Appendix A: Curricula Vitae of Creative Team
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
2019-20 Annual Report
PRINCETON UNIVERSITY DEPARTMENT AND PROGRAM OF EAST ASIAN STUDIES Annual Report 2019-2020 1 COVER: The wooden doors to 202 Jones. Photo taken by Martin Kern. 2 Annual Report 2019-20 Contents Director’s Letter 4 Department and Program News 6 Language Programs 8 Undergraduates 11 Graduate Students 14 Faculty 18 Events 24 Summer Programs 26 Affiliated Programs 29 Libraries & Museum 34 3 Director’s Letter, 2019-20 In normal years, the Director’s Letter is a retrospective of the year in East Asian Studies—but where to begin? Annual disasters and upheavals are standard topics in traditional East Asian chronicles. By June of 2020 (a gengzi 庚子 year), we had already lived through more than our share: the coronavirus pandemic, severe economic downturn, government inaction and prevarication, Princeton’s shift to online teaching, dislocation of undergraduate and graduate life, shuttering of libraries and labs, disruption to travel, study, and research for students, staff, and faculty, the brutal murder of George Floyd, and the international renaissance of the Black Lives Matter movement. invigorate campus intellectual life, completing book This spring semester, the usual hum of summer manuscripts, or starting new projects. The heaviest burden, programming and plans for next academic year grew no doubt, fell on our language instructors. The faculty quiet, and many EAS projects were cancelled, postponed, in Chinese, Japanese, and Korean innovated non-stop to shifted online, or put on hold. As this Annual Report goes insure that, in the era of Zoom, students would remain fully to press, plans for undergraduate residence on campus engaged in all four language skills of speaking, listening, and the format for classes in fall of 2020 are still being reading, and writing. -
CELEBRITY INTERVIEWS a A1 Aaron Kwok Alessandro Nivola
CELEBRITY INTERVIEWS A A1 Aaron Kwok Alessandro Nivola Alexander Wang Lee Hom Alicia Silverstone Alphaville Andrew Lloyd Webber Andrew Seow Andy Lau Anita Mui Anita Sarawak Ann Kok Anthony Lun Arthur Mendonca B Bananarama Benedict Goh Billy Davis Jr. Boris Becker Boy George Brett Ratner Bruce Beresford Bryan Wong C Candice Yu Casper Van Dien Cass Phang Celine Dion Chow Yun Fat Chris Rock Chris Tucker Christopher Lee Christy Chung Cindy Crawford Cirque du Soleil Coco Lee Conner Reeves Crystals Culture Club Cynthia Koh D Danny Glover David Brown David Julian Hirsh David Morales Denzel Washington Diana Ser Don Cheadle Dick Lee Dwayne Minard E Edward Burns Elijah Wood Elisa Chan Emil Chau Eric Tsang F Fann Wong Faye Wong Flora Chan G George Chaker George Clooney Giovanni Ribisi Glen Goei Gloria Estefan Gordan Chan Gregory Hoblit Gurmit Singh H Halle Berry Hank Azaria Hugh Jackman Hossan Leong I Irene Ang Ix Shen J Jacelyn Tay Jacintha Jackie Chan Jacky Cheung James Ingram James Lye Jamie Lee Jean Reno Jean-Claude van Damme Jeff Chang Jeff Douglas Jeffrey Katzenberg Jennifer Paige Jeremy Davies Jet Li Joan Chen Joe Johnston Joe Pesci Joel Schumacher Joel Silver John Travolta John Woo Johnny Depp Joyce Lee Julian Cheung Julianne Moore K KC Collins Karen Mok Keagan Kang Kenny G Kevin Costner Kim Robinson Kit Chan Koh Chieng Mun Kym Ng L Leelee Sobieski Leon Lai Lim Kay Tong Lisa Ang Lucy Liu M Mariah Carey Mark Richmond Marilyn McCoo Mary Pitilo Matthew Broderick Mel Gibson Mel Smith Michael Chang Mimi Leder Moses Lim N Nadya Hutagalung Nicholas -
Dick Lee ( 李 迪 文): Creating Endless Opportunities by Perera, Loretta Marie and Perera, Audrey Written in 2010 National Library Board, Singapore
