Trish Clowes The Mighty Pencil 4’12 6 Mark Nightingale For Rosie 5’25 7 Jason Rebello Inevitable Outcome 4’29 8 David Powell Symbols at your Door (CD edit) 7’32 9 Liam Noble Imaginary Dance 5’14 bl Guy Barker Onyx Noir 5’17 Mick Foster Hamlet Stories bm I Moving 3’26 bn II Funky 1’44 bo III Slowly 2’30 Colin Skinner Firebox bp I Hetton Colliery Lyon 3’11 bq II Sunny South Sam 4’02 br III The Federal Express 2’30 bs Mike Walker Let Her Go 5’51 Total timing 76’05 photo © Benjamin Ealovega 3 “This album is an incredible set of brilliant musical stories by a group There is currently a golden era in British jazz, and we felt that it was important, not just of extraordinarily talented writers. All exquisitely delivered by the from a brass chamber music perspective, but also from a wider classical music point of UK’s absolute top brass quintet, Onyx Brass. I love it!” Oren Marshall view, that this wealth of talent should be tapped to create music in a jazz idiom, using each composer’s unique understanding of melody, harmony and rhythm, but playable Introduction by Amos Miller by classical musicians. The commissioning brief for each composer was simple: something around 5 minutes and do whatever you want! We are completely thrilled by th The release of this album marks the 25 anniversary of Onyx Brass. -
Tassos Spilitopoulos on the Move Mall
TASSOS SPILIOTOPOULOS Originally from Athens Greece, Tassos Spiliotopoulos lived in London for over 12 years where he quickly became a part of the UK Jazz scene and worked with many of the country's top musicians. Now a resident of Stockholm, Tassos can be found touring throughout the UK and Europe with his own band as well as numerous other creative projects. He has worked with artists such as Kenny Wheeler, Gary Husband, Asaf Sirkis, Tim Garland, Dimitri Vassilakis, Eileen Hunter, John Parricelli, Mike Outram, John Etheridge, and more. In 2005, Tassos formed his own quartet with three of the most talented musicians he has been playing with, Asaf Sirkis, Robin Fincker and Yaron Stavi. The idea was to create a fresh sounding, contemporary group that combines lyrical, extended-form compositions with high "Compelling guitarist Spiliotopoulos creates dark, modal energy improvising. jazz... a band and a guitarist to watch out for." Time Out, London The Quartet's first album 'Wait For Dusk' (2006) has a “...Guitarist Tassos Spiliotopoulos, a six-string shredder unique sound that is adventurous, atmospheric and at clearly influenced by Allan Holdsworth and John times cinematic. The mood is both dark and joyous, McLaughlin, flaunts some impressive chops...” nostalgic and sometimes playful. The quartet plays Bill Milkowski, Jazz Times powerfully with fresh ideas, interaction and imaginative improvisations. Bringing together different musical ..Tassos Spiliotopoulos developed his melodic originals experiences the group creates a new interesting and into a lucid flow of elegant ideas.. contemporary language that goes beyond tradition Evening Standard MUSICIANS: Opting for a more intimate sound on Archipelagos Yaron Stavi — bass: Yaron is a member of Gilad (2010) Tassos Spiliotopoulos continues to develop his Atzmon’s band The Orient House Ensemble which tours compositional approach which blends contemporary Jazz intensively around the UK and Europe and won The BBC with modern classical, folk and even rock fusion. -
4 November 2011 Page 1 of 10
Radio 3 Listings for 29 October – 4 November 2011 Page 1 of 10 SATURDAY 29 OCTOBER 2011 5:51 AM Veronika Eberle, Shai Wosner Liszt, Franz (1811-1886) SAT 01:00 Through the Night (b0167vdr) Polonaise No.2 in E major from (S.223) Live from Wigmore Hall in London. Jonathan Swain presents Liszt, Brahms and Franck performed Ferruccio Busoni (1866-1924) (piano) by the Romanian National Radio Orchestra BBC Radio 3 New Generation Artist Veronika Eberle (violin) 6:02 AM and Shai Wosner (piano) perform music by two 20th century 1:01 AM Glinka, Mikhail Ivanovich [1804-1857] giants Debussy and Bartok. Veronika Eberle's introduction by Liszt, Franz [1811-1886] Trio pathetique for clarinet, bassoon and piano in D minor Sir Simon Rattle to a packed Salzburg Festpielhaus at the 2006 Les Preludes - symphonic poem after Lamartine S.97 Alexei Ogrintchouk (oboe), Ekaterina Apekisheva (piano), Salzburg Easter Festival, in a performance of the Beethoven Romanian National Radio Orchestra, Daisuke Soga (conductor) Boris Andrianov (cello) concerto with the Berliner Philharmoniker, brought her to international attention. Since then her career has flourished and 1:17 AM 6:17 AM she has a demanding international schedule. For this recital she Brahms, Johannes [1833-1897] Norman, Ludvig (1831-1885) teams up with a former Radio 3 New Generation Artist Shai Concerto in D major Op.77 for violin and orchestra 2 Charakterstücke for piano (Op.1) (1850) Wosner who is renowned for his versatility as a soloist and Cristina Anghelescu (violin) Romanian National Radio Bengt-Åke Lundin (piano) chamber musician. Debussy's short and final composition - his Orchestra, Daisuke Soga (conductor) violin sonata - is paired with Bartok's Violin Sonata No.1 6:27 AM written a few years later.