Englandpopular Filming Location Doubles from Across the English
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Development of the Global Film Industry The global film industry has witnessed significant transformations in the past few years. Regions outside the USA have begun to prosper while non-traditional produc- tion companies such as Netflix have assumed a larger market share and online movies adapted from literature have continued to gain in popularity. How have these trends shaped the global film industry? This book answers this question by analyzing an increasingly globalized business through a global lens. Development of the Global Film Industry examines the recent history and current state of the business in all parts of the world. While many existing studies focus on the internal workings of the industry, such as production, distribution and screening, this study takes a “big picture” view, encompassing the transnational integration of the cultural and entertainment industry as a whole, and pays more attention to the coordinated develop- ment of the film industry in the light of influence from literature, television, animation, games and other sectors. This volume is a critical reference for students, scholars and the public to help them understand the major trends facing the global film industry in today’s world. Qiao Li is Associate Professor at Taylor’s University, Selangor, Malaysia, and Visiting Professor at the Université Paris 1 Panthéon- Sorbonne. He has a PhD in Film Studies from the University of Gloucestershire, UK, with expertise in Chinese- language cinema. He is a PhD supervisor, a film festival jury member, and an enthusiast of digital filmmaking with award- winning short films. He is the editor ofMigration and Memory: Arts and Cinemas of the Chinese Diaspora (Maison des Sciences et de l’Homme du Pacifique, 2019). -
JAMES BOND in the 1980S
June 1983 Marxism Today 37 Casino Royale, the first Bond novel, was It is no accident that the Daily Express published in 1953 when, as David Cannadine serialized this particular novel, in which has observed, the coronation celebrations Bond is pitted against the Soviet espionage provided 'a retrospectively unconvincing organisation SMERSH, as, in the late reaffirmation of Britain's continued world JAMES BOND 1950s, Bond functioned primarily as a power status'. The last of Fleming's IN THE 1980s political hero for the lower middle classes. novels, The Man with the Golden Gun, An exemplary figure of the cold war era, appeared in 1965, the year of Churchill's Tony Bennett he personified the virtues of Western funeral, 'self-consciously recognised as the individualism, effortlessly triumphing over requiem for Britain as a great power'.1 the leaden hand of Soviet bureaucracy. The same period also witnessed a Equally important, particularly after the gradual relaxation in the relations between Suez fiasco and humiliation, Bond offered East and West as the acute tensions of the an imaginary outlet for a historically cold war period gave way to the less scene — a case of history repeating itself blocked jingoism. His exploits — warding troubled atmosphere of detente. There that would be farcical were it not so tragic. off the communist threat to world peace had been significant changes in the sphere Great power illusions have been kicked single-handedly, reducing the USA, in the ol gender and sexual relations, too. In the into a macabre half-life again in the person of Felix Leiter, to the role of 'permissive society' of the early 1960s, aftermath of the Falklands crisis. -
The Kent Regeneration Framework 2009–2020
