Leonardo Bruni's History of the Florentine People

Total Page:16

File Type:pdf, Size:1020Kb

Leonardo Bruni's History of the Florentine People ESTABLISHING INDEPENDENCE: LEONARDO BRUNI’S HISTORY OF THE FLORENTINE PEOPLE AND RITUAL IN FIFTEENTH-CENTURY FLORENCE Brian Jeffrey Maxson* In late medieval and Renaissance Europe, history and ritual inter- sected to create and legitimize new foundation stories for old cities. During the fourteenth and fifteenth centuries, a city’s foundation story explained where that city fit into the broader world of European poli- tics, particularly in relation to the Emperor and the Papacy. Moreover, these foundation stories legitimized governments and their territorial claims by explaining from where a city derived the authority to exist, make laws, and rule others. Fourteenth and fifteenth-century historians refashioned these his- torical foundations and subsequent narratives to fit the changing needs of the present. Revising history created consistency between a city’s present policies and alliances and its past actions. However, rewrit- ing history also inevitably created contradictions with older stories and challenged any political or legal claims based on them. Centuries before the establishment of scientific principles for the evaluation of historical arguments, fifteenth-century historians and their governors were virtually powerless to establish the legitimacy of new historical narratives in the face of opposing textual or political claims. There- fore, cities turned to ritual to establish their latest version of the past as more accurate than all others. As it did for countless other objects, ritual established the legitimacy of the historical narratives that cities couched into binding ritual moments. This article argues these points using a case study of the Florentine humanist Leonardo Bruni’s pre- sentation of his History of the Florentine People to the Florentine gov- ernment in 1428 and 1439.1 * I would like to thank Beth Condie-Pugh, Maarten Delbeke, Cody Neas, and Minou Schraven for their suggestions on earlier drafts of this article. I would also like to thank the Center for Research and Development at East Tennessee State University for its financial support for the research in this article. 1 A handful of scholars have made cursory comments on these presentations with- out exploring their significance further. See Wilcox D.J.,The Development of Florentine 80 brian jeffrey maxson Florentines traditionally used ritual and history to grant legitimacy to their city and its republican government. As Richard Trexler has argued, by the late fourteenth century the lack of a regal figure in the city’s government created a void in the political and social order of the city. Regal figures legitimized governments and the agreements that they and their citizens made. Without such a figure, Renaissance Florentines could not make honorable agreements between themselves or with outsiders. Thus, they turned to public rituals to create a means to do so. Rituals provided a substitute for the legitimizing presence of regal figure in the city. In doing so, rituals established legitimacy for an illegitimate social order, honor for the system of patronage in the city, and trust for a distrustful city of merchants.2 In short, public ritual provided Florentines with a forum to create binding agreements. Ritu- als bound their participants to the focus of the ritualized action and guaranteed that these bonds were sincere, legitimate, trustworthy, and honorable. While cities needed ritual to make such agreements, they could not do so in the absence of a legitimating regal presence. The Florentines also used history to deal with this problem. Tradi- tionally, the chronicles of Florentine history had tied their origins to foreign princes. Like rituals, these historical links offered the legiti- macy that the growing Florentine Republic lacked. In fact, even from the city’s earliest extant chronicles, the Florentines traced their ori- gins to the first Roman Emperor Julius Caesar.3 With this founda- tion story, they placed themselves under the theoretical power of the Holy Roman Empire, the rulers of which claimed to be descendants of the old Roman Empire. From the early fourteenth century, the city had added Charlemagne as a second founder to its historical narra- tive. Starting with the Chronicle of Giovanni Villani in the fourteenth Humanist Historiography in the Fifteenth Century (Cambridge, Mass.: 1969) 3–5; Han- kins J., “Notes on the Composition and Textual Tradition of Leonardo Bruni’s His- toriarum Florentini populi libri XII”, in Coulson F.T. – Grotans A.A. (eds.), Classica Beneventana: Essays Presented to Virginia Brown on the Occasion of her 65th Birthday (Turnhout: 2008) 100; Zaccaria R.M., “Il Bruni cancelliere e le istituzioni della Repub- blica”, in Viti P. (ed.), Leonardo Bruni Cancelliere della Repubblica (Florence: 1987) 112–113; Viti P., “Leonardo Bruni e il Concilio del 1439”, in Viti P. (ed.), Firenze e il Concilio del 1439 (Florence: 1994) 572–573. 2 Trexler R.C., Public Life in Renaissance Florence (Ithaca: 1980) 9–43, esp. 19 and 43. 3 Rubinstein N., “The Beginnings of Political Thought in Florence: A Study in Medi- aeval Historiography”, in Ciappelli G. (ed.), Studies in Italian History in the Middle Ages and the Renaissance (Rome: 2004) 5–6..
