Arne Næss, Félix Guattari, and Their Connection with Semiotics
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Beyond Stewardship: Toward an Agapeic Environmental Ethic
Marquette University e-Publications@Marquette Dissertations, Theses, and Professional Dissertations (1934 -) Projects Beyond Stewardship: Toward an Agapeic Environmental Ethic Christopher J. Vena Marquette University Follow this and additional works at: https://epublications.marquette.edu/dissertations_mu Part of the Ethics in Religion Commons, Philosophy Commons, and the Religious Thought, Theology and Philosophy of Religion Commons Recommended Citation Vena, Christopher J., "Beyond Stewardship: Toward an Agapeic Environmental Ethic" (2009). Dissertations (1934 -). 16. https://epublications.marquette.edu/dissertations_mu/16 BEYOND STEWARDSHIP: TOWARD AN AGAPEIC ENVIRONMENTAL ETHIC by Christopher J. Vena, B.A., M.A. A Dissertation submitted to the Faculty of the Graduate School, Marquette University, in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Milwaukee, Wisconsin December 2009 ABSTRACT BEYOND STEWARDSHIP: TOWARD AN AGAPEIC ENVIRONMENTAL ETHIC Christopher J. Vena, B.A., M.A. Marquette University, 2009 One of the unfortunate implications of industrialization and the rapid expansion of global commerce is the magnification of the impact that humans have on their environment. Exponential population growth, along with growing technological capabilities, has allowed human societies to alter their terrain in unprecedented and destructive ways. The cumulative effect has been significant to the point that the blame for widespread environmental degradation must be pinned squarely on human shoulders. Because of our dependence on these systems for survival, the threat to the environment is a threat to human life. The root of the ecological crisis is found in human attitudes and behaviors. In the late 1960’s it was suggested that Christianity was a key source of the problem because it promoted the idea of human “dominion” over creation. -
Framing Nature.Indd
The European Association for the Study of Literature, Culture, and the Environment (EASLCE) Biennial Conference Nordic Network for Interdisciplinary Environmental Studies (NIES) IX Conference Hosted by the Department of Semiotics at the University of Tartu FRAMING NATURE: SIGNS, STORIES, AND ECOLOGIES OF MEANING ABSTRACTS April 29–MAY 3, 2014 TARTU, ESTONIA ORGANISERS European Association for the Study of Literature, Culture, and the Environment (EASLCE) Nordic Network for Interdisciplinary Environmental Studies (NIES) HOST Department of Semiotics at the University of Tartu COOPERATIVES Department of Literature and Theatre Research at the University of Tartu, Estonian Semiotics Association Centre for Environmental History (KAJAK) SUPPORTERS European Union European Regional Development Fund (CECT, EU/Estonia) Institute of Philosophy and Semiotics at the University of Tartu Norway Financial Mechanism 2009-2014 (project contract no EMP151) The Rachel Carson Center for Environment and Society (RCC) European Society for Environmental History Gambling Tax Council ADVISORY BOARD Hannes Bergthaller Maunu Häyrynen Serenella Iovino Ulrike Plath Timo Maran ORGANISING TEAM Timo Maran Nelly Mäekivi Kadri Tüür Silver Rattasepp Riin Magnus EDITING Silver Rattasepp COVER DESIGN Pärt Ojamaa, Katre Pärn LAYOUT DESIGN Mehmet Emir Uslu PRINT University of Tartu Press ISBN 978-9949-32-570-2 (PDF) CONTENTS PLENARY LECTURES W. WHEELER E. W. B. HESS-LÜTTICH S. HARTMAN & T. MCGOVERN PRESENTATIONS W. ABBERLEY D. JørgeNSeN u. plAth A. BEARDSWORTH K. KacZMARCZYK, M. SaLVONI R. POTTER B. AĞIN DÖNmez Y. K. KAISINger J. prIeBe F. AYKANat W. KALAGA S. RattaSEPP J. BEEVER D. Kass Y. reDDIcK F. BELLARSI R. KERRIDGE T. REMM T. BENNETT m. KleStIl m. reYNolDS H. BERGTHALLER A. -
God, Nature, and Politics in Olivier Messiaen's <I>Des Canyons Aux Étoiles
