Another Word for Autumn and Other Stories
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1St First Society Handbook AFB Album of Favorite Barber Shop Ballads, Old and Modern
1st First Society Handbook AFB Album of Favorite Barber Shop Ballads, Old and Modern. arr. Ozzie Westley (1944) BPC The Barberpole Cat Program and Song Book. (1987) BB1 Barber Shop Ballads: a Book of Close Harmony. ed. Sigmund Spaeth (1925) BB2 Barber Shop Ballads and How to Sing Them. ed. Sigmund Spaeth. (1940) CBB Barber Shop Ballads. (Cole's Universal Library; CUL no. 2) arr. Ozzie Westley (1943?) BC Barber Shop Classics ed. Sigmund Spaeth. (1946) BH Barber Shop Harmony: a Collection of New and Old Favorites For Male Quartets. ed. Sigmund Spaeth. (1942) BM1 Barber Shop Memories, No. 1, arr. Hugo Frey (1949) BM2 Barber Shop Memories, No. 2, arr. Hugo Frey (1951) BM3 Barber Shop Memories, No. 3, arr, Hugo Frey (1975) BP1 Barber Shop Parade of Quartet Hits, no. 1. (1946) BP2 Barber Shop Parade of Quartet Hits, no. 2. (1952) BP Barbershop Potpourri. (1985) BSQU Barber Shop Quartet Unforgettables, John L. Haag (1972) BSF Barber Shop Song Fest Folio. arr. Geoffrey O'Hara. (1948) BSS Barber Shop Songs and "Swipes." arr. Geoffrey O'Hara. (1946) BSS2 Barber Shop Souvenirs, for Male Quartets. New York: M. Witmark (1952) BOB The Best of Barbershop. (1986) BBB Bourne Barbershop Blockbusters (1970) BB Bourne Best Barbershop (1970) CH Close Harmony: 20 Permanent Song Favorites. arr. Ed Smalle (1936) CHR Close Harmony: 20 Permanent Song Favorites. arr. Ed Smalle. Revised (1941) CH1 Close Harmony: Male Quartets, Ballads and Funnies with Barber Shop Chords. arr. George Shackley (1925) CHB "Close Harmony" Ballads, for Male Quartets. (1952) CHS Close Harmony Songs (Sacred-Secular-Spirituals - arr. -
Yazoo Discography
Yazoo discography This discography was created on basis of web resources (special thanks to Eugenio Lopez at www.yazoo.org.uk and Matti Särngren at hem.spray.se/lillemej) and my own collection (marked *). Whenever there is doubt whether a certain release exists, this is indicated. The list is definitely not complete. Many more editions must exist in European countries. Also, there must be a myriad of promo’s out there. I have only included those and other variations (such as red vinyl releases) if I have at least one well documented source. Also, the list of covers is far from complete and I would really appreciate any input. There are four sections: 1. Albums, official releases 2. Singles, official releases 3. Live, bootlegs, mixes and samples 4. Covers (Christian Jongeneel 21-03-2016) 1 1 Albums Upstairs at Eric’s Yazoo 1982 (some 1983) A: Don’t go (3:06) B: Only you (3:12) Too pieces (3:12) Goodbye seventies (2:35) Bad connection (3:17) Tuesday (3:20) I before e except after c (4:38) Winter kills (4:02) Midnight (4:18) Bring your love down (didn’t I) (4:40) In my room (3:50) LP UK Mute STUMM 7 LP France Vogue 540037 * LP Germany Intercord INT 146.803 LP Spain RCA Victor SPL 1-7366 Lyrics on separate sheet ‘Arriba donde Eric’ * LP Spain RCA Victor SPL 1-7366 White label promo LP Spain Sanni Records STUMM 7 Reissue, 1990 * LP Sweden Mute STUMM 7 Marked NCB on label LP Greece Polygram/Mute 4502 Lyrics on separate sheet * LP Japan Sire P-11257 Lyrics on separate sheets (english & japanese) * LP Australia Mute POW 6044 Gatefold sleeve LP Yugoslavia RTL LL 0839 * Cass UK Mute C STUMM 7 * Cass Germany Intercord INT 446.803 Cass France Vogue 740037 Cass Spain RCA Victor SPK1 7366 Reissue, 1990 Cass Spain Sanni Records CSTUMM 7 Different case sleeve Cass India Mute C-STUMM 7 Cass Japan Sire PKF-5356 Cass Czech Rep. -
Songs by Title Karaoke Night with the Patman
Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P. -
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Artist Song 2 Unlimited Maximum Overdrive 2 Unlimited Twilight Zone 2Pac All Eyez On Me 3 Doors Down When I'm Gone 3 Doors Down Away From The Sun 3 Doors Down Let Me Go 3 Doors Down Behind Those Eyes 3 Doors Down Here By Me 3 Doors Down Live For Today 3 Doors Down Citizen Soldier 3 Doors Down Train 3 Doors Down Let Me Be Myself 3 Doors Down Here Without You 3 Doors Down Be Like That 3 Doors Down The Road I'm On 3 Doors Down It's Not My Time (I Won't Go) 3 Doors Down Featuring Bob Seger Landing In London 38 Special If I'd Been The One 4him The Basics Of Life 98 Degrees Because Of You 98 Degrees This Gift 98 Degrees I Do (Cherish You) 98 Degrees Feat. Stevie Wonder True To Your Heart A Flock Of Seagulls The More You Live The More You Love A Flock Of Seagulls Wishing (If I Had A Photograph Of You) A Flock Of Seagulls I Ran (So Far Away) A Great Big World Say Something A Great Big World ft Chritina Aguilara Say Something A Great Big World ftg. Christina Aguilera Say Something A Taste Of Honey Boogie Oogie Oogie A.R. Rahman And The Pussycat Dolls Jai Ho Aaliyah Age Ain't Nothing But A Number Aaliyah I Can Be Aaliyah I Refuse Aaliyah Never No More Aaliyah Read Between The Lines Aaliyah What If Aaron Carter Oh Aaron Aaron Carter Aaron's Party (Come And Get It) Aaron Carter How I Beat Shaq Aaron Lines Love Changes Everything Aaron Neville Don't Take Away My Heaven Aaron Neville Everybody Plays The Fool Aaron Tippin Her Aaron Watson Outta Style ABC All Of My Heart ABC Poison Arrow Ad Libs The Boy From New York City Afroman Because I Got High Air -
