Velma Kelly Is a Glamorous Cabaret Performer Awaiting Trial in Cook County Jail for the Murder of Her Philandering Husband and Twin Sister

Total Page:16

File Type:pdf, Size:1020Kb

Velma Kelly Is a Glamorous Cabaret Performer Awaiting Trial in Cook County Jail for the Murder of Her Philandering Husband and Twin Sister THE NAME ON EVERYBODY'S LIPS IS GONNA BE....? Velma Kelly is a glamorous cabaret performer awaiting trial in Cook County Jail for the murder of her philandering husband and twin sister. Having grown used to her infamy and celebrity status as the 'wronged woman' she is furious when she finds herself upstaged by a seemingly innocent ingénue, chorus girl Roxie Hart, a firstly timid but later ambitious go-getter who threatens Velma's carefully cultivated limelight. With an equally ambitious and money-minded lawyer, Billy Flynn, the two women embark on a cold war of sorts, upstaging each other to reclaim the public's love, and to escape the hangman's noose. This starts a battle over the charismatic Flynn's attentions, which Velma and Roxie must compete to get themselves off death row and onto the stage where they believe their infamy will draw in the crowds. Throw into the mix a corrupt prison warden called Mama Morton, who accepts money in exchange for privileges, and the action behind bars heats up whilst their fellow prisoners are left to fend for themselves at the mercy of the public defenders. Will they both escape the executioner or will their bickering prevail in sending them both to the gallows . instead of the vaudeville stage? With original songs that have become Broadway standards, the world's longest musical revival is currently high-kicking its way across North America on tour, coming to E J Thomas Hall in Akron, OH, so break out the fishnet gloves and tap shoes and practice your jazz hands! As outrageous as the story appears, it was in fact inspired by the 1926 play of the same name, and based on the records of court reporter Maurine Dallas Watkins of the high-profile trials of murderesses Beulah Annan and Belva Gareter for the Chicago Tribune. The state's press and public were immediately enamored of the sensationalist reporting, making the women into celebrities overnight and changing attitudes whilst the Jazz Age freed women from previous societal bounds Coach departure time is 4:15 pm from St. Michael’s Church parking lot 3534 St. Michael’s Blvd., Canton, Ohio (off Fulton Road, east of the Fulton/Whipple Ave. intersection). Our return to St. Michael’s is scheduled for 11:00 pm. Crave Restaurant, Akron, Ohio - Menu Choices Patagonian Salmon Smoked Gouda Mac & Cheese, Blackened Chicken Hanger Steak All entrees include a house salad, dessert and a choice of coffee/tea/soda Deposit: $ 50 Price: $136 per person, Grand Tier Final Payment Due: March 22, 2017 Make checks payable to: Palmer Travel Mail to: Palmer Vacations and Destination Planners 5366 Fulton Dr. NW Canton, OH 44718 Cancellation Policy Deposit is fully refundable if the cancellation notice from the participant is received on or prior to the final payment date of March 22, 2017 . Unless the participant is able to find a substitute passenger, the total cost of the trip is nonrefundable if canceled after March 22, 2017. Please feel free to contact Pat at [email protected] /330-704-2802 or Mustafa at [email protected]/330-966-2252 if you have questions regarding this trip. Visit www.palmervacations.com for additional trip flyers. UPSCALE EXCURSIONS AND DISCOVERY TOURS Designed / Managed by: Mustafa Saraclar & Patricia Schrader .
Recommended publications
  • Chicago (1927)
    Closing Night Gala Sunday 26th March | Screening 20:00 Chicago Dir. Frank Urson & Cecil B.DeMille (uncredited) | USA | 1927 | 1h 58m With: Phyllis Haver, Victor Varconi, Virginia Bradford Performing live: Stephen Horne (piano, accordion) & Frank Bockius (percussion) Chicago is the thoroughly modern tale of a publicity hungry, headline grabbing anti-heroine, as addicted to her own reflection as today’s popular culture is to the Selfie. Roxie Hart is the iconic free-spirited 1920’s flapper transformed into a destructively willful, reckless, self-centred and amoral media darling. Taken to the extreme, she’s the troubling threat to the establishment posed by a generation of young women flaunting social conventions, dress codes and manners, enjoying sexual freedom, self-determination and demanding what they most want out of life. Phyllis Haver (1899-1960) plays Roxie to perfection in a sparkling performance of devious charm, ruthless determination and brilliant comic timing. Tonight is a rare opportunity to rediscover her talent and celebrate the work of an almost forgotten star. Haver began her career in cinema accompanying silent films on piano, became a Mack Sennett Bathing Beauty and then got her big break as an actress, appearing in over 35 films for the Sennett Studios from 1916-20 before signing with DeMille-Pathé. She worked with some of the most revered artists of her day including Buster Keaton, Lon Chaney, Howard Hawks, Raoul Walsh and D.W. Griffith. There’s no doubt that Haver’s star quality and comedic flair elevate Chicago above a simple black and white morality tale. Her career defining performance was praised by critics as “astoundingly fine”, an impressive combination of “comedy and tragedy”.