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Masters Theses Graduate School 8-2014 Sonic Environmentalism: God, Nature, and Politics in Olivier Messiaen's Des canyons aux étoiles . Ryan James Taussig University of Tennessee - Knoxville, [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_gradthes Part of the Musicology Commons Recommended Citation Taussig, Ryan James, "Sonic Environmentalism: God, Nature, and Politics in Olivier Messiaen's Des canyons aux étoiles . .. " Master's Thesis, University of Tennessee, 2014. https://trace.tennessee.edu/utk_gradthes/2853 This Thesis is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Masters Theses by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a thesis written by Ryan James Taussig entitled "Sonic Environmentalism: God, Nature, and Politics in Olivier Messiaen's Des canyons aux étoiles . .." I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Master of Music, with a major in Music. Rachel M. Golden, Major Professor We have read this thesis and recommend its acceptance: Leslie C. Gay, Jacqueline A. Avila Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) ! Sonic Environmentalism:! God, Nature, and Politics in Olivier Messiaen’s Des canyons aux étoiles . -
Augusto Ponzio the Dialogic Nature of Signs “Semiotics Institute on Line” 8 Lectures for the “Semiotics Institute on Line” (Prof
Augusto Ponzio The Dialogic Nature of Signs “Semiotics Institute on Line” 8 lectures for the “Semiotics Institute on Line” (Prof. Paul Bouissac, Toronto) Translation from Italian by Susan Petrilli --------------------------------------------------------------------------------------------------------------------- 7. Dialogism and Biosemiosis Bakhtinian dialogism and biosemiosis In light of the Bakhtinian notion of ‘dialogism,’ we have observed (see first lecture) that dialogue is neither the communication of messages, nor an initiative taken by self. On the contrary, self is always in dialogue with the other, that is to say, with the world and with others, whether it knows it or not; self is always in dialogue with the word of the other. Identity is dialogic. Dialogism is at the very heart of the self. The self, ‘the semiotic self’ (see Sebeok, Petrilli, Ponzio 2001), is dialogic in the sense of a species-specifically modeled involvement with the world and with others. The self is implied dialogically in otherness, just as the ‘grotesque body’ (Bakhtin 1965) is implied in the body of other living beings. In fact, in a Bakhtinian perspective dialogue and intercorporeity are closely interconnected: there cannot be dialogue among disembodied minds, nor can dialogism be understood separately from the biosemiotic conception of sign. As we have already observed (see Ponzio 2003), we believe that Bakhtin’s main interpreters such as Holquist, Todorov, Krysinsky, and Wellek have all fundamentally misunderstood Bakhtin and his concept of dialogue. This is confirmed by their interpretation of Bakhtinian dialogue as being similar to dialogue in the terms theorized by such authors as Plato, Buber, Mukarovsky. According to Bakhtin dialogue is the embodied, intercorporeal, expression of the involvement of one’s body (which is only illusorily an individual, separate, and autonomous body) with the body of the other. -
Reading the Works of Victoria Welby and the Signific Movement
Autor: Petrilli, Susan Titel: PETRILLI: SIGNIFICS SCC HC 2 Medium: International Journal of Semiotic Law Rezensent: Wan, Marco Version: 12.04.2011 Int J Semiot Law (2013) 26:531–533 DOI 10.1007/s11196-011-9226-9 Susan Petrilli (ed): Signifying and Understanding: Reading the Works of Victoria Welby and the Signific Movement De Gruyter Mouton, Berlin, 2009, 1048 pp, ISBN: 978-3-11-021850-3 Marco Wan Published online: 12 April 2011 Ó Springer Science+Business Media B.V. 2011 This volume seeks to restore a largely overlooked chapter in the history of semiotics, that of the life and work of Lady Victoria Welby (1837–1912) and of the Signific Movement which she founded. It does so by presenting the reader with a meticulously edited selection of passages from the entire span of Lady Welby’s writings, as well as commentaries which set these passages in their historical, cultural and intellectual contexts. Lady Welby was born into aristocratic circles in England and was a goddaughter of the Duchess of Kent, the Queen Mother. She travelled extensively with her mother, Lady Emmeline Charlotte Elizabeth, until the death of Lady Emmeline in the Syrian Desert in 1855. Together, they visited a number of countries including the United States, Canada, Mexico, Morocco, Turkey, Palestine and Syria. After her mother’s death, Lady Welby spent most of her time with the Queen Mother at her residences, and after the death of the Queen Mother she entered into the court of Queen Victoria. She was extremely well read and had an active intellectual life; amongst her many indicators of distinction were memberships to the Aristotelian Society of London, the Anthropological Institute of Great Britain and Ireland, and the Sociological Society of Great Britain (of which she was a founding member). -
