KLOS June 29Th 2014

1 1 2 PLAYLIST June 29th 2014 Special Guests George’s big sister Louis Harrison & Laurence Juber 9AM 2 3 The Beatles - Norwegian Wood (This Bird Has Flown) - Rubber Soul (Lennon-McCartney) Lead vocal: John Originally recorded on October 12, 1965, The Beatles decided to scrap this version and re-record the song nine days later, on October 21. George Harrison provides the sitar, the first appearance of the instrument on a Beatles recording, though the sitar can be heard in the instrumental introduction on the American version of “Help!” Written mainly by John with some lyrical assistance from Paul. John: “I was trying to write about an affair without letting me wife know… so it was very gobbledegook. I was sort of writing from my experiences, girls’ flats.” Paul has said that the ending lyrics, “so I lit a fire,” refer to the house being burned down in an act of revenge by the spurned lover. Bob Dylan did a slight parody of the song on his 1966 album, Blonde on Blonde. Check out the song “4th Time Around.” On U.S. album: Rubber Soul - Capitol LP No sitar! The Beatles - In My Life - Rubber Soul (Lennon-McCartney) Lead vocals: John with Paul Recorded October 18, 1965 and written primarily by John, who called it his “first real major piece of work.” Of all the Lennon-McCartney collaborations only two songs have 3 4 really been disputed by John and Paul themselves -- “Eleanor Rigby” and “In My Life.” Both agree that the lyrics are 100% Lennon, but John says Paul helped on the musical bridge, while Paul recalls writing the entire melody on John’s Mellotron. The gorgeous piano solo is provided by George Martin. To give his solo a harpsichord sound the producer played the piano at half speed and an octave lower so that when played at regular speed it would be in the correct key for the song. On U.S. album: Rubber Soul - Capitol LP Different keyboard solo The Beatles - Run For Your Life - Rubber Soul (Lennon-McCartney) Lead vocal: John The first song completed when sessions for “Rubber Soul” began on October 12, 1965. John Lennon lifted the opening line (“I’d rather see you dead little girl than to be with another man”) from “Baby Let’s Play House,” popularized by Elvis Presley. On U.S. album: Rubber Soul - Capitol LP Different MIX Different vox The Beatles - I’m So Tired - The Beatles (Lennon-McCartney) 4 5 Lead vocal: John John Lennon’s “I’m So Tired” was started and finished in 14 takes on October 8, 1968. No overdubs were added. The session was a marathon 16-hour session which started at 4 p.m. on the 8th and finished at 8 a.m. on October 9 (John’s 28th birthday), and saw the completion of two Lennon compositions (“I’m So Tired” and “The Continuing Story Of Bungalow Bill”) and work on George Harrison’s “Long Long Long.” Written in India while the Beatles were studying Transcendental Meditation under Maharishi Mahesh Yogi, the all-day regime in Rishikesh, India, prevented John from sleeping at night, so he decided to write a song about it. At the end of the song John can be heard muttering a phrase that when played backwards offered “Paul is dead” conspiracy theorists another major clue: “Paul is a dead man, miss him, miss him.” Some added lead guitar from John Some instruments missing…some added in the opening set w/ John Lennon and his Beatles 9.10 BREAK Louise Harrison ...LJ still to come. The Beatles - Martha My Dear - The Beatles (Lennon-McCartney) Lead vocal: Paul Recorded in one take on October 4, 1968, at Trident Studios. With the exception of the strings and horns section orchestrated by George Martin that was overdubbed onto take 5 6 1, the piano-driven ballad “Martha My Dear” was another Paul McCartney solo performance on the “White Album.” Although it takes its name from Paul’s sheep dog, Martha, the song is a love song about a woman. In addition to his lead vocal, Paul plays piano and drums. Once the outside musicians left, Paul re-recorded his lead vocal part, adding handclaps at the same time. After “Martha My Dear” was finished McCartney turned his attention to “Honey Pie,” adding the line “now she’s hit the big time!” Paul McCartney – Maybe I’m Amazed – One Hand Clapping ‘74 Written in London, on piano. A promotional movie of the song was created featuring Linda’s photography in a slide show. The Beatles - When I’m Sixty-Four - Sgt. Pepper’s Lonely Hearts Club Band (Lennon-McCartney) Lead vocal: Paul One of the oldest songs in the Beatles catalog, it was written by Paul McCartney when he was 15 or 16 and the Beatles had performed a variation of it in their pre-fame Cavern Club days whenever the amplifiers