    [Show full text]
  • Chicago: a Movie Musical Mockery of the Media's Razzle Dazzle Image of Murder
    Salve Regina University Digital Commons @ Salve Regina Pell Scholars and Senior Theses Salve's Dissertations and Theses Summer 8-2012 Chicago: A Movie Musical Mockery of the Media's Razzle Dazzle Image of Murder. Emily Sulock Salve Regina University, [email protected] Follow this and additional works at: https://digitalcommons.salve.edu/pell_theses Part of the American Film Studies Commons, American Popular Culture Commons, and the Film and Media Studies Commons Sulock, Emily, "Chicago: A Movie Musical Mockery of the Media's Razzle Dazzle Image of Murder." (2012). Pell Scholars and Senior Theses. 83. https://digitalcommons.salve.edu/pell_theses/83 This Article is brought to you for free and open access by the Salve's Dissertations and Theses at Digital Commons @ Salve Regina. It has been accepted for inclusion in Pell Scholars and Senior Theses by an authorized administrator of Digital Commons @ Salve Regina. For more information, please contact [email protected]. Chicago : A Movie Musical Mockery of the Media’s Razzle Dazzle Image of Murder Emily Sulock Sulock 2 Introduction Almost a decade has passed since Rob Marshall’s 2002 movie musical, Chicago , took home the Academy Award for Best Picture. For a movie musical this was a huge success considering that a musical had not won this category since 1969. The film dominated the 2003 Academy Awards as it was nominated for twelve categories, overall winning six. No one had expected the film to do so well since it was three decades in the making after Bob Fosse’s original release of the Broadway musical in 1976.
    [Show full text]
  • C H I C a G O
    MAY 2013 C H I C A G O Book by Fred Ebb & Bob Fosse, Music by John Kander, Lyrics by Fred Ebb Based on the play Chicago by Maurine Dallas Watkins JUNE 6 - J UNE 22, 2013 It’s just a noisy hall The underlying theme of the show is a satire on corruption where there’s a nightly in the administration of criminal justice and the concept of brawl, and All That Jazz! the celebrity criminal. In roaring twenties Chicago, chorine Roxie Hart murders a faithless lover and convinces her The musical Chicago is hapless husband Amos to take the rap, until he finds out based on a play of the he's been duped and turns on Roxie. Convicted and sent to same name by reporter death row, Roxie and another merry murderess, Velma Maurine Dallas Watkins, Kelly, vie for the spotlight and the headlines, ultimately who was assigned to joining forces in search of the American dream: fame, cover the 1924 trials of fortune and acquittal. murderesses Beulah Annan Our production brings a host of newcomers to the and Belva Gaertner for the Williamsburg Players’ stage: Michaela Shutts ( Velma ), Chicago Tribune. Morgan Sharrett ( Roxie ), Robert Weathers ( Billy Flynn ), Beulah Annan, the model for the character of Roxie Hart, Charity Robinson ( Mama Morton ), and ensemble members was 23 when she was accused of the April 3, 1924 murder Jacquelyne Anderson, Nancy Collie, Carrie Letourneau, of Harry Kalstedt. The Tribune reported that Beulah Adam Lemos, Ravenn McDowell, Eric Robinson, Rico Annan played the foxtrot record Hula Lou over and over Robinson, Katherine Ruble and Savannah Williams, along for two hours before calling her husband to say she killed a with returning WP veterans Janesse Chapman, Megan man who "tried to make love to her".
