STLCC Continuing Education Fall 2013 Catalog
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Tara Donovan "Printmaking: The
Tara Donovan Printmaking: The Monotype Created by Mary Provosty Post-Visit Lesson Plan Age adaptable Visual Arts 1-2 Lessons Introduction Monotyping is a form of printmaking in which images or lines cannot be reproduced accurately more than once. It is essentially a printed painting - the artist works by drawing or painting directly onto a smooth, non-absorbent surface (commonly referred to as a printing plate) to form an image that will be transferred onto a sheet of paper. To create an image, one uses a subtractive method, removing the ink with brushes, rags, and texturized surfaces. At most, two impressions can be obtained. The second print from the original plate is referred to as a “ghost print.” Monotyping was first invented in the 1600’s to produce brushed sketches intended as finished and final works. About Tara Donovan Tara Donovan is a contemporary artist who works primarily in large scale, site-responsive installations. The success of her work is achieved by the surprising way she arranges great quantities of everyday materials into artistic environments and transforms the everyday to the otherworldly. She begins with the ordinary and launches it into the extraordinary. Styrofoam cups, plastic drinking straws, buttons, wooden toothpicks, rubber bands, pencil erasers, scotch tape are all materials she has explored and used in her art. She has also experimented with printing, utilizing the same mundane materials she uses for her sculptures. Some of her prints are created by using rubber bands that she meticulously lays out to create complex organic compositions. She then inks the rubber bands and obtains a print from them. -
Missouri Conservationist, October
Missouri ConservationistVolume 68, Issue 10, october 2007 •Serving nature & You [Note to our readers] Uncle Jack’s Flowers ne day this summer we got a call from my wife’s uncle Jack. He said, “Jeanette and I have a real crop of wildflowers this Oyear, and I think you need to see them.” We eagerly grabbed the camera and the bug spray knowing we were in for a real treat. Jack pointed out ironweed in bloom and explained that We went to a part of Jack’s property the tall stems, straight and strong, could called the Old Protsman Place because, be used to make arrow shafts for taking like many properties in the Ozarks, it re- small game. As a little boy, Jack made an mains tied to the name of its early pioneers. ironweed arrow, using a small piece of bal- Jack is a farmer with land, cattle and all ing wire for the tip and chicken feathers the hard work that goes with this lifestyle. for the fletching. With his homemade bow, He is also a naturalist, a hunter, a seeker of he shot the arrow at a bluebird with no ex- knowledge and a lover of things beautiful, pectation of hitting it, but did, and the bird delicate and wild. died. I am told he cried at the unfortunate The Baron Creek Church is just up result and learned a valuable lesson. the road from the home where Jack was Jack treated us to many smaller, less Gray-headed coneflowers on Jack’s farm raised, and his family attended regularly. -
CHAPTER VII Circulation List
VII-1 CHAPTER VII Circulation List A. Federal U.S. Environmental Protection Agency Office of Federal Activities NEPA Compliance Division EIS Filing Section Ariel Rios Bldg. M2252-A Rm. 7241 1200 Pennsylvania Avenue, NW Washington, D.C. 20044 Mr. Joe Cothern NEPA Environmental Scientist U.S. Environmental Protection Agency, Region 7 901 N. 5th Street Kansas City, Kansas 66101 Dr. Willie R. Taylor Office of Environmental Policy and Compliance U.S. Department of Interior Room MS-2340-MIB 1849 “C” Street, N.W., Room 2340 Washington, D.C. Mr. Gerald Hayes Director of Housing U.S. Department of Housing and Urban Development K.C. Regional Office 400 State Avenue Kansas City, Kansas 66101 Mr. Roger A. Hansen State Conservationist U.S. Department of Agriculture Natural Resources Conservation