DOCSLIB.ORG

2018 American Film Market® to Welcome 150+ Speakers to Its Stages

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
2018 American Film Market® to Welcome 150+ Speakers to Its Stages 2018 AMERICAN FILM MARKET® TO WELCOME 150+ SPEAKERS TO ITS STAGES Los Angeles, CA – October 3, 2018 – The American Film Market (AFM®) has announced today initial speakers confirmed for its expanded programming of Conferences, Roundtables, Workshops, and Spotlight Events which run alongside the AFM’s marketplace and industry screenings. This year’s market is taking place October 31 – November 7 in Santa Monica. More than 150 speakers will take the AFM stages to participate in 40+ sessions across three venues. An initial list of highlights includes: Producers: Caryn Capotosto, Cassian Elwes, Basil Iwanyk, Khaliah Neal, Ben Stillman, Gary Michael Walters, and Janet Yang. Industry Executives: Lisa Gutberlet, EVP, International Sales & Acquisitions, Blue Fox Entertainment; Alison Thompson, Co-President, Cornerstone Films; Janet Brown, EVP, Distribution, Gunpowder & Sky; Jeffrey Greenstein, Co-President, Millennium Media; Krista Wegener, SVP, Sales and Distribution, Participant Media; John Orlando, Head of Content, Sony Crackle; Ryan Suffern, Head of Documentary Division, The Kennedy/Marshall Company; Paul Broucek, President, Music, Warner Bros. Pictures; and Kirsten Schaffer, Executive Director, Women In Film, Los Angeles. As previously announced, President/CEO of the Independent Film & Television Alliance®, Jean Prewitt, and Chairman/CEO of the Motion Picture Association of America®, Charles Rivkin, will kick off the Conference series with The Global Perspective, on Friday, November 2. The 2018 speakers announced to date are: Alan R. Milligan, White Rabbit Marguerite Pigott, CMPA (Canadian Media Producers Association) Alison Thompson, Cornerstone Films Andrea Iervolino, AMBI Media Group and TaTaTu Anthony Beaudoin, Union Bank Barry Landis, Ribbow Media Group Basil Iwanyk, Thunder Road Pictures Ben Stillman, Black Bear Pictures Billy Mernit, UCLA and Universal Pictures Bradley M. Gallo, Amasia Entertainment Bruce Eisen, Digital Advisors Caryn Capotosto, Tremolo Productions Cassian Elwes, Producer (Mudbound) Chris Bueno, Ocean Avenue Entertainment Clay Epstein, Film Mode Entertainment Cody Zwieg, Gunpowder & Sky Cynthia Tollett, Directors Guild of America Dana Nachman, KTF Films Darrien Michele Gipson, SAGindie Dave McIntosh, Shout! Factory David Kennedy, Saboteur Media David Offenberg, Loyola Marymount David White, SHIFT72 Dennis Dreith, Transparence Entertainment Group Derek Doneen, Filmmaker, Kailash Florian Glatz, Cinemarket Gary Michael Walters, Bold Films Germaine Franco, Composer and Music Producer Irina Albita, Big Couch UK and FilmChain Janet Brown, Gunpowder & Sky Janet Yang, Producer Jeffrey Greenstein, Millennium Media John Orlando, Sony Crackle John Sloss, Sloss Eckhouse LawCo and Cinetic Media Jonathan Barkan, DreadCentral.com JP Sarni, Stampede Ventures Juliana Da Cunha Jacobsen, BF Distribution Karl Hur, Mofac Creative Works Kay S. Wolf, Writers Guild of America West Khaliah Neal, Independent Producer, The Rachel Divide Kim Roberts Hedgpeth, Film Musicians Secondary Markets Fund Kirsten Schaffer, Women In Film, Los Angeles Ko Eun Jung, Digitalidea VFX Krista Wegener, Participant Media Lisa Gutberlet, Blue Fox Entertainment Lucy Mukerjee, Outfest & Newfest Mathew Joubert, SHIFT72 Matt Holzman, KCRW’s “The Document” Michael Berman, iN Demand Min Sun Hye, WYSIWYG Studios Dr. Nelson Granados, Pepperdine Graziadio Business School and Forbes Contributor Paul Bales, The Asylum Paul Broucek, Warner Bros. Pictures Paul Hertzberg, CineTel Films, Inc. Peter Baxter, Slamdance Film Festival and Producer Peter Broderick, Paradigm Consulting Pilar Alessandra, On the Page Raymond C. Nutt, Fathom Events Richard Botto, Stage 32 Robert Binning, StreamSpace Robert Menzies, Zed Filmworks Ruzanna Kegeyan, Arclight Films Ryan Broussard, Media Services Ryan Suffern, The Kennedy/Marshall Company Ryan Turek, Blumhouse Productions Sam Klebanov, Cinezen Blockchained Entertainment AB Shaked Berenson, Producer Shawn Williamson, Brightlight