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Carnegie Council for Ethics in International Affairs
CARNEGIE COUNCIL ANNUAL REPORT 2015 Studiojumpee / Shutterstock .com TABLE OF CONTENTS Page 1 Page 12 Page 24 Mission and Purpose Education Section Carnegie New Leaders Page 2 Page 14 Page 25 Letter from Stephen D. Calendar of Events, Podcasts, Global Ethics Fellows Hibbard, Vice Chairman of the and Interviews Board of Trustees Page 26 Page 20 Ethics Fellows for the Future Page 4 Financial Summary Letter to 2114 from Joel H. Page 28 Rosenthal, Carnegie Council Page 21 Officers, Trustees, and President A Special Thank You to our Committees Supporters Page 6 Page 29 Highlights Page 22 Staff List 2014 –2015 Contributors TEXT EDITOR: MADELEINE LYNN DESIGN: DENNIS DOYLE PHOTOGRAPHY: GUSTA JOHNSON PRODUCTION: DEBORAH CARROLL MISSION AND PURPOSE Carnegie Council for Ethics in International Affairs works to foster a global conversation on ethics, faith, and politics that bridges cultures, ethnicities, and religions. Broadcasting across a spectrum of media channels, Carnegie Council brings this conversation directly to the people through their smartphones, tablets, laptops, televisions, and earbuds. WE CONVENE: The world’s leading thinkers in conversations about global issues WE COMMUNICATE: The best ideas in ethics to a global audience. WE CONNECT: Different communities through exploring shared values. Carnegie Council: Making Ethics Matter 1 LETTER FROM STEPHEN D. HIBBARD, VICE CHAIRMAN OF THE BOARD OF TRUSTEES Dear Friends, This past year, with the glow of the wonderful two-year celebration of the 100th Anniversary of its founding still lingering, the Carnegie Council energetically began its second century of work. The Council’s longevity is remarkable in itself since institutions, like nations, rise and fall. -
Student Tours
STUDENT T OUR S BOSTON NEW YORK CITY PHILADELPHIA WASHINGTON, D.C. LOCAL DESTINATIONS HISTORICAL SITES MUSEUMS & MORE! ® LOCAL DAY TRIPS CONNECTICUT CT Science Center Essex Steam Train and Riverboat Mark Twain House/Harriet Beecher Stowe House Seven Angels Theatre Mystic Aquarium Mystic Seaport Shubert Theatre - Educational Programs Wadsworth Athenium Mark Twain House, Hartford, CT MASSACHUSETTS Sturbridge Village Plimoth Patuxet Museum Salem Witch Museum NEWPORT, RI Self-guided Mansion Tours Servant Life Guided Tours Essex Steam Train, Essex, CT Fort Adams Tours NEW JERSEY Medieval Times Liberty Science Center American Dream Mystic Seaport Museum, Mystic, CT Salem Witch Museum, Salem, MA BOSTON Boston has it all for your group! Your DATTCO Tours representative will plan an exciting and interesting day, book all of the attraction visits, and provide you a detailed itinerary! Build your own tour with any of these attractions and more: Museums/Attractions Boston Tea Party Museum Be a part of the famous event that forever changed the course of American history with historical interpreters and interactive exhibits. Franklin Park Zoo John F. Kennedy Presidential Library & Museum Faneuil Hall, Boston, MA Exhibits highlight the life, leadership & legacy of President Kennedy Mapparium at Mary Baker Eddy Library Enter a 30ft glass bridge into a stained glass globe that serves as a historic snapshot of the world as it existed in 1935. Museum of Science New England Aquarium Quincy Market/Faneuil Hall Duck Boat, Charles River, Boston, MA Tours Shows Boston Duck Tours Blue Man Group Fenway Park Tours Boston Ballet Freedom Trail Tour (Guided) Boston Pops Harvard/MIT Tours Boston Symphony Orchestra Whale Watch Tours Broadway Shows in Boston DINING OPTIONS Fire & Ice • Hard Rock Café • Maggiano’s Quincy Market Meal Vouchers • Boxed lunches are also available NEW YORK CITY Experiences Customized Private Tours Broadway Shows NYC Guided Tour Many shows offer special student rates. -
For Immediate Release