ARTICLE Dick Lee ( 李 迪 文): Creating Endless Opportunities by Perera, Loretta Marie and Perera, Audrey written in 2010 National Library Board, Singapore His name appears on many lists of ‘firsts’, but perhaps the most significant of them all was being the first Singapore-born musician to inject a local identity into his original music, by tapping on the influences which shaped his life. He has composed music and songs for the biggest names in Chinese music, clinched two HK Film Academy Awards for movie soundtracks, had an album go platinum in Singapore alone, pushed for a Singapore identity long before it became fashionable, and created music for the first and most successful Singapore musicals. Dick Lee is without a doubt one of Singapore’s most recognised and renowned music personalities, a singer, songwriter, composer, and playwright; an artiste who has contributed in no small measure to the development of original music in Singapore. The eldest of five children, Richard Lee Peng Boon was born on August 24, 1956. He grew up to the tunes of his father’s jazz and big band favourites, and his mother’s favourite pop music. “My earliest influence was the music of the 1960s which was playing in my home. Dad loved big band, jazz, crooners, and keroncong , while my mother, in her 20s at that time, loved contemporary Western and Chinese pop music. She loved to dance, and was the original ‘party girl’. The regular dance parties we had at home happened because of her, as was my interest in fashion.” “I grew up understanding contemporary music and was being given wide exposure to it. -
ANNEX B Hong Kong Music Fair 2007 Participating Companies at the Singapore Pavilion
ANNEX B Hong Kong Music Fair 2007 Participating companies at the Singapore Pavilion 1) De Claffer Music Productions Established in 1998, De Claffer Music Productions provides specialised services in the following areas: Motion Picture Scoring, Original Music Composition, Music Arrangement and Orchestration, Sound Design, 5.1 Audio Mixing and Post Production Services. Tay Chee Wei, principal composer from the company, was recently awarded “Best Original Music Score (Runner Up)” for his score for the documentary ‘Emperor of the Seas: the Voyages of Zheng He’ at the Asian Television Awards 2006. With its headquarters based in Singapore, De Claffer Music has also expanded its services to Melbourne, Rome and New York and is now seeking for production and collaboration opportunities with producers from Mainland China as well as other parts of the world. Contact Mr TAY Chee Wei E: [email protected] T: (65) 6858 1646 F: (65) 6585 1602 www.declaffer.com 2) Didadee Didadee is a leading mobile service provider in delivering mobile music contents for consumers in Singapore and Malaysia. Established in 2003, it provides a wide range of mobile music products including poly tones, true tones, ringback tones, music video and full track mp3. By working closely with songwriters, music publishers and recording labels, Didadee delivers licensed digital music through mobile media as a new media channel. Contact Mr HEE Yew Han E: [email protected] T: (65) 6347 9475 F: (65) 6347 9414 www.didadee.com 3) Easternworld Holdings Easternworld was incorporated in 1996, providing the Asian music industry with a complete range of services in music education, training, publishing, production, distribution and artistes & repertoire. -
Tax Administration Report CFD #6 – Mission Bay South Public
SUCCESSOR AGENCY TO THE REDEVELOPMENT AGENCY OF THE CITY AND COUNTY OF SAN FRANCISCO COMMUNITY FACILITIES DISTRICT NO. 6 (MISSION BAY SOUTH PUBLIC IMPROVEMENTS) CFD TAX ADMINISTRATION REPORT FISCAL YEAR 2020-21 December 1, 2020 333 University Ave, Suite 160 • Sacramento, CA 95825 Phone: (916) 561-0890 • Fax: (916) 561-0891 www.goodwinconsultinggroup.net Community Facilities District No. 6 CFD Tax Administration Report TABLE OF CONTENTS Section Page Executive Summary ............................................................................................................. i I. Introduction ..........................................................................................................................1 II. Purpose of Report ................................................................................................................2 III. Special Tax Requirement .....................................................................................................3 IV. Special Tax Levy .................................................................................................................4 V. Development Update ...........................................................................................................5 VI. Prepayments .........................................................................................................................6 VII. State Reporting Requirements .............................................................................................7 Appendix A – Summary of Fiscal Year -
