The Carnival of Venice
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2016 Venice Carnival Special Projects Case History
Carnival of Venice 2016 23 January – 9 February From January, 23 To February, 9 Venice historical Centre, islands, Mestre, Marghera Number of visitors: more than 1.000.000 attendants, with daily peaks of 150.000 persons Programm of Carnival 2015 18 days of events and celebrations: from the prologue to the Mardi Gras (Shrove Tuesday) that marks the grand finale of the gala. Crowds are expected to peak during the three weekends of the event (January 23-24 and 30-31, February 6-7), the Thursday before Lent (February 4) and Mardi Gras (February 9). Program: the highlights Prologue (January 23-24): the official opening of the Carnival with the “Festa Veneziana” in Cannaregio, made of a water parade of rowers in costume and food tasting. First weekend (January 30-31): the Volo dell’Angelo, the Festa delle Marie (that recalls a historical event elaborating it in the form of a beauty contest in Renaissance costumes), the historical re-enactments. Second weekend (6-7 February): final of the best masked costume contest, the “commedia dell’arte” shows, music concerts, the “volo dell’Asino” in Mestre. For the whole period of the carnival: daily shows for the best masked costume contest, cultural events (itineraries and nighttime visits to museums and cultural seats in the city, exhibitions, readings, ecc.), dj-set. Let’s all spend marvellous Carnival nights at the Arsenal! The Arsenal dresses up in magic, poetry, music and sensational special effects on water and turns into Carnival at the Arsenal. Music and traveling entertainment will be introduced by a magic show. -
Chalearn Looking at People 2015 Challenges: Action Spotting and Cultural Event Recognition
ChaLearn Looking at People 2015 challenges: action spotting and cultural event recognition Xavier Baro´ Jordi Gonzalez` Universitat Oberta de Catalunya - CVC Computer Vision Center (UAB) [email protected] [email protected] Junior Fabian Miguel A. Bautista Computer Vision Center (UAB) Universitat de Barcelona [email protected] [email protected] Marc Oliu Hugo Jair Escalante Isabelle Guyon Universitat de Barcelona INAOE Chalearn [email protected] [email protected] [email protected] Sergio Escalera Universitat de Barcelona - CVC [email protected] Abstract CVPR workshop on action/interaction spotting and cultural event recognition. The recognition of continuous, natural Following previous series on Looking at People (LAP) human signals and activities is very challenging due to the challenges [6, 5, 4], ChaLearn ran two competitions to multimodal nature of the visual cues (e.g., movements of be presented at CVPR 2015: action/interaction spotting fingers and lips, facial expression, body pose), as well as and cultural event recognition in RGB data. We ran a technical limitations such as spatial and temporal resolu- second round on human activity recognition on RGB data tion. In addition, images of cultural events constitute a very sequences. In terms of cultural event recognition, tens challenging recognition problem due to a high variability of categories have to be recognized. This involves scene of garments, objects, human poses and context. Therefore, understanding and human analysis. This paper summa- how to combine and exploit all this knowledge from pixels rizes the two challenges and the obtained results. De- constitutes a challenging problem. tails of the ChaLearn LAP competitions can be found at http://gesture.chalearn.org/. -
Christ the Redeemer Or Cristo Redentor