    [Show full text]
  • A Comparative Analysis of Directing
    Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 2009 A COMPARATIVE ANALYSIS OF DIRECTING & CHOREOGRAPHING MUSICAL PRODUCTIONS FOR PROFESSIONAL, ACADEMIC AND COMMUNITY THEATRES Alison Angelone Virginia Commonwealth University Follow this and additional works at: http://scholarscompass.vcu.edu/etd Part of the Theatre and Performance Studies Commons © The Author Downloaded from http://scholarscompass.vcu.edu/etd/1767 This Thesis is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. School of the Arts Virginia Commonwealth University This is to certify that the thesis prepared by Alison Angelone entitled, A COMPARITIVE ANALYSIS OF DIRECTING & CHOREOGRAPHING MUSICAL PRODUCTIONS FOR PROFESSIONAL, ACADEMIC AND COMMUNITY THEATRES has been approved by her committee as satisfactory completion of the thesis requirement for the degree of Master of Fine Arts Patti D’Beck, Thesis Director, Assistant Professor of Theatre David S. Leong, Chair, Department of Theatre Dr. Aaron D. Anderson, Associate Professor of Theatre Dr. Noreen C. Barnes, Director of Graduate Studies David S. Leong, Chair, Department of Theatre Richard Toscan, Dean, School of the Arts Dr. F. Douglas Boudinot, Dean of the Graduate School May 4, 2009 © Alison Angelone 2009 All Rights Reserved A COMPARITIVE ANALYSIS OF DIRECTING
    [Show full text]
  • Valuations of Femininity in 1920S Stage Adaptations from Women's
    Capital Complex: Valuations of Femininity in 1920s Stage Adaptations from Women’s Culture By Bethany Wood A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Theatre and Drama) at the UNIVERSITY OF WISCONSIN-MADISON 2012 Date of final oral examination: 10/15/12 This dissertation is approved by the following members of the Final Oral Committee: Mary Trotter, Associate Professor, Theatre and Drama Aparna Bhargava Dharwadker, Professor, Theatre and Drama Michael Vanden Heuvel, Professor, Theatre and Drama Julie D’Acci, Professor, Gender and Women’s Studies Jonathan Gray, Professor, Communication Arts © Copyright by Bethany Wood 2012 All Rights Reserved i Acknowledgements I am truly grateful for the generous personal and institutional support I have received throughout the research and writing of this dissertation. I am deeply indebted to my advisor, Dr. Mary Trotter, for her careful reading and insightful comments and questions, which inspired and directed this dissertation. Her advice and queries consistently push and guide my work in productive directions, and I am thankful for her mentorship. I would also like to express my appreciation for my dissertation committee, Dr. Julie D’Acci, Dr. Aparna Dharwadker, Dr. Jonathan Gray, and Dr. Michael Vanden Heuvel, whose suggestions helped hone my initial proposal and advance the complexity of my analysis. I am grateful for their insights and inquiries. Financial support from several institutions assisted with the research and completion
    [Show full text]
  • The Rhetoric of Revenge in Feminist Texts About
    MISREADING JUSTICE: THE RHETORIC OF REVENGE IN FEMINIST TEXTS ABOUT DOMESTIC VIOLENCE by KIMBERLY PAIGE BOWERS Presented to the Faculty of the Graduate School of The University of Texas at Arlington in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY THE UNIVERSITY OF TEXAS AT ARLINGTON May 2008 Copyright © by Kimberly Paige Bowers 2008 All Rights Reserved ACKNOWLEDGEMENTS I am so grateful for the time and energy my committee has devoted to this project. My director, Dr. Stacy Alaimo, gave me the freedom to take my writing in the direction I wanted and encouraged me to explore ideas I had not initially considered. I cannot imagine a person better suited to serve as my advisor. Committee members Dr. Kenneth Roemer and Dr. Laurin Porter also offered me invaluable advice on both the content and form of my dissertation. I learned a great deal from Dr. Porter’s comments about my writing, and I also benefited from her insightful analyses of many of the texts I discuss. Dr. Roemer’s emphasis on organization, clarity, and audience guided my writing, and his passion for literature inspired and challenged me. I would also like to thank a few people who supported me outside of the university’s walls. First, I’d like to thank Matt Levy who, during my first three semesters of writing, was shrewd enough to recognize that most of my dissertation woes were little match for good Asian food. Secondly, I’d like to thank Laura Skipper who started cheering me on while I was preparing for my comprehensive exams and has not quit yet.
    [Show full text]
  • “Isn't It Swell... Nowadays?”: the Reception History of Chicago On
    “Isn’t It Swell . Nowadays?”: The Reception History of Chicago on Stage and Screen A thesis submitted to the Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of Master of Music in the Division of Composition, Musicology, and Theory of the College-Conservatory of Music by Michael M. Kennedy BM, Butler University, 2004 MM, University of Hartford, 2008 Committee Chair: bruce d. mcclung, PhD Abstract The musical Chicago represents an anomaly in Broadway history: its 1996 revival far surpassed the modest success of the original 1975 production. Despite the original production’s box-office accomplishments, it received disparaging reviews regarding the cynicism of the work’s content. The musical celebrates the crimes and acquittals of two murderesses, and is based on Maurine Dallas Watkins’s coverage as a Chicago Tribune reporter of two 1924 murder cases, from which she generated a 1926 Broadway play. The 1975 Broadway production of Chicago: A Musical Vaudeville utilized this historical source material to comment on contemporary American society, highlighting parallels between the U.S. justice system and the entertainment industry, which critics and audiences of the post-Watergate era deemed as too cynical. Although Chicago initially achieved a mixed reception, the revival’s producers made few changes to John Kander’s music, Fred Ebb’s lyrics, and Ebb and Bob Fosse’s book, aside from simplifying the title to Chicago: The Musical. This suggests that the musical’s newfound success can be attributed to a societal shift in the perception of its subject matter. With further success from Chicago’s 2002 film adaptation, the originally dark and sardonic material became a smash hit and found itself as mainstream entertainment at the turn of the millennium.