Pictures Stephen Hwang, Studio Macrograph Steven Wolfson, UCLA Sunwoo Nam, W2 Studios Tamara Birkemoe, Foresight Unlimited Tobin Ambrust, Virgin Produced View the full programming lineup for AFM 2018. For badge and ticket information, please visit the AFM website. # # # About the American Film Market® The American Film Market (AFM®) is the world’s largest motion picture business event. Over 7,000 industry leaders from more than 80 countries converge in Santa Monica for eight days of deal-making, screenings, conferences, networking and parties. Participants include acquisition and development executives, agents, attorneys, directors, distributors, festival directors, financiers, film commissioners, producers, writers, the world’s press and all those who provide services to the motion picture industry. Unlike a film festival, the AFM is a marketplace – with over 200,000 square feet of exhibition space – where production and distribution deals are closed. In just eight days, more than US$1 billion in deals will be sealed – on both completed films and those in every stage of development and production. Participants may view more than 500 screenings of 300+ films – 29 new films every two hours – the majority world or U.S. premieres. Titles range from big budget blockbusters that will be released by the major studios to lower budget art and genre films recognized at international film festivals. About the Independent Film & Television Alliance® The Independent Film & Television Alliance (IFTA®) is the global trade association of the independent motion picture and television programming industry. Headquartered in Los Angeles, IFTA represents and provides significant entertainment industry services to more than 140 Member companies in 22 countries, consisting of independent production and distribution companies, sales agents, and financial institutions engaged in production finance. Collectively, IFTA Members produce more than 400 independent films and countless hours of television programming each year, generating more than $4.5 billion in distribution revenues annually. For more information on IFTA, please visit www.IFTA-online.org. Media Contact Jennifer Garnick [email protected] +310.446.1006 .
Load more

Recommended publications
  • GLAAD Media Institute Began to Track LGBTQ Characters Who Have a Disability
    Studio Responsibility IndexDeadline 2021 STUDIO RESPONSIBILITY INDEX 2021 From the desk of the President & CEO, Sarah Kate Ellis In 2013, GLAAD created the Studio Responsibility Index theatrical release windows and studios are testing different (SRI) to track lesbian, gay, bisexual, transgender, and release models and patterns. queer (LGBTQ) inclusion in major studio films and to drive We know for sure the immense power of the theatrical acceptance and meaningful LGBTQ inclusion. To date, experience. Data proves that audiences crave the return we’ve seen and felt the great impact our TV research has to theaters for that communal experience after more than had and its continued impact, driving creators and industry a year of isolation. Nielsen reports that 63 percent of executives to do more and better. After several years of Americans say they are “very or somewhat” eager to go issuing this study, progress presented itself with the release to a movie theater as soon as possible within three months of outstanding movies like Love, Simon, Blockers, and of COVID restrictions being lifted. May polling from movie Rocketman hitting big screens in recent years, and we remain ticket company Fandango found that 96% of 4,000 users hopeful with the announcements of upcoming queer-inclusive surveyed plan to see “multiple movies” in theaters this movies originally set for theatrical distribution in 2020 and summer with 87% listing “going to the movies” as the top beyond. But no one could have predicted the impact of the slot in their summer plans. And, an April poll from Morning COVID-19 global pandemic, and the ways it would uniquely Consult/The Hollywood Reporter found that over 50 percent disrupt and halt the theatrical distribution business these past of respondents would likely purchase a film ticket within a sixteen months.