A Study of Hong Kong Popular Music Ho Wai Chung Hong Kong B
Paper Number: 7 January 2003 Between Globalisation and Localisation: A Study of Hong Kong Popular Music Ho Wai Chung Hong Kong Baptist University The author welcome comments from readers. Contact details: Ho Wai Chung, Department of Music & Fine Arts, Hong kong Baptist University Email: [email protected] David C. Lam Institute for East-West Studies (LEWI) Hong Kong Baptist University (HKBU) LEWI Working Paper Series is an endeavour of David C. Lam Institute for East-West Studies (LEWI), a consortium with 28 member universities, to foster dialogue among scholars in the field of East-West studies. Globalisation has multiplied and accelerated inter-cultural, inter-ethnic, and inter-religious encounters, intentionally or not. In a world where time and place are increasingly compressed and interaction between East and West grows in density, numbers, and spread, East-West studies has gained a renewed mandate. LEWI’s Working Paper Series provides a forum for the speedy and informal exchange of ideas, as scholars and academic institutions attempt to grapple with issues of an inter-cultural and global nature. Circulation of this series is free of charge. Comments should be addressed directly to authors. Abstracts of papers can be downloaded from the LEWI web page at http://www.hkbu.edu.hk/~lewi/publications.html. Manuscript Submission: Scholars in East-West studies at member universities who are interested in submitting a paper for publication should send an article manuscript, preferably in a Word file via e-mail, as well as a submission form (available online) to the Series Secretary at the address below. The preferred type is Times New Roman, not less than 11 point. -
Chapter 1: Place §1 Chinese Popular Music
The performance of identity in Chinese popular music Groenewegen, J.W.P. Citation Groenewegen, J. W. P. (2011, June 15). The performance of identity in Chinese popular music. Retrieved from https://hdl.handle.net/1887/17706 Version: Not Applicable (or Unknown) Licence agreement concerning inclusion of doctoral thesis in the License: Institutional Repository of the University of Leiden Downloaded from: https://hdl.handle.net/1887/17706 Note: To cite this publication please use the final published version (if applicable). Chapter 1: Place §1 Chinese Popular Music After introducing the singer and describing his migration from Malaysia to Singa- pore and his recent popularity in Hong Kong, Taiwan, and all over the Chinese di- aspora, the anchor [of the 1995 May 1st Concert] asked Wu [Qixian] how he de- fined himself in the final analysis. The musician’s reply, “I am Chinese” (wo shi Zhongguoren), which stirred a most enthusiastic and warm response from the au- dience, encapsulated everything Wu’s participation stood for, at least from the point of view from the state… By inviting … gangtai singers to participate in concerts and television programs, the Chinese state is not engaged so much in competing with other Chinese politics and identities … but rather in contesting their independence and in co-opting them into a greater Chinese nationalism, of which China is the core. In other words, the Chinese state is engaged in appropri- ating the concept of Greater China (Da Zhonghua).1 Gangtai is a 1980s PRC term for highly successful cultural products from Hong Kong (xiang gang) and Taiwan. In the above quotation, Nimrod Baranovitch rightly recognizes Hong Kong and Taiwan as major areas of production of Chinese pop music. -
KIT CHAN One of the Most Established and Multi-Faceted Artists
