The Spatial Dynamics of Juvenile Series Literature
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One Child Reading Inside.Indd
Index Page numbers in italics refer to illustrations. MM refers to adolescence. See growing up Margaret Mackey. adult texts and MM’s life about, 221–26 Abbey Girls series (Oxenham), 89, 143, 144, 161–62 comedy and parody, 223, 225, 226 Aboriginal peoples condensed books, 205, 224 about, 418–20 contingent discourses, 418 contingent discourses, 418–20 fction, 220, 223, 226–27 exclusion as implied reader, 346 gender roles, 418 legal status in Newfoundland, 418–20 great works of literature, 231 Mi’kmaq, 419 library section for adults, 226–27 in Nova Scotia, 81, 419 mysteries, 223–24 See also Beothuk; race and ethnicity; settler culture reading up, 220, 223–28, 418 Aboriginal peoples and MM’s life See also comics and comedy; family library; magazines arts and crafts, 354 for women; newspapers Beothuk museum displays, 343, 358, 439 The Adventures of Chatterer the Red Squirrel (Burgess), 55 cookbook illustrations, 295–96, 296 Alberta, MM in. See Edmonton and MM’s life decorative illustrations, 354, 355, 401 Alcott, Louisa May, 197, 200, 329 guilt and responsibility, 420 Alfred, Lord Tennyson, 69–70, 71, 231 marginalizing, 346, 354–56, 355, 358–59 Alice in Wonderland (Carroll), 211, 231 pioneer novels, 356–58 Ameliaranne and the Green Umbrella (Heward), 126–29, textbooks, 342–47, 344 127 tv cowboy shows, 346–47 American culture. See United States white supremacy, 355, 358–59 Andersen, Hans Christian, 251–52, 261–62 texts: Bush Christmas (movie), 331–34, 333; Caddie Anglican schools, 457 Woodlawn, 356–58; Jack and Jill, 354–56, 355; The Anne of Green Gables series (Montgomery) Pow-Wow (school newspaper), 400–01 embodied stereotypes, 155–56 accents, speech. -
KEENE, Carolyn
KEENE, Carolyn Harriet Stratemeyer Adams Geboren: 1892. Overleden: 1982 Zoals veel juniorenmysteries, is de Nancy Drew-serie bedacht en werd (althans in het begin) de plot geschetst door Edward Stratemeyer [> Franklin W. Dixon] van het Stratemeyer Concern. Zijn dochter, Harriet Stratemeyer Adams nam later de uitgeverij over en claimde lange tijd de schrijver te zijn van àlle Nancy Drew-verhalen vanaf 1930 tot 1982. Onderzoek bracht aan het licht dat dit niet het geval was. De Nancy-verhalen werden, evenals andere Stratemeyer-series, geschreven door een aantal voorheen anonieme professionele schrijvers, waarvan de belangrijkste Mildred A. Wirt Benson (zie onder) was tot het moment dat Harriet Adams in 1953 (vanaf nummer 30) inderdaad begon met het schrijven van nieuwe delen en ook de oude delen vanaf 1959 reviseerde. Opmerkelijk en uniek is de zorgvuldigheid waarmee geprobeerd werd alle sporen omtrent de ‘echte’ auteurs uit te wissen. Byzantijnse plotten en samenzweringen werden gesmeed om veranderde copyrights; dossiers van The Library of Congress verdwenen en niet bestaande overheidsambtenaren werden opgevoerd om de namen van de ware schrijvers uit de boeken te laten verdwijnen. (foto: Internet Book List) website: http://en.wikipedia.org/wiki/Carolyn_Keene en http://www.keeline.com/Ghostwriters.html Nederlandse website: http://ccw.110mb.com/beeldverhalen/publicaties/N/nancydrew/index.htm Mildred Augustine Wirt Benson Geboren: Ladora, Iowa, USA, 10 juli 1905. Overleden: Toledo, Ohio, 28 mei 2002 Mildred Benson schreef de eerste 25 Nancy Drew-titels en nr 30 (uitgezonderd de nrs 8, 9 en 10) en schreef daarnaast nog vele andere juniorentitels, voornamelijk avonturen voor meisjes: Ruth Fielding (o.ps. -
Abstract MERRILL, ASHLEY CHRISTINE. the Evolution Of
