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Gov. Slates State Meeting Here *
Y Enrollment unusual says Carnahan Dr. Orville D. Carnahan, increases in enrollment this HCC president, said the col- Fall. Full-time equivalent lege had an unanticipated figures are up 12.32 percent large enrollment increasethis from last Fall Quarter on the Fall. eighth day of instruction for HCC officials announced the 27-college system. recently that the college has Persons enrolled in classes experienced a 10.75 percent on the eighth day oPthe quar- increase in enrollment for ter numbered 128,128 on a !\,. Fall Quarter 1975 as com- headcount basis, which is an pared to the Same time last increase of 9.22 percent over year. the same period last year. The enrollment count was “The commrltrity. college taken on the eighth dayof in- system is facing a dilemma,” struction and showed 8,259 said John C. Mundt, director persons enrolledthis Fall. The of the State Board for Con)- growth in FTE’s (full-time munity’ College Education. equivalent students) is 15.2 “On one hand we have a percent higher this Fall as demand from. the public for compared to the same period more service andon the other last year. hand we have a fundinglevel “We assume much of it is covering a lower number of because of the scarcity of students,” he explained. jobs, but ,we also think we’ve “Right now we have an in- reached a point where high crease of. nearly 11,000 school ‘stop-out’ (when in- students on our campuses dividuals go directly into the compared to the same time job market or some other last year. -
Debuten Til Hardrocker'ne Fra Down Under. 6.Albumet I Rekken Av
ARTIST / BANDNAVN ALBUM TITTEL UTG.ÅR LABEL/ KATAL.NR. LAND LP KOMMENTAR A New wave/synthpop fra Sheffield band, med Martin Fry som leder. Musikken kan ABC BEAUTY STAB 1983 MERCURY 814 661-1 GER LP høres som en mix av Bowie og Roxy Music. Mick fra den første utgaven av Jethro Tull og Blodwyn Pig med sitt soloalbum fra ABRAHAMS, MICK MICK ABRAHAMS 1971 A&M RECORDS SP 4312 USA LP 1971. Drivende god blues / prog rock. Min første og eneste skive med det tyske heavy metal bandet. Et absolutt godt ACCEPT RESTLESS AND WILD 1982 BRAIN 0060.513 GER LP album, med Udo Dirkschneider på hylende vokal. Fikk opplevd Udo og sitt band live på Byscenen i Trondheim november 2017. Meget overraskende og positiv opplevelse, med knallsterke gitarister, og sønnen til Udo på trommer. AC/DC HIGH VOLTAGE 1975 ATL 50257 GER LP Debuten til hardrocker'ne fra Down Under. AC/DC POWERAGE 1978 ATL 50483 GER LP 6.albumet i rekken av mange utgivelser. ACKLES, DAVID AMERICAN GOTHIC 1972 EKS-75032 USA LP Strålende låtskriver, albumet produsert av Bernie Taupin, kompisen til Elton John. GEFFEN RECORDS AEROSMITH PUMP 1989 EUR LP Steven Taylor, Joe Perry, Tom Hamilton, Joey Kramer. Spilt inn i Canada. 924254 AKKERMAN, JAN PROFILE 1972 HARVEST SHSP 4026 UK LP Soloalbum fra den glimrende gitaristen fra nederlandske progbandet Focus. Akkermann med klassisk gitar, lutt og et stor orkester til hjelp. I tillegg rockere som AKKERMAN, JAN TABERNAKEL 1973 ATCO SD 7032 USA LP Tim Bogert bass og Carmine Appice trommer. Her viser Akkermann en ny side av sitt talent. -
Dec. 22, 2015 Snd. Tech. Album Arch
SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Affinity-Affinity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London. -
Stallings Book 4 Print.Pdf (3.603Mb)
Black Performance and Cultural Criticism Valerie Lee and E. Patrick Johnson, Series Editors Stallings_final.indb 1 5/17/2007 5:14:41 PM Stallings_final.indb 2 5/17/2007 5:14:41 PM Mutha ’ is half a word Intersections of Folklore, Vernacular, Myth, and Queerness in Black Female Culture L. H. Stallings The Ohio State University Press Columbus Stallings_final.indb 3 5/17/2007 5:14:42 PM Copyright © 2007 by The Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data Horton-Stallings, LaMonda. Mutha’ is half a word : intersections of folklore, vernacular, myth, and queerness in black female culture / L.H. Stallings. p. cm.—(Black performance and cultural criticism) Includes bibliographical references and index. ISBN-13: 978-0-8142-1056-7 (cloth : alk. paper) ISBN-10: 0-8142-1056-2 (cloth : alk. paper) ISBN-13: 978-0-8142-9135-1 (cd-rom) ISBN-10: 0-8142-9135-X (cd-rom) 1. American literature—African American authors—History and criticism. 2. American literature—women authors—History and criticism. 3. African American women in literature. 4. Lesbianism in literature. 5. Gender identity in literature. 6. African American women— Race identity. 7. African American women—Intellectual life. 8. African American women— Folklore. I. Title. II. Series PS153.N5H68 2007 810.9'353—dc22 2006037239 Cover design by Jennifer Shoffey Forsythe. Cover illustration by Michel Isola from shutterstock.com. Text design and typesetting by Jennifer Shoffey Forsythe in Adobe Garamond. Printed by Thomson-Shore, Inc. The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials. -