Recommended publications
  • Dante's Political Life
    Bibliotheca Dantesca: Journal of Dante Studies Volume 3 Article 1 2020 Dante's Political Life Guy P. Raffa University of Texas at Austin, [email protected] Follow this and additional works at: https://repository.upenn.edu/bibdant Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons, Italian Language and Literature Commons, and the Medieval History Commons Recommended Citation Raffa, Guy P. (2020) "Dante's Political Life," Bibliotheca Dantesca: Journal of Dante Studies: Vol. 3 , Article 1. Available at: https://repository.upenn.edu/bibdant/vol3/iss1/1 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/bibdant/vol3/iss1/1 For more information, please contact [email protected]. Raffa: Dante's Political Life Bibliotheca Dantesca, 3 (2020): 1-25 DANTE’S POLITICAL LIFE GUY P. RAFFA, The University of Texas at Austin The approach of the seven-hundredth anniversary of Dante’s death is a propi- tious time to recall the events that drove him from his native Florence and marked his life in various Italian cities before he found his final refuge in Ra- venna, where he died and was buried in 1321. Drawing on early chronicles and biographies, modern historical research and biographical criticism, and the poet’s own writings, I construct this narrative of “Dante’s Political Life” for the milestone commemoration of his death. The poet’s politically-motivated exile, this biographical essay shows, was destined to become one of the world’s most fortunate misfortunes. Keywords: Dante, Exile, Florence, Biography The proliferation of biographical and historical scholarship on Dante in recent years, after a relative paucity of such work through much of the twentieth century, prompted a welcome cluster of re- flections on this critical genre in a recent volume of Dante Studies.
    [Show full text]
  • The Construction of the Urban Identity in Late Medieval Italy the Case of Tuscany (Thirteenth to Fourteenth Century)
    Review of History and Political Science June 2015, Vol. 3, No. 1, pp. 47-59 ISSN: 2333-5718 (Print), 2333-5726 (Online) Copyright © The Author(s). 2015. All Rights Reserved. Published by American Research Institute for Policy Development DOI: 10.15640/rhps.v3n1a5 URL: http://dx.doi.org/10.15640/rhps.v3n1a5 The Construction of the Urban Identity in Late Medieval Italy the Case of Tuscany (Thirteenth to Fourteenth Century) Francesco Salvestrini1 Abstract The history of Tuscany during the Middle Ages has been a topic of great interest for many Italian and foreign scholars since at least the beginning of the nineteenth century. Research on the subject has thrived because of this Italian region’s exceptional dynamics and high level of urbanization during the XIIth to XIVth centuries, which are practically unique from the political and the economic standpoints, and because of its social structure and its cultural heritage. The paper tries to explain the reasons for the great demographic, economic and social development of Tuscan cities in the city-states age, comparing the situation of major agglomerations with the one of important towns. The text analyzes the massive increase in urban production, trade and banking at an international level, connected to the control of agricultural resources coming from cities’ countryside. Attention is also paid to the civic religion, to the historical culture and to political rules of the most important communities, to show the peculiarities of the region on the eve of the Renaissance. The history of Tuscany during the Middle Ages has been a topic of great interest for many Italian and foreign scholars since at least the beginning of the nineteenth century2.