    [Show full text]
  • Universal Pictures Media Dossier
    Universal Pictures Media Dossier For: Dr. Gregory Levey Strategic Media Relations PC8107 By: Nikolai Pajkovic 500581586 [email protected] EXECUTIVE SUMMARY The aim of this public relations campaign is to first and foremost announce and promote the release of The Hunt directed Craig Zobel and produced by Blumhouse Productions. The film will be released in theatres across North America on June 12th, 2020. Universal Pictures cancelled the film’s initial release date of September 27th, 2019 following the Dayton, El Paso, and Gilroy shootings. Therefore, a secondary objective of this campaign is to offer the public clarification for the film’s initial cancellation, as well as provide an explanation as to why this summer presents us with a more suitable release date. In doing so, our talking points, backgrounder, media release and Q&A aim to help Universal Pictures deter any unnecessary and unwarranted criticism of the film leading up to its release. I do not think that Universal Pictures should shy away from the media or from discussing the film’s potentially provocative subject matter, but when doing so should stick to our talking points. From a marketing/promotions perspective, encouraging this kind of conversation around the film will likely draw major media attention, which would possibly lead to increased box office numbers. In this dossier, a fact sheet is offered as a quick way for journalists to acquire information about the film and its release. Our talking points are intended to be used by Universal Pictures employees when dealing with the media. They aim to diminish any instances of inflammatory questioning and also look to gently reverse the narrative that The Hunt could promote violence.
    [Show full text]
  • International Production Notes
    INTERNATIONAL PRODUCTION NOTES PUBLICITY CONTACT Julia Benaroya Lionsgate +1 310-255-3095 [email protected] US RELEASE DATE: SEPTEMBER 28, 2018 RUNNING TIME: 89 MINUTES TABLE OF CONTENTS PRODUCTION INFORMATION ..................................... 4 ABOUT THE CAST ................................................ 14 ABOUT THE FILMMAKERS ..................................... 18 END CREDITS ...................................................... 26 3 PRODUCTION INFORMATION In this terrifying thrill ride, college student Natalie is visiting her childhood best friend Brooke and her roommate Taylor. If it was any other time of year these three and their boyfriends might be heading to a concert or bar, but it is Halloween which means that like everyone else they will be bound for Hell Fest – a sprawling labyrinth of rides, games and mazes that travels the country and happens to be in town. Every year thousands follow Hell Fest to experience fear at the ghoulish carnival of nightmares. But for one visitor, Hell Fest is not the attraction – it is a hunting ground. An opportunity to slay in plain view of a gawking audience, too caught up in the terrifyingly fun atmosphere to recognize the horrific reality playing out before their eyes. As the body count and frenzied excitement of the crowds continue to rise, he turns his masked gaze to Natalie, Brooke, Taylor and their boyfriends who will fight to survive the night. CBS FILMS and TUCKER TOOLEY ENTERTAINMENT present a VALHALLA MOTION PICTURES production HELL FEST Starring Amy Forsyth, Reign Edwards, Bex Taylor-Klaus and Tony Todd. Casting by Deanna Brigidi, CSA and Lisa Mae Fincannon. Music by Bear McCreary. Costume Designer Eulyn C. Hufkie. Editors Gregory Plotkin, ACE and David Egan.