Unlocking Kent’s Potential Kent County Council’s framework for regeneration 2 Welcome to Kent _________________________________________________________________ 3 4 Contents _________________________________________________________________ page Foreword 1. Introduction 11 2. The changing policy landscape 15 3. The changing county of Kent 19 4. Defining our priorities 27 5. Building a new relationship with business 29 6. Unlocking talent to support the Kent economy 37 7. Embracing a growing and changing population 49 8. Building homes and communities, not estates 59 9. Delivering growth without transport gridlock 69 10. Working together to unlock Kent’s potential 79 Annex List of respondents to the consultation draft 80 5 6 Foreword by the Leader of Kent County Council and the Cabinet Member for Regeneration In the last 20 years Kent has seen phenomenal change and growth. There are 100,000 more people living in the county, our housing stock has increased by over 60,000 homes and there are 130,000 more cars on our roads. Kent has undergone dramatic change in this time and the pace of change is set to accelerate further over the next 20 years. As we write, the Government’s target for housing growth in Kent, between now and 2026, has risen to 138,420.This could deliver a population increase of 8 per cent and a 20 per cent increase in Kent households, or three new towns the size of Dover, irrespective of the current global recession and the ability of house builders to build or the affordability of homes and availability of mortgage finance for people to buy them. At the same time, demography is changing in a way never experienced before. -
Pr-Dvd-Holdings-As-Of-September-18
CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd. -
The 007Th Minute Ebook Edition
“What a load of crap. Next time, mate, keep your drug tripping private.” JACQUES A person on Facebook. STEWART “What utter drivel” Another person on Facebook. “I may be in the minority here, but I find these editorial pieces to be completely unreadable garbage.” Guess where that one came from. “No, you’re not. Honestly, I think of this the same Bond thinks of his obituary by M.” Chap above’s made a chum. This might be what Facebook is for. That’s rather lovely. Isn’t the internet super? “I don’t get it either and I don’t have the guts to say it because I fear their rhetoric or they’d might just ignore me. After reading one of these I feel like I’ve walked in on a Specter round table meeting of which I do not belong. I suppose I’m less a Bond fan because I haven’t read all the novels. I just figured these were for the fans who’ve read all the novels including the continuation ones, fan’s of literary Bond instead of the films. They leave me wondering if I can even read or if I even have a grasp of the language itself.” No comment. This ebook is not for sale but only available as a free download at Commanderbond.net. If you downloaded this ebook and want to give something in return, please make a donation to UNICEF, or any other cause of your personal choice. BOOK Trespassers will be masticated. Fnarr. BOOK a commanderbond.net ebook COMMANDERBOND.NET BROUGHT TO YOU BY COMMANDERBOND.NET a commanderbond.net book Jacques I. -
Transatlantic Spaces: Production, Location and Style in 1960S-1970S Action- Adventure TV Series
Transatlantic spaces: production, location and style in 1960s-1970s action- adventure TV series Article Accepted Version Bignell, J. (2010) Transatlantic spaces: production, location and style in 1960s-1970s action-adventure TV series. Media History, 16 (1). pp. 53-65. ISSN 1469-9729 doi: https://doi.org/10.1080/13688800903395460 Available at http://centaur.reading.ac.uk/17666/ It is advisable to refer to the publisher’s version if you intend to cite from the work. See Guidance on citing . To link to this article DOI: http://dx.doi.org/10.1080/13688800903395460 Publisher: Taylor & Francis All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading’s research outputs online Transatlantic spaces: Production, location and style in 1960s-70s Action-Adventure TV Series Jonathan Bignell Abstract This article argues that transatlantic hybridity connects space, visual style and ideological point of view in British television action-adventure fiction of the 1960s-70s. It analyses the relationship between the physical location of TV series production at Elstree Studios, UK, the representation of place in programmes, and the international trade in television fiction between the UK and USA. The TV series made at Elstree by the ITC and ABC companies and their affiliates linked Britishness with an international modernity associated with the USA, while also promoting national specificity. To do this, they drew on film production techniques that were already common for TV series production in Hollywood. -