    [Show full text]
  • Clothing As Communication? Vestments and Views of the Papacy C.1300
    UC Berkeley UC Berkeley Previously Published Works Title Clothing as communication? Vestments and views of the papacy c.1300 Permalink https://escholarship.org/uc/item/1mz5d08f Journal Journal of Medieval History, 44(3) ISSN 0304-4181 Author Miller, MC Publication Date 2018-05-27 DOI 10.1080/03044181.2018.1467581 License https://creativecommons.org/licenses/by-nc-nd/4.0/ 4.0 Peer reviewed eScholarship.org Powered by the California Digital Library University of California Journal of Medieval History ISSN: 0304-4181 (Print) 1873-1279 (Online) Journal homepage: http://www.tandfonline.com/loi/rmed20 Clothing as communication? Vestments and views of the papacy c.1300 Maureen C. Miller To cite this article: Maureen C. Miller (2018) Clothing as communication? Vestments and views of the papacy c.1300, Journal of Medieval History, 44:3, 280-293 To link to this article: https://doi.org/10.1080/03044181.2018.1467581 Published online: 01 Aug 2018. Submit your article to this journal View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rmed20 JOURNAL OF MEDIEVAL HISTORY 2018, VOL. 44, NO. 3, 280–293 https://doi.org/10.1080/03044181.2018.1467581 Clothing as communication? Vestments and views of the papacy c.1300 Maureen C. Miller Department of History, University of California, Berkeley, USA ABSTRACT ARTICLE HISTORY This essay argues that Pope Boniface VIII (1294–1303) used clothing Received 1 February 2018 in a highly intentional and performative manner to communicate his Accepted 28 February 2018 status and authority. His audience, however, was quite limited – KEYWORDS essentially, the small community of those who aspired to hold or fl – Clothing; liturgical in uence the power of the Holy See and the messages vestments; Boniface VIII; conveyed were not particularly complex.
    [Show full text]
  • Giovanni Villani Short Biography
    21/3/2020 CCI-ITALIA - "Chess in Italian secular literature between 1275-1575" - Giovanni Villani Giovanni Villani Short biography Born in Florence c.1275-Died in Florence 1348. Giovanni, the son of an humble family, is known to have been in Rome for the Jubilee in 1300. From 1302 to 1308, he travelled for business reasons to France and Flanders. In 1316 as a member of the Guelph, he started his political career in Florence and went on to hold important public office. In 1335 Villani was declared bankrupt along with the eminent Florentine banking family of Bardi. Sometimes later Villani was imprisoned only regaining his freedom in 1346. Villani died in 1348 during the terrible plague [The Black Death, described by Boccaccio in his Decamerone]. Giovanni’s Nuova Cronica covers the history of Florence from its origin up to 1346. Matteo Villani, his brother, continued the chronicling of events up to 1363, the son of Matteo, Filippo Villani, concluded them in 1364. We shall take into consideration the following reference to chess. Nuova Cronica (New Chronicle) Book VIII, Chapter XII (33- 40) . free translation ……. (33) During these times there came to Florence a Saracen, named Buzzecca (1), who was the foremost master of the game of chess. At the Palace of the People in the presence of Count Guido Novello, he played the three finest chess masters in Florence, simultaneously, for over an hour. Of these three games, he played two blindfolds and one over the board, winning two and drawing one of the matches. The result was considered an outstanding achievement.
    [Show full text]
  • Civic Genealogy from Brunetto to Dante
    University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2016 The Root Of All Evil: Civic Genealogy From Brunetto To Dante Chelsea A. Pomponio University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Medieval Studies Commons Recommended Citation Pomponio, Chelsea A., "The Root Of All Evil: Civic Genealogy From Brunetto To Dante" (2016). Publicly Accessible Penn Dissertations. 2534. https://repository.upenn.edu/edissertations/2534 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/2534 For more information, please contact [email protected]. The Root Of All Evil: Civic Genealogy From Brunetto To Dante Abstract ABSTRACT THE ROOT OF ALL EVIL: CIVIC GENEALOGY FROM BRUNETTO TO DANTE Chelsea A. Pomponio Kevin Brownlee From the thirteenth century well into the Renaissance, the legend of Florence’s origins, which cast Fiesole as the antithesis of Florentine values, was continuously rewritten to reflect the changing nature of Tuscan society. Modern criticism has tended to dismiss the legend of Florence as a purely literary conceit that bore little relation to contemporary issues. Tracing the origins of the legend in the chronicles of the Duecento to its variants in the works of Brunetto Latini and Dante Alighieri, I contend that the legend was instead a highly adaptive mode of legitimation that proved crucial in the negotiation of medieval Florentine identity. My research reveals that the legend could be continually rewritten to serve the interests of collective and individual authorities. Versions of the legend were crafted to support both republican Guelfs and imperial Ghibellines; to curry favor with the Angevin rulers of Florence and to advance an ethnocentric policy against immigrants; to support the feudal system of privilege and to condemn elite misrule; to denounce the mercantile value of profit and ot praise economic freedom.
