2018 Festival Program Guide
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Written and Directed by Madeleine Olnek
Written and Directed by Madeleine Olnek Starring Molly Shannon, Amy Seimetz, Susan Ziegler, Brett Gelman, Jackie Monahan, Kevin Seal, Dana Melanie, Sasha Frolova, Lisa Haas, Al Sutton World Premiere 2018 SXSW Film Festival (Narrative Spotlight) Acquisition Title / Cinetic 84 minutes / Color / English / USA PUBLICITY CONTACT SALES CONTACT Mary Ann Curto John Sloss / Cinetic Media [email protected] [email protected] [email protected] FOR MORE INFORMATION ABOUT THE FILM PRESS MATERIALS CONTACT and FILM CONTACT: Email: [email protected] DOWNLOAD FILM STILLS ON DROPBOX/GOOGLE DRIVE: For hi-res press stills, contact [email protected] and you will be added to the Dropbox/Google folder. Put “Wild Nights with Emily Still Request” in the subject line. The OFFICIAL WEBSITE: http://wildnightswithemily.com/ For news and updates, click 'LIKE' on our FACEBOOK page: https://www.facebook.com/wildnightswithemily/ "Hilarious...an undeniably compelling romance. " —INDIEWIRE "As entertaining and thought-provoking as Dickinson’s poetry.” —THE AUSTIN CHRONICLE SYNOPSIS THE STORY SHORT SUMMARY Molly Shannon plays Emily Dickinson in " Wild Nights With Emily," a dramatic comedy. The film explores her vivacious, irreverent side that was covered up for years — most notably Emily’s lifelong romantic relationship with another woman. LONG SUMMARY Molly Shannon plays Emily Dickinson in the dramatic comedy " Wild Nights with Emily." The poet’s persona, popularized since her death, became that of a reclusive spinster – a delicate wallflower, too sensitive for this world. This film explores her vivacious, irreverent side that was covered up for years — most notably Emily’s lifelong romantic relationship with another woman (Susan Ziegler). After Emily died, a rivalry emerged when her brother's mistress (Amy Seimetz) along with editor T.W. -
Skin International
Dossier d’accompagnement présente du Skin international Mention spéciale du jury jeune 2019 du Festival international du film d’éducation Un dossier proposé par Skin Dossier d’accompagnement Table des matières Le film - présentation 3 Synopsis 3 Propos du réalisateur lors de la remise de son oscar 3 Le film, étude et analyse 4 Critique du film, regard de spectateurs 4 Une critique du film réalisée par deux lycéens lors du Parcours Jeunes critiques de cinéma pendant le festival 5 Ouverture vers des sujets de société et citoyens 6 Pour lancer un débat, une démarche (selon la taille du groupe) 6 Des objections considérables face à l’existence de races humaines 6 Des pistes de thématiques 7 Pour aller plus loin 10 Un parcours éducatif de lutte contre le racisme proposé par les Ceméa 10 Quelques références filmographiques 12 Sites Internet institutionnels ou d’associations citoyennes 13 Le spectateur et le cinéma 14 L’accompagnement du spectateur 14 Regarder un film 16 À propos de cinéma 18 Le cinéma documentaire 18 Le cinéma de fiction 21 Le cinéma d’animation 23 Le festival de cinéma 31 Quelques notions fondamentales sur l’image cinématographique 33 Lecture de l’image 33 Ressources 37 Dossier d’accompagnement Page 2 Skin Skin Le film - présentation Réalisé par : Guy Nattiv Avec Jackson Robert Scott (Troy), Lonnie Chavis (Bronny), Jonathan Tucker (Johnny Aldd), Da- nielle Macdonald (Christa) et Jared Day (Adrian) Documentaire, États Unis, durée 20’ Scénario : Sharon Maymon et Guy Nattiv Directeur photographie : Drew Daniels Ingénieur du son : Noa Assido Montage : Yuval Orr Bande originale musique : Brian McOmber Effets spéciaux : John Eggett Producteur : Jaime Ray Newman (New Native Pictures) Synopsis Jeff, néo nazi, élève son fils dans ses valeurs. -
East-West Film Journal, Volume 3, No. 2