Table of Contents January 8, 2020
BOARD OF PUBLIC WORKS TABLE OF CONTENTS JANUARY 8, 2020 LOCATION: STATE HOUSE, 100 STATE CIRCLE, GOVERNOR’S RECEPTION ROOM, ANNAPOLIS Section Overall Item page no. page no. SECRETARY’S AGENDA 1 Agriculture 1 2 Board of Public Works PAAR 2 3-4 3 Board of Public Works Wetlands 15-17 24 5 Board of Public Works Advisory 5 6 Office of the Attorney General 6 7-9 7 Housing & Community Dev’t 18-20 28 10 Environment 15 11 16 MD Stadium Authority 22 34 12-13 St. Mary’s College 17 14 Board of Public Works Regulations 21 21 Natural Resources 32 23 Supplemental: Record Correction 36 APPENDIX EMERGENCY REPORTS A1 App1 37 General Services A3 App4 40 A2 Human Services App2 38 DEPARTMENT OF NATURAL RESOURCES/REAL PROPERTY SUPPLEMENT 1-3 Rural Legacy DNR1 41 4 MD Environmental Trust DNR8 48 5 Timber Sales DNR9 49 6-8 Program Open Space Local Share DNR10 50 9 Program Open Space State Share DNR13 53 UNIVERSITY SYSTEM OF MARYLAND SUPPLEMENT 1 USM1 54 G.O. Bonds 8 USM15 68 2-3 University of MD, College Park USM3 56 4 USM8 61 University of MD Eastern Shore 7 USM13 66 5 University of MD, Baltimore USM11 64 6 USM12 65 Salisbury University 11 USM20 73 9-10 University of MD, Baltimore County USM16 69 12 Bowie State University USM22 75 PAGE TWO BOARD OF PUBLIC WORKS TABLE OF CONTENTS JANUARY 8, 2020 Section Overall Item page no. page no. MARYLAND DEPARTMENT OF TRANSPORTATION 1-4 MD Aviation Administration MDOT1 78 5-6 MD Port Administration MDOT8 85 7-8 MDOT15 92 MD Transit Administration 13-16 MDOT29 106 9-10 MDOT20 97 Motor Vehicle Administration 17-19 MDOT34 111 11-12 MDOT25 102 20 State Highway Administration MDOT41 118 23 MDOT49 126 21-22 The Secretary’s Office MDOT42 119 DEPARTMENT OF GENERAL SERVICES 1-10 OSP1 133 Capital Grants & Loans 43-53 OSP70 202 11-13 OSP13 149 Construction 54 OSP81 213 14-21 OSP18 150 28-29 OSP49 181 55-59 OSP82 214 Services 80 OSP130 262 82 OSP138 270 83 OSP141 273 22-25 OSP33 165 40-42 OSP64 196 60-66 Information Technology OSP91 223 78 OSP127 259 79 OSP129 261 26-27 OSP44 176 39 Maintenance OSP62 194 67-69 OSP111 243 30 OSP53 185 G.O. -
Isona Rigau Production Designer
Isona Rigau Production Designer Credits Film Production Company Notes DALI LAND Zephyr Films Dir: Mary Harron 2021 Featuring: Ben Kingsley, Ezra Miller VENOM: LET THERE Marvel Entertainment / Dir: Andy Serkis BE CARNAGE Pascal Pictures / Sony Prods: Avi Arad, Kelly Marcel, Amy Pascal, STANDBY ART Pictures Matt Tolmach DIRECTOR - 2ND UNIT Production Designer: Oliver Scholl 2021 Supervising Art Director: Tom Brown NO TIME TO DIE Eon Productions / MGM Dir: Cary Joji Fukunaga STANDBY ART Prods: Barbara Broccoli, Michael G. Wilson DIRECTOR - 2ND UNIT Production Designer: Mark Tildesley 2020 Supervising Art Director: Chris Lowe LAST CHRISTMAS Calamity Films / Feigco Dir: Paul Feig STANDBY ART Entertainment / Universal Producers: Paul Feig, Jessie Henderson, DIRECTOR Pictures David Livingstone, Emma Thompson 2019 Production Designer: Gary Freeman Supervising Art Director: Tom Still LA HIJA DE UN Oberón Cinematográfica / Dir: Belén Funes LADRÓN (A THIEF’S BTeam Pictures / Movistar+ Prod: Antonio Chavarrías DAUGHTER) Production Designer: Marta Bazaco ART DIRECTOR * Won: 3 Gaudí Awards including Best 2019 Non-Catalan Language Film, and nominated for a further 10 * Nominated: 2 Goya Awards (won for Best New Director) * Nominated: Best Film, San Sebastián International Film Festival 2019 United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes TERMINATOR: DARK Lightstorm Entertainment / Dir: Tim Miller FATE Skydance Media / Prods: James Cameron, Howard -
What Is a Lighting Director?