Multimillion-Selling Singer Crystal Gayle Has Performed Songs from a Wide Variety of Genres During Her Award-Studded Career, B
MultiMillion-selling singer Crystal Gayle has performed songs from a wide variety of genres during her award-studded career, but she has never devoted an album to classic country music. Until now. You Don’t Know Me is a collection that finds the acclaimed stylist exploring the songs of such country legends as George Jones, Patsy Cline, Buck Owens and Eddy Arnold. The album might come as a surprise to those who associate Crystal with an uptown sound that made her a star on both country and adult-contemporary pop charts. But she has known this repertoire of hardcore country standards all her life. “This wasn’t a stretch at all,” says Crystal. “These are songs I grew up singing. I’ve been wanting to do this for a long time. “The songs on this album aren’t songs I sing in my concerts until recently. But they are very much a part of my history.” Each of the selections was chosen because it played a role in her musical development. Two of them point to the importance that her family had in bringing her to fame. You Don’t Know Me contains the first recorded trio vocal performance by Crystal with her singing sisters Loretta Lynn and Peggy Sue. It is their version of Dolly Parton’s “Put It Off Until Tomorrow.” “You Never Were Mine” comes from the pen of her older brother, Jay Lee Webb (1937-1996). The two were always close. Jay Lee was the oldest brother still living with the family when their father passed away. -
Ad Extremum Terrae
Ad Extremum Terrae Anthology of Dystopias and of Ways of Loving T C Kid Through this collection of texts, narratives are seen as opportunities rather than destinies; an invitation to multiple futures rather than to a fixed fate. It is a concession to continue, change and speculate around resolved or unresolved threads. By walking through poems that are meant to be songs, sliding on misplaced words and getting lost in incoherent paths, otherness is seen as a liquid territory. This anthological attempt naively rethinks our shapes, identities, ways of loving and clum- sily tries to exceed human-centered logics. We hope it is inviting enough to meander through a mutating space that could be as small as a village and as infinite as the Internet network. A group of physicists researching on string theory and other possible unified theo- ries were trying to determine how many dimensions the universe has, with the hope of finding alternative ways to preserve our dying planet. Ecologists, on their side, were attempting to give sovereignty back to nature as a radical solution to the water shortage announced for 2050. Both parties decided to unite forces to subject humanity to a massive structural revolution. The process of intervening both at the cosmological and planetary level triggered a second big bang, this time involving dimensions. All dimensions were subjected to interac- tions that led to the merging of some, the splitting of others and the disappearance of a few of them. The result was a highly non-linear mix of known time and space with other previously unknown dimensions that led to a host of unexpected phenomena. -
An Advanced Songwriting System for Crafting Songs That People Want to Hear
How to Write Songs That Sell _________________________________________________________________________________________________________________________ An Advanced Songwriting System for Crafting Songs That People Want to Hear By Anthony Ceseri This is NOT a free e-book! You have been given one copy to keep on your computer. You may print out one copy only for your use. Printing out more than one copy, or distributing it electronically is prohibited by international and U.S.A. copyright laws and treaties, and would subject the purchaser to expensive penalties. It is illegal to copy, distribute, or create derivative works from this book in whole or in part, or to contribute to the copying, distribution, or creating of derivative works of this book. Furthermore, by reading this book you understand that the information contained within this book is a series of opinions and this book should be used for personal entertainment purposes only. None of what’s presented in this book is to be considered legal or personal advice. Published by: Success For Your Songs Visit us on the web at: http://www.SuccessForYourSongs.com Copyright © 2012 by Success For Your Songs All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic, or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from the publisher. How to Write Songs That Sell 3 Table of Contents Introduction 6 The Methods 8 Special Report 9 Module 1: The Big -