The Ultimatum XLS This Multi-Chamber, Multi-Driver Confection Looks to the Seated Listener Like Any Other Two-Way Stand-Mount
October 2011 NEAT XLS Loudspeaker A small loudspeaker that is truly mesmerizing and emotionally moving. Review By Malcolm Steward NEAT Acoustics produced its first loudspeaker back in 1989. That unassuming-looking but ground-breaking model, the Petite, quickly became my 'reference' compact, high-end, two-way. It has retained that position for more than two decades. While the latest mark for iteration, the Petite SX, has replaced the somewhat utilitarian looking original, with its almost bitumen-like finished cabinet, little else – certainly nothing fundamental – has changed in all that time... except the price, of course. The Petite has now been joined in my listening room – and affections – by another and rather grander. NEAT: The Ultimatum XLS This multi-chamber, multi-driver confection looks to the seated listener like any other two-way stand-mount. However, closer inspection reveals that the bass-midrange section uses two, isobarically loaded 168mm drivers; the HF uses a single Sonomex domed XL driver; and on the top face of the enclosure sit two EMIT 25mm planar/ribbon super HF units – aka super-tweeters. That enclosure is unusual as well. It is fabricated from slow-growing, Birch plywood, chosen for its consistency and its excellent behavior in terms of resonance. The front baffle consists of controlled density fiberboard bonded to the main cabinet with a Polyethylene membrane. This produces a remarkably inert platform upon which to mount the mid-bass and high frequency drivers. Each of this array of drive units is located in its own discrete chamber: the largest of these cavities is also ported to provide ideal loading for the rear unit of the isobaric bass pairing. -
Copyright © 2014 Hifi
1 Copyright © 2014 Hifi Pig 2 Copyright © 2014 Hifi Pig This Issue Hifi Pig CONTENTS Magazine EDITORIAL January 2014 Issue 2 4 Editorial 11 Readers System www.hifipig.com 16 Dealers System Telephone: +33 (0)2 97 23 70 78 E mail: [email protected] Siret - 488 244 898 00018 REVIEWS t’s been a busy month here at Hifi Pig. Not 22 Coffman Labs G-1A Preamplifier only have we had lots of new kit that has 28 The Cartridge Man Isolator Icome in for review but we’ve also covered masses and masses of news - which you can 33 Simple Audio “GO” Bluetooth Speaker read here . 34 Oriton Audio R33 Support System CES gave us a lot to talk about on the site and as always we aimed to be first to bring this news to 37 Astintrew Powered USB our readers. 41 Atoll Electronique IN200 SE Integrated We’ve also expanded our Facebook and Twitter Amplifier & CD200 SE-2 CD Player feeds and the number of followers we have on our increasingly important social media feeds - 46 LessLoss DFPC Signature Power Cables it’s an ideal opportunity for us to get feedback 51 COMPETITION Win Astintrew’s Powered from our readers in a more informal setting. It USB as reviewed by Danny Worth this month. also lets us know that what we are writing about 52 REVIEW LINKS is what you want to read about. However, as always if you have any comments 54 ALBUM REVIEWS you’d like to make or have any questions then let us know. -
The Secret Mountain Laboratory and Even Saw the Reign of Terror That the Poor Designers and Technicians Were Living Under
