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GYPSY • Production Overview • Lesson Guides • Student Activities • At-Home Projects • Reproducibles Copyright 2008, Camp Broadway, LLC All Rights Reserved

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GYPSY • Production Overview • Lesson Guides • Student Activities • At-Home Projects • Reproducibles Copyright 2008, Camp Broadway, LLC All Rights Reserved A tool for using the theater across the curriculum to meet National Standards for Education GYPSY • Production Overview • Lesson Guides • Student Activities • At-Home Projects • Reproducibles Copyright 2008, Camp Broadway, LLC All rights reserved This publication is based on Gypsy with book by Arthur Laurents, music by Jule Styne, lyrics by Stephen Sondheim, direction by Arthur Laurents and Jerome Robbins’ original choreography reproduced by Bonnie Walker. The content of the Gypsy edition of StageNOTES™: A Field Guide for Teachers is fully protected under the copyright laws of the United States of America and all other countries with which the United States has reciprocal copyright relations. All rights regarding publishing, reprint permissions, public readings, and mechanical or electronic reproduction, including but not limited to, CD-ROM, information storage and retrieval systems and photocopying, and the rights of translation into foreign languages are strictly prohibited. Printed in the United States of America First Digital Edition: May 2008 For more information on StageNOTES™ and other theatre arts related programs, contact: Camp Broadway, LLC 336 West 37th Street, Suite 460 New York, New York 10018 Telephone: (212) 575-2929 Facsimile: (212) 575-3125 Email: [email protected] www.campbroadway.com 2 3 TABLE OF CONTENTS Using the Field Guide and Lessons.....................................................................4 List of Characters and Synopsis............................................................................5 Overture to HISTORY............................................................................................8 History Discussion Lesson.....................................................................12 History Writing Lesson..........................................................................13 History Experiential Lesson...................................................................14 History To Go Lesson.............................................................................15 Overture to LANGUAGE ARTS...........................................................................16 Language Arts Discussion Lesson.........................................................19 Language Arts Writing Lesson..............................................................20 Language Arts Experiential Lesson.......................................................21 Language Arts To Go Lesson................................................................22 Overture to LIFE SKILLS......................................................................................23 Life Skills Discussion Lesson..................................................................25 Life Skills Writing Lesson.......................................................................26 Life Skills Experiential Lesson................................................................27 Life Skills To Go Lesson.........................................................................28 Overture to BEHAVIORAL STUDIES................................................................29 Behavioral Studies Discussion Lesson....................................................32 Behavioral Studies Writing Lesson.........................................................33 Behavioral Studies Experiential Lesson..................................................34 Behavioral Studies To Go Lesson...........................................................35 Overture to THE ARTS......................................................................................36 The Arts Discussion Lesson...................................................................39 The Arts Writing Lesson........................................................................40 The Arts Experiential Lesson.................................................................41 The Arts To Go Lesson..........................................................................42 Gypsy Resources...................................................................................................43 2 3 USING THE FIELD GUIDE Camp Broadway® is pleased to bring you this Gypsy edition of StageNOTES®, the 28th in our series. We are proud to be affiliated with this popular musical that debuted on Broadway during the 2008 Season. This guide has been developed as a teaching tool to assist educators in the classroom who are introducing the story in conjunction with the stage production. By using StageNOTES®, you will understand how Gypsy incorporates the bygone days of vaudeville (History), expands