Skidmore College Creative Matter MALS Final Projects, 1995-2019 MALS 8-31-2012 The Art and Science of Somatics: Theory, History and Scientific Foundations Kelly Mullan Skidmore College Follow this and additional works at: https://creativematter.skidmore.edu/mals_stu_schol Part of the Other Arts and Humanities Commons, and the Psychology of Movement Commons Recommended Citation Mullan, Kelly, "The Art and Science of Somatics: Theory, History and Scientific Foundations" (2012). MALS Final Projects, 1995-2019. 89. https://creativematter.skidmore.edu/mals_stu_schol/89 This Thesis is brought to you for free and open access by the MALS at Creative Matter. It has been accepted for inclusion in MALS Final Projects, 1995-2019 by an authorized administrator of Creative Matter. For more information, please contact
[email protected]. The Art and Science of Somatics: Theory, History and Scientific Foundations by Kelly Jean Mullan Thesis Submitted to Skidmore College MALS Program In partial fulfillment of the requirements for the degree of Master of Liberal Studies Skidmore College March 2012 The Art and Science of Somatics: Theory, History and Scientific Foundations Approved by Supervising readers: ___________________ Toni Smith ____________________ Dr. Martha Eddy 2 Table of Contents Section One- Somatic Theory: Foundational Concepts of Somatics 4 - Abstract 5-9 - What is Somatics? 9-17 - Theoretical Founders of Somatic Field- Hanna and Johnson 17-19 - Goals of Somatic Work 20-22 - Transformative Experience and Practical Work 22-29 - Somatics as an Art and a Science Section Two- Brief history of somatic pioneers and associated protégés 29-31 - History in the Making, Recent Scholarship on Somatic History 31-36 - Somatic Origins: Physical Culture 36-39 - The lineage of François Delsarte 40-47 - Genevieve Stebbins, Progenitor of Somatic work and Modern Dance 48- - Map of Somatic Pioneers 49-51 - Dr.