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Digital, Culture, Media and Sport Committee Oral evidence: Economics of music streaming, HC 868 Tuesday 23 February 2021 Ordered by the House of Commons to be published on 23 February 2021. Watch the meeting Members present: Julian Knight (Chair); Kevin Brennan; Steve Brine; Alex Davies-Jones; Clive Efford; Julie Elliott; Damian Green; Damian Hinds; John Nicolson; Giles Watling; Mrs Heather Wheeler. Questions 580 to 709 Witnesses I: Paul Firth, Director of International Music, Amazon; Horacio Gutierrez, Head of Global Affairs and Chief Legal Officer, Spotify; and Elena Segal, Global Senior Director of Music Publishing, Apple Inc. Examination of witnesses Witnesses: Paul Firth, Horacio Gutierrez and Elena Segal. Q580 Chair: This is the Digital, Culture, Media and Sport Select Committee and our latest hearing into the economics of music streaming. We are joined today by Paul Firth, Director of International Music at Amazon, Horacio Gutierrez, Head of Global Affairs and Chief Legal Officer at Spotify, and Elena Segal, Global Senior Director of Music Publishing at Apple. Thank you, Paul, Horacio and Elena, for joining us today. Before our first question, I will go to our members to get their interests. Kevin Brennan: I am a member of the Musicians’ Union and PRS for Music. Alex Davies-Jones: I am a member of the Musicians’ Union. Chair: Is there anyone else? No, okay. Our first questions come from John Nicolson. John Nicolson: Thank you so much for joining us today. Horacio, may I start with you, please? We have been hearing a lot about Spotify in the course of this hearing and what we hear consistently from musicians is that they feel they are exploited, underpaid and earning far too little for the amount of work that they put in. -
How Sleep Fuels Performance with Jeff Kahn Jen Fisher
How sleep fuels performance with Jeff Kahn Jen Fisher (Fisher): Sometimes I get the question, “if I only focus on one thing for my well-being, what should it be?”. This may seem like a hard question, but for me it's not. I always have the same answer. It's sleep. I'm a passionate advocate for sleep because it's foundational to every part of your well-being. Despite its importance, our society and our workplace culture still favors busyness and sleep deprivation over quality, rest, and recovery. This is the WorkWell Podcast series. Hi, I'm Jen Fisher, Chief Well-being Officer for Deloitte, and I'm so pleased to be here with you today to talk about all things well-being. I'm here with Jeff Kahn. He's the co-founder and CEO of Rise Science, a sleep technology company that uses science and data to improve sleep. Jeff, welcome to the show. Jeff Kahn (Jeff): It is an absolute pleasure to be here and talk about a topic that I am in love with, so thanks for having me. Fisher: You and me both. This is going to be a great conversation, but let's start with you and tell me how you fell in love with sleep. Jeff: It started about 10 years ago back in engineering school. Up late at night pounding the books, up early in the morning and just exhausted like everyone else. It was like maybe my sleep has something to do with how I feel. Also, back in 2010, it just wasn't clear yet that this is, I mean the science was clear, but it wasn't clear yet in the mass market that this was a thing to focus on. -
Christopher A. Reynolds Collection of Women's Song
