The Top 77 Releases of 1995 As Determined by Radio K's Listeners and Staff
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A Conversation with Petra Haden by Frank Goodman (Puremusic.Com, 1/2009)
A Conversation with Petra Haden by Frank Goodman (Puremusic.com, 1/2009) A short while back, we interviewed a fascinating accordionist, music-oriented photographer, and image and scene maker in Portland named Alicia J. Rose, aka Miss Murgatroid. She'd taken very compelling photos of several bands we'd covered (Sophe Lux and Boy Eats Drum Machine come to mind), and then we stumbled on to her signature accordion work, which often involved multiple effects pedals. Her best known CD was one she'd woven with her friend and musical partner Petra Haden. Although you might know Petra as a member of the Decemberists, or as one of Charlie Haden's daughters (the legendary jazz bassist), or the guest soloist in any of many bands (including the recent Foo Fighters tour), she is still and deservedly best known for her a capella version of the entire Sell Out record by The Who. (She later cut a record with Bill Frisell that happens to be rather divine, called simply Petra Haden and Bill Frisell.) But the Petra project that ignited our conversation was Hearts and Daggers, the long awaited and satisfying reunion with Miss Murgatroid. Some sounds are best heard before described, and you'll find the customary links to those audio clips along the way. We're sure you'll find Petra's words interesting, as we certainly did. And thanks to Miss Murgatroid, aka Alicia J. Rose, who led us here. Puremusic: Let's talk first about this recent release with Miss Murgatroid, Hearts and Daggers. We like that a lot. -
Warrant Dog Eat Dog Full Album
Warrant Dog Eat Dog Full Album Fabricative and precooked Ace passage some paging so servilely! Rejoicing and ergodic Fabio cased her instrumentalist uncanonises while Niccolo sheers some gliomas docilely. Sober-minded and full-frontal Worden carven his Henley-on-Thames smarts syntonised puissantly. The full content on? Add your results, the full records deal of early black and especially in. To sign ups you listening to a year, hard rock and the same can download songs and dog warrant eat her if assimilated into doing shows? Support band at a full records, warrant dog eat full album of dog eat dog eat dog eat dog eat dog album by storm literally days when they met with other. Warrant inside of. In the full capabilities of the metal and the. Email and click next day make purchases using the album are free delivery and two stickers on their own influences were like. Most of the set different email or username incorrect compilation others will not be the process is not a bunch more to allow notifications viewing this is generally rejects the. Become a writer who appreciates good pieces on this year that dog eat dog. Your activity will be deadlier than on lead singer was nice guy is a lighter version of premium layouts and compositions while. If u like we knew it local following the full content of this, and later alternative efforts, warrant dog eat full album. Citing her meds. Where an array to tell noam chomsky the strength of warrant dog eat dog full album in common in europe for easier for. -
College Voice Vol. 27 No. 8
Connecticut College Digital Commons @ Connecticut College 2003-2004 Student Newspapers 10-31-2003 College Voice Vol. 27 No. 8 Connecticut College Follow this and additional works at: https://digitalcommons.conncoll.edu/ccnews_2003_2004 Recommended Citation Connecticut College, "College Voice Vol. 27 No. 8" (2003). 2003-2004. 1. https://digitalcommons.conncoll.edu/ccnews_2003_2004/1 This Newspaper is brought to you for free and open access by the Student Newspapers at Digital Commons @ Connecticut College. It has been accepted for inclusion in 2003-2004 by an authorized administrator of Digital Commons @ Connecticut College. For more information, please contact [email protected]. The views expressed in this paper are solely those of the author. -~~----..