KIT CHAN One of the most established and multi-faceted artists in Singapore, Kit Chan is often dubbed Singapore's "national treasure". Since her debut in 1993, she has been a trailblazer who has proven herself in diverse areas including singing, theatre, television drama, poetry, songwriting, entrepreneurship, creative direction and community work. In 1994, Kit propelled Singapore’s pop music into the region when she took the Taiwanese market by storm with the album " 心痛" ( Heartache ) and went on to establish herself in the scene as a powerhouse songstress. A dynamic performer, Kit took her performances to many parts of Asia, the USA, Korea, and New Zealand. She has collaborated with symphonies and orchestras in Hong Kong, Taiwan and Singapore, winning numerous musical awards and accolades in Asia. Kit earned her moniker as Singapore’s “national treasure” when she became the first artist to do a solo performance of the National Day Parade theme song “Home” ( 家) in 1998. Her status as a national icon was further affirmed when she was appointed World Vision Singapore’s first celebrity goodwill ambassador, the National Youth Council’s first Youth Ambassador, followed by many firsts in her enduring career. In 2004, Kit took a hiatus from her illustrious performing career to further her studies, and hit the headlines when she joined prestigious international PR consultancy Hill & Knowlton as their Campaign Specialist in 2007. Even during the long break from her performing career, Kit was invited to front the first-ever Singapore Day in New York City in 2007. After her corporate sojourn, Kit performed the commissioned theme song “ One World ” at the APEC 2009 Gala Night before prominent world leaders, and made her much-anticipated return to the stage as leading lady (Li Qing) in the highest grossing Mandarin musical to-date in Singapore, “ 雨季” ( December Rains ) at Esplanade Theatre in 2010. -
Popular Music in Southeast Asia & Schulte Nordholt Popular Music in Southeast Asia
& Schulte Nordholt Barendregt, Keppy Popular Music in Southeast Asia Banal Beats, Muted Histories Bart Barendregt, Popular Music in Southeast Asia Peter Keppy, and Henk Schulte Nordholt Popular Music in Southeast Asia Popular Music in Southeast Asia Banal Beats, Muted Histories Bart Barendregt, Peter Keppy, and Henk Schulte Nordholt AUP Cover image: Indonesian magazine Selecta, 31 March 1969 KITLV collection. By courtesy of Enteng Tanamal Cover design: Coördesign, Leiden Lay-out: Crius Group, Hulshout Amsterdam University Press English-language titles are distributed in the US and Canada by the University of Chicago Press. isbn 978 94 6298 403 5 e-isbn 978 90 4853 455 5 (pdf) doi 10.5117/9789462984035 nur 660 Creative Commons License CC BY NC ND (http://creativecommons.org/ licenses/by-nc-nd/3.0) All authors / Amsterdam University Press B.V., Amsterdam 2017 Some rights reserved. Without limiting the rights under copyright reserved above, any part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise). Table of Contents Introduction 9 Muted sounds, obscured histories 10 Living the modern life 11 Four eras 13 Research project Articulating Modernity 15 1 Oriental Foxtrots and Phonographic Noise, 1910s-1940s 17 New markets 18 The rise of female stars and fandom 24 Jazz, race, and nationalism 28 Box 1.1 Phonographic noise 34 Box 1.2 Dance halls 34 Box 1.3 The modern woman 36 2 Jeans, Rock, and Electric Guitars, -
About Leslie Low a Music Composer and Sound Designer by Profession
About Leslie Low A music composer and sound designer by profession, Leslie Low is the former frontman of veteran folk-rock band Humpback Oak and is currently fronting one of Singapore’s greatest musical efforts, The Observatory. His works stem from the very basic need to express and frame his sentiments within an aural context. Leslie’s first solo outing was an experimental instrumental album titled Volcanoes in 2005. He released his first solo album of songs Worm in 2007. In 2008, Leslie made two recorded but previously unreleased albums available by web download, A Walking Purgatory and Black Book. Leslie’s solo work, The Ground, a special album by order only, was released in 2009. He has also released Triangular as a limited run live CD. Early 2014 saw the release of his second instrumental solo album, Longing, on vinyl only. He has since released No Such Thing as Ghosts, Child of the