EAST-WEST FILM JOURNAL VOLUME 3 . NUMBER 2 Kurosawa's Ran: Reception and Interpretation I ANN THOMPSON Kagemusha and the Chushingura Motif JOSEPH S. CHANG Inspiring Images: The Influence of the Japanese Cinema on the Writings of Kazuo Ishiguro 39 GREGORY MASON Video Mom: Reflections on a Cultural Obsession 53 MARGARET MORSE Questions of Female Subjectivity, Patriarchy, and Family: Perceptions of Three Indian Women Film Directors 74 WIMAL DISSANAYAKE One Single Blend: A Conversation with Satyajit Ray SURANJAN GANGULY Hollywood and the Rise of Suburbia WILLIAM ROTHMAN JUNE 1989 The East- West Center is a public, nonprofit educational institution with an international board of governors. Some 2,000 research fellows, grad uate students, and professionals in business and government each year work with the Center's international staff in cooperative study, training, and research. They examine major issues related to population, resources and development, the environment, culture, and communication in Asia, the Pacific, and the United States. The Center was established in 1960 by the United States Congress, which provides principal funding. Support also comes from more than twenty Asian and Pacific governments, as well as private agencies and corporations. Kurosawa's Ran: Reception and Interpretation ANN THOMPSON AKIRA KUROSAWA'S Ran (literally, war, riot, or chaos) was chosen as the first film to be shown at the First Tokyo International Film Festival in June 1985, and it opened commercially in Japan to record-breaking busi ness the next day. The director did not attend the festivities associated with the premiere, however, and the reception given to the film by Japa nese critics and reporters, though positive, was described by a French critic who had been deeply involved in the project as having "something of the air of an official embalming" (Raison 1985, 9). -
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Acknowledgements Publisher AN Cheongsook, Chairperson of KOFIC 206-46, Cheongnyangni-dong, Dongdaemun-gu. Seoul, Korea (130-010) Editor in Chief Daniel D. H. PARK, Director of International Promotion Department Editors KIM YeonSoo, Hyun-chang JUNG English Translators KIM YeonSoo, Darcy PAQUET Collaborators HUH Kyoung, KANG Byeong-woon, Darcy PAQUET Contributing Writer MOON Seok Cover and Book Design Design KongKam Film image and still photographs are provided by directors, producers, production & sales companies, JIFF (Jeonju International Film Festival), GIFF (Gwangju International Film Festival) and KIFV (The Association of Korean Independent Film & Video). Korean Film Council (KOFIC), December 2005 Korean Cinema 2005 Contents Foreword 04 A Review of Korean Cinema in 2005 06 Korean Film Council 12 Feature Films 20 Fiction 22 Animation 218 Documentary 224 Feature / Middle Length 226 Short 248 Short Films 258 Fiction 260 Animation 320 Films in Production 356 Appendix 386 Statistics 388 Index of 2005 Films 402 Addresses 412 Foreword The year 2005 saw the continued solid and sound prosperity of Korean films, both in terms of the domestic and international arenas, as well as industrial and artistic aspects. As of November, the market share for Korean films in the domestic market stood at 55 percent, which indicates that the yearly market share of Korean films will be over 50 percent for the third year in a row. In the international arena as well, Korean films were invited to major international film festivals including Cannes, Berlin, Venice, Locarno, and San Sebastian and received a warm reception from critics and audiences. It is often said that the current prosperity of Korean cinema is due to the strong commitment and policies introduced by the KIM Dae-joong government in 1999 to promote Korean films. -
Actor Edison Chen Quits Business After Sex Photo Scandal 08:29, February 22, 2008