    [Show full text]
  • Mattel Films and Blumhouse Productions Partner to Bring ‘Magic 8 Ball®’ to the Big Screen
    Mattel Films and Blumhouse Productions Partner to Bring ‘Magic 8 Ball®’ to the Big Screen June 3, 2019 First collaboration between Mattel Films and Blumhouse Productions, the producer of Get Out, Ma, Halloween Film director Jeff Wadlow, whose work includes Kick-Ass 2, Truth or Dare and the upcomingFantasy Island, has signed on to direct the production Sixth live-action film project Mattel Films has in development since its creation nine months ago, including Barbie®, Hot Wheels®, Masters of the Universe®, American Girl® and View Master® EL SEGUNDO, Calif.--(BUSINESS WIRE)--Jun. 3, 2019-- Mattel, Inc. (NASDAQ: MAT) today announced a partnership with Academy Award®- nominated production company Blumhouse Productions to create a live-action feature film based on the iconic, fortune-telling Magic 8 Ball®, selected by Time magazineas one of the100 greatest toys of all time. The film will be directed by critically-acclaimed director Jeff Wadlow, whose previous work includes notable films such as Kick-Ass 2 and Truth or Dare. Wadlow is writing the script with his collaborators, Jillian Jacobs and Chris Roach. This marks Mattel Film’s first partnership with independent powerhouse Blumhouse Productions, whose films have grossed more than $3 billion at the worldwide box office. The suspense-filled Magic 8 Ball movie will be adapted for audiences worldwide. It also marks the sixth project Mattel Films has in development, including plans to create feature films based on Mattel’s Barbie®, Hot Wheels®, Masters of the Universe®, American Girl® and View Master® brands. “Since the 1950s, Magic 8 Ball has inspired imagination, suspense and intrigue across generations.
    [Show full text]
  • The Commuter Production Notes
    THE COMMUTER PRODUCTION NOTES RELEASE DATES Australia, New Zealand & Germany (STUDIOCANAL): January 11th 2018 US (Lionsgate): January 12th 2018 UK (STUDIOCANAL): January 19th 2018 France (STUDIOCANAL): January 24th 2018 CONTACTS [email protected] [email protected] [email protected] [email protected] 1 ABOUT THE PRODUCTION Following the worldwide success of Unknown, Non-Stop and Run All Night, star Liam Neeson and director Jaume Collet-Serra reunite for a fourth time with explosive thriller THE COMMUTER about one man‘s frantic quest to prevent disaster on a packed commuter train. The screenplay proved irresistible to both the director and star, not just for the bravura of the action and the thrill of the suspense but for the moral conundrum the protagonist is faced with and the consequences it has on him, the passengers on the train and his family at home. “THE COMMUTER asks the audience, if someone asked you to do something that seems insignifi- cant but you’re not sure of the outcome in exchange for a considerable financial reward, would you do it?” says Jaume Collet-Serra. “That‘s the philosophical choice that our central character - a man of 60 who’s just been fired, has no savings and is mortgaged to the hilt - is faced with. Is he think- ing just about himself or is he going to take into consideration the possible moral consequences of what he’s asked to do? That’s the question we want the audience to ask themselves.” For Neeson, it was also the story’s real-time narrative that gives it a thrilling momentum.
    [Show full text]
  • You Can Find Details of All the Films Currently Selling/Coming to Market in the Screen
    1 Introduction We are proud to present the Fís Éireann/Screen Irish screen production activity has more than Ireland-supported 2020 slate of productions. From doubled in the last decade. A great deal has also been comedy to drama to powerful documentaries, we achieved in terms of fostering more diversity within are delighted to support a wide, diverse and highly the industry, but there remains a lot more to do. anticipated slate of stories which we hope will Investment in creative talent remains our priority and captivate audiences in the year ahead. Following focus in everything we do across film, television and an extraordinary period for Irish talent which has animation. We are working closely with government seen Irish stories reach global audiences, gain and other industry partners to further develop our international critical acclaim and awards success, studio infrastructure. We are identifying new partners we will continue to build on these achievements in that will help to build audiences for Irish screen the coming decade. content, in more countries and on more screens. With the broadened remit that Fís Éireann/Screen Through Screen Skills Ireland, our skills development Ireland now represents both on the big and small division, we are playing a strategic leadership role in screen, our slate showcases the breadth and the development of a diverse range of skills for the depth of quality work being brought to life by Irish screen industries in Ireland to meet the anticipated creative talent. From animation, TV drama and demand from the sector. documentaries to short and full-length feature films, there is a wide range of stories to appeal to The power of Irish stories on screen, both at home and all audiences.