http://oac.cdlib.org/findaid/ark:/13030/kt1t1nf085 No online items Inventory of the Christopher A. Reynolds Collection of Women's Song Sara Gunasekara & Jared Campbell Department of Special Collections General Library University of California, Davis Davis, CA 95616-5292 Phone: (530) 752-1621 Fax: (530) 754-5758 Email: [email protected] © 2013 The Regents of the University of California. All rights reserved. Inventory of the Christopher A. D-435 1 Reynolds Collection of Women's Song Collector: Reynolds, Christopher A. Title: Christopher A. Reynolds Collection of Women's Song Date (inclusive): circa 1800-1985 Extent: 15.3 linear feet Abstract: Christopher A. Reynolds, Professor of Music at the University of California, Davis, has identified and collected sheet music written by women composers active in North America and England. This collection contains over 3000 songs and song publications mostly published between 1850 and 1950. The collection is primarily made up of songs, but there are also many works for solo piano as well as anthems and part songs. In addition there are books written by the women song composers, a letter written by Virginia Gabriel in the 1860s, and four letters by Mrs. H.H.A. Beach to James Francis Cooke from the 1920s. Physical location: Researchers should contact Special Collections to request collections, as many are stored offsite. Repository: University of California, Davis. General Library. Dept. of Special Collections. Davis, California 95616-5292 Collection number: D-435 Language of Material: Collection materials in English Biography Christoper A. Reynolds received his PhD from Princeton University. He is Professor of Music at the University of Californa, Davis and author of Papal Patronage and the Music of St. -
Cognitive Linguistic Analysis of Love Metaphors in Ed Sheeran’S Songs
PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI COGNITIVE LINGUISTIC ANALYSIS OF LOVE METAPHORS IN ED SHEERAN’S SONGS A SARJANA PENDIDIKAN THESIS Presented as Partial Fulfillment of the Requirements to Obtain the Sarjana Pendidikan Degree in English Language Education By Dicky Wisnu Pradikta Student Number: 131214101 ENGLISH LANGUAGE EDUCATION STUDY PROGRAM DEPARTMENT OF LANGUAGE AND ARTS EDUCATION FACULTY OF TEACHERS TRAINING AND EDUCATION SANATA DHARMA UNIVERSITY YOGYAKARTA 2017 PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI COGNITIVE LINGUISTIC ANALYSIS OF LOVE METAPHORS IN ED SHEERAN’S SONGS A SARJANA PENDIDIKAN THESIS Presented as Partial Fulfillment of the Requirements to Obtain the Sarjana Pendidikan Degree in English Language Education By Dicky Wisnu Pradikta Student Number: 131214101 ENGLISH LANGUAGE EDUCATION STUDY PROGRAM DEPARTMENT OF LANGUAGE AND ARTS EDUCATION FACULTY OF TEACHERS TRAINING AND EDUCATION SANATA DHARMA UNIVERSITY YOGYAKARTA 2017 i PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI ABSTRACT Pradikta, Dicky Wisnu. (2017). Cognitive Linguistic Analysis of Love Metaphors in Ed Sheeran’s Songs. Yogyakarta: English Language Education Study Program, Department of Language and Arts Education, Faculty of Teachers Training and Education, Sanata Dharma University. This study analyzes conceptual metaphors of love found in the lyrics of Ed Sheeran‟s songs. There are twenty-five songs selected from three albums. These three albums are chosen because they are popular. This research focuses on one research question, which is: "what source domains are used to convey love?”. Therefore, the aim of this research is to find out the conceptual metaphors of love and the source domains of love used to convey love. -
Beyond Materiality: the Self and the Malleable Body in Alyse Knorr's Copper Mother and Dalton Day's Exit, Pursued
BEYOND MATERIALITY: THE SELF AND THE MALLEABLE BODY IN ALYSE KNORR'S COPPER MOTHER AND DALTON DAY'S EXIT, PURSUED Micaela Tore A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2019 Committee: Kimberly Coates, Advisor William Albertini © 2019 Micaela Tore All Rights Reserved iii ABSTRACT Kimberly Coates, Advisor This project explores representations of the human body in two poetry collections, Copper Mother by Alyse Knorr, and Exit, Pursued by Dalton Day. Both published in 2016, Copper Mother imagines a future in which extraterrestrial beings discover the Voyager Golden Record and visit Earth. Exit, Pursued presents a surreal world with no tangible sense of space, time, or materiality, as Day explores the possibilities of malleable bodies. I argue in Chapter One, that by attempting to understand the human through the eyes of an alien Other, Alyse Knorr breaks down definitions of bodily normativity, allowing us to gaze upon both human and Other from a space of empathy, free from preconceived notions of the human body. In Chapter Two, I argue that by removing all standards of normativity, or even of material consistency, Dalton Day allows the reader to inhabit an entirely non-normative body, while extending our expectations of what a human body should be or do. Both poetry collections, then, open up possibilities for the human body based not in normative expectations, but in individual understandings of the self, and in empathy for the Other. Keywords: body theory; 2016; poetry; Dalton Day; Alyse Knorr; surrealism; materiality; Butler; Haraway iv For my friends, and for my wonderful department.