the d\b\e \"ere seCret by Don Lancaster Don Lancaster's INCREDIBLE SECRET MONEY MACHINE II Synergetlcs Press Box 809 • Thatcher AZ • 85552 (928) 428-4073 Copyright © 1978, 1992, 2010 by Don Lancaster. Published by Synergetics Press 3860 West First Street, Box 809, Thatcher, AZ,85552. (928) 428-4073. THIRD EDITION FIRST PRINTING-2010 Al l rights reserved. Reproduction or use, without express permission, of editorial or pictorial content, in any manner, is strictly prohibited. No liability is assumed for damages resulting from the use of the information contained herein. The only warranty, express or implied, is "approximate quantity one." International Standard Book Number ISBN 978-1-882193-12-7 Printed in a tinaja near Thatcher, Arizona, USA. INTRODUCI10N TO THE SECOND EDITION Fourteen Years Later... History always repeats Itself. First as a tragedy and then as a farce. Somehow it Is has become the fall of 1992. This Incredible Secret Money Machine is now fourteen years old. And is selling better than ever. But the last remaining mountain of them has just vanished out of my storeroom. So a revision would seem to be in order. Probably the greatest indicator of your ongoing enthUSiasm Is how long you can keep your copy of an ISMM before it gets permanently ripped off. The average time seems to be fifteen weeks. A half life, sort of. Or maybe a time between reincarnations. I guess I am not into revisionism, so I won't. With a few obvious adaptions, most of this book is as accurate and as useful now as It was then. -
The Evolution Trilogy
1 The Evolution Trilogy Todd Borho 2 Contents Part 1 – James Bong Series - 4 Part 2 – SeAgora Novel - 184 Part 3 – Agora One Novel - 264 3 James Bong Premise: Anarchism, action, and comedy blended into a spoof of the James Bond franchise. Setting: Year: 2028 Characters and Locations: James Bong – Former MI6 asset for special operations. Now an anarchist committed to freeing people from statist hands. 30 years old, well built, steely gray eyes, dirty blond hair. Bong moves frequently. K – Nerdy anarchist hacker in his early twenties based in Acapulco, Mexico. Miss Moneybit – Feisty, attractive blogger in her late twenties and based in Washington, DC. General Small - Bumbling and incompetent General. Former Army Intel and now with the CIA. Sir Hugo Trax – MI6 officer who was involved in training and controlling Bong during Bong’s MI6 days. Episode 1 – Part 1 Scene 1 Bong is driving at a scorching speed down a desert highway in a black open-source 3D printed vehicle modeled after the Acura NSX. K’s voice: Bong! Bong (narrows eyes at encrypted blockchain based smartwatch): K, what the hell? I had my watch off! K (proud, sitting in his ridiculously overstuffed highback office chair): I know, I turned it on remotely. I’ve got great news! Bong (looking ahead at the cop car and the cop’s victim on the side of the road): Kinda busy right now. K (twirling in his chair): It can’t wait! It’s a go! It’s a go! I’m so excited! Bong (sarcastically): You’re breaking up on me. -
Tourist Gaze
Toward a Feminist Travel Perspective: Re- thinking Tourism, Digital Media, and the "Gaze" Item Type text; Electronic Dissertation Authors Winet, Kristin Kay Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 30/09/2021 08:20:35 Link to Item http://hdl.handle.net/10150/565902 Winet 1 TOWARD A FEMINIST TRAVEL PERSPECTIVE: RE-THINKING TOURISM, DIGITAL MEDIA, AND THE “GAZE” by Kristin Kay Winet __________________________ Copyright © Kristin K. Winet 2015 A Dissertation Submitted to the Faculty of the DEPARTMENT OF ENGLISH In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY WITH A MAJOR IN RHETORIC, COMPOSITION, AND THE TEACHING OF ENGLISH In the Graduate College THE UNIVERSITY OF ARIZONA 2015 Winet 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Dissertation Committee, we certify that we have read the dissertation prepared by Kristin Winet, titled Toward a Feminist Travel Perspective: Re-thinking Tourism, Digital Media, and the “Gaze,” and recommend that it be accepted as fulfilling the dissertation requirement for the Degree of Doctor of Philosophy. _______________________________________________________________________ Date: May 5, 2015 Dr. Anne-Marie Hall _______________________________________________________________________ Date: May 5, 2015 Dr. Ken McAllister _______________________________________________________________________ Date: May 5, 2015 Dr. Judy N. Temple Final approval and acceptance of this dissertation is contingent upon the candidate’s submission of the final copies of the dissertation to the Graduate College. -
THE 2020 GUITAR GUIDE UPCYCLING URBAN WOOD 2 Letters Social Email Us Circles Taylorguitars.Com/Contact Join the Taylor Community