Service 601 Business Loop 70 West Parkade Center, Suite 250 Columbia, Missouri 65203-2546 Ms. Kay Carder Federal Emergency Management Agency 2323 Grand Avenue, Suite 900 Kansas City, Missouri 64108 VII-2 I-70 Final First Tier Environmental Impact Statement MoDOT Job No. J4I1341 Ms. Peggy Casey Environmental Coordinator Federal Highway Administration 209 Adams Street Jefferson city, Missouri 65101 Mr. Larry Cavin Chief, Regulatory Branch U.S. Army Corps of Engineers 601 E. 12th Street Kansas City, Missouri 64106 Mr. James Pointer Regulatory Project Manager U.S. Army Corps of Engineers 221 Bolivar Street, Ste. 103 Jefferson City, Missouri 65101 Mr. Roger Wiebusch U.S. Coast Guard 1222 Spruce Street St. Louis, Missouri 63103 Ms. Jane Ledwin U.S. Fish & Wildlife Service 608 E. Cherry Street, Room 200 Columbia, Missouri 65201 Mr. Mokhtee Ahmad Regional Administrator Federal Transit Administration 901Locust Street Suite 404 Kansas City, Missouri 64106 B. -
Art and Art History 1
Art and Art History 1 ART AND ART HISTORY art.as.miami.edu Dept. Codes: ART, ARH Educational Objectives The Department of Art and Art History provides facilities and instruction to serve the needs of the general student. The program fosters participation and appreciation in the visual arts for students with specialized interests and abilities preparing for careers in the production and interpretation of art and art history. Degree Programs The Department of Art and Art History offers two undergraduate degrees: • The Bachelor of Arts, with tracks in: • Art (General Study) • Art History • Studio Art • The Bachelor of Fine Arts in Studio Art, which allows for primary and secondary concentrations in: • Painting • Sculpture • Printmaking • Photography/Digital Imaging • Graphic Design/Multimedia • Ceramics The B.A. requires a minimum of 36 credit hours in the department with a grade of C or higher. The B. A. major is also required to have a minor outside the department. Minor requirements are specified by each department and are listed in the Bulletin. The B.F.A. requires a minimum of 72 credit hours in the department, a grade of C or higher in each course, a group exhibition and at least a 3.0 average in departmental courses. The B.F.A. major is not required to have a minor outside the department. Writing within the Discipline To satisfy the College of Arts and Sciences writing requirement in the discipline, students whose first major is art or art history must take at least one of the following courses for a writing credit: ARH 343: Modern Art, and/or ARH 344: Contemporary Art. -
Missouri Master Naturalist a Summary of Program Impacts and Achievements During 2019
Missouri Master Naturalist A summary of program impacts and achievements during 2019 “The mission of the Missouri Master Naturalist program is to engage Missourians in the stewardship of the state’s natural resources through science-based education and community service.” Introduction Program Objectives The Missouri Master Naturalist program results 1. Improve public understanding of natural from a partnership created in 2004 between the resource ecology and management by Missouri Department of Conservation (MDC) developing a pool of local knowledge that and University of Missouri Extension. These can be used to enhance and expand two organizations are the sponsors of the educational efforts within local communities program at the state level. Within MU Extension, the Missouri Master Naturalist 2. Enhance existing natural resources Program has the distinction of being recognized education and outreach activities by as a named and branded educational program. providing natural resources training at the The MU School of Natural Resources serves as local level, thereby developing a team of the academic home for the program. dedicated and informed volunteers The program is jointly administered by state 3. Develop a self-sufficient Missouri Master coordinators that represent the MDC and MU Naturalist volunteer network through the Extension. The state program coordinators Chapter-based program. provide leadership in conducting the overall program and facilitate the development of An increasing number of communities and training and chapter -
