Is Online Copyright Enforcement Scalable?
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Gotham Knights
University of Denver Digital Commons @ DU Electronic Theses and Dissertations Graduate Studies 11-1-2013 House of Cards Matthew R. Lieber University of Denver Follow this and additional works at: https://digitalcommons.du.edu/etd Part of the Screenwriting Commons Recommended Citation Lieber, Matthew R., "House of Cards" (2013). Electronic Theses and Dissertations. 367. https://digitalcommons.du.edu/etd/367 This Thesis is brought to you for free and open access by the Graduate Studies at Digital Commons @ DU. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ DU. For more information, please contact [email protected],[email protected]. House of Cards ____________________________ A Thesis Presented to the Faculty of Social Sciences University of Denver ____________________________ In Partial Requirement of the Requirements for the Degree Master of Arts ____________________________ By Matthew R. Lieber November 2013 Advisor: Sheila Schroeder ©Copyright by Matthew R. Lieber 2013 All Rights Reserved Author: Matthew R. Lieber Title: House of Cards Advisor: Sheila Schroeder Degree Date: November 2013 Abstract The purpose of this thesis is to approach adapting a comic book into a film in a unique way. With so many comic-to-film adaptations following the trends of action movies, my goal was to adapt the popular comic book, Batman, into a screenplay that is not an action film. The screenplay, House of Cards, follows the original character of Miranda Greene as she attempts to understand insanity in Gotham’s most famous criminal, the Joker. The research for this project includes a detailed look at the comic book’s publication history, as well as previous film adaptations of Batman, and Batman in other relevant media. -
Comic Porno De Super Once Poringa
Comic Porno De Super Once Poringa 1 / 4 2 / 4 Comic Porno De Super Once Poringa 3 / 4 CarCarlo praettoni January 29, at 2: Free Streaming Porno ImageFap's very own streaming video site: Big tit ... PHOTO CREDIT: http://xxxpicz.com/xxx/shadbase-inside-out-sleepover-porn-comics-6.jpg ... Live sex scene in a show - College porn ... Super stunning! ... I'm a down to earth guy and once you get to know me.. Driver placa de rede encore ENL832-TX-ICNT (Windows 7 32 64 bits).rar NuSphere PhpED ... comic porno de super once poringa titanic full .... Watch Killing Bites Yuri on Pornhub.com, the best hardcore porn site. Pornhub is home to the widest selection of free Lesbian sex videos full of .... XVIDEOS Super Once 01 free. ... Dragon Ball Z - Um Dia De Orgia. 14 minMegasex101 - 5.9M Views -. 1080p ... dragon ball evolution porn. 6 minC-lo69 - 4.1M .... Watch Natalia Dyer in "Stranger Things" on Pornhub.com, the best hardcore porn site. Pornhub is home to the widest selection of free Celebrity sex videos full of .... XVIDEOS Super Once 78 free. ... Hentai Mom Gives Son Blowjob XXX Anime. 2 minLuxfluxxx ... Cheating stepmom MILF and teen blondes in a threesome.. Comics porno en one piece. [Shin] One Piece · Grandline Chronicle Colorful · Super Spa · Golden Training · Pleasure · Emperatriz Pervetida · Women Pirate in .... Comic Porno De Super Once Poringa http://jinyurl.com/i1w8o. Poringa! Hentai. super once hentay. 4 comentarios - super once hentay . Comic .... jpg 240x180. Evelen inazuma go comic porn - Inazuma eleven nelly story free mobile videos jpg 240x180 .. -
The New Frontiers of User Rights
American University International Law Review Volume 32 Article 1 Issue 1 Issue1 2016 The ewN Frontiers Of User Rights Niva Elkin-Koren University of Haifa, [email protected] Follow this and additional works at: http://digitalcommons.wcl.american.edu/auilr Part of the International Law Commons Recommended Citation Elkin-Koren, Niva (2016) "The eN w Frontiers Of User Rights," American University International Law Review: Vol. 32 : Iss. 1 , Article 1. Available at: http://digitalcommons.wcl.american.edu/auilr/vol32/iss1/1 This Article is brought to you for free and open access by the Washington College of Law Journals & Law Reviews at Digital Commons @ American University Washington College of Law. It has been accepted for inclusion in American University International