Rio Reinvent Your World in Color Qualification Requirements 2017 Bankers Fidelity® Sales Leaders Conference March 26–31, 2017 CON QSB 4649 2017 (12-15) Reinvent Your World in Color Greetings from the Cidade Maravihosa, or the Marvelous City, as Rio is known in Brazil. Rio is famed for its colorful carioca spirit—a name the city endearingly calls its residents. It represents a feeling of spontaneity, good nature, and a desire to live one’s life in full color. With its year-round tropical climate, golden shimmering beaches, and kaleidoscopic landscapes, the Cidade Maravihosa invites you to engage all your senses— and practice the fine art of the party. Considered the cradle of samba music, and of course, Carnival— the most infamous street party in the world, Rio possesses a rhythm all its own. A euphoric place where the world comes to dance, sing, and relax by the ocean awaits your qualification for this unforgettable trip to the bright heart of Brazil. Belmond Copacabana Palace This glamorous landmark is among the best hotels in Rio de Janeiro Since its Art Deco doors swung open in 1923, Belmond Copacabana Palace has been attracting eminent and fascinating people from around the world. With one of the city’s largest and most breath- taking pools, expect to sunbathe near a team of pool assistants available to cater to your every request, from fresh towels to cool drinks. Tennis courts, beach services, spas, boutiques, and fine restaurants mark the hotel as THE renowned spot to see and be seen in Rio. Carnival The Rio Carnival began in the 1840s, brought over by the city’s Parisian bourgeoisie as a rather sedate masked ball, where people would host masquerade parties and spend the evening dancing polkas and waltzes. -
00001-2006 ( .Pdf )
Jan2006.qxd 1/5/06 12:16 PM Page 1 PRESORTED JANUARY 2006 STANDARD ® U.S. POSTAGE PAID MIAMI, FL PERMIT NO. 7315 Tel: (305) 238-2868 1-800-605-7516 [email protected] We cover your world Vol. 17 No. 2 [email protected] When America's largest mass tran- sit system was shut down for three consecu- tive days last month, it was Trinidadian Roger Toussaint who led the strike for more than 37,000 bus and subway employees, page 2. In just over a year, the Caribbean will host Cricket World Cup 2007, the one-day The trial of controversial game’s biggest spectacle. West Indies Jamaican Cricket Board President Ken Gordon cop Reneto Adams was (inset) believes the region, despite among the lingering problems such as the rising big stories coming out of crime rate and poor form of the West the Caribbean Indies team, is on track to put on a grand in 2005, another challenging year for the region as a whole, show for all the world to see, page 11. page 13. Reggae superstar Shaggy will be among the top enter- tainers scheduled to visit the Caribbean in 2006, a year jampacked with attractions which should appeal to homesters and prospective visitors to the region, page 17. INSIDE News . .2 Feature . .12 Arts/Entertainment . .17 Youth/Education . .21 Local . .7 Food . .14 Health . .18 Sport . .23 Viewpoint . .9 Tourism/Travel . .15 Business . .19 Region . .25 Jan2006.qxd 1/5/06 12:16 PM Page 2 2 CARIBBEAN TODAY January 2006 www.caribbeantoday.com NEWS Caribbean advocates condemn U.S. -
Carnival Scratch-Art® Mask
Carnival Scratch-Art® Mask (art + social studies) Explore the history of carnival masks from various cultures, such as Mardi Gras in New Materials Orleans, the Carnival of Venice and “Commedia Scratch Art® Clear-Scratch™ Film Dell'arte” in Italy. Ornate and colorful masks are (13524-1030), package of 30 sheets, ® easy to create with Scratch -Art Clear-Scratch™ need 1/2 sheet per demi-mask, full sheet for film and permanent Sharpie® markers. full-face mask Grade Levels K-8 Sharpie Chisel-Tip Markers, set of 8 colors Note: instructions and materials based on a (21383-0089), share one set between 4-5 class of 25 students. Adjust as needed. students Preparation Scratch Sticks (14907-1045), package of 100, need one per student 1. Cut sheets of Scratch Art® Clear- Scratch™ film in half to make 8" x 4.75" Wood Dowel, 1/4" dia x 12" (60448-1412) pieces. Will need one piece per mask package of 12, need one per mask ® 2. Draw a mask shape on paper and cut out Blick E-Z Grip Knife (57419-2980), one or to use as a template. For demi-mask, use two per class the pattern on page 2. Optional Process Krylon® Low-Odor Spray Finish (23710-1001), 1. Trace the mask shape onto the matte gloss, 11-oz can, need one side of the film lightly with a pencil. Extra features, such as ears, hair, antennae, etc. can be added to the basic clear plastic surface. Place a plain white mask shape if desired. Cut mask out of sheet of paper beneath the mask while film (do not cut out eye areas). -
504162911005.Pdf