Actor Edison Chen quits business after sex photo scandal 08:29, February 22, 2008 Hong Kong entertainer Edison Chen said on Thursday he was quitting show business indefinitely after admitting here that he had taken the photos embarrassing several well- known starlets that had been leaked to the Internet. Hong Kong singer and actor Edison Chen attends a news conference in Hong Kong Feb. 21, 2008. (China Daily Photo) The 27-year-old Canadian-born Chinese said he had come back to Hong Kong to "account for himself and to apologize to those involved in or effected by the scandal." "I would like to apologize to all the ladies involved in the scandal and their families for all their sufferings. I am sorry," the Vancouver native said at a press conference attended by hundreds of media. Chen said he would leave the Hong Kong entertainment industry indefinitely after fulfilling all existing contracts. He did not give a specific time frame for his withdrawal. He added he would devote himself to charity work in the coming months. The photo scandal started with the uploading of hundreds of sexually-explicit photos starting on Jan. 27 featuring Chen and various Hong Kong starlets. The pictures have spread like wildfire on the Internet ever since. Chen said at the press conference the photos were stolen and distributed without his approval. "These photos had not been shown to people and were never intended to be shown to anyone," he said. Hong Kong police were trying to find the first releaser of the photos and had made several arrests in connection with them. -
26Th Annual Austin Film Festival & Writers
BADGES & PASSES EVERYONE FEELS LIKE 26TH ANNUAL LIMITED-TIME SAVINGS UP TO $50 IF A STAR IN AUSTIN PAID AUSTIN FILM FESTIVAL & YOU BUY BEFORE SEPTEMBER 20, 2019 US POSTAGE AUSTIN, TEXAS PERMIT NO. 1986 Always a top travel destination, Austin’s creative charm and quirky vibe create NON PROFIT ORG For a more detailed description of each Badge WRITERS CONFERENCE level, please visit austinfilmfestival.com. the perfect environment for this one-of-a-kind film festival. From its world-famous FILM PASS LONE STAR BADGE WEEKEND BADGE CONFERENCE BADGE PRODUCERS BADGE Congress Bridge bats to local brews over a breezy fall sunset, there are endless Before September 20, 2019 $65 $150 $275 $425 $650 OCTOBER 24 – 31, 2019 reasons Austin makes every “Best Place for…” list. COST Walk-Up $75 $150 $325 $475 $695 All Eight Days of Film 3 3 3 3 3 TEXAS-SIZED DISCOUNTS We’ve coordinated special budget-friendly Script Readings 3 3 3 3 3 deals for our Badgeholders to many of Priority Access to Films “AFF WAS (Admitted before Film Passes & GA) 3 3 3 3 Austin’s most popular hotels: INDELIBLE, A Exhibit Hall 3 3 3 3 CONFERENCE HEADQUARTERS TRUE REMINDER OF THE CORE All Panels on Thursday, October 24 3 3 The Driskill Hotel – $336 InterContinental Stephen F. Austin – $329 PASSION THAT All Panels on Friday, October 25 3 3 DREW ME TO THIS All Panels on Saturday, October 26 3 3 3 3 STAY LESS THAN 2 MILES AWAY WORLD…I CAME FILMS AND PANELS All Panels on Sunday, October 27 3 3 3 FROM THE CONFERENCE HOME WITH A La Quinta by Wyndham Austin Capitol – $209 RENEWED RIGOR Access -
The Literature of Kita Morio DISSERTATION Presented In
