The Situationist Urban Design, Rules and Principles

Total Page:16

File Type:pdf, Size:1020Kb

The Situationist Urban Design, Rules and Principles The Situationist Urban Design, Rules and Principles Shirin Izadpanah Collage of fine arts, University of Tehran, Tehran, Iran. Received: 02 March 2019- Accepted: 19 March 2020 Abstract From a general perspective, urbanism can be assumed as a bipolar world. On one hand, large-scale plans formulated by official organizations are shaping urban environment and the entirety of our cities; on the other hand, social activists and artists, active in the field of cities, are making an effort to give it a human character. According to De Certo (1984), the first approach to city, adopted by power structures, is composed of strategy, and the second approach, which is taking small-scale actions by ordinary citizens, artists and activists is made of tactic. One of the movement attempting to theorize these tactical actions is Situationist International. In spite of the philosophical and artistic essence, they were deeply interested in subjects related to the city and the everyday life of citizens. This paper aims to analyze the theories of this group and advancing their theory to the practice and supply practical instructions, utilizable in urban design discipline. For this purpose, it was necessary to use a qualitative method in which after spending a lot of time on studying their intellectual and philosophical products, we would be able to analyze and develop them to a theoretical framework utilizable in urban design field, both in scientific and professional approach. At the end of article, principles and indicators for the Situationist urban design will be provided and listed in ten categories. Keywords: Situationist International, Unitary Urbanism, Everyday Life, Spectacle, Psycho-geography, New Situationism practices are point out and then, through summarization 1. Introduction and classification of data obtained in prior stage The S.I (Situationist-International), established in 1957, theoretical framework of Situationist urban design is brought together a few branches of decomposed established. international surrealist movement after war (Albright, 2003). The most significant pre-Situationist groups are Dada-inspired Letterist International by the leadership of Guy Debord and International Movement for an Imaginist Bauhaus (IMIB) by Asger Jorn. He had also a close relationship with another artistic organization, named COBRA movement (dérive d from Copenhagen, Brussels and Amsterdam) (Albright, 2003). The S.I published twelve issues of International Situationist Journal between 1957 and 1972, a context in which members introduce their ideas. They used to look at the art, city and society with a critical and anti-capitalistic view. The society of spectacle, written by Guy Debord, is the most popular text ever written by any of the members that expresses some of these critical views. The critical attitude of this group have been always dependent on city and creating situations by citizens creatively. 2. Research Methodology Fig.1.The diagram of Situationism genealogy, (Sadler, 1998) This research follows qualitative method and developmental aim. Epistemologically, it is written through interpretation method, so the research technique 3. Literature Review uses library resources and analyzing method is descriptive and analytical. In the procedure of the research, after Trying to find the key points in Situationist international gathering and studying notes, books and papers written by theories about the concept of urban and urbanism, the the members of the movement, a foundation is provided philosophical and intellectual foundations of the on which a two-step analysis is done. In the first stage, Situationist-International will be reviewed at this part of essential design features of Situationist theories and the body. Studies texts in this paper includes not only the * Corresponding author Email address: [email protected] 13 Space Ontology International Journal, Vol. 8, Issue 4, Autumn 2019, 13- 25 written texts of early Situationist but also those are written around themselves consciously. Any situation after 90s known as New-Situationist. constructing experience requires three types of participants: the first one is a director, responsible for 3.1. Philosophical and intellectual foundations coordination and intervention for a specific event. The 3.1.1. Spectacle second type is participants who operate as a research team “The spectacle is a concrete inversion of life, an and collective project. Third group includes passive autonomous movement of the nonliving” (Debord, The spectators rounded by the constructed situation (Barnard, society of the spectacle, 1970, p. 10). The concept of 2004). The Situationists name this third group the livers of spectacle is borrowed from theater. Debord codified the the situation. metaphor of capitalism situation as a spectacle and a play 3.1.3. Psycho-geography based on Marx‟s analysis about self-alienation in According to Lefebvre, the SI regarded space as a social capitalistic society. He believed that capitalism was at its product resulted