Volume 56, Numbers 2–3 May–December 2019
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J of F R An International Journal of Folklore and Ethnomusicology Special Issue An (Unlikely) Intersection of Folklore and Science, The Aesop’s Fable Paradigm Volume 56, Numbers 2–3 May–December 2019 PUBLISHED BY INDIANA UNIVERSITY PRESS The Journal of Folklore Research: An International Journal of Folklore and Ethnomusicology (ISSN 0737-7037, e-ISSN 1543-0413) is published triannually by Indiana University Press, Office of Scholarly Publishing, Herman B Wells Library 350, 1320 E. 10th St., Bloomington, IN 47405-3907. Periodicals postage paid at Bloomington, IN, 47405-3907 and at additional mailing offices. POSTMASTER: Send address changes to Journals and Electronic Publishing, Indiana University Press, Office of Scholarly Publishing, Herman B Wells Library 350, 1320 E. 10th St., Bloomington, IN 47405-3907. The views expressed in this publication are solely those of the authors. Editorial correspondence should be addressed to [email protected]. 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To sign up for this service and to search reviews posted on-line, go to http://www .jfr.indiana.edu and follow the links to JFR Reviews. Inquiries concerning reviews should be directed to the JFRR editorial staff at [email protected]. The Journal of Folklore Research is indexed in the Social Sciences and Humanities Index, the MLA Bibliography, Anthropological Index Online, Humanities International Com- plete, the Music Index, and the International Bibliography of the Social Sciences. It is abstracted in Historical Abstracts and America: History and Life. In addition, JFR augments major research and teaching libraries in the former Soviet bloc as part of the East and Central Europe Journal Donation Project, sponsored by the New School for Social Research. EDITORIAL BOARD Editor, Ray Cashman Managing Editor, Kristina Downs Editorial Assistant, Marisa Wieneke Associate Editor for Ethnomusicology, David A. McDonald Associate Editor for Material Culture, Pravina Shukla An International Journal of Folklore and Ethnomusicology Advisory Editor, Diane Goldstein Journal of Folklore Research Reviews Editor, John H. McDowell Associate Editors, Henry H. Glassie and William Hansen Editorial Assistant, Shannon K. Larson Corresponding Editors Katherine Borland Tom Mould Fernando Fischman Dorothy Noyes Michael Dylan Foster Elliott Oring Lisa Gilman Solimar Otero Greg Kelley Jill Terry Rudy John Laudun Patricia Sawin David Todd Lawrence Jennifer Schacker James P. Leary Amy Shuman Carl Lindahl Theresa Vaughn Sabina Magliocco Juwen Zhang The Journal of Folklore Research, a publication of the Department of Folklore and Ethnomusicology at Indiana University, was established in 1964 under the title Journal of the Folklore Institute. The Editorial Board welcomes substantive articles of current theoretical interest to folklore and ethnomusicology as international disciplines. J of F R An International Journal of Folklore and Ethnomusicology Volume 56, Numbers 2–3 May–December 2019 Special Issue An (Unlikely) Intersection of Folklore and Science, The Aesop’s Fable Paradigm Edited by K. Brandon Barker and Daniel J. Povinelli CONTENTS introduction 1 Daniel J. Povinelli and K. Brandon Barker The Perplexities of Water articles 15 K. Brandon Barker The Animal Question as Folklore in Science 27 William Hansen The Early Tradition of the Crow and the Pitcher 45 Laura Hennefield and Hyesung G. Hwang with Daniel J. Povinelli Going Meta: Retelling the Scientific Retelling of Aesop’s the Crow and the Pitcher 71 K. Brandon Barker and Daniel J. Povinelli Anthropomorphomania and the Rise of the Animal Mind: A Conversation 91 Gregory Schrempp Fabling Gestures in Expository Science conclusion 113 K. Brandon Barker and Daniel J. Povinelli Old Ideas and the Science of Animal Folklore appendix 125 Daniel J. Povinelli and K. Brandon Barker Doctor Fomomindo’s Preliminary Notes for a Future Index of Anthropomorphized Animal Behaviors Daniel J. Povinelli and K. Brandon Barker Introduction: The Perplexities of Water For three hundred fifty miles, the Missouri River ambles eastward across the face of the Show-Me state until suddenly, just before the Illinois border, it veers wildly and throws a nasty uppercut into the throat of the Mississippi. This wayward hook knocks the Mississippi on its heels and leaves behind an ugly kinka big bend in a big river. A couple miles downstream, the City of St. Louis looks on, unfazed as the Big River gets on with its main business—its inexorable, snake- like sinuosity south to New Orleans. Water, as the proverb goes, finds the lowest level. (Unless, of course, the Scientist pours the water into a test tube and the Crow starts dropping pebbles into it . but more about that shortly). In an interview with the Chicago Tribune, Mark Twain once quipped that “The river below St. Louis . is the least interesting part. One can sit on the pilot-house for a few hours and watch the low shores, the ungainly trees and the democratic buzzards, and then one might as well go to bed. One has seen everything there is to see” (2006, 89–90). But above or below St. Louisacross two- thousand-plus miles and two-million-plus yearsone thing about the Big River seems permanent: it is bent on maintaining its twisted ways. Twain called the Mississippi “the crookedest river in the world” (a pun no doubt about its physical course and the gamblers and rabble- rousers he lived among during the four years he worked as a pilot on the riverboats): “in one part of its journey it uses up one thousand three hundred miles to cover the same ground that the crow would fly over in six hundred and seventy-five” ([1883] 1996, 21). (And that’s pretty smart of the Crowto outwit the Water. But again, more on that later.) Journal of Folklore Research, Vol. 56, Nos. 2–3, 2019 • doi:10.2979/jfolkrese.56.2_3.01 Copyright © 2019, Department of Folklore and Ethnomusicology, Indiana University 1 2 Journal of Folklore Research Vol. 56, Nos. 2–3 Twain knew the waters of the Mississippi—he understood their character and moods. In Life on the Mississippi’s well known and often anthologized ninth chapter, “Continued Perplexities”, he recalls how a slant of reflected light at sunset could portend good winds the next day, how a ripple of the water’s surface foretold the untimely end of some luckless future steamboat, how a floating log was a sign that the river was rising.