For immediate release WARHOL: Monumental Series Make Premiere in Asia Yuz Museum Presents in Shanghai ANDY WARHOL, SHADOWS In collaboration with Dia Art Foundation, New York “I had seen Andy Warhol shows，but I was shocked when seeing more than a hundred of large paintings ! I felt so much respect for Warhol then and I was totally emotional in front of these Shadows: the first time shown as a complete piece as the original concept of Warhol. ” - Budi Tek, founder of Yuz Museum and Yuz Foundation -- -“a monument to impermanence” made by the “King of Pop”; - the most mysterious work of Warhol that offers profound and immersive experiences; - another ground-breaking one-piece work after the Rain Room at Yuz Museum; an important work from the collection of Dia Art Foundation; - Asian premiere after touring world’s top museums New York Dia: Beacon, Paris Museum of Modern Art and Bilbao Guggenheim; - a conversation between 1970s’Shadows and young artists of OVERPOP after 2010 -- Yuz Museum is proud to organize for the first time in Asia, the Chinese premiere of Shadows by Andy Warhol: “a monument to impermanence” (Holland Cotter, New-York Times). Shadows is valued as the most mysterious work by Andy Warhol, the most influential artist of the 20th century, “the King of Pop”, that shows the unknown side of the artist. The exhibition is presented in collaboration with the globally acclaimed Dia Art Foundation, New York. It opens at Yuz Museum, Shanghai on Saturday, 29th October, 2016. In 1978, at age 50, Andy Warhol embarked upon the production of a monumental body of work titled Shadows with the assistance of his entourage at the Factory. -
Blinky Palermo.Pdf
Blinky Palermo To the People of New York City September 15, 2018–March 9, 2019 Dia:Chelsea 545 West 22nd Street New York City www.diaart.org Blinky Palermo To the People of New York City To the People of New York City is Blinky Palermo’s last work. It was completed in 1976 upon the artist’s return to Germany, following a three-year stay in New York City. The title for this painting in multiple parts is derived from a simple dedication, “To the people of N.Y.C.,” inscribed on the backs of the work’s forty aluminum panels. In scale, size, chromatic variation, and structure, To the People of New York City is unparalleled in the artist’s oeuvre. Palermo died suddenly in 1977 and was never able to oversee a public installation of this work. However, he left detailed instructions for To the People of New York City’s arrangement in the form of sixteen preparatory studies (presented here in an adjacent gallery). The last of these sketches illustrates each of the painted panels in sequential order, providing a codex for this immersive installation. Each of To the People of New York City’s fifteen sections consists of one to four rectilinear metal panels with variable space between the set, such that the distance between the panels of the groupings must be equal to their respective width. Part VI is the only exception to this rule. It includes two panels that directly abut each other to form the illusion of a single panel. The dimensions of the panels fluctuate from about 8¼ by 6¼ inches to 49¼ by 43¼ inches to 39½ by 78¾ inches, so that the installation can be expanded or contracted to be shown in different spaces while maintaining its internal logic. -
Primordial Beginnings December 1, 2020 – January 9, 2021
FOR IMMEDIATE RELEASE Robert Smithson Primordial Beginnings December 1, 2020 – January 9, 2021 Galerie Marian Goodman, Paris and Holt/Smithson Foundation are pleased to announce the first exhibition of Robert Smithson at the Gallery, open from December 1, 2020 to January 9, 2021. Born in Passaic, New Jersey, Robert Smithson (1938-73) recalibrated the possibilities of art. For over fifty years his work and ideas have influenced artists and thinkers, building the ground from which contemporary art has grown. Primordial Beginnings will investigate Smithson’s exploration of, as he said in 1972, “origins and primordial beginnings, […] the archetypal nature of things.” This careful selection of works on paper will demonstrate how Smithson worked as, to use his words, a geological agent. He presciently explored the impact of human beings on the surface of our planet. The earliest works are fantastical science-fiction landscape paintings embedded in geological thinking. These rarely seen paintings from 1961 point