from multilateral relations instead of an peak in the 50s and it colonized everyday life as Marx had empty container. Regarding this definition of space, they predicted, a colonization of every general and special composed psycho-geography theory about environment‟s fields of Life. Debord said “The spectacle is not a atmosphere and Debord introduced psycho-geography as collection of images; it is a social relation between people “the study of the precise laws and specific effects of the that is mediated by images” (Ibid) and introduced the geographical environment, consciously organized or not, result of these relations as the society of the spectacle. on the emotions and behavior of individuals” (1955). Debord attacked the passivity lied in spectacle. People in “Psycho-geography demanded new forms of cartography, public are just the spectators of a scene in which all edges capable of representing states of consciousness and are occupied with glass showcases, commodification‟s feeling. The Situationists thus sought to map out unités showoff, theme parks counterfeit authentic urban spaces d'ambiance 2, singular places with special qualities such as and … all at the service of product‟s presentation. the social composition of an area, or common Emancipation that Debord speaks about lies in rejecting architectural style, but the emphasis was placed more on life as an only presentation and actively constructing of the soft mutable elements of urban scenes” (Bassett, 2004, the situation, spectators should become actors. It is about p. 402). Since the unités d'ambiance borders are of construction of our existence, nothing else captivated us qualitative, not physical distances, redefining the concept from outside (Swyngedouw, 2002). According to this of neighborhood is one of its uses. Neighborhoods have statement, a self-alienated existence is one that refers to lost their physical borders and boundaries, and it seems something other than its self, an installed concept. On the very unlikely for us to rebuild those former structures other hand, an authentic existence is a concept which had again. “New psycho-geographical maps of the city can shaped its identity during the time by its self and refers to define space and environments according to peoples‟ constructing and shaping process in the course of time. needs and emotions, rather than as the functionalist city 3.1.2. Situation vision of planners and architects, and of its systems Henri Lefebvre‟s “critique of everyday life” and “theory requirements such as traffic and commodity circulation” of moments” and also Sartre‟s theories of “Perfect (Barnard, 2004, p. 120). moments” and “privileged situations” had had essential 3.1.4. Everyday life roles in foundation of situation concept in SI movement. “Everyday life is the measure of all things: of the Situation has two central aspects. First one is the rejection fulfilment of human relations; of the use of lived time; of of passivity in everyday life. The construction of a artistic experimentation and of revolutionary politics” situation is necessarily a collaborative action: “A moment (Debord, 1961). Debord declared in his book that the of life concretely and deliberately constructed by the advent of the society of the spectacle, in Paris and every collective organization of a unitary ambiance1 and a game other cities, had caused poverty and destruction of of events” (Debord, 1957). Situations aim to be genuine life (1970); and because of that, the everyday life constructed, encounter and creatively lived moments in must be the context of revolutionary transformation, not specific urban settings (Albright, 2003). The second the manufactures or artists‟ canvases. Everydayness is a aspect is refusing a situation to be an Art work. Debord in platform on which Situationists collect their theories and an article named “Introduction to a Critique of Urban technics to cause social changes in the context of the city Geography” declared that “new beauty can only be beauty (Bridger, 2010). In their opinion, Art has a social and of situation” (Debord, 1955). “Nothing would be more political responsibility and, as an artist, we should draw misleading … than to think the situation as a privileged or people‟s attention to their everyday life and reforming it exceptional moment in the sense of aestheticism… We in a way that they take on an influential and a decisive can comprehend its true nature only if we locate it role in their own life. For example, daily commuting is historically in its proper place: that is, after the end and one of the most boring and ordinary routines, although it self-destruction of art” (Agamben, 2000). All these is one of the few times in which a person has a chance in definitions attend to express that people should leave the solitude and privacy to think and contemplate in modern passivity and arrange their behaviour, friends and palaces 2. It is a Situationist definition that Kith Basset (2004) didn‟t 1. There will be a further explanation. translate it in her paper, so I use the original French term. Shirin Izadpanah life. Therefore, commuting assume importance and as a Jorn, Sturm, & Wyckaert, 1959).