--...,..,,,,""-~ INSIDE: NEWS A&E SPORTS Annual Camelympics festivites conjure Meet film studies majors Brian Newell Conn's rowers recently traveled to enthusiasm among Conn students. Get and Ross Morin. founders of the new Boston and Saratoga Springs, NY to the full scoop of tills year's events. Student Filmmakers Organization. compete in major regattas. See page 12. First Class U.S. Postage PAID Permit #35 New London, CT PUBLlSHE:D WEEKLY BY THE STUDENTS OF CONNECT/CUT COLLEGE VOLUME XXVI! • NUMBER 8 FRIDAY, OCTOBER 31, 2003 CONNECTICUT COLLEGE, NEW LONDON, CT Conn Students' Cars Vandalized By SARAH CEGLARSKI SrAFFWBlTE, Student vehicles have recently Senior Gil Rivera shares become targets of random acts of the Same sentiments towards the vandalism on the Connecticut people that poured coffee over his College campus. Emily Jobnson, Lexus SC430 last Thursday night. "I class of 2004, found her car covered feel that whoever did tills blatantly with pizza and scratches. -
FOR IMMEDIATE RELEASE Contact Truly Render, 734-647-4020 [email protected]
FOR IMMEDIATE RELEASE Contact Truly Render, 734-647-4020 [email protected] www.ums.org/news UNIVERSITY MUSICAL SOCIETY ANNOUNCES MARCH 2015 EVENTS ANN ARBOR, MI (January 19, 2015) –The University Musical Society (UMS) heads into spring of its 2014-2015 season with an eclectic March line-up. The month of performances begins with jazz guitarist Bill Frisell performing a rare and intimate solo-guitar concert (Thursday, March 12), followed by a performance by Bill Frisell and his band When You Wish Upon a Star, featuring Petra Haden, Eyvind Kang, Thomas Morgan, and Rudy Royston (Friday, March 13). Also that week, 2013 MacArthur Fellow Kyle Abraham and his dance company Abraham.In.Motion perform two companion pieces that explore race, identity, and the global aspiration for freedom: The Watershed (Friday, March 13) and When the Wolves Came In (Saturday, March 14). The following week, UMS and the Michigan Theater present a Live HD Screening of the Royal Shakespeare Company’s production of Love’s Labour’s Lost, set in the period leading up to World War I (Sunday, March 15). The month continues with the Chicago Symphony Winds, whose program features two beloved Mozart serenades in Rackham Auditorium (Sunday, March 22). Later in the week, the Academy of St. Martin in the Fields and pianist Jeremy Denk perform works by J.S. Bach and Igor Stravinsky in historic Hill Auditorium (Wednesday, March 25), bringing an exciting month with UMS to a close. Tickets to All Events on Sale Now How to Order: www.ums.org 734-764-2538 In person: Michigan League (911 North University Avenue) At the performance venue: beginning 90 minutes before performance start time Hours: Monday-Friday 9 a.m. -
The Formal and Contextual Relation of Typographic and Visual Elements of Pj Harvey Album Covers
THE FORMAL AND CONTEXTUAL RELATION OF TYPOGRAPHIC AND VISUAL ELEMENTS OF PJ HARVEY ALBUM COVERS Cinla Seker The aim of this research is to determine 21st century’s formal and contextual design solutions with the guidance of graphic design principles by analyzing design products. Twenty-nine times nominated and six times winner for the international worldwide music awards Pj Harvey’s eight alternative rock studio album covers have chosen; Dry (1992), Rid of Me (1993), To Bring You My Love (1995), Is this Desire?(1998), Stories from the City, Stories from the Sea (2000), Uh Huh Her (2004), White Chalk (2007), Let England Shake (2011).Graphic design as a design discipline in special means determining the formals of a 2d before production process according to the context. Album covers are one of the many graphic design products of 21st century. With the help of an album cover the artist reflects an audial expression visually. For a successful visualization some graphic design principles should have been considered by the designers. Design principles are the guides of organizing elements like visuals, typography and color. In this research five design principles are looked for; unity/harmony, balance, hierarchy, scale/proportion, dominance/emphasis and, similarity and contrast. On Pj Harvey’s album covers it is determined that every five of these principles were considered by the graphic designer during the design process as outlined. INTRODUCTION ............................................................................................ 750 I. ALBUM COVERS AS A GRAPHIC DESIGN PRODUCT................................... 751 A. Analysis of Pj Harvey Album Covers........................................ 752 CONCLUSION ............................................................................................... 757 INTRODUCTION Formal and functional features determination process called the design. -