to his later earthworks and proposals for collaborations with industry. Between 1961 and 1963 Smithson developed a series of collages showing evolving amphibians and dinosaurs. Paris in the Spring (1963) depicts a winged boy atop a Triceratops beside the Eiffel Tower, while Algae Algae (ca. 1961-63) combines paint and collage turtles in a dark green sea of words. For Smithson, landscape and its inhabitants were always undergoing change. In 1969 he started working with temporal sculptures made from gravitational flows and pours, thinking through these alluvial ideas in drawings. The first realized flow was Asphalt Rundown, in October 1969 in Rome, and the last, Partially Buried Woodshed, on the campus of Kent State University in Ohio in January 1970. -
FOR IMMEDIATE RELEASE: January 9, 2019 Mitchell Algus 516-639-4918 (Cell) [email protected]
FOR IMMEDIATE RELEASE: January 9, 2019 Mitchell Algus 516-639-4918 (cell) [email protected] BACKROOM SOLO by OLD MASTER OF NEW MEDIA Jan. 12 - Feb. 17 NEW YORK, NY (1/9/19) — The Mitchell Algus Gallery is pleased to announce a Backroom Solo Exhibition of Surreal to Conceptual Photo-Morphs by “Old Master of New Media,” Barbara Rosenthal. An opening reception will be held on Saturday, January 12th from 6-8pm. The artist will also be present in the gallery to talk with visitors on Sat., Jan. 19, 4-6pm, and the show will run through Feb. 17th. The exhibition features a selection of six 26”x40” digitally printed, manipulated distortions of full-frame analog 35mm photographs from her ongoing series Surreal Photos hung as a contiguous installation, and several 16”x20” Surreal to Conceptual Photo-Morphs: Wafting Sheafs. In each rectangularly framed work, trapezoidal straight or curving slices of dreamlike reality appear to thrust or twist or descend through space. Photographed in international locations, often at night, the subject matter — a horse, a tower, a staircase, a doorway, a church, a roof, a window, a bird — resonates with the viewer’s own psychological undercurrent. The negative space in each plays as dominant a role as the shapes and iconography. Hung contiguously, with the images at different levels within the frames, they form individual multi-block pieces. These configurations bring a musical lilt and implied narrative to her photo-based installations. continued --> Mitchell Algus Gallery 132 Delancey Street (enter on Norfolk) New York, NY 10002 cell: 516-639-4918 email: [email protected] pg. -
Leisure Pass Group
Explorer Guidebook Empire State Building Attraction status as of Sep 18, 2020: Open Advanced reservations are required. You will not be able to enter the Observatory without a timed reservation. Please visit the Empire State Building's website to book a date and time. You will need to have your pass number to hand when making your reservation. Getting in: please arrive with both your Reservation Confirmation and your pass. To gain access to the building, you will be asked to present your Empire State Building reservation confirmation. Your reservation confirmation is not your admission ticket. To gain entry to the Observatory after entering the building, you will need to present your pass for scanning. Please note: In light of COVID-19, we recommend you read the Empire State Building's safety guidelines ahead of your visit. Good to knows: Free high-speed Wi-Fi Eight in-building dining options Signage available in nine languages - English, Spanish, French, German, Italian, Portuguese, Japanese, Korean, and Mandarin Hours of Operation From August: Daily - 11AM-11PM Closings & Holidays Open 365 days a year. Getting There Address 20 West 34th Street (between 5th & 6th Avenue) New York, NY 10118 US Closest Subway Stop 6 train to 33rd Street; R, N, Q, B, D, M, F trains to 34th Street/Herald Square; 1, 2, or 3 trains to 34th Street/Penn Station. The Empire State Building is walking distance from Penn Station, Herald Square, Grand Central Station, and Times Square, less than one block from 34th St subway stop. Top of the Rock Observatory Attraction status as of Sep 18, 2020: Open Getting In: Use the Rockefeller Plaza entrance on 50th Street (between 5th and 6th Avenues). -