Law Review by an authorized editor of Digital Commons @ American University Washington College of Law. For more information, please contact [email protected]. ELKINREVISED.DOCX (DO NOT DELETE) 10/24/16 3:45 PM ARTICLES THE NEW FRONTIERS OF USER RIGHTS * NIVA ELKIN-KOREN I. INTRODUCTION ............................................................................2 II. FAIR USE AND NEW CHALLENGES TO ACCESS TO KNOWLEDGE ..............................................................................5 A. ACCESS TO KNOWLEDGE ............................................................5 B. NEW FRONTIERS IN ACCESS TO KNOWLEDGE ...........................8 C. BARRIERS TO ACCESS AND COPYRIGHT ENFORCEMENT BY ONLINE INTERMEDIARIES .......................................................13 -
No Monitoring Obligations’ the Death of ‘No Monitoring Obligations’ a Story of Untameable Monsters by Giancarlo F
The Death of ‘No Monitoring Obligations’ The Death of ‘No Monitoring Obligations’ A Story of Untameable Monsters by Giancarlo F. Frosio* Abstract: In imposing a strict liability regime pean Commission, would like to introduce filtering for alleged copyright infringement occurring on You- obligations for intermediaries in both copyright and Tube, Justice Salomão of the Brazilian Superior Tribu- AVMS legislations. Meanwhile, online platforms have nal de Justiça stated that “if Google created an ‘un- already set up miscellaneous filtering schemes on a tameable monster,’ it should be the only one charged voluntary basis. In this paper, I suggest that we are with any disastrous consequences generated by the witnessing the death of “no monitoring obligations,” lack of control of the users of its websites.” In order a well-marked trend in intermediary liability policy to tame the monster, the Brazilian Superior Court that can be contextualized within the emergence of had to impose monitoring obligations on Youtube; a broader move towards private enforcement online this was not an isolated case. Proactive monitoring and intermediaries’ self-intervention. In addition, fil- and filtering found their way into the legal system as tering and monitoring will be dealt almost exclusively a privileged enforcement strategy through legisla- through automatic infringement assessment sys- tion, judicial decisions, and private ordering. In multi- tems. Due process and fundamental guarantees get ple jurisdictions, recent case law has imposed proac- mauled by algorithmic enforcement, which might fi- tive monitoring obligations on intermediaries across nally slay “no monitoring obligations” and fundamen- the entire spectrum of intermediary liability subject tal rights online, together with the untameable mon- matters. -
Digital Millennium Copyright Act
Safe Harbor for Online Service Providers Under Section 512(c) of the Digital Millennium Copyright Act March 26, 2014 Congressional Research Service https://crsreports.congress.gov R43436 Safe Harbor for Online Service Providers Under Section 512(c) of the DMCA Summary Congress passed the Digital Millennium Copyright Act (DMCA) in 1998 in an effort to adapt copyright law to emerging digital technologies that potentially could be used to exponentially increase infringing activities online. Title II of the DMCA, titled the “Online Copyright Infringement Liability Limitation Act,” added a new Section 512 to the Copyright Act (Title 17 of the U.S. Code) in order to limit the liability of providers of Internet access and online services that may arise due to their users posting or sharing materials that infringe copyrights. Congress was concerned that without insulating Internet intermediaries from crippling financial liability for copyright infringement, investment in the growth of the Internet could be stifled and innovation could be harmed. The § 512 “safe harbor” immunity is available only to a party that qualifies as a “service provider” as defined by the DMCA, and only after the provider complies with certain eligibility requirements. The DMCA’s safe harbors greatly limit service providers’ liability based on the specific functions they could perform: (1) transitory digital network communications, (2) system caching, (3) storage of information on systems or networks at direction of users, and (4) information location tools. In exchange for the shelter from most forms of liability, the DMCA requires service providers to cooperate with copyright owners to address infringing activities conducted by the providers’ customers. -