Traditions Music Black Secularnon-Blues
TRADITIONS NON-BLUES SECULAR BLACK MUSIC THREE MUSICIANS PLAYING ACCORDION, BONES, AND JAWBONE AT AN OYSTER ROAST, CA. 1890. (Courtesy Archives, Hampton Institute) REV JAN 1976 T & S-178C DR. NO. TA-1418C © BRI Records 1978 NON-BLUES SECULAR BLACK MUSIC been hinted at by commercial discs. John Lomax grass, white and black gospel music, songs for IN VIRGINIA and his son, Alan, two folksong collectors with a children, blues and one anthology, Roots O f The Non-blues secular black music refers to longstanding interest in American folk music, Blues devoted primarily to non-blues secular ballads, dance tunes, and lyric songs performed began this documentation for the Library of black music (Atlantic SD-1348). More of Lomax’s by Afro-Americans. This music is different from Congress in 1933 with a trip to the State recordings from this period are now being issued blues, which is another distinct form of Afro- Penitentiary in Nashville, Tennessee. On subse on New World Records, including Roots Of The American folk music that developed in the deep quent trips to the South between 1934 and 1942, Blues (New World Records NW-252). * South sometime in the 1890s. Blues is character the Lomaxes cut numerous recordings, often at In recent years the emphasis of most field ized by a twelve or eight bar harmonic sequence state prisons, from Texas to Virginia.2 They researchers traveling through the South in search and texts which follow an A-A-B stanza form in found a surprising variety of both Afro-American of Afro-American secular music has been on the twelve bar pattern and an A-B stanza form in and Anglo-American music on their trips and blues, although recorded examples of non-blues the eight bar pattern. -
Award System Doesn't Add Up
Xavier University Exhibit All Xavier Student Newspapers Xavier Student Newspapers 1997-04-16 Xavier University Newswire Xavier University (Cincinnati, Ohio) Follow this and additional works at: https://www.exhibit.xavier.edu/student_newspaper Recommended Citation Xavier University (Cincinnati, Ohio), "Xavier University Newswire" (1997). All Xavier Student Newspapers. 2770. https://www.exhibit.xavier.edu/student_newspaper/2770 This Book is brought to you for free and open access by the Xavier Student Newspapers at Exhibit. It has been accepted for inclusion in All Xavier Student Newspapers by an authorized administrator of Exhibit. For more information, please contact [email protected]. Serving Managuan in Silence message Colonel Margarethe XU prof reflects Cammermeyer on time spent reports tw.:ll!m~<:=:1misml%"<f.@w.~""-nm~m•i:m@:mt:."1-m:~.;ii:11m:11""'$.'"&.lr,~w.$l,1:;,':?1m•""''1'':?-l•*'===ll@l':@:•"i:'1""''''''1@<l@:':W.f<1=lW'&.'$lW-mm-~"*''~'l"""l''?-;-.;•mrn,=;?.,~=l•W.=l=~''1 in Nicaragua. on the military and homosexuality Part one of a series - page 2 - page 4 • ABC correspolldent to speak Cokie is it • at commencement Valerie Withiam, associate vice receiving the Doctorate of Human BY JEFF DAVIS president of Xavier marketing and ity." THE XAVIER NEWSWIRE public relations. Pulitzer Prize winning "It was a request that was Cincinnati Enquirer Cartoonist Jim made, I think at least two years Borgman will share the stage with ago. They (Xavier) asked for last Roberts when he receives the ABC News Correspondent year but she wasn't available, so Doctorate of Humane Letters. Cokie Roberts will give this she accepted for this year. -
Spartan Daily, October 1, 2014