Education Guide
Education Guide Out of Print Created to accompany the Nevada Touring Initiative’s Traveling Exhibition Program, a program of the Nevada Arts Council, a division of the Department of Cultural Affairs and supported by the National Endowment for the Arts. TABLE OF CONTENTS Introduction . .1 – 2 About the Artists and their Prints Von Allen, Untitled, 1993 . .3 Wulf Barsch, I Tego Arcana Dei, 1993 . .3 Connie Borup, Stand of Trees, 1993 . .4 James Christensen, Retirement, 1994 . .4 Paul Davis, Steer, 1993 . .5 Lee Deffebach, Untitled, 1993 . .5 David Dornan, Untitled, 1993 . .6 Brent Gehring, Vision, Language, Water, Earth, Air, Fire, 1992 . .6 Neil Hadlock, Tortue, 1993 . .7 Hagen Haltern, Southern Utah, 1994 . .7 Hal Douglas Himes, Yes, 1993 . .8 Wayne Kimball, A Bearded Man with a Headache This Big, 1994 . .8 Robert Kleinschmidt, Nyarit Seeker II, 1993 . .9 Susan Makov, Lamentation, 1993 . .9 Robert Marshall, Mystery Pool, 1992 . .10 Peter Myer, He Was Cut Off Out of the Land of the Living, 1992 . .10 Edie Roberson, Untitled, 1993 . .11 Janet Shapero, Tethered, 1994 . .11 Bruce Hixson Smith, Bait (The Woman Taken in Adultery), 1993 . .12 Frank Anthony Smith, Chalk, 1993 . .12 Gary Ernest Smith, Guardian, 1993 . .13 Douglas Snow, Untitled, 1994 . .13 Information provided by: Bonnie Sucec, I Remember When This Was a Tree, 1994 . .14 Springville Museum of Art Adrian Van Suchtelen, Vanitas: Vesalius et al, 1994 . .14 Nevada Arts Council Sam Wilson, My Heart Sank Below the Pit in My Stomach, 1993 . .15 Utah Arts Council Utah Artists Project Resources . .15 Out of Print The lithographic, intaglio, and relief prints contained in Out of Print were created specifically for this traveling exhibition and represent the work of 25 of Utah’s finest artists. -
Missouri Conservationist July 2012
Missouri ConservationistVolume 73, Issue 7, july 2012 • Serving nature & You [Note to our readers] Continuing Our Legacy he Fourth of July is one of my favorite holidays—and not just for the fireworks and family fun. Independence Day is a time to T reflect on our country’s founders and the freedoms for which they fought. This month is also a the country. As a result, conservation is fitting time to give thanks for the a huge economic engine for the Show- countless Missourians who have Me State—supporting approximately worked hard to conserve the rich 95,000 jobs and generating more than outdoor resources we now enjoy. $11 billion in economic activity. It was 75 years ago this month Today, the Department contin- that Missouri’s “conservation legacy” ues to work with Missourians, and began. Citizens came together, and for Missourians, to protect and man- through an initiative petition, formed age the forest, fish and wildlife re- an apolitical conservation agency sources of the state. The Department guided by a management approach also provides opportunities for all based on technical research rather citizens to use, enjoy and learn about than politics, led by four Missouri these resources. citizens, who made up the Conser- Integral to the state’s conserva- vation Commission. That citizen-led tion success are the tireless efforts Commission continues to guide the of private landowners who improve Department’s science-based conser- habitat on their lands and water- vation efforts today. ways—hard work that ultimately The challenges ahead for the benefits everyone through healthier young Department were daunting. -
Downloads: Chuck Close Prints: Process and Collaboration by Terrie Sultan with Contributions from Richard Schiff Hardcover