Recommended publications
  • MACBA Coll Artworks English RZ.Indd
    of these posters carry the titles of Georges Perec’s novels, but Ignasi Aballí very few were actually made into Flms. We might, however, Desapariciones II (1 of 24), 2005 seem to remember some of these as Flms, or perhaps simply imagine we remember them. A cinema poster, aker it has accomplished its function of announcing a Flm, is all that’s lek of the Flm: an objective, material trace of its existence. Yet it also holds a subjective trace. It carries something of our own personal history, of our involvement with the cinema, making us remember certain aspects of Flms, maybe even their storylines. As we look at these posters we begin to create our own storylines, the images, text and design suggesting di©erent possibilities to us. By fabricating a tangible trace of Flms that were never made, Desaparicions II brings the Flms into existence and it is the viewer who begins to create, even remember these movies. The images that appear in the posters have all been taken from artworks made by Aballí. As the artist has commented: ‘In the case of Perec, I carried out a process of investigation to construct a Fction that enabled me to relate my work to his and generate a hybrid, which is something directly constructed by me, though it includes real elements I found during the documentation stage.’ 3 Absence, is not only evident in the novel La Disparition, but is also persistent in the work Aballí; mirrors obliterated with Tipp-Ex, photographs of the trace paintings have lek once they have been taken down.
    [Show full text]
  • Cosmonauts of the Future: Texts from the Situationist
    COSMONAUTS OF THE FUTURE Texts from The Situationist Movement in Scandinavia and Elsewhere Edited by Mikkel Bolt Rasmussen & Jakob Jakobsen 1 COSMONAUTS OF THE FUTURE 2 COSMONAUTS OF THE FUTURE Texts from the Situationist Movement in Scandinavia and Elsewhere 3 COSMONAUTS OF THE FUTURE TEXTS FROM THE SITUATIONIST MOVEMENT IN SCANDINAVIA AND ELSEWHERE Edited by Mikkel Bolt Rasmussen & Jakob Jakobsen COSMONAUTS OF THE FUTURE Published 2015 by Nebula in association with Autonomedia Nebula Autonomedia TEXTS FROM THE SITUATIONIST Læssøegade 3,4 PO Box 568, Williamsburgh Station DK-2200 Copenhagen Brooklyn, NY 11211-0568 Denmark USA MOVEMENT IN SCANDINAVIA www.nebulabooks.dk www.autonomedia.org [email protected] [email protected] AND ELSEWHERE Tel/Fax: 718-963-2603 ISBN 978-87-993651-8-0 ISBN 978-1-57027-304-9 Edited by Editors: Mikkel Bolt Rasmussen & Jakob Jakobsen | Translators: Peter Shield, James Manley, Anja Büchele, Matthew Hyland, Fabian Tompsett, Jakob Jakobsen | Copyeditor: Marina Mikkel Bolt Rasmussen Vishmidt | Proofreading: Danny Hayward | Design: Åse Eg |Printed by: Naryana Press in 1,200 copies & Jakob Jakobsen Thanks to: Jacqueline de Jong, Lis Zwick, Ulla Borchenius, Fabian Tompsett, Howard Slater, Peter Shield, James Manley, Anja Büchele, Matthew Hyland, Danny Hayward, Marina Vishmidt, Stevphen Shukaitis, Jim Fleming, Mathias Kokholm, Lukas Haberkorn, Keith Towndrow, Åse Eg and Infopool (www.scansitu.antipool.org.uk) All texts by Jorn are © Donation Jorn, Silkeborg Asger Jorn: “Luck and Change”, “The Natural Order” and “Value and Economy”. Reprinted by permission of the publishers from The Natural Order and Other Texts translated by Peter Shield (Farnham: Ashgate, 2002), pp. 9-46, 121-146, 235-245, 248-263.