    [Show full text]
  • Carte Italiane
    UCLA Carte Italiane Title “Singulis Etruriae populis”: The Political Mobilization of the Etruscan Foundation Myth in the Self-Conception of Renaissance Florence Permalink https://escholarship.org/uc/item/5gd565zq Journal Carte Italiane, 13(1) ISSN 0737-9412 Author Salamanca, Emily Publication Date 2021 DOI 10.5070/C913050075 eScholarship.org Powered by the California Digital Library University of California “Singulis Etruriae populis”: The Political Mobilization of the Etruscan Foundation Myth in the Self-Conception of Renaissance Florence Emily Salamanca “How the humbled Lucumones of the great Etruscan commonwealth must have cursed the despotic levellers who demolished their government, destroyed their nationality, and obliterated their very existence!” – E. C. Hamilton Gray, Tour to the Sepulchres of Etruria in 1839, 288 (London, 1843)1 Introduction As Florence became more imperially motivated and ideologically independent during the fourteenth through sixteenth centuries, Florentine humanists increasingly sought to promote the city’s allegedly autochthonous Etruscan origins, rather than claim any direct ancestral lineage from Ancient Rome. In making this historiographical shift, writers, including Giovanni Villani, Dante Alighieri, and Leonardo Bruni, strove to distance Florence—both ideologically and historically— from Roman influence, to provide an historical precedent for the aristocratic governing structure, and to present an ancient justification for a Florentine-led Tuscan imperial league. Yet, for Florentines, especially members of the ruling class, associating themselves with Etruscans also meant identifying themselves, quite undeniably, as the vanquished party in the ancient struggle against Rome. RecogniZing the political precarity of relying on the Etruscan example, Niccolò Machiavelli, in contrast, attempted to dismiss the humanist and aristocratic claims on an ancient Florentine exceptionalism.
    [Show full text]
  • Political Conspiracy in Florence, 1340-1382 A
    POLITICAL CONSPIRACY IN FLORENCE, 1340-1382 A Dissertation Presented to the Faculty of the Graduate School of Cornell University In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Robert A. Fredona February 2010 © 2010 Robert A. Fredona POLITICAL CONSPIRACY IN FLORENCE, 1340-82 Robert A. Fredona, Ph. D. Cornell University 2010 This dissertation examines the role of secret practices of opposition in the urban politics of Florence between 1340 and 1382. It is based on a wide variety of printed and archival sources, including chronicles, judicial records, government enactments, the records of consultative assemblies, statutes, chancery letters, tax records, private diaries and account books, and the ad hoc opinions (consilia) of jurists. Over the course of four chapters, it presents three major arguments: (1) Conspiracy, a central mechanism of political change and the predominant expression of political dissent in the city, remained primarily a function of the factionalism that had shattered the medieval commune, although it was now practiced not as open warfare but secret resistance. (2) Conspiracies were especially common when the city was ruled by popular governments, which faced almost constant conspiratorial resistance from elite factions that been expelled from the city or had had their political power restricted, while also inspiring increased worker unrest and secret labor organization. (3) Although historians have often located the origins of the “state” in the late medieval and early Renaissance cities of northern and central Italy, the prevalence of secret political opposition, the strength of conspirators and their allies, and the ability of conspiratorial networks, large worker congregations, and even powerful families to vie with weak regimes for power and legitimacy seriously calls this into question.