    [Show full text]
  • Glenn-Garland-Editor-Credits.Pdf
    GLENN GARLAND, ACE Editor Television PROJECT DIRECTOR STUDIO / PRODUCTION CO. WELCOME TO THE BLUMHOUSE: BLACK BOX Emmanuel Osei-Kuffour Amazon / Blumhouse Productions EP: Jay Ellis, Jason Blum, Aaron Bergman PARADISE CITY*** (series) Ash Avildsen Sumerian Films EP: Lorenzo Antonucci PREACHER (season 3) Various AMC / Sony Pictures Television EP: Sam Catlin, Seth Rogen, Evan Goldberg ALTERED CARBON** (series) Various Netflix / Skydance EP: Laeta Kalogridis, James Middleton, Steve Blackman STAN AGAINST EVIL (series) Various IFC / Radical Media EP: Dana Gould, Frank Scherma, Tom Lassally BANSHEE (series) Ole Christian Madsen HBO / Cinemax Magnus Martens EP: Alan Ball THE VAMPIRE DIARIES (series) Various CW / Warner Bros. Television EP: Julie Plec, Kevin Williamson Feature Films PROJECT DIRECTOR STUDIO / PRODUCTION CO. BROKE Carlyle Eubank Wild West Entertainment Prod: Wyatt Russell, Alex Hertzberg, Peter Billingsley THE TURNING Floria Sigismondi Amblin Partners 3 FROM HELL Rob Zombie Lionsgate FAMILY Laura Steinel Sony Pictures / Annapurna Pictures Official Selection: SXSW Film Festival Prod: Kit Giordano, Sue Naegle, Jeremy Garelick SILENCIO Lorena Villarreal 5100 Films / Prod: Beau Genot 31 Rob Zombie Lionsgate / Saban Films Official Selection: Sundance Film Festival Prod: Mike Elliot, Andy Gould THE QUIET ONES John Pogue Lionsgate / Exclusive Media LORDS OF SALEM Rob Zombie Blumhouse / Anchor Bay Entertainment LOVE & HONOR Danny Mooney IFC Films / Red 56 HALLOWEEN 2 Rob Zombie Dimension Films BUNRAKU* Guy Moshe Snoot Entertainment Official
    [Show full text]
  • PDF of Credits
    ALANA DA FONSECA EXECUTIVE MUSIC PRODUCER – SONGWRITER MOTION PICTURES EUROVISION (Music Producer, Vocal Arranger) David Dobkin, dir. Netflix THE ADDAMS FAMILY (Music Producer) Greg Tiernan, Conrad Vernon, dirs. MGM GOOD BOYS (Executive Music Producer) Gene Stupnitsky, dir. Universal Pictures PITCH PERFECT 3 (Executive Music Producer) Trish Sie, dir. Universal Pictures POMS (Executive Music Producer) Zara Hayes, dir. STX ISN’T IT ROMANTIC (Music Producer) Todd Strauss-Schulson, dir. Warner Bros. THE SECRET LIFE OF PETS (Producer “We Go Together”) Chris Renaud, dir. Universal Pictures PITCH PERFECT 2 (Arranger/Vocal Arranger) Elizabeth Banks, dir. Universal Pictures ALVIN AND THE CHIPMUNKS: THE ROAD CHIP (Executive Music Producer) Walt Becker, dir. Fox 2000 PITCH PERFECT (Additional Vocal Arranger) Jason Moore, dir. Universal Pictures HANNAH MONTANA: THE MOVIE (Producer “Let’s Do This”) Peter Chelsom dir. Walt Disney Studios 3349 Cahuenga Blvd. West Los Angeles, California 90068 Tel. 818-380-1918 Fax 818-380-2609 ALANA DA FONSECA EXECUTIVE MUSIC PRODUCER – SONGWRITER TELEVISION JULIE AND THE PHANTOMS (Vocal Arranger/Vocal Producer, Songwriter) Kenny Ortega, dir. Netflix TROLLS: THE BEAT GOES ON (Executive Music Producer, Songwriter) Hannah Friedman, creator Netflix DWA UNNANOUNCED SHOW (Executive Music Producer, Songwriter) DreamWorks Animation ALVINNN!!! AND THE CHIPMUNKS (Executive Music Producer, Songwriter) Janice Karman, creator Nickelodeon LIVE SHOW TROLLS LIVE TOURING SHOW (Music Producer) SONGWRITER NAKED (Writer “Nobody But You”) Michael Tiddes, dir. Netflix STAR (TV) (Writer “Honeysuckle”) Lee Daniels, Tom Donaghy, creators Fox ALVIN AND THE CHIPMUNKS: THE ROAD CHIP (Writer “Home”) Walt Becker, dir. Fox 2000 POWER (TV) (Writer “Old Flame”) Courtney A. Kemp, creator Starz FIFTY SHADES OF GREY (Writer “Awakening”) Sam Taylor-Johnson, dir.