    [Show full text]
  • The Interventions of the Situationist International and Gordon Matta-Clark
    UNIVERSITY OF CALIFORNIA, SAN DIEGO Potential of the City: The Interventions of The Situationist International and Gordon Matta-Clark A Thesis submitted in partial satisfaction of the requirements for the degree Master of Arts in Art History, Theory, and Criticism by Brian James Schumacher Committee in charge: Professor Norman Bryson, Chair Professor Teddy Cruz Professor Grant Kester Professor John Welchman Professor Marcel Henaff 2008 The Thesis of Brian James Schumacher is approved and it is acceptable in quality and form for publication on microfilm: __________________________________________________________ __________________________________________________________ __________________________________________________________ __________________________________________________________ __________________________________________________________ Chair University of California, San Diego 2008 iii EPIGRAPH The situation is made to be lived by its constructors. Guy Debord Each building generates its own unique situation. Gordon Matta-Clark iv TABLE OF CONTENTS Signature Page…………………………………………………………… iii Epigraph…………………………………………………………………. iv Table of Contents………………………………………………………... v Abstract………………………………………………………………….. vi Chapter 1: Conditions of the City……………………………………….. 1 Chapter 2: Tactics of Resistance………………………………………… 15 Conclusion………………………………………………………………. 31 Notes…………………………………………………………………….. 33 Bibliography…………………………………………………………….. 39 v ABSTRACT OF THE THESIS Potential of the City: The Interventions of The Situationist International and
    [Show full text]
  • The History of Unitary Urbanism and Psychogeography at the Turn of the Sixties
    The History of Unitary Urbanism and Psychogeography at the Turn of the Sixties Ewen Chardronnet 2003 Contents Examples and Comments of Contemporary Psychogeography (lecture notes for a conference in Riga Art + Communication Festival, May 2003) 3 2 Examples and Comments of Contemporary Psychogeography (lecture notes for a conference in Riga Art + Communication Festival, May 2003) The topic of our panel discussion this afternoon is about “local media, maps and psychogeography”. I think it’s necessary to come back first to a brief history of psychogeography, Unitary Urbanism and the Situationnist International at the turn of the sixties. The end of the fifties and the beginning ofthe sixties were a period of acceleration in urbanism of European and world cities. In Paris, this period is the explosion of what politicians and urban planners called “new cities”. Paris was exploding outside its “ring road” and cities such as Sarcelles were created with totally new urban models. There was a strong feeling in that time that the cities were losing their human dimensions. I will first try to show how this acceleration of modernization of urban society had an influence on the tactics of the SI as an avant-garde concerned with the uniformization of society through urbanism, mass media, and the dichotomy of work and leisure. I will especially focus on Unitary Urbanism and 4 years of intense activities (‘58-‘61) that finally culminate by totally abandoning these theories. We will then discuss actual initiatives that use tactical medias in the streets and how this is link to the new rise of psychogeography and the necessity of reclaiming the streets.
    [Show full text]
  • Note to Users
    NOTE TO USERS This reproduction is the best copy available. UMI' The Spectacle of Gender: Representations of Women in British and American Cinema of the Nineteen-Sixties By Nancy McGuire Roche A Dissertation Submitted in Partial Fulfillment of the Requirements for the Ph.D. Department of English Middle Tennessee State University May 2011 UMI Number: 3464539 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMT Dissertation Publishing UMI 3464539 Copyright 2011 by ProQuest LLC. All rights reserved. This edition of the work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 The Spectacle of Gender: Representations of Women in British and American Cinema of the Nineteen-Sixties Nancy McGuire Roche Approved: Dr. William Brantley, Committees Chair IVZUs^ Dr. Angela Hague, Read Dr. Linda Badley, Reader C>0 pM„«i ffS ^ <!LHaAyy Dr. David Lavery, Reader <*"*%HH*. a*v. Dr. Tom Strawman, Chair, English Department ;jtorihQfcy Dr. Michael D1. Allen, Dean, College of Graduate Studies Nancy McGuire Roche Approved: vW ^, &v\ DEDICATION This work is dedicated to the women of my family: my mother Mary and my aunt Mae Belle, twins who were not only "Rosie the Riveters," but also school teachers for four decades. These strong-willed Kentucky women have nurtured me through all my educational endeavors, and especially for this degree they offered love, money, and fierce support.