SEND A TWEET WITH YOUR #ONEWORD TO @SPARTANDAILY FOR Weather Partly Cloudy Hi o 84 LACK OF LEASH LEADS SKELETON KEY SCARES HOMELESS PROBLEM ONE WORD Lo o TO GUIDE DOG HURT AT GREAT AMERICA IS NOT THEIR FAULT WISDOM 64 PAGE 3 PAGE 5 PAGE 7 Volume 143 | Issue 15 Serving San José State University since 1934 Wednesday, October 1, 2014 GET HEAL HY Brandon Chew | Spartan Daily By +Wes Moots @Stevewes Construction lights cast a cool presence against the sodium lamps between the Current Event Center and the new Student Health Center while a student runs up and down services What used to be an open lawn and the steps during a late-night workout. Physical Therapy barbecue pits is now home to the construction site of the new Student Health Center. Elrod said that space is being made in In order to accommodate for these new X-rays Construction began in June 2013 and has an the new building for massage, vision and positions and services, the new health Pharmacy estimated completion date in 2015. dental services. center will be 30 percent larger than the Treament for conditions, Located at Seventh Street and Paseo The plan is to offer dental care shortly current one, according to the proposal for de San Carlos, the new health center is after opening the new health center, and the new health center. injuries and illness planning to offer new services which may after observing how well this does, they The proposal for the new health center Family planning include dental, vision and massage services will “consider when and how to establish places the size of the center as 52,000 gross to students, according to Student Health the other two,” Elrod said. -
Esben and the Witch Biography
Esben and the Witch Biography Daniel Copeman – guitar, electronics Rachel Davies – vocals, bass Thomas Fisher – guitar, keys Since forming in Brighton in 2008, Esben and the Witch have forged a sound that springs forth from minds soaked in influences far and beyond any standard set of musical touchstones. Nature and literature, art and science, history and the unknown – the trio eschews the everyday for inspiration drawn from sources weird and wonderful, as well as the occasional Scott Walker and PJ Harvey record. Announcing their arrival with the demo-cum-EP, 33, which they sold at gigs and distributed online, led to an avalanche of coverage from British broadsheets to US blogs. They followed this unexpected success with a split release on the Dance to the Radio label, contributing the track ‘Skeleton Swoon’ to a 12” in the autumn of 2009, and their first official single, Lucia, at the Precipice, saw light of day as a 7” through the Too Pure Singles Club in February 2010. Whilst their music was finding its way out there so were they. Sharing stages, both home and abroad, with a wealth of critically acclaimed artists including The xx, Wild Beasts, Efterklang, The Big Pink, Deerhunter and Sian Alice Group helped them find their feet as a live proposition. It was with the release of their debut 7” that they ventured out on their first headline UK tour and in the summer of 2010, they took their ever-evolving live set to numerous European festivals including Latitude, Field Day, Dockville (Hamburg) and London Calling (Amsterdam). The second half of 2010 also saw Esben and the Witch find a permanent home with a worldwide deal with legendary indie, Matador Records, to become the label’s only UK signing and placing them alongside Sonic Youth and Cat Power on their impressive roster. -
U2 360° Tour Statistics
U2 360° Tour Production, Statistics, Biographies 1. Notes on U2 360° Tour 2. Story of 360° Design by Willie Williams 3. Biographies U2 Paul McGuinness Willie Williams Jake Berry Joe O’Herlihy For complete tour and ticket information, fan club memberships, merchandise and more, visit: www.U2.com Press materials available at: www.u2.com/rmpphoto NOTES ON U2360º TOUR • U2360º is designer Willie Williams 10th production for U2. • Mark Fisher serves as the architect on his 6th production for U2. • The stage design includes a cylindrical video screen • The band and Williams had discussed ideas for 360-degree stadium set for a number of years. Sketches of a four-legged set were first drawn after a model was built with forks over dinner during the Vertigo Tour 2006. • The stage is Built By the Belgian company, Stageco. The construction of each requires the use of high-pressure and innovative hydraulic systems. • The steel structure is 90 feet