What is a lighting director by Martin Kempton What is a lighting director? Simply put - a lighting director designs the lighting for multi-camera television productions. He or she instructs the crew of electricians in their work in addition to guiding the team of operators who usually sit with the LD in the lighting control room. All this while working closely with the director and the rest of the production team to deliver the best possible pictures. However, there's rather more to it than that, and on this page on the website I explain where LDs work, what kinds of shows LDs work on and give some of the background to what we do. It's important to point out right away that simple 'illumination' is actually a relatively unimportant part of our work. Current TV cameras are capable of operating in very low light levels so it would be quite possible to see what was going on in most studios simply by switching on the houselights. Fortunately, producers and directors realise that the result would look pretty awful. Another thing is also worth making clear – a lighting director is not an electrician. He or she might have been once, but an LD is not another name for a crew chief or gaffer. Most television LDs do not have electrical qualifications, although some may have. In any case, this is not a requirement of the job. The electrical supervisor (gaffer) is in charge of realising the LD’s design in the studio from the rigging and electrical point of view. -
Country Fact Sheet: ITALY
Country fact sheet: ITALY #EUCreativeCities https://composite-indicators.jrc.ec.europa.eu/cultural-creative-cities-monitor The Cultural and Creative Cities Monitor is a new tool to benchmark the performance of European cities compared to their peers using both quantitative and qualitative data. It provides a common evidence base at city level that helps decision- makers learn from each other and inspires fit-for-purpose policies to boost economic growth and job creation, foster social development and citizens' well-being, and strengthen resilience. This year's first edition covers 168 cities in 30 countries, selected from about 1000 cities in Eurostat’s Urban Audit on the basis of their verifiable engagement in promoting culture and creativity. Being included in the Monitor is thus in itself an acknowledgement of the importance these cities attach to culture and creativity. The Monitor’s quantitative information is captured in 29 indicators. These are grouped into 9 dimensions reflecting 3 major facets of cities’ cultural, social and economic vitality: ‘Cultural Vibrancy’, ‘Creative Economy’ and ‘Enabling Environment’. In addition, qualitative evidence helps illustrate what cities are good at. Selected cities Eight European Capitals of Culture Winners: Bologna, Florence, Genoa and Matera - shortlisted: Cagliari, Lecce, Perugia and Ravenna Three UNESCO Creative Cities: Parma, Rome and Turin Six cities hosting at least two international cultural festivals: Brescia, Milan, Naples, Venice, Trento and Trieste Key findings Milan excels on 'Cultural Vibrancy' (3rd in the XXL group of 21 ranked cities), mostly thanks to its good performance on both Cultural Venues & Facilities (4th) and Cultural Participation & Attractiveness (2nd). Milan is home to a rich offer of cultural landmarks, as well as its continuously growing number of ‘urban’ festivals – such as Book City, and business gatherings – such as Fashion Week. -
Elstree Film Studios Limited Health & Safety Policy
ELSTREE FILM STUDIOS LIMITED HEALTH & SAFETY POLICY ELSTREE FILM STUDIOS LTD. Shenley Road Borehamwood Hertfordshire WD6 1JG Elstree Film Studios Limited Health & Safety Policy Contents Contents .......................................................................................................................................................2 Health & Safety Policy Statement...............................................................................................................3 Defining Responsibilities .............................................................................................................................4 Health and Safety Management Structure.................................................................................................5 Board of Directors........................................................................................................................................6 Managing Director........................................................................................................................................7 Facilities Manager........................................................................................................................................8 Health and Safety Consultant(s).................................................................................................................9 Managers & Supervisors...........................................................................................................................10 Specific Managers -
Towards 2010: Closedown Report
TOWARDS 2010: CLOSEDOWN REPORT Towards 2010: Closedown Report September 2010 1 TOWARDS 2010: CLOSEDOWN REPORT Target 1: Substantially increase the number of new jobs by increasing the number of companies investing in Kent and the number of businesses starting up or expanding AND Target 2: Concentrate on the regeneration of Kent’s deprived areas and support business growth in these areas, seeking maximum funding from Government and the EU to support the necessary infrastructure, including roads, utilities, telecoms and other services Lead Cabinet Member: Lead Managing Director: Lead Officers: Kevin Lynes David Cockburn Theresa Bruton/Mike Bodkin Target 1 Status: Good progress Target 2 Status: Complete List the partners with whom we are working to deliver this target: Locate in Kent, Kent district and borough councils, local regeneration partnerships, area partnerships, South East England Development Agency (SEEDA), Department for Communities and Local Government (CLG), and Department for Transport (DfT), Homes and Communities Agency (HCA), Kent Foundation, Kent Economic Board, Business Support Kent. Additionally, we work with key stakeholders from other private, public and voluntary sectors on specific projects. Outcomes delivered: These two Towards 2010 targets (1 and 2) are reported together as they are interlinked. Delivery of both of these targets must be seen against the background of the current global recession which makes it far more difficult to achieve all of the outcomes we are striving for. However, much has been achieved: Publish KCC’s Regeneration Framework - KCC's Regeneration Framework has been adopted and one of its key priorities is to support business. The Regeneration Framework has also led to the development of a number of other strategies including the Spatial Vision, Digital Strategy, Housing Strategy and ‘Growth without Gridlock’, all to be completed during 2010/11.