    [Show full text]
  • 'How Does One Become Guy Debord'?
    HIMA 13,1_Rev_268_f9_183-193 3/14/05 2:52 PM Page 183 The Tribe JEAN-MICHEL MENSION, translated by Donald Nicholson-Smith London: Verso, 2002 The Consul RALPH RUMNEY, translated by Malcolm Imrie London: Verso, 2002 Bohemians: The Glamorous Outcasts ELIZABETH WILSON London: I.B. Tauris, 2000 Reviewed by MICHAEL CALDERBANK ‘How Does One Become Guy Debord’? The highest aspiration of the revolutionary, it has been argued, is to be put out of business altogether. That is, the aim of a radical politics is to eradicate the very conditions that necessitate its emergence, and thereby dissolve the exceptional nature of its own stance. From this perspective, the contemporary fascination and nostalgia for the Situationist International (SI) might be seen, ironically, as symptomatic of the ultimate failure of their enterprise.1 The situationists, for their part, anticipated with dread the dangers of ‘recuperation’ into the Spectacle, the all-encompassing surrogate that they believed late capitalism was substituting for autonomous human experience. Here was a movement heavily steeped in aesthetic concerns that sought to challenge the very discursive and institutional specialisation of art itself. They understood from the beginning that their success could be guaranteed only in so far as they managed to engineer their own self-liquidation, and here it is tempting to see their self-destructive drinking binges and Debord’s eventual suicide as a distorted expression of the broader logic of the movement. By contrast, the erection of a whole academic sub-industry around the SI threatens to see them immortalised and turned into something of a fetish: the obsession with the last of the real revolutionaries, the authentic expression of radical Sixties’ counterculture at its purest.
    [Show full text]
  • Introduction
    Notes Introduction 1. I am using the terms ‘space’ and ‘place’ in Michel de Certeau’s sense, in that ‘space is a practiced place’ (Certeau 1988: 117), and where, as Lefebvre puts it, ‘(Social) space is a (social) product’ (Lefebvre 1991: 26). Evelyn O’Malley has drawn my attention to the anthropocentric dangers of this theorisation, a problematic that I have not been able to deal with fully in this volume, although in Chapters 4 and 6 I begin to suggest a collaboration between human and non- human in the making of space. 2. I am extending the use of the term ‘ extra- daily’, which is more commonly associated with its use by theatre director Eugenio Barba to describe the per- former’s bodily behaviours, which are moved ‘away from daily techniques, creating a tension, a difference in potential, through which energy passes’ and ‘which appear to be based on the reality with which everyone is familiar, but which follow a logic which is not immediately recognisable’ (Barba and Savarese 1991: 18). 3. Architectural theorist Kenneth Frampton distinguishes between the ‘sceno- graphic’, which he considers ‘essentially representational’, and the ‘architec- tonic’ as the interpretation of the constructed form, in its relationship to place, referring ‘not only to the technical means of supporting the building, but also to the mythic reality of this structural achievement’ (Frampton 2007 [1987]: 375). He argues that postmodern architecture emphasises the scenographic over the architectonic and calls for new attention to the latter. However, in contemporary theatre production, this distinction does not always reflect the work of scenographers, so might prove reductive in this context.