Squatting My Mind – Towards an Architectural Ecosophy
163 ISSN: 1755-068 www.field-journal.org vol.4 (1) Squatting My Mind – Towards an Architectural Ecosophy Catharina Gabrielsson Understanding ecology as “a widely-drawn category that encompasses objects and ideas, organic species and their habitats, inseparably linked 1 Andrew Ballantyne, Architecture together”,1 ecology clearly involves architecture on countless levels, by far Theory: a Reader in Philosophy and Culture (London, New York: exceeding the parameters of sustainable building technology that dominate Continuum, 2005) p. 36. conceptions of this field. Primarily addressing the ‘mental ecology’ of architecture – that is, how architecture is thought and constructed within the discipline – this article furthers an understanding of how occupancy has the power to undo central architectural concepts. Such an undoing is seen as a prerequisite for what Félix Guattari has denoted ecosophy – the ethico-political articulation between the three, interconnected ecological registers: that of the environment, of social relations and the realm of ideas. Considered within an ecological intellectual framework, notions of resistance, spatial appropriation and indeterminacy in architecture are seen to evolve as steps along the way in the urgent task of re-writing architecture’s ontology. It points towards an architecture of shifts and additions, of re-uses and re-inventions; an architecture that generously permits a variety of uses and a continuous production of meaning. 164 www.field-journal.org vol.4 (1) Fig 1. Squatters make the headlines. Catharina Gabrielsson. Shortly after the financial crisis struck London in the autumn of 2008, newspapers were flooded with reports on how a group of artists had invaded an empty eighteenth century property in Mayfair and had opened it to the public as a “non-hierarchical centre for knowledge and learning”, called ‘Temporary School of Thought.’ During a few winter months, in a neighbourhood dominated by embassies and offices, the house at No. -
Fantastic Ecosemiosis: an Analysis of Fantasy As Nature-Text in the Lord of the Rings Lance Michael Sacknoff Iowa State University
Iowa State University Capstones, Theses and Graduate Theses and Dissertations Dissertations 2014 Fantastic ecosemiosis: An analysis of Fantasy as nature-text in The Lord of the Rings Lance Michael Sacknoff Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/etd Part of the English Language and Literature Commons, and the Linguistics Commons Recommended Citation Sacknoff, Lance Michael, "Fantastic ecosemiosis: An analysis of Fantasy as nature-text in The Lord of the Rings" (2014). Graduate Theses and Dissertations. 13762. https://lib.dr.iastate.edu/etd/13762 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Fantastic ecosemiosis: An analysis of Fantasy as nature-text in The Lord of the Rings by Lance M. Sacknoff A thesis submitted to the graduate faculty in partial fulfillment of the requirements for the degree of MASTER OF ARTS Major: English (Literature) Program of Study Committee: Dometa J. Brothers, Major Professor Matthew Wynn Sivils Daniel Coffey Iowa State University Ames, Iowa 2014 ii TABLE OF CONTENTS Page LIST OF FIGURES ............................................................................................... iii ACKNOWLEDGEMENTS................................................................................... -
Two Decades of Ecosemiotics in Tartu