    [Show full text]
  • 219-Presse-En-Chicago.Pdf
    Approved copy: “Murder, greed, corruption, exploitation, adultery and treachery…all those things we hold near and dear to our hearts”…so begins the international award winning musical, CHICAGO. Based on real life events back in the roaring 1920s, nightclub singer Roxie Hart shoots her lover and along with Cell Block rival, double-murderess Velma Kelly, they fight to keep from death row with the help of smooth talking lawyer, Billy Flynn. Created by the musical theatre talents of John Kander, Fred Ebb and legendary choreographer Bob Fosse, CHICAGO’s sexy, sassy score includes “All That Jazz” and “Razzle Dazzle”. With 6 Tony, 2 Olivier, 1 Grammy, 2 Bafta and 6 Academy Awards, CHICAGO truly is “The sharpest, slickest show on the block” The Times A nightclub singer, a double-murderess, a smooth-talking lawyer and a cell block of sin: it would be a crime to miss it. www.chicagothemusical.com CHICAGO’S KEY SELLING POINTS : • CHICAGO is by the writers of Cabaret and New York, New York • It’s a musical comedy that will appeal to all • This is an exact replica of the current hit Broadway and West End productions • CHICAGO has the most amazing and innovative choreography by Bob Fosse • There’s a fantastic musical score of over 20 numbers • The production is ultra stylish and very beautiful to look at • If you love dance shows or good musicals, you’ll just love CHICAGO What’s CHICAGO about? It’s a musical comedy. The kiss-n-tell tale of Roxie Hart, a nightclub dancer who kills her lover and goes to prison: Billy Flynn, a sharp lawyer who turns Roxie into a celebrity; and Velma Kelly, a dancing jailbird with an ear for the headlines and an eye for talent.
    [Show full text]
  • CHICAGO Education Pack
    EDUCATION PACK EduCation PaCk Written by Mark Palmer Director of Learning for Creative and Media, Wildern School, Southampton Dance material by Jenny Ware Subject Leader of Dance, Ken Stimpson Community School, Werrington, Peterborough 3 “ IS EVERYBODY HERE? IS EVERYBODY READy?” Welcome to the CHICAGO Education Pack 4 “ THE TENSE AND TANGLED Web” The background and history of CHICAGO the Musical 6 “ Sit DOWN, DUMMy” Classroom ideas based on the Press Conference Rag 9 “ JUST READ THE MORNING PAPERS, PALSIe” Classroom ideas based on the theme of ‘sensationalism’ in CHICAGO 11 “ IMAGINE, I MEAN, CAN YOU IMAGIne?” How to work with students on the theme of ‘truth’ 13 “ IT’s sWELL WITH TWO PEOPle” The use of both contact and non-contact work related to CHICAGO 15 “ MURDER IS LIKE DIVorce” Exploring action and reaction 17 “ StUN AND STAGGER ‘eM” The use of the prop stimulus in dance, drama and English 19 “ A WHOOPEE SPOT” Working outside of the traditional classroom - site specific work 21 “ UNMITIGATed ego” The notion of ‘celebrity’ and how to use it in the classroom 24 “ You can’T BUY THAT KIND OF PUBLICITy” The marketing of CHICAGO and how to tie it in to the curriculum 26 “ LET’s ALL STROKE TOGETher” The business of a major West End show 28 “ Here’s A FEW PARTIn’ shoTs!” Links and Resources Cover: ensemble by Catherine Ashmore. This page: Adelle Young by Simon Turtle. ChiCago EduCation PaCk PAGE 2 “Is everybody here? Is everybody ready?” CHICAGO is the longest running American musical ever to play in London’s West End.