Nancy Holt, Sun Tunnels .Pdf
Nancy Holt Sun Tunnels, 1973–76 Internationally recognized as a pioneering work of Land art, Nancy Holt’s “The idea for Sun Tunnels became clear to me while I was in the desert watching notes Sun Tunnels (1973–76) is situated within a 40-acre plot in the Great Basin the sun rising and setting, keeping the time of the earth. Sun Tunnels can exist 1. Nancy Holt, “Sun Tunnels,” Artforum 15, no. 8 (April 1977), p. 37. 2. Ibid., p. 35. Desert in northwestern Utah. Composed of four concrete cylinders that are only in that particular place—the work evolved out of its site,” said Holt in a 3. Ibid. 18 feet in length and 9 feet in diameter, Sun Tunnels is arranged on the desert personal essay on the work, which was published in Artforum in 1977.1 She floor in an “x” pattern. During the summer and winter solstices, the four tunnels began working on Sun Tunnels in 1973 while in Amarillo, Texas. As her ideas Nancy Holt was born in 1938 in Worcester, Massachusetts, and was raised align with the angles of the rising and setting sun. Each tunnel has a different for the work developed, Holt began to search for a site in Arizona, New Mexico, in New Jersey. In 1960 she graduated from Tufts University in Medford, configuration of holes, corresponding to stars in the constellations Capricorn, and Utah. She was specifically looking for a flat desert surrounded by low Massachusetts. Shortly after, she moved to New York City and worked as an Columba, Draco, and Perseus. -
Map Plan Mappa Mapa
Open daily Member Early Access 10:00 a.m.–5:30 p.m. 9:30–10:00 a.m. Fall 2019– Fridays and first Thursdays 10:00 a.m.–9:00 p.m. MoMA WiFi Map Spring 2020 Eat Shop The Modern and Plan Museum Store The Bar Room Floors 1, 2, and 6 Floor 1 MoMA books, collection and A two-Michelin-starred exhibition-related products, Mappa restaurant serving lunch and kids’ items and dinner MoMA Design Store Espresso Bar Design objects for the home, Floor 2 tech products, personal Coffee, pastries, and light accessories, and MoMA- 地图 refreshments exclusive items Café 2 44 West 53rd Street, across Floor 2 from the main entrance 地圖 Casual, family-friendly café Mapa with sandwiches, salads, 81 Spring Street, between pastas, wine, and beer Crosby Street and Broadway Terrace Café The Carroll and Milton Petrie Terrace Café Info Floor 6W 안내도 Seasonal snacks and share moma.org/map plates, cocktails, wine, and Plan beer, with terrace views Mappa 地図 地图 Relax Mapa地圖 안내도 Lounge The Marlene Hess and 地図 James D. Zirin Lounge moma.org/audio Floor 1 Lounge The Daniel and Jane Och Lounge Floor 2 WeChat MoMA Lounge 扫码关注 公众号， The Louise Reinhardt Smith Gallery 探索现代艺术 Floor 3 Display through Printed on 100% post-consumer- May 2020 waste recycled paper 1 Fall 2019 Fall 2019–Spring 2020 Spring 2020 1 South Sculpture Garden 1 North and South Fall 2019 Energy A Century of Sculpture Neri Oxman: Material Ecology 1 North Oct 21, 2019–Jan 26, 2020 Oct 21 , 2019–May 2020 Feb 22–May 25, 2020 Projects 110: Pablo Picasso. -
Rose Art Museum's Sam Hunter Emerging Artists Fund Committee
FOR IMMEDIATE RELEASE Contact: Nina J. Berger, [email protected] 617.543.1595 High-resolution images available on request ROSE ART MUSEUM’S SAM HUNTER EMERGING ARTISTS FUND COMMITTEE SELECTS TWO WORKS BY B. INGRID OLSON TO ENTER THE COLLECTION (Waltham, MA) –The Rose Art Museum has announced that work by B. Ingrid Olson has been selected for acquisition by the Sam Hunter Emerging Artists Acquisition Fund Committee. Inspired by the legacy of the Rose’s founding director, Sam Hunter, the fund is generated annually and administered by a committee that aims to collect the work of promising artists on the cusp of recognition. Two works by Chicago-based Olson–Arched fold, bent of another movement, 2017 and Firing distance, scission, 2017–have been acquired for the Rose Art Museum’s collection. Straddling sculpture and photography, Olson’s work plays fascinating games with perception and vision. Olson was recently featured in a two-person exhibition at The Renaissance Society in Chicago, and her first solo museum show will