Revista Brasileira de Pesquisa em Turismo ISSN: 1982-6125 Associação Nacional de Pesquisa e Pós-Graduação em Turismo Costa, Moabe Breno Ferreira; Mazaro, Rosana; Alves, Maria Lúcia Bastos The Regional System of Innovations of the ‘Trio Elétrico’ and the promotion of tourism at Salvador, BA: from ‘Fubica’ to the imaginary of cyberculture Revista Brasileira de Pesquisa em Turismo, vol. 14, no. 1, 2020, January-April, pp. 73-91 Associação Nacional de Pesquisa e Pós-Graduação em Turismo DOI: 10.7784/rbtur.v14i1.1665 Available in: http://www.redalyc.org/articulo.oa?id=504162911005 How to cite Complete issue Scientific Information System Redalyc More information about this article Network of Scientific Journals from Latin America and the Caribbean, Spain and Journal's webpage in redalyc.org Portugal Project academic non-profit, developed under the open access initiative Papers The Regional System of Innovations of the ‘Trio Elétrico’ and the promotion of tourism at Salvador, BA: from ‘Fubica’ to the imaginary of cyberculture O Sistema Regional de Inovações do Trio Elétrico e o fomento ao turismo em Salvador-BA: da Fubica ao imaginário da cibercultura El Sistema Regional de Innovaciones del Trio Eléctrico y el fomento al turismo en Salvador-BA: de la Fubica al imaginario de la cibercultura Moabe Breno Ferreira Costa1; Rosana Mazaro1; Maria Lúcia Bastos Alves1 1Federal University of Rio Grande do Norte (UFRN), Natal, Rio Grande do Norte, Brazil. Keywords: Abstract Trio Elétrico; The creation and re-signification processes of the Trio Elétrico and the musical production of Regional system of innovations; Salvador, capital of Bahia, invite to reflect on the Regional Innovation System and its rela- Collective memory; tionship with tourism competitiveness of destination, considering economic, technological Tourism competitiveness; development, social behavior, and collective memories. -
Progressive English III
1 PREPARATORIA 22 Portfolio of Evidences 2nd Opportunity Progressive English III Student’s name: __________________________________________________ Student´s number: ________________ Date: _____/ ______ / 2020 Teacher: _________________________________________ Group: _________ This portfolio is part of 60% of your qualification. This value will be obtained as long as it meets the following requirements: 1. Transcribed by hand, in its entirety and with the correct answers. 2. Complete identification data. 3. This portfolio must be uploaded in PDF extension, only on the day and at the time of the exam in the Tasks section of your team corresponding to the subject in MS Teams, where your teacher will review it. 4. PLEASE ANSWER ONLY WITH BLUE INK AND ADD YOUR NAME ON EACH SHEET. Elaborated by M.C.C. Patricia Karina Perez Burgos. 2 UNIVERSIDAD AUTÓNOMA DE NUEVO LEÓN PREPARATORIA NO. 22 PORTFOLIO OF EVIDENCE PROGRESSIVE ENGLISH III SECOND OPORTUNITY NAME: _______________________________________________________________ GROUP:_______________________________________________________________ DATE:________________________________________________________________ Elaborated by M.C.C. Patricia Karina Perez Burgos. 3 Conditional sentences are often divided into different types. 1. Zero conditional. We use the zero conditional to talk about things that are generally true, especially for laws and rules. ... 2. First conditional. We use the first conditional when we talk about future situations we believe are real or possible. ... The first conditional describes a particular situation, whereas the zero conditional describes what happens in general. I.- Read the following pairs of sentences in zero and first conditionals, and choose the ones that are written correctly. 1.- (a) The table will break if you sit on it. (b) The table will break, if you sit on it. -
Department of Music Programs 1972 - 1973 Department of Music Olivet Nazarene University