    [Show full text]
  • Dante and the Florentine Chronicles by Marco Prina a Dissertation
    Dante and the Florentine Chronicles by Marco Prina A dissertation submitted in partial satisfaction of the requirements for the joint degree of Doctor of Philosophy in Italian Studies and Medieval Studies in the Graduate Division of the University of California, Berkeley Committee in Charge: Professor Albert Ascoli, Co-Chair Professor Steven Botterill, Co-Chair Professor Frank Bezner Fall 2014 Abstract Dante and the Florentine Chronicles by Marco Prina Doctor of Philosophy in Italian Studies & Medieval Studies University of California, Berkeley Professor Albert Ascoli, Co-Chair Professor Steven Botterill, Co-Chair This dissertation examines Dante’s engagement with the traditions regarding collective memory in medieval Florence. In particular, it investigates the ways in which Dante responds to public and private attempts at forging both individual and collective identity in Florence. Selecting key chronicles, inscriptions and visual sources alluded to in the Commedia, the implications of Dante’s representation in terms of his ideological response are then extensively discussed. After introducing the central passages from the Commedia relevant to my project and a review of selected secondary literature on Dante and history, the dissertation introduces the Medieval Latin Chronica de origine civitatis florentiae as Dante’s most important source regarding his city’s foundation. In so doing, the textual readings are informed by the formation and control of memory, history and identity in historical context. Building on Dante’s reliance on the Chronica, the dissertation reveals the continuity of civic historiography up to Dante’s time and argues that Dante’s engagement with the medieval Florentine collective memory tradition can be better understood through a close look at the shifting account of Florence’s foundation from the Chronica to Brunetto Latini’s Tesoro to the Commedia.
    [Show full text]
  • Historical Characters in Dante's Divine Comedy
    University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2019 Uncovering The Sources: Historical Characters In Dante's Divine Comedy Vanessa Dimaggio University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Italian Literature Commons, Medieval History Commons, and the Medieval Studies Commons Recommended Citation Dimaggio, Vanessa, "Uncovering The Sources: Historical Characters In Dante's Divine Comedy" (2019). Publicly Accessible Penn Dissertations. 3486. https://repository.upenn.edu/edissertations/3486 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/3486 For more information, please contact [email protected]. Uncovering The Sources: Historical Characters In Dante's Divine Comedy Abstract A lack of citation of Dante’s specific source material for historical characters who appear in the Divine Comedy is widespread throughout the commentary tradition. I performed a close textual analysis of the Divine Comedy’s historical characters, comparing them with the chronicles, annals and histories of Dante’s time, using both archival research and secondary histories to do so, and interpreted those primary historical texts as potential sources consulted by Dante. The historical characters I focused on fell into three categories: 1) characters involved in the battles of Montaperti and Colle Val d’Elsa, 2) characters belonging to or associated with the Norman, Swabian and Aragonese dynasties of Sicily, 3) characters embroiled in sensational or newsworthy events during Dante’s lifetime. The first two categories analyzed historical events that mostly occurred before Dante was born, and thus focused more heavily on written testimony, while the third category analyzed the news of Dante’s adulthood, and thus focused more on oral tradition.
    [Show full text]
  • Les Mythes De Fondation Dans La Nuova Cronica De Giovanni Villani
    Les mythes de fondation dans la Nuova Cronica de Giovanni Villani. Méthodes narratives et logiques illustratives Armand Jamme, Véronique Rouchon Mouilleron To cite this version: Armand Jamme, Véronique Rouchon Mouilleron. Les mythes de fondation dans la Nuova Cronica de Giovanni Villani. Méthodes narratives et logiques illustratives : en collab. avec A. Jamme. AB URBE CONDITA…FONDER ET REFONDER LA VILLE : RÉCITS ET REPRÉSENTATIONS (SECOND MOYEN ÂGE – PREMIER XVIE SIÈCLE), May 2009, Pau, France. p. 207-239. halshs-00982198 HAL Id: halshs-00982198 https://halshs.archives-ouvertes.fr/halshs-00982198 Submitted on 8 Jan 2015 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. LES MYTHES DE FONDATION DANS LA NUOVA CRONICA DE GIOVANNI VILLANI. MÉTHODES NARRATIVES ET LOGIQUES ILLUSTRATIVES ARMAND JAMME ET VÉRONIQUE ROUCHON MOUILLERON (UMR 5648 - CIHAM) C’est à Rome où il s’était rendu pour le premier jubilé de 1300 que Giovanni Villani aurait décidé d’écrire une histoire de Florence1. À cet intérêt de jeunesse, que jamais les ans ne démentirent, pour la construction mémorielle de l’identité florentine, répondit naturellement tout au long de sa vie un fort engagement personnel dans la vie publique de la cité.