US $25 The Global Journal of Prints and Ideas July – August 2014 Volume 4, Number 2 On Screenprint • The Theater of Printing • Arturo Herrera • Philippe Apeloig • Jane Kent • Hank Willis Thomas Ryan McGinness • Aldo Crommelynck • Djamel Tatah • Al Taylor • Ray Yoshida • Prix de Print: Ann Aspinwall • News C.G. Boerner is delighted to announce that a selection of recent work by Jane Kent is on view at the International Print Biennale, Hatton Gallery, Newcastle upon Tyne, June 27–August 8, 2014. Jane Kent, Blue Nose, 2013, silkscreen in 9 colors, 67 x 47 cm (26 ⅜ x 18 ½ inches) edition 35, printed and published by Aspinwall Editions, NY 23 East 73rd Street New York, NY 10021 www.cgboerner.com July – August 2014 In This Issue Volume 4, Number 2 Editor-in-Chief Susan Tallman 2 Susan Tallman On Screenprint Associate Publisher Susan Tallman and Michael Ferut 4 Julie Bernatz Screenprint 2014 Managing Editor Jason Urban 11 Dana Johnson Stagecraft: The Theater of Print in a Digital World News Editor Christine Nippe 15 Isabella Kendrick Arturo Herrera in Berlin Manuscript Editor Caitlin Condell 19 Prudence Crowther Type and Transcendence: Philippe Apeloig Online Columnist Sarah Kirk Hanley Treasures from the Vault 23 Mark Pascale Design Director Ray Yoshida: The Secret Screenprints Skip Langer Prix de Print, No. 6 26 Editorial Associate Peter Power Michael Ferut Ann Aspinwall: Fortuny Reviews Elleree Erdos Jane Kent 28 Hank Willis Thomas 30 Ryan McGinness 32 Michael Ferut 33 Hartt, Cordova, Barrow: Three from Threewalls Caitlin Condell 34 Richard Forster’s Littoral Beauties Laurie Hurwitz 35 Aldo Crommelynck Kate McCrickard 39 Djamel Tatah in the Atelier Jaclyn Jacunski On the Cover: Kelley Walker, Bug_156S Paper as Politics and Process 42 (2013-2014), four-color process screenprint John Sparagana Reads the News on aluminum. -
Steamboats on the Missouri River
A BRIEF HISTORY OF STEAMBOATING ON THE MISSOURI RIVER WITH AN EMPHASIS ON THE BOONSLICK REGION by Robert L. Dyer From the BOONE'S LICK HERITAGE Volume 5, No. 2, June 1997 Boonslick Historical Society's Quarterly Magazine Boonslick Historical Society P.O. Box 324 Boonville, MO 65233 Just because the Mississippi is the biggest river in the country, you mustn't get the idea that she's the best and the boats on her the finest and her boatmen the smartest. That ain't true. Son, real steamboatin' begins a few miles north there, where the Missouri and the Mississippi join up. It takes a real man to be a Missouri River pilot, and that's why a good one draws down as high as a thousand dollars a month. If a Mississippi boat makes a good trip to New Orleans and back, its milk-fed crew think they've turned a trick. Bah! That's creek navigatin'. But from St. Louis to Fort Benton and back; close on to five thousand miles, son, with cottonwood snags waitin' to rip a hole in your bottom and the fastest current there ever was on any river darin' your engines at every bend and with Injuns hidin' in the bushes at the woodyard landings ready to rip the scalp off your head; that's a hair-on-your-chest, he-man trip for you! ...And the Missouri has more history stored up in any one of her ten thousand bends than this puny Mississippi creek can boast from her source to the New Orleans delta. -
Throughout History, Printmaking Processes Have Been
Throughout history, printmaking processes have been A strong desire to record, preserve and protect a memory is used to reproduce and disseminate ideas by way of books, also in the forefront of Rachel Fenker–Vera’s Notes. In this pamphlets, posters, and even playing cards. Printmaking work, three embroidery hoops made of polished sterling is a rigorous discipline that demands a set of strategies that silver contain linoleum monoprints that depict the familiar will result in the creation of a matrix, which is then used color and shape of post-it notes. Paying close attention to recreate—as identically as possible—the same image to the history of embroidery and using materials traditional multJple times. Within contemporary art practice, the to keepsakes and heirlooms, Fenker–Vera carefully stitches boundaries that once defned printmaking as a utilitarian notes written by her son, now nine years old, collected over reproductive technique have been experimented with, the past three