THE 2020 GUITAR GUIDE UPCYCLING URBAN WOOD 2 www.taylorguitars.com Letters social Email us circles taylorguitars.com/contact Join the Taylor community Facebook: @taylorguitars to last, including wooden instruments, A Sweeter Sound nice acoustic guitar, I ran across Bob Instagram: @taylorguitars although they are more fragile. But the I was interested in the “Ask Bob” Taylor’s video about the Ebony Project @taylorespanol real essence of your article was how query about the effect on tone the size on YouTube. After seeing how environ- Twitter: @taylorguitars you reunited ebony with Buck Knives. of the soundhole has. A few months ago, mentally conscientious he is and how YouTube: taylorguitars That is just outstanding. Thank you for I attached an ES-Go pickup to my GS he incorporated that as a major part of great work and products. I’ve only been Mini, and as you are aware, the pickup Taylor Guitars’ philosophy (and prac- playing for six years, on a GS Mini, my covers a small part of the soundhole tice), I decided that the only question first guitar. And I’m fond of ebony! near the neck of the guitar. When play- was which Taylor guitar I liked best and Charlie Francisco, DVM ing the guitar acoustically (i.e., not could afford. The 414ce is outstanding through the pickup or amp), I have independent of all of this, but I did want noticed the tone is “sweeter” — there Bob to know that his environmental Deluxe Treatment is more high end and a slight reduction concerns and the fact that he is doing I’m the proud owner of an 810, 414 in bass. -
Lp Stock Database
Excluding Children, Classical/Ballet/ Opera, Religious Vinyl 4U Main Database (see other databases for these) 1 LP (x1) 2 Contact: Judy Vos [email protected] LP's (x2) # of LPs in Artist/s or Group Composer Album Name Album 101 Strings After a hard day x1 101 Strings Lerner&Loewe Camelot x1 101 Strings Exodus and other great movie themes x1 101 Strings Webb/BacharachMillion Seller Hits x1 10CC Bloody Tourists x1 ABBA Arrival x1 ABBA Gracias por la Musica x1 ABBA Gracias por la musica (in Spanish) x1 ABBA Greatest Hits x1 ABBA Greatest Hits x1 ABBA Greatest Hits x1 ABBA Greatest Hits x1 ABBA Greatest Hits x1 ABBA Super Trouper x1 ABBA Super Trouper x1 ABBA Super Trouper x1 ABBA Super Trouper x1 ABBA The Album x1 ABBA The Album x1 Abba The Album x1 ABBA The Singles - The 1st 10 years x2 ABBA The Visitors x1 ABBA The Visitors x1 ABBA The Visitors x1 ABBA The Visitors x1 ABBA The Visitors x1 ABBA Voulez Vouz x1 ABBA Voulez-Vous x1 ABBA Voulez-Vous x1 ABBA Voulez-Vous x1 ABC Beauty Stab x1 Acker Bilk Stranger on the shore x1 Acker Bilk & Bent Fabric Cocktails for Two x1 Acker Bilk & others Clarinet Jamboree x1 Acker Bilk & Stan Tracey Blue Acker x1 Acker Bilk Esquire A Taste of honey x1 Acker Bilk with Leon Young Stranger on the Shore x1 Adam and the Ants Kings of the Wild Frontier x1 Adam and The Beasts Alasdair Clayre x1 Adamo A L'Olympia x1 Adamo Adamo x1 Adamo The Hits of Adamo x1 Adrian Brett Echoes of Gold x1 Adrian Gurvitz Classic x1 Agnetha Faltskog Eyes of a woman x1 Agnetha Faltskog Wrap your arms around me x1 A-Ha Stay on these -
Nømädnêss: the Gospel According to Wanda B
Nømädnêss: The Gospel According to Wanda B. Lazarus A novel by Lynn M. Joffe As part of the requirement for a dissertation for the degree of Master of Arts by Research (Creative Writing) submitted to the Faculty of Arts, School of Literature, Language and Media, University of the Witwatersrand, Johannesburg. © Lynn M. Joffe. Johannesburg, 2017. Student # 1305057 - 1 - Contents Book Header Page I ‘Tummel in the Temple’ Jerusalem 33 CE 3 II ‘Zenobia in Chains’ Palmyra 272 CE 38 III ‘The Gopi Bat Mitzvah’ Cochin 666 CE 65 IV ‘To Live or Die in Magao’ Dunguang Caves 1054 CE 84 V ‘Ballad of the Occitan’ Albi 1229 CE 104 VI ‘The Wandering Years’ Europe 1229-1234 CE 121 VII ‘The Odalisque of Swing’ Istanbul 1558 CE 134 VIII ‘Commedia in Cremona’ Italy 1689 CE 152 IX ‘Terpsichore’s Plectrum’ London 1842 CE 177 X ‘Razzie and the Romany Creams’ St. Petersburg 1916 204 XI ‘Made in Manhattan’ New Canaan 1942 226 XII ‘The Land of the Lemba’ Johannesburg 1999 254 XIII ‘Aurora Nights’ Geilo 2016 CE 278 - 2 - Book I: ‘Tummel in the Temple’ Jerusalem 33 CE i If we hadn’t been following Hadassah’s pomegranate all over the known world, we’d never have wound up in Bethany. Carta would still be alive. And I’d be mortal. But that’s not how things panned out. A Painted Lady flaps her wings and all that jazz. The Lembas remember it differently, but they were always going to write their own version anyway. I was there. I saw it all.