Olivet Nazarene University Digital Commons @ Olivet School of Music: Performance Programs Music 1973 Department of Music Programs 1972 - 1973 Department of Music Olivet Nazarene University Follow this and additional works at: https://digitalcommons.olivet.edu/musi_prog Part of the Fine Arts Commons, and the Music Performance Commons Recommended Citation Department of Music, "Department of Music Programs 1972 - 1973" (1973). School of Music: Performance Programs. 6. https://digitalcommons.olivet.edu/musi_prog/6 This Book is brought to you for free and open access by the Music at Digital Commons @ Olivet. It has been accepted for inclusion in School of Music: Performance Programs by an authorized administrator of Digital Commons @ Olivet. For more information, please contact [email protected]. 7 8 0 .7 3 9 0£4p 1 9 7 2 -7 3 PROGRAMS 1972 1973 DEPARTMENT OF MUSIC yuvet Nazarene College Kankakee. VL OLIVET NAZARENE COLLEGE. DEPARTMENT OF MUSIC p r e s e n ts a STUDENT RECITAL Six E cossaises ........................ .... .......................................... B eeth oven Terry Morsch, piano T raum erei ........................ ........................................ Robert Schumann Important Event Robert Schumann Brad Morsch, piano Caro Mio B e n .......................................... Guiseppe Giordani Cheryl Spargur, soprano Linda Jarnagin, accompanist Art Thou The Christ? ..................... ..... Jeoffrey O'Hara Marla Kensey, soprano Still Wie Die Nacht .............................................................. C -
Untitled (Human Mask), Mostra O Poder Transforma- O Saber Raso Da Indexação
2 3 4 5 Ministério da Cidadania e GetNet apresentam CURADORIA DE MARCELLO DANTAS FAROL SANTANDER 8 DE OUTUBRO DE 2019 A 5 DE JANEIRO DE 2020 Convidamos a todos para um passeio pela cultura de cinco continentes por meio da exposição ETNOS – Faces da Diversidade. A mostra apresenta 150 máscaras que expressam a multiplicidade da representação facial como instrumento de reconhecimento da identidade humana. Ao considerar que as máscaras nos dão a possibilidade de falar uma linguagem universal que não depende de idiomas, a exposição nos convida a refletir sobre a existência de uma comunicação não verbal que se estabelece, primordial- mente, por meio de símbolos. A sensação de mistério e encantamento propor- cionados pela evidência de uma linguagem capaz de prescindir do discurso, desconstrói convicções e concepções prévias e nos estimula à formulação de perguntas para as quais podem existir várias e distintas respostas. Um olhar atento e curioso para a multiplicidade de expressões que o ser humano se habilitou a produzir desde tempos ancestrais até a contempora- neidade foi o que nos conduziu para a construção desse projeto tão singular que agora trouxemos ao Farol Santander em São Paulo. PATRICIA AUDI Vice-Presidente de Comunicação, Marketing, Relações Institucionais e Sustentabilidade Santander 8 ETNOS FACES DA DIVERSIDADE MARCELLO DANTAS 12 MÁSCARAS – ANCESTRALIDADES EM CONSTRUÇÃO MARIA CATARINA DUNCAN 24 EXPOSIÇÃO EXHIBITION 99 TEXTOS EM INGLÊS ENGLISH TEXTS 10 ETNOS FACES DA DIVERSIDADE MARCELLO DANTAS CURADOR “Os mitos são sonhos públicos; os sonhos são mitos privados”. Joseph Campbell O que diferencia uma etnia de outra não são os cor- de mil faces,2 sobre o papel que tais instrumentos pos, não são os anseios de felicidade e nem o ins- desempenham na vivência dos mitos (algo próximo tinto de vida e de amor. -
February 2021
FEBRUARY 2021 Division Director’s Message Celebrating Black History Month The Origins of Black History Month In 1920, the Universal Negro Improvement Association sponsored the First International Convention of the Negro Peoples of the World, it convened in New York for a month- U. Desmond Alufohai long event and, included 20,000 delegates, from 25 nations. Director On August 31st, the Declaration of the Rights of the Negro Protocol & International Affairs Division People of the World was adopted. Paragraph 39 of the document established “That Miami-Dade Aviation Department the colors, Red, Black and Green, be the colors of the Negro race”. Each color has a symbolic meaning: red, the shared blood of the people as well as the blood shed Black History Month, a.k.a. National African American History Month had while fighting for liberation; black, the people; and green, growth and the lush its origins in 1915 when historian and vegetation of Africa. Over the years, the flag has been known