our vocabulary (Language Arts), illuminates the human condition (Behavioral Studies), aids in our own self-exploration (Life Skills) and encourages creative thinking and expression (The Arts). The Camp Broadway creative team, consisting of theater educators, scholars, researchers and theater professionals, has developed a series of lesson plans that, although inspired by and based on the musical Gypsy can also accompany class study. To assist you in preparing your presentation of each lesson, we have included: an objective; excerpts taken directly from the script of Gypsy; a discussion topic; a writing assignment; and an interactive class activity. The reproducible lessons (handouts) accompany each lesson unit, which contains: an essay question; a creative exercise; and an “after hours activity” that encourages students to interact with family, friends, or the community at large. The curriculum categories offered in the Gypsy study guide have been informed by the basic standards of education detailed in Content Knowledge: A Compendium of Standards and Benchmarks for K-12 Education, 2nd Edition, written by John S. Kendall and Robert J. Marzano (1997). This definitive compilation was published by Mid-Continent Regional Education Laboratory, Inc. (McREL) and the Association for Supervision and Curricular Development (ASCD) after a systematic collection, review and analysis of noteworthy national and state curricular documents in all subjects. The Gypsy study guide is for you, the educator, in response to your need for a standards-compliant curriculum. We truly hope this study guide will help you incorporate the themes and content of Gypsy into your classroom lessons. Philip Katz Producing Director 4 5 LIST OF CHARACTERS AND SYNOPSIS THE STORY The story starts in Seattle with stage mother, Rose, pushing her two daughters into “Uncle Jocko’s Kiddie Show”. Rose believes that her daughter, June is the most likely to become a star. Louise is plainer and quieter; she stands meekly in her sister’s shadow. A new act called ‘Baby June and her Newsboys’ is conceived by Rose, and the family is off to the ‘big time’ in Los Angeles. The act steeped in star spangled banners, dancing cows (Louise plays the rear end), and screaming newsboys moves to Dallas, Akron, New York, Buffalo and Omaha. Along the way Rose meets Herbie, a former theatrical agent who now sells candy on the vaudeville circuit. Rose hires him as manager. He makes himself father to the troupe, sharing with them their meals of chow mein, Rose’s favorite food. Rose scrimps as she schemes and scrambles for bookings and billings to maintain their hand to mouth existence. She sleeps her charges six in a dingy hotel room and makes their costumes from hotel blankets. Her object is to make her two penniless girls into world stars. The girls begin to grow up and the act becomes ‘Dainty June and her Newsboys.’ Unfortunately its quality does not improve. Bookings are cancelled and the act moves on. Louise wishes that Momma would marry a plain man so they could settle down. Herbie proposes but is rejected. June elopes with Tulsa, one of the boys in the act. Rose sets out to make Louise into the star. She bursts into new enthusiasm with the rousing number “Everything’s Coming Up Roses”. Behind Rose lies a worrying sense of doom; a feeling that she never will fulfill her dream of stardom for her girls because it is really a dream of stardom for herself. Finally the troupe reaches the bottom, a burlesque house in Wichita. Rose laments that she would rather starve than perform there. Louise realizes there is no vaudeville left except for burlesque. Here the clumsy Louise shoots into stardom by becoming something different: a ladylike stripper. Three strippers dressed respectively in a ballet costume, a trumpet and well placed electric light bulbs are used in a most exaggerated, but very funny number, “You Gotta Get a Gimmick”, to indicate the difference between the usual brassy stripper and the very elegant Louise. At last Louise breaks away from her mother and goes out on her own as Gypsy Rose Lee. Rose bursts into the plaintive “Rose’s Turn” in which she sings of her suppressed talents that she has sacrificed to further the careers of her unappreciative daughters. THE CHARACTERS Rose Georgie Herbie Mr. Goldstone Louise Bougeron-Cochon Dainty June Uncle Jocko Tulsa Pastey Electra Baby June Tessie Tura Weber Mazeppa Baby Louise Miss Cratchitt THE SONGS ACT I Overture - Orchestra May We Entertain You - Baby June and Baby Louise Some People - Rose Small World - Rose and Herbie Baby June and Her Newsboys - Baby June and Newsboys Mr. Goldstone, I Love You - Rose, Herbie, Ensemble Little Lamb - Louise You’ll Never Get Away From Me - Rose and Herbie Dainty June and Her Farmboys - June and Farmboys If Momma Was Married - June and Louise All I Need is the Girl - Tulsa and Louise Everything’s Coming Up Roses - Rose ACT II Madame Rose’s Toreadorables - Louise,
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