Insignificance Given Meaning: The Literature of Kita Morio DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Masako Inamoto Graduate Program in East Asian Languages and Literatures The Ohio State University 2010 Dissertation Committee: Professor Richard Edgar Torrance Professor Naomi Fukumori Professor Shelley Fenno Quinn Copyright by Masako Inamoto 2010 Abstract Kita Morio (1927-), also known as his literary persona Dokutoru Manbô, is one of the most popular and prolific postwar writers in Japan. He is also one of the few Japanese writers who have simultaneously and successfully produced humorous, comical fiction and essays as well as serious literary works. He has worked in a variety of genres. For example, The House of Nire (Nireke no hitobito), his most prominent work, is a long family saga informed by history and Dr. Manbô at Sea (Dokutoru Manbô kôkaiki) is a humorous travelogue. He has also produced in other genres such as children‟s stories and science fiction. This study provides an introduction to Kita Morio‟s fiction and essays, in particular, his versatile writing styles. Also, through the examination of Kita‟s representative works in each genre, the study examines some overarching traits in his writing. For this reason, I have approached his large body of works by according a chapter to each genre. Chapter one provides a biographical overview of Kita Morio‟s life up to the present. The chapter also gives a brief biographical sketch of Kita‟s father, Saitô Mokichi (1882-1953), who is one of the most prominent tanka poets in modern times. -
Sam Urdank, Resume JULY
SAM URDANK Photographer 310- 877- 8319 www.samurdank.com BAD WORDS DIRECTOR: Jason Bateman CAST: Jason Bateman, Kathryn Hahn, Rohan Chand, Philip Baker Hall INDEPENDENT FILM Allison Janney, Ben Falcone, Steve Witting COFFEE TOWN DIRECTOR: Brad Campbell INDEPENDENT FILM CAST: Glenn Howerton, Steve Little, Ben Schwartz, Josh Groban Adrianne Palicki TAKEN 2 DIRECTOR: Olivier Megato TWENTIETH CENTURY FOX (L.A. 1st Unit) CAST: Liam Neeson, Maggie Grace,,Famke Janssen, THE APPARITION DIRECTOR: Todd Lincoln WARNER BRO. PICTURES (L.A. 1st Unit) CAST: Ashley Greene, Sebastian Stan, Tom Felton SYMPATHY FOR DELICIOUS DIRECTOR: Mark Ruffalo CORNER STORE ENTERTAINMENT CAST: Christopher Thornton, Mark Ruffalo, Juliette Lewis, Laura Linney, Orlando Bloom, Noah Emmerich, James Karen, John Caroll Lynch EXTRACT DIRECTOR: Mike Judge MIRAMAX FILMS CAST: Jason Bateman, Mila Kunis, Kristen Wiig, Ben Affleck, JK Simmons, Clifton Curtis THE INVENTION OF LYING DIRECTOR: Ricky Gervais & Matt Robinson WARNER BROS. PICTURES CAST: Ricky Gervais, Jennifer Garner, Rob Lowe, Lewis C.K., Tina Fey, Jeffrey Tambor Jonah Hill, Jason Batemann, Philip Seymore Hoffman, Edward Norton ROLE MODELS DIRECTOR: David Wain UNIVERSAL PICTURES CAST: Seann William Scott, Paul Rudd, Jane Lynch, Christopher Mintz-Plasse Bobb’e J. Thompson, Elizabeth Banks WITLESS PROTECTION DIRECTOR: Charles Robert Carner LIONSGATE CAST: Larry the Cable Guy, Ivana Milicevic, Yaphet Kotto, Peter Stomare, Jenny McCarthy, Joe Montegna, Eric Roberts DAYS OF WRATH DIRECTOR: Celia Fox FOXY FILMS/INDEPENDENT -
19. Campus Spirit.We Don't Need Football to Love
1 CONTENTS Program Contact Information ................................................................ 2 20 Reasons Why Emory University Is the Right Choice .......................... 3 The Admission Process and Financial Aid ............................................. 13 Emory College of Arts and Sciences and Oxford College Quick Facts .... 15 To Learn More or Volunteer Visit www.alumni.emory.edu/interviewing Emory University Staff Contacts Ariane O’Dea Director, Global Alumni Relations Emory Alumni Association 404.727.4278 [email protected] Maddie Monahan 84Ox 86C Senior Assistant Dean of Admission Emory College of Arts and Sciences 404.727.4326 [email protected] 2 20 REASONS WHY EMORY UNIVERSITY IS THE RIGHT CHOICE As alumni, you’ll undoubtedly be able to share many reasons why a student would want to attend Emory University, but just to reacquaint you with all the things that make the university special, below are some of Emory’s strengths. 