broke down. It was the second song recorded for the “Sgt. Pepper” LP (following “Strawberry Fields Forever”), but when “Strawberry Fields Forever” was pulled for release as a single, Paul’s “When I’m Sixty-Four” became the first song recorded for the album that ended up on the album. The initial rhythm track 6 7 was finished in two takes on December 6, 1966, and consisted of Paul on guide vocal, bass and piano, John on guitar, and Ringo on drums with brushes. On December 8, Paul recorded his lead vocal, on December 20, John, Paul and George recorded backing vocals and Ringo played bells. Although John helped with a few lyrics for the official recording of Paul’s childhood song, he was later quoted as saying, “I would never even dream of writing a song like that.” HAPPY BIRTHDAY MARY…ARRANGED BY YER HUSBAND FRED! The Beatles - What You’re Doing - Beatles For Sale (Lennon-McCartney) Lead vocal: Paul Recorded in seven takes on October 26, 1964. The most problematic song in the sessions for ”Beatles For Sale.” The Beatles tried different arrangements over three days and finally hit upon one they liked on the last day of recording for the album. Written primarily by Paul between August 31 and September 1, 1964 in Atlantic City during days off on the Beatles’ North American Tour. Paul provides the double-tracked lead vocal. On U.S. album: Beatles VI - Capitol LP The Beatles - Bad Boy - A Collection Of Oldies (Williams) Lead vocal: John Recorded specifically for the American market at the urgent request of Capitol Records executives, who needed two songs to fill out their upcoming “Beatles VI” album. Of course, Capitol had four songs in its possession it could have included (“From Me To 7 8 You,” “Misery,” “There’s A Place” and the German-language version of “She Loves You,” had all yet to appear on an LP in America), but they went to the Beatles and asked for something new ASAP. With no new material ready to go the band pulled two Larry Williams’ songs from their pre-fame club repertoire, “Bad Boy” and “Dizzy Miss Lizzy,” that could be recorded in one day and then the tapes would be air-freighted to Capitol Records in Los Angeles. “Bad Boy” would go unreleased in the UK for another year and a half until it turned up on the hits compilation “A Collection of Beatles Oldies” in December 1966. Recorded on May 10, 1965. On U.S. album: Beatles VI - Capitol LP On UK album: A Collection of Beatles Oldies - Parlophone LP (1966) The Beatles - Maxwell’s Silver Hammer - Abbey Road (Lennon-McCartney) Lead vocal: Paul Paul began work on “Maxwell’s Silver Hammer” in October 1968, which was too late for the song to be considered for the “White Album.” He introduced the still unfinished song to the band during the “Get Back” sessions, on January 3, 1969, and the band is seen running through it in the film “Let It Be.” The first proper recording took place at Abbey Road Studios on July 9, 1969. The backing track features Paul on piano, George on Fender Bass VI (a six-string bass guitar) and Ringo on drums. Sixteen takes were recorded. Overdubs included John on his Gibson J-160E acoustic guitar and George on Telecaster. On July 10, Paul added his lead vocal, George Martin played Hammond organ and Paul, George and Ringo provided backing vocals. A proper blacksmith’s anvil, rented from a theatrical agency, was brought in for Ringo to hit with a hammer. More guitar and a new vocal were added on July 11, and the song was left until August 6, when Paul overdubbed a Moog synthesizer part. 9.40 BREAK 8 9 Play INTRO HERE Welcome Louise Harrison THESE SONGS & QUIZ WILL BE PLAYED DURING THIS SEGEMENT The Beatles - From Me To You - A Collection of Beatles Oldies `66 (McCartney-Lennon) Lead vocal: John and Paul The Beatles’ third single release for EMI’s Parlophone label. The Beatles’ debut album was set to hit stores in the UK on March 22, 1963. On March 5 the band members returned to Abbey Road Studios to record two songs for a single that would be released a few weeks after the album. Three Lennon-McCartney originals were recorded this day: “From Me To You,” “Thank You Girl,” and “One After 909.” A fourth song, “What Goes On,” was rehearsed but not recorded. This record would top the charts not long after it was issued on April 11. It is considered by many to be The 9 10 Beatles’ first true number one single, as their previous single had reached number one on two of the three charts at the time, but peaked at number two on Record Retailer's chart, generally considered to be the most authoritative for the time.

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