Superhero Film Films and Movies List
Superhero Film Films and Movies List Batman https://www.listvote.com/lists/film/movies/batman-205575/actors The Masked Marvel https://www.listvote.com/lists/film/movies/the-masked-marvel-7750532/actors The Spider Returns https://www.listvote.com/lists/film/movies/the-spider-returns-7765841/actors https://www.listvote.com/lists/film/movies/de-superjhemp-ret%C3%B6rns- De Superjhemp retörns 60056469/actors https://www.listvote.com/lists/film/movies/the-invisible-boy-%E2%80%93-second- The Invisible Boy – Second Generation generation-43303083/actors Jian Bing Man https://www.listvote.com/lists/film/movies/jian-bing-man-20683503/actors Wapakman https://www.listvote.com/lists/film/movies/wapakman-7968223/actors https://www.listvote.com/lists/film/movies/gandarrapiddo%3A-the-revenger-squad- Gandarrapiddo: The Revenger Squad 39060256/actors Most Welcome 2 https://www.listvote.com/lists/film/movies/most-welcome-2-15040778/actors The Return of the Six-Million-Dollar Man https://www.listvote.com/lists/film/movies/the-return-of-the-six-million-dollar-man- and the Bionic Woman and-the-bionic-woman-3988997/actors Volta https://www.listvote.com/lists/film/movies/volta-7940705/actors https://www.listvote.com/lists/film/movies/superargo-versus-diabolicus- Superargo Versus Diabolicus 20814784/actors Fearless Frank https://www.listvote.com/lists/film/movies/fearless-frank-5439479/actors Darna https://www.listvote.com/lists/film/movies/darna-5224082/actors Guardians of the Night – The Vampire https://www.listvote.com/lists/film/movies/guardians-of-the-night-%E2%80%93- -
Dmca Safe Harbors: an Analysis of the Statute and Case Law
DMCA SAFE HARBORS: AN ANALYSIS OF THE STATUTE AND CASE LAW Excerpted from Chapter 4 (Copyright Protection in Cyberspace) from the April 2020 updates to E-Commerce and Internet Law: Legal Treatise with Forms 2d Edition A 5-volume legal treatise by Ian C. Ballon (Thomson/West Publishing, www.IanBallon.net) INTERNET, MOBILE AND DIGITAL LAW YEAR IN REVIEW: WHAT YOU NEED TO KNOW FOR 2021 AND BEYOND ASSOCIATION OF CORPORATE COUNSEL JANUARY 14, 2021 Ian C. Ballon Greenberg Traurig, LLP Silicon Valley: Los Angeles: 1900 University Avenue, 5th Fl. 1840 Century Park East, Ste. 1900 East Palo Alto, CA 914303 Los Angeles, CA 90067 Direct Dial: (650) 289-7881 Direct Dial: (310) 586-6575 Direct Fax: (650) 462-7881 Direct Fax: (310) 586-0575 [email protected] <www.ianballon.net> LinkedIn, Twitter, Facebook: IanBallon This paper has been excerpted from E-Commerce and Internet Law: Treatise with Forms 2d Edition (Thomson West April 2020 Annual Update), a 5-volume legal treatise by Ian C. Ballon, published by West, (888) 728-7677 www.ianballon.net Ian C. Ballon Silicon Valley 1900 University Avenue Shareholder 5th Floor Internet, Intellectual Property & Technology Litigation East Palo Alto, CA 94303 T 650.289.7881 Admitted: California, District of Columbia and Maryland F 650.462.7881 Second, Third, Fourth, Fifth, Seventh, Ninth, Eleventh and Federal Circuits Los Angeles U.S. Supreme Court 1840 Century Park East JD, LLM, CIPP/US Suite 1900 Los Angeles, CA 90067 [email protected] T 310.586.6575 LinkedIn, Twitter, Facebook: IanBallon F 310.586.0575 Ian C. Ballon is Co-Chair of Greenberg Traurig LLP’s Global Intellectual Property & Technology Practice Group and represents companies in intellectual property litigation (including copyright, trademark, trade secret, patent, right of publicity, DMCA, domain name, platform defense, fair use, CDA and database/screen scraping) and in the defense of data privacy, cybersecurity breach and TCPA class action suits. -
Section 512 of Title 17 a Report of the Register of Copyrights May 2020 United States Copyright Office