Island, Nature, Currents and To My Shadow. Active in the experimental circuit, Leslie is one-third of free improvisation unit Snake Blood Union, half of Magus with Canadian drummer Mark Dolmont, and a member of doom foursome Meddle, among other music groups and collaborations. Sound Design by Shah Tahir Shah Tahir has been involved in various aspects of the audio and music industry for over 20 years. As a musician, he has played guitar on numerous albums for Singapore and regional artists such as Dick Lee, Kit Chan, Jeremy Monteiro and Sandy Lam. As a music producer, he’s worked with many homegrown talents, including Humpback Oak and Michaela Therese. -
IEEE Hong Kong Section 2012 Report
IEEE Hong Kong Section 2012 Report This report was prepared with the collective efforts of the IEEE Hong Kong Section’s volunteers. 1 2012 Report for the IEEE Hong Kong Section PART A - SECTION SUMMARY A.1 Executive Summary – (Please follow the format given below) • Section Executive Committee Member List IEEE Hong Kong Section Executive Committee 2012 Chair Henry Chan Chair-Elect Norbert Cheung Honorary Treasurer S.W. Cheung Honorary Secretary Eric Ma Immediate Past Chair / Nominations & Appointments C Y Chung Chapters Operation/Promotion Coordinator Stanley Wong Educational Activities Rosanna Chan External Liaison Coordinator Edward Cheung Membership Development Peter Tam Newsletter Editor & Webmaster Y W Liu Student Activities Wilson Chu Technical Activities Coordinator Ricky Lau Professional & Career Activities Tim Woo Public Relations Ray Cheung Chapter Chairs AP03/MTT17 Antennas and Propagation/Microwave Hang Wong Theory and Techniques Joint Chapter Chair CAS04/COM19 Circuits and Systems/Communications W H Lau Joint Chapter Chair CE08 Consumer Electronics Chapter Chair Bernard C Fong CIS11 Computational Intelligence Chapter Chair Chi Wing Wong C16 Computer Chapter Chair Y T Yu CPMT21 Components Packaging and Manufacturing Joseph P Choy Technology Chapter Chair CS23/RA24 Robotics and Automation/Control Systems Wei-Hsin Liao Joint Chapter Chair E25 Education Chapter Chair Rosanna Chan ED15/SSC37 Electron Devices/Solid State Circuit Joint Ka Nang Leung Chapter Chair EMB18 Engineering in Medicine and Biology Chapter Alfred Cheukhang -
Cinderel-Lah! Is Back… Revamped and Upsized for the Esp-Lah-Nade!!
-FOR IMMEDIATE RELEASE- CINDEREL-LAH! IS BACK… REVAMPED AND UPSIZED FOR THE ESP-LAH-NADE!! 23 August 2010, Singapore – Following on from their hugely successful productions, Animal Farm and Boeing Boeing , W!LD RICE continues its celebratory “10 W!LD YEARS” Season with CINDEREL-LAH! . First staged at the Jubilee Hall back in 2003, CINDEREL-LAH! played to sell-out audiences and made history as W!LD RICE’s very first musical pantomime. Ever since then, the annual pantomime has become a well-loved tradition and the must-see show of the Festive Season. For 2010 , CINDEREL-LAH! has been revamped and upsized especially for the Esp- LAH-nade and features an amazing star-studded cast including Emma Yong as Cindy , Sebastian Tan as Prince Char Mee , Najip Ali as The Fairy God Makcik and Gurmit Singh as Mama & Papa Lemon. SYNOPSIS Poor Cindy lives in a crowded HDB flat with her Evil Casino-Obsessed Step-Mother and two Ugly Step-Sisters, Precious and Treasure. All she dreams about is going to The Grand Fish Ball where Prince Char Mee will choose a bride. Fairy God Makcik appears, and Cindy is transformed from “no taste” to “fashion ace” and off to The Ball she goes! But will the Prince be recognise her? Will the shoe fit? And will true love find a way? With an imaginative local spin on the world's favourite fairy-tale, CINDEREL-LAH! , W!LD RICE’s very first musical pantomime is BACK, revamped and upsized especially for the Esp-LAH-nade!! Come with your kids, your parents, their parents, your friends, your workmates and your loved ones and have a party! CINDEREL-LAH! is hilarious fun for ALL! Die Die Must Watch LAH! SPONSORS We are delighted that OCBC Cards and Robinsons have once again teamed up as Presenting Sponsors, following their sponsorship of last year’s Beauty & The Beast and the 20 th Anniversary production of Beauty World back in 2008.