by several names, author Dr. Carter G. Woodson including the Black Liberation Flag, Pan-African Flag, Universal African Flag, and founded the Association for the Study Afro-American Unity Flag. To this day, the flag and its colors remain symbols of of African American Life and History. pride and culture. The organization initiated the first Negro History Week in February 1926. In 1926, Dr. Carter G. Woodson, an American historian, author, journalist, and founder of the Association for the Study of African Kent State University (KSU), Kent, American Life and History, announced that the second week of Ohio is located along the Cuyahoga River in Northeast Ohio on the western February would be “Negro History Week”. -
Citation for Published Version Escalera Guerrero, S., Fabian, J
Citation for published version Escalera Guerrero, S., Fabian, J., Pardo, P., Baró Solé, X., Gonzàlez Sabaté, J., Escalante, H.J., Misevic, D., Steiner, U. & Guyon, I. (2016). ChaLearn Looking at People 2015: Apparent Age and Cultural Event Recognition Datasets and Results. IEEE International Conference on Computer Vision. Proceedings, 2016(), 243-251. doi: 10.1109/ICCVW.2015.40 DOI https://doi.org/10.1109/ICCVW.2015.40 Document Version This is the Accepted Manuscript version. The version in the Universitat Oberta de Catalunya institutional repository, O2 may differ from the final published version. Copyright and Reuse This manuscript version is made available under the terms of the Creative Commons Attribution Non Commercial No Derivatives licence (CC-BY-NC-ND) http://creativecommons.org/licenses/by-nc-nd/3.0/es, which permits others to download it and share it with others as long as they credit you, but they can’t change it in any way or use them commercially. Enquiries If you believe this document infringes copyright, please contact the Research Team at: [email protected] Universitat Oberta de Catalunya Research archive ChaLearn Looking at People 2015: Apparent Age and Cultural Event Recognition datasets and results Sergio Escalera Junior Fabian Pablo Pardo Universitat de Barcelona and CVC Computer Vision Center Universitat de Barcelona Xavier Baro´ Jordi Gonzalez` Hugo J. Escalante Universitat Oberta de Catalunya Universitat Autonoma` de Barcelona INAOE Mexico Computer Vision Center Computer Vision Center Dusan Misevic Ulrich Steiner Isabelle Guyon Center for Research and Interdisciplinarity Max-Planck Odense Center Clopinet, ChaLearn Abstract as well as technical limitations such as spatial and temporal resolution. -
Mardi Gras 20 the Story of Carnival FINAL
The New Carnival Company presents for IW Mardi Gras Saturday 27 June 2020 See https://www.youtube.com/watch?v=ltXfR_TIlEE Carnival History Island Carnival Global Carnival 1. Ancient Egypt 9. 17. Rio Carnival 2. Bacchanal 10. 18. Trinidad Carnival 3. Feast of Fools 11. 19. New Orleans Mardi Gras 4. Commedia dell’ arte 12. 20. Goa Carnival 5. Colombus & Colonisation 13. 21. Quebec Carnival 6. The Grand Ball 14. 22. Giants and Big Heads 7. Canboulay 15. 23. Bahamas Junkanoo 8. Windrush 16. 24. Notting Hill Carnival 25. A Carnival for the Future Carnival History Section 1 Ancient Egypt Carnival was firstly introduced as a pagan festival in Ancient Egypt, to usher out winter and celebrate the beginning of spring. It was called Sham El-Nessim. At the time, winter was thought of as the reign of the winter spirits; these needed to be driven out in order for the summer to return. Carnival was regarded as the first spring festival of the new year. Carnival History Section 2 Bacchanal Many centuries later, after Alexander the Great had conquered Egypt, the Ancient Greeks adopted the festival. The Romans copied the festival from the Greeks and called it Bacchanal (after the god Bacchus), and celebrated it with plenty of wine, dancing, song, and generally excessive behaviour! Carnival History Section 3 Feast of Fools The Feast of Fools was a popular festival In Europe during the Middle Ages. During this time a mock bishop was elected, and low and high officials changed places. People wore animal masks and women's clothing, sang bawdy songs, recited nonsensical speeches and ran amok in the streets.