630 Timo Maran Sign Systems Studies 46(4), 2018, 630–639 Two decades of ecosemiotics in Tartu Timo Maran1 Th is paper aims to provide an overview of ecosemiotics (or semiotic ecology) particularly as developed at the University of Tartu (Estonia) and adjacent academic communities. Th e fi rst ecosemiotic publications were issued in Tartu in 1998 and thus the history of the field now reaches back two decades. The rationale of the paper is twofold: to preserve the record of the activities of Tartu’s ecosemiotics and to publicize the paradigm in the context of contemporary environmental humanities. Its emergence and development being closely bound to the scholars in Tartu, ecosemiotics is now a well-established theory of its own. In the following I present the main events, where the University of Tartu was involved, which facilitated this theoretical development. Ecosemiotics studies semiosic or sign-mediated aspects of ecology (including relations between human culture and the environment).2 It has been defi ned as “the study of sign processes which relate organisms to their natural environment” (Nöth 2001: 71) or as the semiotic discipline investigating “human relationships to nature which have a semiosic (sign-mediated) basis” (Kull 1998: 351). Th is means that ecosemiotics is one of the semiotic theories that extends the scope of a central concept of semiotics – the sign (understood as a mediated relation) – from human culture to other species and, particularly, to ecological systems. More recently, we have specifi ed ecosemiotics to be “a branch of semiotics that studies sign processes as responsible for ecological phenomena” (Maran, Kull 2014: 41). -
The Weaving Wold of Deep Ecology and Textile Design
The Weaving Wold of Deep Ecology and Textile Design: Locating Principles of Sustainability at Austvatn Craft Central Malin Kristine Graesse Thesis offered for the degree of Master in History of Art Department of Philosophy, Classics, History of Art and Ideas Faculty of Humanities Supervisor: Professor Kjetil Fallan University of Oslo Spring 2017 II The Weaving World of Deep Ecology and Textile Design Locating Principles of Sustainability at Austvatn Craft Central III © Malin Kristine Graesse 2017 The Weaving World of Deep Ecology and Textile Design: Locating Principles of Sustainability at Austvatn Craft Central Malin Kristine Graesse http://www.duo.uio.no/ Print: Print-Shop. Oslo. IV Abstract In 1970, a social scientific research project, mapping the socio-political conditions of Nord- Odal municipality, put into effect their vision of a craft central that would offer employment, solidarity and community self-reliance. The project was named Austvatn Craft Central. With Austvatn Craft Central, traditions of home craft as supplementary income and potential for social betterment, was revitalized. This thesis seeks to locate principles of sustainability within the ideology and practise of Austvatn Craft Central, analysing the enterprise in light of the philosophy of Arne Næss and the ideas of William Morris. What seems to unite the philosophical assessment of Næss, the poetics of William Morris and the practical design endeavours of Austvatn Craft Central, is a deep-founded respect for nature. These principles might not have been explicitly articulated at Austvatn Craft Central, as they were by Morris and Næss—but the focus on local production, natural raw materials, respect for the local community, and the pursuit of re-orienting craft towards social responsibility, testifies to an understanding of interconnectedness and co-dependence—key concepts in both Morris and Næss. -
Modeling, Dialogue, and Globality: Biosemiotics and Semiotics of Self. 2
Sign Systems Studies 31.1, 2003 Modeling, dialogue, and globality: Biosemiotics and semiotics of self. 2. Biosemiotics, semiotics of self, and semioethics Susan Petrilli Dept. of Linguistic Practices and Text Analysis, University of Bari Via Garruba 6, 70100 Bari, Italy e-mail: [email protected] Abstract. The main approaches to semiotic inquiry today contradict the idea of the individual as a separate and self-sufficient entity. The body of an organism in the micro- and macrocosm is not an isolated biological entity, it does not belong to the individual, it is not a separate and self-sufficient sphere in itself. The body is an organism that lives in relation to other bodies, it is intercorporeal and interdependent. This concept of the body finds