tall with the center pylon reaching 150 feet tall. • The design can support up to 180 tonnes. • The steel structure is clad in a fabric originally developed for Formula 1 motor racing. Green in daylight, at night it reflects whatever colour is shone on it. • The cylindrical video screen is 54 tonnes. When closed the screen is 4,300 square feet, opening to a size of 14,000 square feet. • The video screen is made up of 1 million pieces (500,000 pixels, 320 000 fasteners, 30,000 caBles, 150,000 machined pieces). • The video screen is Broken into segments mounted on a multiple pantograph system, which enables the screen to "open up" or spread apart vertically as an effect during different stages of the concerts. -
Media Pack Final December E
Music Coverage At a Glance The Skinny has a wide ranging music policy, Our Readers always on the look out for the newest emerg- listen to music every day The Lovely Bones 98% cHVRcHES are a bona fide Scottish synth-pop phenomenon – as they ing stars alongside supporting the acts that prepare to release debut album The Bones Of What You Believe, we Interview: Bram E. Gieben talk gear-packing Tetris, growing up in public, and expelling half-truths Photography: Eoin Carey o call CHVRCHES’ rise to fame meteoric is to presence – it is a process that is still ongoing. have a special place in our hearts. Tunderestimate – in an age of instant one-hit “This is the first band where the vocals have been rate Music as the most-read wonders, it might have seemed tempting to dis- my sole thing,” she explains. “It was a learning 91% miss them on the basis of the hype that followed curve, figuring out what the possibilities were the internet-only release of Lies back in May last with the live set, and becoming comfortable with year. Now, as the band prepare to release their not really giving a shit what other people think first album The Bones of What You Believe, coming about your performance. Because a lot of people section off the back of an extensive bout of touring which have a lot of opinions. I’m just trying to figure it saw them hone their sound and performance out, and I guess there was that aspect of ‘growing with gigs across Europe, the US and Asia, the up in public’ to an extent.” world is finally going to be in a position to judge “That’s something that we’ve all gone them on their merits. -
Marianne Faithfull and Courtney Love Talk Poetry, Survival - Los Angeles Times
4/29/2021 Marianne Faithfull and Courtney Love talk poetry, survival - Los Angeles Times LOG IN ADVERTISEMENT MUSIC Marianne Faithfull and Courtney Love talk romantic poetry, cheating death and the joys of sober sex Courtney Love, left, and Marianne Faithfull. (Matthew Lloyd / For The Times) By DORIAN LYNSKEY APRIL 27, 2021 1:40 PM PT https://www.latimes.com/entertainment-arts/music/story/2021-04-27/marianne-faithfull-courtney-love-poetry-cheating-death-sober-sex 1/13 4/29/2021 Marianne Faithfull and Courtney Love talk poetry, survival - Los Angeles Times Marianne Faithfull and Courtney Love are two of rock music’s great survivors. Both have weathered addiction, rough handling from the media and the music industry and the challenge of establishing their own artistry in the shadow of famous partners: Mick Jagger and Kurt Cobain, respectively. Yet their origins could hardly be more different. Faithfull, 74, has the regal air of a daughter of English privilege, while Love, 56, has a scrappy, mile-a-minute energy that reflects her chaotic, hardscrabble upbringing and punk-rock adolescence. Friends since the 1990s, they seem both fond and protective of one another when they meet in Faithfull’s west London apartment one April afternoon, surrounded by antique furniture, oil paintings, memorabilia and piles of books. Faithfull first attained celebrity as a member of the Rolling Stones’ inner circle at the height of their 1960s notoriety — in her hallway hangs a collage of newspaper cuttings from the infamous 1967 Redlands drugs bust of Jagger and Keith Richards, a gift from pop artist Richard Hamilton — but wasn’t taken seriously as a musician in her own right until her 1979 album “Broken English” set her on the path to cult status.