1. Academic choices. Students have four distinct choices to complete their undergraduate education. Oxford College Emory is alone among top research universities in offering two academically equivalent but environmentally distinct options for entering students. Founded in 1836, Emory College began in a small town about thirty-eight miles east of Atlanta. Thanks to the generosity of the Candler family, in 1915 Emory College moved its campus inside the city of Atlanta. The university decided to keep the original campus and while Oxford’s history is rich, today Oxford College is an academically equivalent but environmentally different opportunity for first and second year students. Students may apply to Oxford College to spend their first two years in a small- town/suburban setting. -
Donnie Yen's Kung Fu Persona in Hypermedia
Studies in Media and Communication Vol. 4, No. 2; December 2016 ISSN 2325-8071 E-ISSN 2325-808X Published by Redfame Publishing URL: http://smc.redfame.com Remediating the Star Body: Donnie Yen’s Kung Fu Persona in Hypermedia Dorothy Wai-sim Lau1 113/F, Hong Kong Baptist University Shek Mun Campus, 8 On Muk Street, Shek Mun, Shatin, Hong Kong Correspondence: Dorothy Wai-sim Lau, 13/F, Hong Kong Baptist University Shek Mun Campus, 8 On Muk Street, Shek Mun, Shatin, Hong Kong. Received: September 18, 2016 Accepted: October 7, 2016 Online Published: October 24, 2016 doi:10.11114/smc.v4i2.1943 URL: http://dx.doi.org/10.11114/smc.v4i2.1943 Abstract Latest decades have witnessed the proliferation of digital media in Hong Kong action-based genre films, elevating the graphical display of screen action to new levels. While digital effects are tools to assist the action performance of non-kung fu actors, Dragon Tiger Gate (2006), a comic-turned movie, becomes a case-in-point that it applies digitality to Yen, a celebrated kung fu star who is famed by his genuine martial dexterity. In the framework of remediation, this essay will explore how the digital media intervene of the star construction of Donnie Yen. As Dragon Tiger Gate reveals, technological effects work to refashion and repurpose Yen’s persona by combining digital effects and the kung fu body. While the narrative of pain and injury reveals the attempt of visual immediacy, the hybridized bodily representation evokes awareness more to the act of representing kung fu than to the kung fu itself. -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx. -
Oct 12-14 2018
BENTFILMFEST.ORG ·· 2018 the · 12-14 CREST· OCT Acura, Audi, Chrysler, Fiat, Jeep, Dodge Ram, Subaru, VW Table of Contents Festival Pricing and Packages . 7 President’s Message . 9 Board & Volunteers . 10 Sponsors . 11 Opening Night Friday, October 12 7:00 pm Freelancers Anonymous . .16 9:15 pm 1985 . .17 Centerpieces Saturday, October 13 12:30pm Life in the Doghouse . 21 3:45pm Wild Nights with Emily . 22 7:00pm Dykes, Camera, Action! + A Great Ride . .23 9:15pm Saturday Night Shorts Program . 24-25 Closing Night Sunday, October 14 3:00pm 50 Years of Fabulous . 27 6:30pm Sunday Night Shorts Program . 29-30 www.BentFilmFest.org • page 5 23215 5 x 8 4c Standing with you. Then. Now. Always. Standing together with the LGBTQ community. It’s a commitment we made 30 years ago. Since then, we’ve contributed over $50 million and countless team member volunteer hours to organizations that are making a difference. We’re proud to stand together with the LGBTQ community now, and we promise to be there always. Visit wellsfargo.com/standingtogether to watch our video series about inspiring organizations that are having a positive impact in the LGBTQ community, and learn how you can help. © 2018 Wells Fargo Bank, N.A. All rights reserved. IHA-23215 Festival Pricing and Packages Individual Ticket Pricing $15 General $10 Matinee $70 VIP Festival Pass -Includes all films -Reception with complimentary pre-screening hors d’oeuvres, beer, wine, and bubbly -Early entry (5:30pm on Friday & Saturday; 5:00pm on Sunday) $50 Film Only Festival Pass -Includes all