    [Show full text]
  • Page 4 February 2004
    inside: Should America Fire A Very Wire Valentines Day Bush? Special Feature Page 3 True Life: Life Without Who’s Running? “ Check Up On TheTop Three Mommy... Democratic Candiates - Page 4 - Page 5 Wire Staffers Face off. ” -Page 2 Hollywood Takes a Detour To CB racism as weapons of mass heart is without fear and the head the direction, if we want our Sam Tsuji does say things wrong once in Lewis Central High School destruction and he would have is held high. Where knowledge country to be respected and loved Assistant Editor awhile because he does speak reminded us over and over again is free, where the world has not around the rest of the world, which from his heart, but his heart is Council Bluffs rolled out that one man with courage is a been broken up into fragments by it should be because hard working in the right place.” the red carpet on Tuesday, Jan majority. I am here today with a narrow domestic walls, where people in this country deserve Sheen and Reiner went on 13, when actor Martin Sheen courageous man from Vermont words come out from the depths better than the representation to answer several questions from and director/producer Rob who has called us to go higher, of truth, where tireless striving we’re getting around the world the audience regarding Dean’s Reiner took a break from the who has called us to go deeper, stretches its arms towards from George Bush. If we want views on social security, tax cuts film industry to speak on behalf who has called us to accept February 2004 perfection.” that and we deserve that, there and health care and then moved of Presidential candidate responsibility for ourselves, for Director Rob Reiner echoed is only one man that can stand down into the crowd for Howard Dean.
    [Show full text]
  • Annisquam Village Players 2013 Season Newsletter
    Annisquam Village Players 2013 Season Newsletter CHICAGO Comes to Annisquam women are well known: Roxie Hart and This summer we are traveling from Velma Kelly, the two star murderesses, Munchinland in Oz to Chicago, Illinois. the “Merry murderesses” of “Cell Block That’s right, we are going to produce Tango” fame, Momma Morton, the cor- CHICAGO, with all the glitzy Bob Fosse rupt jail matron in charge of the women, dance numbers, all played out in the Cook and Go-to-Hell Kitty, another merry County jail. The AVP is particularly excited murderess who tries to upstage Velma to perform this show because it is highly and Roxie. There are also female report- sought after and the most restricted show ers and fan dancers who have a number that Samuel French has rights to. The of songs and dances. On the male side are original Broadway musical opened in 1975 Billy Flynn, the sleezy lawyer, Amos Hart, (a non-musical version of the show opened the hoodwinked husband, Fred Casely, on Broadway in 1926). The revival in 1996 Roxie’s murdered lover, Sargeant Fogerty, holds the record for the longest-running American musi- the omnipresent police officer, and a cor- cal in both Broadway history and the West End (London) rupt assortment of reporters, lawyers, judges and juries, history. The 2002 Academy Award-winning movie brought tailors, and a master of ceremonies. In our “Razzle Dazzle” the show home to the masses, starring Renee Zellweger, number, we will be looking for teen acrobats. One of the Catherine Zeta-Jones, Richard Gere and Queen Latifah.
    [Show full text]
  • THIS ISSUE: What's Happening in Schools?
    2014-2015 May ISSUE 3 scene. THE JOURNAL OF THE INTERNATIONAL SCHOOLS THEATRE ASSOCIATION THIS ISSUE: What’s happening in schools? WHO’S WHO @ ISTA… CONTENTS Patron 1 Editorial Professor Jonothan Neelands, National Teaching Fellow, Chair of Drama and Theatre Education in the Institute of Education and Chair of Creative Education in the Warwick Business School (WBS) at the University of 2 Whole school productions Warwick. Board of trustees 4 Primary and primary/middle school Iain Stirling (chair), Scotland productions Formerly Superintendent, Advanced Learning Schools, Riyadh. Retired International School Head Jen Tickle (vice chair), Jamaica Head of Visual & Performing Arts and Theory of Knowledge at The Hillel Academy, Jamaica. 5 ISTA – a personal perspective Dinos Aristidou, England by Sophie Galton Freelance writer, director, consultant. Alan Hayes, Belgium Theatre teacher at the International School, Brussels. 6 Middle school productions Sherri Sutton, Switzerland Comic, director and chief examiner for IB DP Theatre. Theatre teacher at La Chataigneraie. Jess Thorpe, Scotland 13 Middle/high school productions Co Artistic Director of Glas(s) Performance and award winning young people’s company Junction 25. Visiting lecturer in the Arts in Social Justice at the Royal Conservatoire of Scotland. Honorary life members 20 ISTA – a personal perspective Dinos Aristidou, England by Timothy Reid Doug Bishop David Lightbody, Hong Kong 21 High school productions Ted Miltenberger, France Mike Pasternak, Switzerland Ian Pike, England 38 ISTA – a
    [Show full text]