open at the Albright-Knox Art Gallery in March 2018. Her work will also be included in Being: New Photography 2018, at the Museum of Modern Art, New York (March 2018) and in a group show at the MCA Chicago, Picture Fiction: Kenneth Josephson and Contemporary Photography (April 28– December 30, 2018). “Ingrid is an extraordinary photographer, pushing the bounds of the medium while engaging with pressing issues of gender identity and representation,” say Leslie Aronzon, a member of this year’s committee. “Her work fits in well with the Rose collection, and we are so excited to add her impressive and fresh works to our permanent collection.” Joining Aronzon on this year’s committee are Kim Allen-Niesen, Steven Bunson, Tory Fair, Betsy Pfau, and Lisa Wyett. -
Gender Performance in Photography
PHOTOGRAPHY (A CI (A CI GENDER PERFORMANCE IN PHOTOGRAPHY (A a C/VFV4& (A a )^/VM)6e GENDER PERFORMANCE IN PHOTOGRAPHY JENNIFER BLESSING JUDITH HALBERSTAM LYLE ASHTON HARRIS NANCY SPECTOR CAROLE-ANNE TYLER SARAH WILSON GUGGENHEIM MUSEUM Rrose is a Rrose is a Rrose: front cover: Gender Performance in Photography Claude Cahun Organized by Jennifer Blessing Self- Portrait, ca. 1928 Gelatin-silver print, Solomon R. Guggenheim Museum, New York 11 'X. x 9>s inches (30 x 23.8 cm) January 17—April 27, 1997 Musee des Beaux Arts de Nantes This exhibition is supported in part by back cover: the National Endowment tor the Arts Nan Goldin Jimmy Paulettc and Tabboo! in the bathroom, NYC, 1991 €)1997 The Solomon R. Guggenheim Foundation, Cibachrome print, New York. All rights reserved. 30 x 40 inches (76.2 x 101.6 cm) Courtesy of the artist and ISBN 0-8109-6901-7 (hardcover) Matthew Marks Gallery, New York ISBN 0-89207-185-0 (softcover) Guggenheim Museum Publications 1071 Fifth Avenue New York, New York 10128 Hardcover edition distributed by Harry N. Abrams, Inc. 100 Fifth Avenue New York, New York 10011 Designed by Bethany Johns Design, New York Printed in Italy by Sfera Contents JENNIFER BLESSING xyVwMie is a c/\rose is a z/vxose Gender Performance in Photography JENNIFER BLESSING CAROLE-ANNE TYLER 134 id'emt nut files - KyMxUcuo&wuieS SARAH WILSON 156 c/erfoymuiq me c/jodt/ im me J970s NANCY SPECTOR 176 ^ne S$r/ of ~&e#idew Bathrooms, Butches, and the Aesthetics of Female Masculinity JUDITH HALBERSTAM 190 f//a« waclna LYLE ASHTON HARRIS 204 Stfrtists ' iyjtoqra/inies TRACEY BASHKOFF, SUSAN CROSS, VIVIEN GREENE, AND J. -
In 1979, the Museum of Modern Art in New York Presented a Modest
In 1979, the Museum of Modern Art in New York presented a modest exhibition called “Sound Art.” The museum’s small media art gallery could only accommodate one artwork at a time, so the three works in the show, by Maggi Payne, Connie Beckley, and Julia Heyward, took turns on display. “‘Sound art’ pieces are more closely allied to art than to music, and are usually presented in the museum, gallery, or alternative space,” the exhibition’s curator, Barbara London, said in a statement at the time. In essence, London had helped define a medium that was newly emergent back then, but her explanation offered few parameters—which was exactly the point. Anything aural— radio art, spoken word poetry, the chiming of clocks, even silence itself—was game. The 1983 show “Sound/Art” at the SculptureCenter in New York City helped expand the canon of sound artists, and since then, new technologies have brought in new artists, who have helped make the medium one of the defining ones for right now. Below, a look back at 11 essential sound artworks. Luigi Russolo, Gran Concerto Futuristico (1917) Luigi Russolo is may be best known as a painter associated with the Futurist movement in Italy, but he’s also considered one of the first experimental noise artists, if not the very first one altogether. He invented and built acoustic noise-generating devices called Intonarumori (meaning “noise makers” in Italian) inspired by the factory clatter and the booming of guns from World War I. In 1913, he released the manifesto The Art of Noises, in which he argued that the evolution of the urban industrial soundscape has necessitated new approaches to music.