    [Show full text]
  • Francesco Salvestrini
    Francesco Salvestrini Giovanni Villani and the Aetiological Myth of Tuscan Cities* [A stampa in The Medieval Chronicle II (Proceedings of the 2nd International Conference on the Medieval Chronicle, Universiteit Utrecht, Centre for Medieval Studies, Driebergen [NL], 16-21 July 1999), a cura di E. Kooper, Amsterdam/New York 2002, pp. 199-211 © dell’autore - Distribuito in formato digitale da “Reti Medievali”]. Giovanni Villani was undoubtedly one of the most important Florentine chroniclers of the communal era1 . His lifetime spanned the most dynamic period of Florentine medieval history. From what we can discover about his biography (especially from his chronicle), it is clear that he was very much a typical well-to-do Florentine merchant, and his literary work reflected his “bourgeois” vision of his city’s and world’s history. Born in Florence no later than 1276, the young Villani formed an association with the Peruzzi company, one of the leading trading and money-lending firms in the Tuscan city at the end of the thirteenth century. In 1300 he became one of the shareholders in this important group, at the same time that he joined the Arte del Cambio (Bankers’ Guild). During the same year he went to Rome for the Jubilee as an agent of his company at the Papal court. Between 1302 and 1307 he travelled widely in Flanders, where he looked after the interests of his company’s branch office in Bruges. Following a common path for Italian merchants of his day, he served an itinerant apprenticeship in international commerce and banking until, in his early thirties, he had acquired the means to establish himself in his native city and to devote himself to civic affairs.
    [Show full text]
  • Pope Benedict XII (1334–1342)
    CHURCH, FAITH AND CULTURE IN THE MEDIEVAL WEST Bueno (ed.) Pope Benedict XII (1334–1342) XII Benedict Pope Edited by Irene Bueno Pope Benedict XII (1334–1342) The Guardian of Orthodoxy Pope Benedict XII (1334–1342) Church, Faith and Culture in the Medieval West The essential aim of this series is to present high quality, original and international scholarship covering all aspects of the Medieval Church and its relationship with the secular world in an accessible form. Publications have covered such topics as The Medieval Papacy, Monastic and Religious Orders for both men and women, Canon Law, Liturgy and Ceremonial, Art, Architecture and Material Culture, Ecclesiastical Administration and Government, Clerical Life, Councils and so on. Our authors are encouraged to challenge existing orthodoxies on the basis of the thorough examination of sources. These books are not intended to be simple text books but to engage scholars worldwide. The series, originally published by Ashgate, has been published by Amsterdam University Press since 2018. Series editors: Brenda Bolton, Anne J. Duggan and Damian J. Smith Pope Benedict XII (1334–1342) The Guardian of Orthodoxy Edited by Irene Bueno Amsterdam University Press Cover illustration: Pope Benedict XII, with the kind permission of the Biblioteca dell’Archiginnasio. Detail from the Vaticinia Pontificum, Bologna, Biblioteca dell’Archiginnasio, MS A.2848, c. 8v. Cover design: Coördesign, Leiden Lay-out: Crius Group, Hulshout Amsterdam University Press English-language titles are distributed in the US and Canada by the University of Chicago Press. isbn 978 94 6298 677 0 e-isbn 978 90 4853 814 0 doi 10.5117/9789462986770 nur 684 | 704 © I.
    [Show full text]