    [Show full text]
  • STUNT CONTACT BREAKDOWN SERVICE 1-11-2017 8581 SANTA MONICA BLVD #143, WEST HOLLYWOOD, CA 90069 - TEL: 323-951-1500 Page 1 of 48
    STUNT CONTACT BREAKDOWN SERVICE 1-11-2017 8581 SANTA MONICA BLVD #143, WEST HOLLYWOOD, CA 90069 - TEL: 323-951-1500 Page 1 of 48 STUNT CONTACT ACTION BREAKDOWN SERVICE FOR STUNT PROFESSIONALS 1-11-2017 (323) 951-1500 WWW.STUNTCONTACT.COM 2017. Stunt Contact is provided under a single license and is for personal use only. Any sharing or commercial redistribution of information contained herein is strictly prohibited without the express written permission of the Editor and will be prosecuted to the full extent of the law. SHOW TITLE: UNDERWATER FEATURE** PRODUCTION COMPANY: CHERNIN ENTERTAINMENT / TWENTIETH CENTURY FOX FILM CORP ADDRESS: UNDERWATER - PROD OFFICE FOX LOUSIANA PRODUCTIONS LLC 8301 W JUDGE PEREZ DR SUITE 302 CHALMETTE, LA 70043 ATTN: MARK RAYNER, STUNT COORDINATOR [email protected] TEL: 504-595-1710 PRODUCER: PETER CHERNIN, TONIA DAVIS, JENNO TOPPING WRITER: BRIAN DUFFIELD DIRECTOR: WILLIAM EUBANK LOCATION: NEW ORLEANS SHOOTS: 3/6/2017 SPECIAL INSTRUCTIONS: AQUATIC THRILLER WILL BE HELMED BY “THE SIGNAL” DIRECTOR, WILLIAM EUBANK. AFTER AN EARTHQUAKE DESTROYS THEIR UNDERWATER STATION, A CREW OF SIX MUST NAVIGATE TWO MILES IN THE DANGEROUS UNKNOWN DEPTHS OF THE OCEAN FLOOR TO MAKE IT TO SAFETY. SCRIPT WAS ON THE 2015 HIT LIST. VERY EARLY. PROJ IS STILL IN CASTING - NOT CERTAIN OF DOUBLE REQUIREMENTS. LOCAL HIRES MAY SUBMIT NOW BY EMAIL ONLY. SHOOTS THRU MID-MAY. SHOW TITLE: KNUCKLEBALL FEATURE** PRODUCTION COMPANY: THE UMBRELLA COLLECTIVE / 775 MEDIA ADDRESS: KUCKLEBALL - PROD OFFICE 2003090 ALBERTA LTD 1 To subscribe go to: www.stuntcontact.com STUNT CONTACT BREAKDOWN SERVICE 1-11-2017 8581 SANTA MONICA BLVD #143, WEST HOLLYWOOD, CA 90069 - TEL: 323-951-1500 Page 2 of 48 123 CREE ROAD SHERWOOD PARK, AB T8A 3X9 ATTN: RON WEBBER, STUNT COORDINATOR [email protected] 587-328-0288 PRODUCER: KURTIS DAVID HARDER, LARS LEHMAN, JULIAN BLACK ANTELOPE WRITER: KEVIN COCKLE, MICHAEL PETERSON DIRECTOR: MICHAEL PETERSON LOCATION: EDMONTON, AB CAST: MICHAEL IRONSIDE SHOOTS: 1/16/2017 - TENT SPECIAL INSTRUCTIONS: HORROR THRILLER.