Abstract MERRILL, ASHLEY CHRISTINE. The Evolution of Nancy Drew, Cultural Icon: Readers, Writers, and Fanfiction Authors. (Under the direction of Mary Helen Thuente.) Nancy Drew is widely recognized as an influential American cultural icon. In this paper I make a detailed examination of Nancy's initial characterization as girl sleuth in the first ten books of the Nancy Drew Mystery Stories, published in the 1930s. I spend another chapter examining the initial volumes of later Nancy Drew series books, specifically the 1960s rewritten texts, the 1980s-90s Nancy Drew Files series, and the contemporary Girl Detective series. My penultimate chapter discusses Nancy Drew as realized in fanfiction, or stories written by readers and fans. My emphasis is on explaining Nancy's appeal as a cultural icon and the ways fanfiction authors reinvent and appropriate that icon for their own purposes in stories. To this end I cite fanfic writers and readers' response to why they read and write Nancy Drew fanfiction, and I analyze the content and function of a sample of stories written by Nancy Drew fans. I conclude that Nancy's appeal and the basis of her status as cultural icon is due to her unique nature as a figure frozen in transition between adolescence and adulthood, along with her more conventionally admirable traits. Her Everygirl appearance when removed from that unique matrix makes her extremely adaptable to readers for their own purposes, both within the context of fanfiction and without. THE EVOLUTION OF NANCY DREW, CULTURAL ICON: READERS, WRITERS, AND FANFICTION AUTHORS by ASHLEY CHRISTINE MERRILL A thesis submitted to the Graduate Faculty of North Carolina State University in partial fulfillment of the requirements for the Degree of Master of Arts ENGLISH Raleigh, North Carolina 2007 Approved by: ________________________________ ________________________________ John J. -
They're Reading the Series Books So Let's Use Them; Or, Who Is Shaun Cassidy?
if IRMO= 135111 . ID 155 844 CS 004 .113 ,* , , .!- AUTHOR, *' Abrahamsoi; Richard P. TITLE -They-fro Reading the Serifs Books So Lets: Use Thes;', or, Who Is Sham Cassidy? - ------ PUB BAIR, .Bay 78 I ROTE 17p.; Raper preheated at the innuel Meeting of thir International Reading,AssOciation 123rd; Mount**, 9 - Texas, Ray,1 -5, 1978) I -RDRS PRICE 'BF-10.83 HC -&1.67 Plus Postage. DESCRIPTORS Adolescent Literature; *EnglishInstructibig- *Learning Activities;Litits=i-tioi-sap--*Litarary N\ Perspective; Literatuie,App ion; *Reading IntereSts; Reading Bateriall; reational Bending; Senior Sigh Schools; Not atioe , IDENTIFIERS Series Books ;. ABSTRACT 4 Concerned with the need to=atimulate readiag Flamers fotolder adolescents, this documentcutlinee a high school reading uiit that capitalises on the perennial popuIirity of sesits bccits .such as Nancy Drpw, the Hardy Boys, and Tom Swift. Suggested' activities include having students reflect cn thoir.personal reading and write a fictional sketch about a favorite author; research a, : 'series author to discover the multi-asthoi-ttprcach of the series books; compare older versions. with newer revised books tc uncover sexiia, rapism, and stereotypes; -and stilted dialogue, one -, dimensional characters, and formula writing. The study of the series bookcan be extended to include the serial dine novels cfthi 1800s with their heavy moralising, poor characterisation,and--ritunted dialogue, ore historical approach to, the authorlioratio-Alger and his rags-to-riches novels, set in the later 1800e. (HI) / sii****************01**4scogeorn"***** * .Reproductions supplied by !DRS are the best that can be made / * . so, from the original docenent./ 1 * .) colosess*****mosmossoloscolossiosolossostmoshcolls ****scolcomos** p ea 114111011IPIT Of WEALTH 1110111KATIONS NAtIONAL 11STITVLII OP IDUCATIOR nos ooCusalw wAs seesREPRO mice° exam'. -
The B-G News April 14, 1967
Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 4-14-1967 The B-G News April 14, 1967 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The B-G News April 14, 1967" (1967). BG News (Student Newspaper). 2083. https://scholarworks.bgsu.edu/bg-news/2083 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. Helwig, Brown Victorious Rick Helwig and Ashley Brown, Ively, In Wednesday's all* campus (Ind.), 139. 