united states copyright office section 512 of title 17 a report of the register of copyrights may 2020 united states copyright office section 512 of title 17 a report of the register of copyrights may 2020 U.S. Copyright Office Section 512 Report ACKNOWLEDGEMENTS The publication of this Report is the final output of several years of effort by the Copyright Office to assist Congress with evaluating ways to update the Copyright Act for the 21st century. The genesis of this Report occurred in the midst of the two years of copyright review hearings held by the House Judiciary Committee that spanned the 113th and 114th Congresses. At the twentieth and final hearing in April 2015, the Copyright Office proposed several policy studies to aid Congress in its further review of the Copyright Act. Two studies already underway at the time were completed after the hearings: Orphan Works and Mass Digitization (2015), which the Office later supplemented with a letter to Congress on the “Mass Digitization Pilot Program” (2017), and The Making Available Right in the United States (2016). Additional studies proposed during the final hearing that were subsequently issued by the Office included: the discussion document Section 108 of Title 17 (2017), Section 1201 of Title 17 (2017), and Authors, Attribution, and Integrity: Examining Moral Rights in the United States (2019). The Office also evaluated how the current copyright system works for visual artists, which resulted in the letter to Congress titled “Copyright and Visual Works: The Legal Landscape of Opportunities and Challenges” (2019). Shortly after the hearings ended, two Senators requested a review of the role of copyright law in everyday consumer products and the Office subsequently published a report, Software-Enabled Computer Products (2016). -
Plan Du Rapport
HIGH COUNCIL FOR LITERARY AND ARTISTIC PROPERTY REPORT BY THE RESEARCH MISSION ON RECOGNITION TOOLS FOR COPYRIGHT- PROTECTED CONTENT ON DIGITAL PLATFORMS COPYRIGHT PROTECTION ON DIGITAL PLATFORMS: EXISTING TOOLS, GOOD PRACTICE AND LIMITATIONS Head of Mission: Olivier Japiot, Member of the Council of State Rapporteur for the mission: Laure Durand-Viel, Junior Civil Servant at the Council of State Report submitted to the CSPLA on 19 December 2017 - the content of the report reflects the authors’ view only – FINAL REPORT Summary According to a study by the European Grouping of Author and Composer Societies (GESAC)1, cited by the impact study on the European Commission’s Proposal for a Directive on copyright issued in September 2016, two-thirds of videos published on YouTube contain copyright- protected works (primarily musical), and over half have been published online without the initial authorisation of the rightholder2. These figures show that access to cinematographic, audiovisual and musical works is one of the key reasons why users access video-sharing platforms. This is also the case for the sharing of other types of content (music, images and texts), even though special platforms for these domains often have fewer users. This finding led the European Commission to propose (in Article 13 of the above-mentioned Proposal for a Directive) that these platforms should be required to implement technical tools to protect copyright, primarily by blocking content for which rightholders have provided a digital fingerprint. Rightholders would be able to select a ‘monetisation’ option under which they would receive any advertising revenue related to their works, following the deduction of a generally substantial commission for the platform3, and, where relevant, remuneration of the user if they produce their own creative work based on the original work. -
United States District Court for the District of Columbia
Case 1:11-cv-00056-EGS-JMF Document 23 Filed 01/23/12 Page 1 of 6 UNITED STATES DISTRICT COURT FOR THE DISTRICT OF COLUMBIA AXEL BRAUN PRODUCTIONS, Plaintiff, v. Civil Action No. 11-56 (EGS/JMF) DOES 1-2,823, Defendants. MEMORANDUM OPINION This case was referred to me for full case management. Currently pending and ready for resolution is plaintiff’s Motion for Leave to Take Additional Discovery Prior to Rule 26(f) Conference; Memorandum of Points and Authorities in Support Thereof [#14]. Plaintiff, Axel Braun Productions, is the owner of the copyright for the motion picture “Batman XXX: A Porn Parody”. Complaint for Copyright Infringement [#1] ¶5. According to plaintiff, numerous individuals illegally downloaded and distributed its film over the Internet, in violation of the Copyright Act of 1976, 17 U.S.C. § 101 et seq.1 Id. ¶¶1, 3. At the time the law suit was filed, plaintiff did not know the identities of these individuals. Id. ¶17. Plaintiff did, however, know the Internet Protocol (“IP”) address of the computers associated with the alleged infringers. Id. On June 29, 2011, this Court granted plaintiff’s first motion for leave to take discovery prior to the Rule 26(f) conference. See Memorandum Order [#12]. In its current motion, plaintiff seeks to conduct more of the same. [#14] at 1-5. 