    [Show full text]
  • Alternative Spaces in Post-Socialist Prague
    Michaela Pixová: Struggle for the Right to the City: Alternative Spaces in Post-Socialist Prague UNIVERZITA KARLOVA V PRAZE Přírodovědecká fakulta Katedra sociální geografie a regionálního rozvoje Michaela Pixová STRUGGLE FOR THE RIGHT TO THE CITY: ALTERNATIVE SPACES IN POST-SOCIALIST PRAGUE BOJ O PRÁVO NA MĚSTO: ALTERNATIVNÍ PROSTORY V POST-SOCIALISTICKÉ PRAZE Ph.D Thesis The Supervisor: Doc. RNDr. Luděk Sýkora, Ph.D. Prague 2012 Michaela Pixová: Struggle for the Right to the City: Alternative Spaces in Post-Socialist Prague Declaration I declare that this dissertation is my original work conducted under the supervision of Doc. RNDr. Luděk Sýkora, Ph.D. All sources used in the dissertation are indicated by special reference in the text and no part of the dissertation has been submitted for any other degree. Any views expressed in the dissertation are those of the author and in no way represent those of Charles University in Prague. The dissertation has not been presented to any other University for examination either in Czechia or overseas. In Prague, July 30, 2012 ……….…………………… Signature i Michaela Pixová: Struggle for the Right to the City: Alternative Spaces in Post-Socialist Prague Acknowledgement This dissertation could not have been carried out without the help and support of many people. To name all of them would require a long list, and therefore I would like to acknowledge in particular the ones whose help was indispensable to my research and for the production of this thesis. Most of my thanks go obviously to my supervisor, Luděk Sýkora, who not only provided my research with the much needed expertise, but also featured as an invaluable source of inspiration, encouragement and mental support.
    [Show full text]
  • Situationist International Vs Archigram a Battle of the Narrative
    Situationist International vs Archigram a battle of the narrative Week 8 AAHTS 3 / Architectural Coupling + 1 [excerpt] Towards a New Architecture, 1923 by Le Corbusier “Without plan there can be neither grandeur of aim and expression, nor rhythm, nor mass, nor coherence. Without plan we have the sensation, so insupportable to man, of shapelessness, of poverty, of disorder, of wilfulness. A plan calls for the most active imagination. It calls for the most severe discipline also. The plan is what determines everything; it is the decisive moment.” [quote] Towards a New Architecture, 1923 by Le Corbusier [image] Plan Voisin, 1925 by Le Corbusier [image] Plan Voisin detail, 1925 by Le Corbusier [images] covers of L’Esprit Nouveau, 1919-24 by Le Corbusier [image] Pavillion L’Esprit Nouveau, 1925 by Le Corbusier [image] members of CIAM at CIAM I in La Sarraz, Switzerland, 1928 [image] members of CIAM at CIAM I “playing about”, 1928 [above] cover of Athens Charter, 1943 published by Le Corbusier [above] Cafe Notre-Dame, where CoBrA was founded [right] founding members of CoBrA - Constant and Asger Jorn amongst others “In this period of change, the role of the creative artist can only be that of the revolutionary: it is his duty to destroy the last remnants of an empty, irksome aesthetic, arousing the creative instincts still slumbering unconscious in the human mind. The masses, brought up with aesthetic conventions imposed from without, are as yet unaware of their creative potential. This will be stimulated by an art which does not define but
    [Show full text]
  • Ralph Rumney
    the consu I RALPH RUMNEY CONVERSATIONS WITH GERARD BERREBY WITH THE HELP OF GIULIO MINGHINI AND CHANTAL OSTERREICHER TRANSLATED FROM THE FRENCH BY MALCOLM IMRIE Contributions to the History of the Situationist International and Its Time, Vol. II CITY LIGHTS BOOKS SAN FRANCISCO © 2002 by Malcolm Imrie for this translation © 1999 by Editions Allia, Paris, forLe Consul by Ralph Rumney All rights reserved. 10 987654321 Cover and book design: StefanGutermuth/doubleu-gee Editor: James Brook This work, published as part of the program of aid for publication, received support from the French Ministry of Foreign Affairs and the Cultural Service of the French Embassy in the United States. Cet ouvrage publie dans le cadre du programme d'aide il la publication beneficie du soutien du Ministere des Affaires Etrangeres et du Service Culture! de l'Ambassade de France represente aux Etats-Unis. Library of Congress Cataloging-in-Publication Data Rumney, Ralph, 1934. [Consul. English] The consul I by Ralph Rumney ; translated from the French by Malcolm Imrie. p. cm. - (Contributions to the history of the Situationist International and its time ; 2) ISBN 0-87286-398-0 1. Rumney, Ralph, 1934--Interviews. 2. Artists--England-Interviews. 3. Internationale situationniste. 4. Avant-garde (Aesthetics)-Europe-History-20th century. I. Title. IL Series. N6797.R83 A35 2002 700'.92-dc21 2002019772 CITY LIGHTS BOOKS are edited by Lawrence Ferlinghetti and Nancy J. Peters and published at the City Lights Bookstore, 261 Columbus Avenue, San Francisco, CA 94133. Visit us on the Web at www.citylights.com. To Sindbad Flee the ruins and don't cry in them.