659 votes, Jean Schober (UP), Elected Sophomore Class Stu- both University Party candidates, elections. Keith Mabee (UP) was elected 517 votes, and Paul Buehrer (UP), dent Council representatives were were elected student body pres- Junior Class vice president. Mabee 557 votes. Other candidates for Sue Schaefer (UP), 744 votes, ident and vice president, respect- Helwig easily defeated T. David received 404 votes and his op- the office were Bob Alexander Wendy Whitlinger (UP), 635 votes Evans, an Independent candidate, ponents, Ken Mack (Ind.), John (CIP), 413 votes, Jim Ccffman and Joe Loomis (Ind.), 556 votes. by a 2,516 to 1,096 margin. Brown Pomeroy (CIH) and Charles Jack- (UP), 282 votes.JaneLowell(CIP), Other candidates for Sophomore had more trouble, edging out J eff son (Ind.), received 291, 275 and 236 votes and William Moes(Ind-), Class representative were Terry Wltjas of the Campus Interest 110 votes, respectively. -
Kipling and the Dialect of the Tribe
Dennis Duffy KIPLING AND THE DIALECT OF THE TRIBE No EXTE"SIVE STUDY of Kipling is necessary to the realization that much of Kipling's most characteristic work employs dialect in one form or anorher: the Learoyd, Ortheris, and Mulvaney stories, including such major pieces as "On Greenhaw Hill", "The C nurtincr of Dinah Shadd" (bmh in Life's Handi cap), and ''His Private H o nour·· (j-fany Inventions); Barrack-Room Ballads; "'M'A11drcw's H ymn'' (Tiu: Seve11 Seas), a work r~v ea ling so much of the author's poetic; "A Walking D elegate"' (The Day's Work)- for most readers too revealing a presentation of the auth or's soci:I! outlook-and ".007" (also in T l1e Da y')· }Vorl\) which, fo r all its c hildi shne~s , is as illuminating an example as any of the K ipling Gospel of Work. These are but a few of the obvious instances of the use of dialect. Most of t.hc cliaracrers in Kim. for example, fail to speak in Srand::ud English, and tn such Indian-narrated tales as ''Dray Wara Yow Dee (In Black md White) and "In the Pre<ence·' (A DIIJen·ity of Creatures), everyone speaks in an elab orate. stately manner supposed to approximate native speech in the raw. The "point", dubious as it is. of '·The Comprehension of Priv::tte Copper" (Traffics and Discoveries) 1 is that the _\nglo..South A£riCJnS, under Boer oppression following Lhe British r!efr-:11 :1 Majuha in l , 7 , have :1cquired the characteristics of a helot race (rhe term '·helot" being Lord Milner's propagandist inspiration in his dispatch of M:.ty 4, 1. -
Download Nancy Drew 3 in 1, Random House, Random House
Nancy Drew 3 in 1, Random House, Random House, 1995, , . DOWNLOAD HERE , , , , . I ENJOYED THIS BOOK VERY MUCH. THE SECRET OF THE OLD CLOCK IS ABOUT NANCY, A VERY ATTRACTIVE BLONDE HEADED GIRL WHO IS TRYING TO HELP HER FRIENDS FIND JOSIAH CROWLEY'S OTHER WILL, WHILE ALSO HELPING THE POLICE DISCOVER THIEFS OF HER FRIEND'S BELONGINGS. I READ THIS 180 PAGED BOOK IN ONE DAY, AND IT WAS VERY HARD TO PUT DOWN. THIS IS NOT THE ONLY BOOK I HAVE READ ABOUT NANCY DREW, I RECCOMEND THE OTHERS TOO.ÜÜÜ Susan and Bill had been writing for some time before they began to write mysteries for adults. At the request of readers, book collectors, and librarians, here is a list of all their books, organized according to the name or pseudonym they used. Susan's books (written independently) are listed first; their co-authored books are listed second. Bill's independent writing consists of the computer programs, documentation, and technical manuals he wrote in his previous incarnation as a systems analyst—he didn't think you'd be interested in that stuff. Currently, I am writing a book which focuses on the history of Nancy Drew. A biography on the original "Carolyn Keene," Mildred Wirt Benson, is in the works. While this website is a good introduction into the world of Nancy Drew, you will find in-depth analysis of all things Drew in my upcoming book. One of the earliest book related collectibles is the Nancy Drew Mystery Game issued by Parker Brothers in 1957. -
Accelerated Reader Book List 08-09