1 All references to the United States Code or the Code of Federal Regulations are to the electronic versions that appear in Westlaw or Lexis. Case 1:11-cv-00056-EGS-JMF Document 23 Filed 01/23/12 Page 2 of 6 Since the Court issued its Memorandum Order in June of 2011, it has had an opportunity to reconsider the issue and has now concluded that such early, wide-ranging discovery is, for the following reasons, not warranted. -
Heavyweight Bots in the Clouds: the Rw Ong Incentives and Poorly Crafted Balances That Lead to the Blocking of Information Online Anjanette H
Northwestern Journal of Technology and Intellectual Property Volume 11 | Issue 6 Article 1 2013 Heavyweight Bots in the Clouds: The rW ong Incentives and Poorly Crafted Balances That Lead to the Blocking of Information Online Anjanette H. Raymond Indiana University, Kelley School of Business Recommended Citation Anjanette H. Raymond, Heavyweight Bots in the Clouds: The Wrong Incentives and Poorly Crafted Balances That Lead to the Blocking of Information Online, 11 Nw. J. Tech. & Intell. Prop. 473 (2013). https://scholarlycommons.law.northwestern.edu/njtip/vol11/iss6/1 This Article is brought to you for free and open access by Northwestern Pritzker School of Law Scholarly Commons. It has been accepted for inclusion in Northwestern Journal of Technology and Intellectual Property by an authorized editor of Northwestern Pritzker School of Law Scholarly Commons. NORTHWESTERN J O U R N A L OF TECHNOLOGY AND INTELLECTUAL PROPERTY Heavyweight Bots in the Clouds: The Wrong Incentives and Poorly Crafted Balances That Lead to the Blocking of Information Online Anjanette H. Raymond August 2013 VOL. 11, NO. 6 © 2013 by Northwestern University School of Law Northwestern Journal of Technology and Intellectual Property Copyright 2013 by Northwestern University School of Law Volume 11, Number 6 (August 2013) Northwestern Journal of Technology and Intellectual Property Heavyweight Bots in the Clouds: The Wrong Incentives and Poorly Crafted Balances That Lead to the Blocking of Information Online By Anjanette H. Raymond* The United States and the European Union have long recognized the need to protect ISPs from potential liability from customers using their services to infringe intellectual property rights. -
THE “SIGH—CALL 'Og'” of “Thorn” (“Þorn”)
THE “SIGH—CALL ‘O-g’” of “THorn” (“þorn”) The Latin letter “þ” is imagery of “c” in “time-OUT” with its F-A-C-E to the “wall.” [cf. Ezekiel 4:3, 41:25 / 2 Kings 20:2 / Isaiah 38:2 / Proverbs 24:31 / Ezekiel 12:12, 38:20] “And lest I should be exalted above measure through the abundance of the revelations, there was given to me a thorn in the flesh, the messenger of Satan to buffet me, lest I should be exalted above MEASURE.” —2 Corinthians 12:7 [cf. Judges 8:7] “ 1 Then Pilate therefore took Jesus, and scourged him. 2 And the soldiers platted a crown of thorns, and put it on 3 his head, and they put on him a purple robe, And said, Hail, King of the Jews! and they smote him with their hands. 4 Pilate therefore went forth again, and saith unto them, Behold, I bring him forth to you, that ye may know that I find no fault in him. 5 Then came Jesus forth, wearing the crown of thorns, and the purple robe. And Pilate saith unto them, Behold the man!”—John 19:1-5 HIGH road = Place of LOW road = Place of Unfruitfulness Conception (mouth) You take the high road and I’ll take the low road Genesis 13:6-12 “ 6 And the land was not able to bear them, that they might dwell together: for their substance was great, so that they 7 could not dwell together. And there was a strife between the herdmen of Abram's cattle and the herdmen of Lot's 8 cattle: and the Canaanite and the Perizzite dwelled then in the land.