    [Show full text]
  • Lynchian Cognitive Mapping and Situationist Psychogeography
    Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1-1-2006 A critical and historical case study of experience design : Lynchian cognitive mapping and Situationist psychogeography Derek Cori Wallen Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Recommended Citation Wallen, Derek Cori, "A critical and historical case study of experience design : Lynchian cognitive mapping and Situationist psychogeography" (2006). Retrospective Theses and Dissertations. 19068. https://lib.dr.iastate.edu/rtd/19068 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. A critical and historical case study of experience design: Lynchian cognitive mapping and Situationist psychogeography by Derek Cori Wallen A thesis submitted to the graduate faculty in partial fulfillment of the requirements for the degree of MASTER OF FINE ARTS Major: Graphic Design Program of Study Committee: Paula J. Curran, Major Professor Sunghyun Kang Michael J. Golec Carl W. Roberts Iowa State University Ames, Iowa 2006 Copyright ©Derek Cori Wallen, 2006. All rights reserved. 11 Graduate College Iowa State University This is to certify that the master's thesis of Derek Cori Wallen has met the thesis requirements of Iowa State University Signatures have been redacted for privacy 111 TABLE OF CONTENTS LIST OF FIGURES iv LIST OF TABLES v ACKNOWLEDGEMENTS vi ABSTRACT vii CHAPTER 1.
    [Show full text]
  • MAMCO DP 27Fev 2018 UK 1
    M�M�M�M�M� M�M�M�M�M�M� �M �M �M �M �M �M �M M� �M �M �M �M �M �M �M �M �M �M �M �M �M �M �M �M Die Welt als Labyrinth Art & Entertainment New Images Opening : Tuesday February 27 2018 – 6pm 10, rue des Vieux-Grenadiers, 1205 Geneva � � � � � � � p. 3 Press Release Die Welt als Labyrinth (3rd floor) p. 5 Introduction p. 6 Gil Joseph Wolman p. 8 Letterism and the letterist International p. 9 ”Cavern of Antimatter” / Modifications p. 11 SPUR / Situationist Times p. 12 Destruction of the RSG-6 p. 15 Ralph Rumney p.16 Movement for an imaginist Bauhaus Alba’s experimental laboratory p.18 Art & Entertainment (2nd floor) p. 20 New Images (1st floor) Other Exhibition p. 22 A Collection of Spaces p.24 L’ Appartement p.26 Informations and Partners M�M�M�M�M� M�M�M�M�M�M� �M �M �M �M �M �M �M �M �M �M �M �M �M �M �M �M �M � � � � � � � � � � � � � Die Welt als Labyrinth Art & Entertainment Nouvelles images Opening : Tuesday February 27 2018 – 6pm 10, rue des Vieux-Grenadiers, 1205 Geneva Press Conference Tuesday February 27 2018 – 11am This spring, MAMCO has decided to turn aimed at art criticism (Piet de Groof’s action back to Letterism and the Situationist Inter- with Debord and Wyckaert against the gene- national, two artistic movements from Paris ral assembly of the AICA in Brussels), art mar- which occupied a very special place on the ket galleries (Jorn’s and Gallizio’s shows political horizon of May 1968.
    [Show full text]