Accelerated Reader Book List 08-09 Test Number Book Title Author Reading Level Point Value -------------------------------------------------------------------------- 35821EN 100th Day Worries Margery Cuyler 3.0 0.5 107287EN 15 Minutes Steve Young 4.0 4.0 8251EN 18-Wheelers Linda Lee Maifair 5.2 1.0 661EN The 18th Emergency Betsy Byars 4.7 4.0 7351EN 20,000 Baseball Cards...Sea Jon Buller 2.5 0.5 30561EN 20,000 Leagues Under the Sea (Gr Verne/Vogel 5.2 3.0 6201EN 213 Valentines Barbara Cohen 4.0 1.0 166EN 4B Goes Wild Jamie Gilson 4.6 4.0 8252EN 4X4's and Pickups A.K. Donahue 4.2 1.0 9001EN The 500 Hats of Bartholomew Cubb Dr. Seuss 4.0 1.0 31170EN The 6th Grade Nickname Game Gordon Korman 4.3 3.0 413EN The 89th Kitten Eleanor Nilsson 4.7 2.0 71428EN 95 Pounds of Hope Gavalda/Rosner 4.3 2.0 81642EN Abduction! Peg Kehret 4.7 6.0 11151EN Abe Lincoln's Hat Martha Brenner 2.6 0.5 101EN Abel's Island William Steig 5.9 3.0 76357EN The Abernathy Boys L.J. Hunt 5.3 6.0 9751EN Abiyoyo Pete Seeger 2.2 0.5 86635EN The Abominable Snowman Doesn't R Debbie Dadey 4.0 1.0 117747EN Abracadabra! Magic with Mouse an Wong Herbert Yee 2.6 0.5 815EN Abraham Lincoln Augusta Stevenson 3.5 3.0 17651EN The Absent Author Ron Roy 3.4 1.0 10151EN Acorn to Oak Tree Oliver S. Owen 2.9 0.5 102EN Across Five Aprils Irene Hunt 6.6 10.0 7201EN Across the Stream Mirra Ginsburg 1.7 0.5 17602EN Across the Wide and Lonesome Pra Kristiana Gregory 5.5 4.0 76892EN Actual Size Steve Jenkins 2.8 0.5 86533EN Adam Canfield of the Slash Michael Winerip 5.4 9.0 118142EN Adam Canfield, -
Series Books Through the Lens of History by David M
Series Books Through the Lens of History by David M. Baumann This article first appeared in The Mystery and Adventure Series Review #43, summer 2010 Books As Time Machines It was more than half a century ago that I learned how to type. My parents had a Smith-Corona typewriter—manual, of course—that I used to write letters to my cousins. A few years later I took a “typing class” in junior high. Students were encouraged to practice “touch typing” and to aim for a high number of “words per minute”. There were distinctive sounds associated with typing that I can still hear in my memory. I remember the firm and rapid tap of the keys, much more “solid” than the soft burr of computer “keyboarding”. A tiny bell rang to warn me that the end of the line was coming; I would finish the word or insert a hyphen, and then move the platen from left to right with a quick whirring ratchet of motion. Frequently there was the sound of a sheet of paper being pulled out of the machine, either with a rip of frustration accompanied by an impatient crumple and toss, or a careful tug followed by setting the completed page aside; then another sheet was inserted with the roll of the platen until the paper was deftly positioned. Now and then I had to replace a spool of inked ribbon and clean the keys with an old toothbrush. Musing on these nearly vanished sounds, I put myself in the place of the writers of our series books, nearly all of whom surely wrote with typewriters. -
A Nancy for All Seasons
Tanja Blaschitz A Nancy For All Seasons DIPLOMARBEIT zur Erlangung des akademischen Grades Magistra der Philosophie Studium: Lehramt Unterrichtsfach Englisch/ Unterrichtsfach Italienisch Alpen-Adria-Universität Klagenfurt Fakultät für Kulturwissenschaften Begutachter: Ao.Univ.-Prof. Mag. Dr. Heinz Tschachler Institut: Anglistik und Amerikanistik April 2010 Ehrenwörtliche Erklärung Ich erkläre ehrenwörtlich, dass ich die vorliegende wissenschaftliche Arbeit selbststän- dig angefertigt und die mit ihr unmittelbar verbundenen Tätigkeiten selbst erbracht habe. Ich erkläre weiters, dass ich keine anderen als die angegebenen Hilfsmittel be- nutzt habe. Alle aus gedruckten, ungedruckten oder dem Internet im Wortlaut oder im wesentlichen Inhalt übernommenen Formulierungen und Konzepte sind gemäß den Re- geln für wissenschaftliche Arbeiten zitiert und durch Fußnoten bzw. durch andere genaue Quellenangaben gekennzeichnet. Die während des Arbeitsvorganges gewährte Unterstützung einschließlich signifikanter Betreuungshinweise ist vollständig angegeben. Die wissenschaftliche Arbeit ist noch keiner anderen Prüfungsbehörde vorgelegt wor- den. Diese Arbeit wurde in