confir- mation in cultural practices and worldviews based on intercorporeity, inter- dependency, exposition and opening, though nowadays such practices are almost extinct. An approach to semiotics that is global and at once capable of surpassing the illusory idea of definitive and ultimate boundaries to identity presupposes dialogue and otherness. Otherness obliges identity to question the tendency to totalizing closure and to reorganize itself always anew in a process related to ‘infinity’, as Emmanuel Levinas teaches us, or to ‘infinite semiosis’, to say it with Charles Sanders Peirce. Another topic of this paper is the interrelation in anthroposemiosis between man and machine and the implications involved for the future of humanity. Our overall purpose is to develop global semiotics in the direction of “semioethics”, as proposed by S. Petrilli and A. Ponzio and their ongoing research. -
Addressing the Mammoth in the Room: the Ethical and Political Implications of De- Extinction
Addressing the Mammoth in the room: The ethical and political implications of de- extinction (Ashlock, 2013) Lowieke Vermeulen (S4374452) Political Science: Political Theory Radboud University, Nijmegen, Netherlands Supervisor: prof. dr. Marcel Wissenburg Date: August 12, 2019 Word count: 23590 1 Table of Contents Chapter 1: Introduction...............................................................................................................3 1.2 Thesis structure............................................................................................................................6 Chapter 2: De-extinction and species selection..........................................................8 2.1 Extinction........................................................................................................................................9 2.2 Approaches to de-extinction.................................................................................................10 2.2.1 Back-breeding.........................................................................................................................10 2.2.2 Cloning.......................................................................................................................................12 2.2.3 Genetic engineering..............................................................................................................12 2.2.4 Mixed approaches..................................................................................................................13 2.3 -
Representation and Literary Writing: from Identity to Alterity: Re-Writing and De-Writing Shakespeare with Laforgue and Bene
Representation and Literary Writing: From Identity to Alterity: Re-writing and De-writing Shakespeare with Laforgue and Bene Susan Petrilli Abstract: Literary writing, in contrast with writing as transcription, escapes the “world of representation.” This expression alludes to the world-as-it is, a world based on the reproduction of the same and the logic of identity. Representation recognizes the order of discourse, the word connected with power. Instead, literary writing offers the possibility of cultivating the artistic dimension of human semiosis, thus the escape from representation. The word of literary writing is objectified, indirect; it utters the impossibility of repeating the identical, the irreducibility of the other. In this framework, we examine Hamlet in re-writing and de-writing processes from Shakespeare, through Laforgue, to Bene (Artaud). Key words: representation; literary writing; rewriting; dewriting; Author: Susan Petrilli is professor of Philosophy and Theory of Languages, University of Bari Aldo Moro, Italy. Her principal research areas include philosophy of language, semiotics, communication studies, translation theory, theory of literature, and subjectivity. She has authored numerous books such as Significs and Understanding: Reading the Works of Victoria Welby and the Signific Movement, and Expression and Interpretation in Language. Email: susan.petrilli@ gmail.com. 标题:表征与文学书写:从同一性到异他性——拉弗格与贝内对莎士比亚的再书写与去书 写 内容摘要:与记录书写相反,文学书写逃离了“表征的世界”。 “表征的世界”指的是 实际世界,一个基于同相再造和身份逻辑的世界。表征所认同的是话语秩序,即与权力相 连的语词;而文学书写则提供了创造人类符号活动的艺术维度的可能,从而实现逃离表征。