years. Though a monoprint is present, it is the enhanced, modifed, and sometimes even exterminated. scan of the note that becomes the matrix, linking methods Interdisciplinary methods of art-making have created of printmaking with embroidery. These “reminders”— collaborations between mark-making, material, surface, sometimes communicating a message to the recipient and and concept that beg the question: what is a print? other times documenting a process or a “note to self”—are mundane, unpolished and ephemeral. They are records of a In Bad Editions, a series of artists explore the possibilities private dialogue that are reproduced through processes of printmaking as a process, as a philosophy, and as an associated with preservation and continuance; they touch excuse for art-making. -
Download Issue
VOLUME 79, ISSUE 9, SEPTEMBER 2018 MISSOURI SERVING NATURE & YOU CONSERVATIONIST SHOOTING RANGES Outdoor Education Centers MDC shooting ranges 1 Andy Dalton 2 Lake City and outdoor education 4897 N Farm Road 61 28505 E Truman Road Ash Grove, MO 65604 Buckner, MO 64016 centers are designed 417-742-4361 816-249-3194 to help you become a Text “MDC Dalton” to 468311 Text “MDC Lake” to 468311 sharper, safer hunter to sign up for text alerts. to sign up for text alerts. mdc.mo.gov/andydalton mdc.mo.gov/lakecity or outdoors person. Come to shoot targets or 3 Jay Henges 4 Parma Woods attend one of our many Shotgun/archery ranges open 15900 NW River Road 1100 Antire Road Parkville, MO 64152 outdoor skills programs. High Ridge, MO 63049 816-891-9941 636-938-9548 Text “MDC Parma” to 468311 Text “MDC Henges” to 468311 to sign up for text alerts. to sign up for text alerts. mdc.mo.gov/parmawoods mdc.mo.gov/hengesrange 4 2 5 5 August A. Busch 3 3550 Highway D Defiance, MO 63341 1 636-300-0258 Text “MDC Busch” to 468311 to sign up for text alerts. mdc.mo.gov/buschrange 1 Andy Dalton 2 Lake City 3 Jay Henges MISSOURI4 Parma Woods DEPARTMENT OF CONSERVATION 5 August A. Busch MISSOURI CONSERVATIONIST SEPTEMBER 2018 Contents VOLUME 79, ISSUE 9 ON THE COVER Wood duck : NOPPADOL PAOTHONG 600mm lens +1.4x f/8, 1/400 sec, ISO 400 GOVERNOR Michael L. Parson THE CONSERVATION COMMISSION CHAIR Marilynn J. Bradford VICE CHAIR David W. -
Missouri Conservationist to the Shelf Without How Much I Enjoyed Your June Article in the Magazine As It Had the Numbers I Needed When I Conservationist Magazine
Missouri ConservationistVolume 68, Issue 8, August 2007 •Serving nature & You [Note to our readers] Hunting Fever ven though summer is in full force, I’ve been thinking about my favorite preparation of deer roast. Mary Werdenhause is a family Efriend whose mouth-watering recipe fills the kitchen with such delicious aromas it’s hard to wait for dinner. So, if I’m going to Hunters were the first to recognize the decline in habitat and satisfy this hunger this fall, I had better use August to prepare wildlife populations, and, to change that, they were willing to pay for a successful deer hunt. license fees for professional management Preparation is important no matter and hunting regulations based on sound what game you pursue. Finding the right science. In Missouri, conservation success place and scouting the area before the sea- began in 1936 with the voters’ resounding son greatly increase your chance of suc- approval of an initiative petition to create cess. Honing firearms marksmanship and a citizen Conservation Commission. The archery skills are also necessary preseason effort was spearheaded by a group known activities. Above all, one of the best ways as the “Restoration and Conservation to get prepared is to complete a hunter Federation of Missouri,” led by E. Sydney education course taught by knowledgeable Stephens, an ardent hunter from Colum- and dedicated instructors. E. Sydney Stephens bia, who later became the first chairman Hunting is steeped in our state’s of the new Commission. culture and tradition, and nearly a half Many writers have tried to define the million hunters enjoy their sport in Missouri each year.