gedruckter und elektronischer Form abgegeben. Ich bestätige, dass der Inhalt der digitalen Version vollständig mit dem der gedruckten Ver- sion übereinstimmt. Ich bin mir bewusst, dass eine falsche Erklärung rechtliche Folgen haben wird. Tanja Blaschitz Völkermarkt, 30. April 2010 iii Acknowledgement I can no other answer make, but, thanks, and thanks. by William Shakespeare I would like to use this page to thank the following persons who made the com- pletion of my diploma thesis possible: At the very beginning I would like to thank Professor Heinz Tschachler for his kind support and stimulating advice in the supervision of my diploma thesis. I would also like to thank my dearest friends who have helped me with words and deeds throughout my education. -
A Dark Horse Series the Ted Wilfords by David M
A Dark Horse Series The Ted Wilfords by David M. Baumann January-February 2006 The first form of this article appeared in The Mystery and Adventure Series Review, #39, Summer 2006. It was revised June 10, 2007 to incorporate the addition of the first two books in proper sequence and to add more information about the author. It was revised again November 8, 2010 to update information about the availability of the books. 9,545 words For copies of this astonishingly excellent series book fanzine and information on subscriptions (free—donation expected), contact: Fred Woodworth The Mystery and Adventure Series Review P. O. Box 3012 Tucson, AZ 85702 s I cast my eyes over the collection of books that jams my shelves, I make out forty different series. When I numbered them for this article, I was surprised at how many there Awere. I also observed that, of these forty series, only ten of them, or precisely one-fourth, are series that I decided to collect on my own. Fully thirty others I owe to the recommendation of someone else. Jim Ogden led me to Wynn & Lonny. Jon Cooper suggested that I collect Dig Allen. Steve Servello introduced me to Christopher Cool. Rocco Musemeche and Tim Parker urged me to collect several series from the 1910s-1930s. Several of my favorite series came from recommendations made by Fred Woodworth. In the fall of 2005, I collected the Ted Wilford series at his suggestion. I had never heard of this series, and in more than fifteen years of collecting and occasionally hobnobbing with other collectors in person or by various means of correspondence, no one else had ever mentioned it before. -
Kipling, Masculinity and Empire
Kunapipi Volume 18 Issue 1 Article 10 1996 America's Raj: Kipling, Masculinity and Empire Nicholas J. Cull Follow this and additional works at: https://ro.uow.edu.au/kunapipi Part of the Arts and Humanities Commons Recommended Citation Cull, Nicholas J., America's Raj: Kipling, Masculinity and Empire, Kunapipi, 18(1), 1996. Available at:https://ro.uow.edu.au/kunapipi/vol18/iss1/10 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] America's Raj: Kipling, Masculinity and Empire Abstract The posters for Gunga Din promised much: 'Thrills for a thousand movies, plundered for one mighty show'. That show was a valentine to the British Raj, in which three sergeants (engagingly played by Cary Grant, Victor McLaglen, and Douglas Fairbanks, Jr.) defeat marauding hoards of 'natives' with the aid of their 'Uncle Tom' water bearer, Gunga Din (Sam Jaffe)[Plate VII]. Audiences loved it. Its racism notwithstanding, even an astute viewer like Bertolt Brecht confessed: 'My heart was touched ... f felt like applauding and laughed in all the right places'. 1 Outwardly the film had little ot do with the United States. Most of the cast were British-born and its screenplay claimed to be 'from the poem by Rudyard Kipling' .2 Yet the film was neither British or faithful ot Kipling, but solidly American: directed by George Stevens for RKO, with a screenplay by Oxford-educated Joel Sayre and Stevens's regular collaborator Fred Guiol.3 This journal article is available in Kunapipi: https://ro.uow.edu.au/kunapipi/vol18/iss1/10 America's Raj: Kipling, Masculinity, and Empire 85 NICHOLAS J.