    [Show full text]
  • Christina Flannery
    CHRISTINA FLANNERY Costume Designer www.christinaflannery.com Selected Features: FRESH – Legendary Pictures – Mimi Cave, director ALL MY LIFE – Universal Pictures / Broken Road Productions – Marc Meyers, director THE SECRETS WE KEEP – AGC Studios / Amazon – Greg Shapiro, producer – Yuval Adler, director K-12 – Kim Stuckwisch & Nicole Rocklin, prod. – Melanie Martinez, director SEMPER FI – Lionsgate – David Lancaster & Karina Miller, producers – Henry Alex Rubin, director THEM THAT FOLLOW – Amasia Entertainment – Michael Helfant & Bradley Gallo, prod. – Britt Poulton & Dan Savage, directors *Official Selection Sundance Film Festival CAM. – Netflix / Divide/Conquer – Adam Hendricks & Isabelle Link-Levy, producers – Daniel Goldhaber, director *Fantasia Awards Winner: Best First Feature & Best Screenplay BAYOU CAVIAR – Brittany House Pictures – Anjul Nigam & Hilary Shor, producers – Cuba Gooding Jr, director BIRDS IN THE TRAP-TRAVIS SCOTT – Peligroso Productions – Pj Sodaki & Clemence Cuvelier, prod. – Fleur Fortune, director PEOPLE – KONO Productions – Harrison Huffman & Eric Winder Sella, prod. – Shane McGoey, writer & director CUT OFF – MediaFusion Entertainment – Carol Bidault de L'Isle, producer – Jowan Carbin, director CARTER AND JUNE – Sacred Bull Media – Nicholas Kalikow, director – Assistant Costume Designer ABATTOIR – Dark Web Productions – Darren Lynn Bousman, director – Assistant Costume Designer HEART BABY – Round Room Productions – Angela Shelton, director – Assistant Costume Designer MISSISSIPPI GRIND – Electric City Entertainment – Anna Boden & Ryan Fleck, directors – Costume Coordinator Selected Television: THE CHI (Season 4) – Showtime – Lena Waithe, creator ON THE VERGE (co-costume designer) – Netflix / Barnstormer LA – Julie Delpy, Executive Producer Selected Commercials: NFL. VERIZON. STARBUCKS. OAKLEY. RODAN AND FIELDS. STATE FARM. AUDIBLE. GOOGLE PIXEL 2. GOOGLE VR. HP. VERIZON.FUJI. BANK OF AMERICA. GQ. APPLE. SPECIAL OLYMPICS, LIDL. MCDONALDS. POPEYES. MARLBORO. CADILLAC. TAX ACT.
    [Show full text]
  • American Independent Cinema 1St Edition Pdf, Epub, Ebook
    AMERICAN INDEPENDENT CINEMA 1ST EDITION PDF, EPUB, EBOOK Geoff King | 9780253218261 | | | | | American Independent Cinema 1st edition PDF Book About this product. Hollywood was producing these three different classes of feature films by means of three different types of producers. The Suburbs. Skip to main content. Further information: Sundance Institute. In , the same year that United Artists, bought out by MGM, ceased to exist as a venue for independent filmmakers, Sterling Van Wagenen left the film festival to help found the Sundance Institute with Robert Redford. While the kinds of films produced by Poverty Row studios only grew in popularity, they would eventually become increasingly available both from major production companies and from independent producers who no longer needed to rely on a studio's ability to package and release their work. Yannis Tzioumakis. Seeing Lynch as a fellow studio convert, George Lucas , a fan of Eraserhead and now the darling of the studios, offered Lynch the opportunity to direct his next Star Wars sequel, Return of the Jedi Rick marked it as to-read Jan 05, This change would further widen the divide between commercial and non-commercial films. Thanks for telling us about the problem. Until his so-called "retirement" as a director in he continued to produce films even after this date he would produce up to seven movies a year, matching and often exceeding the five-per-year schedule that the executives at United Artists had once thought impossible. Very few of these filmmakers ever independently financed or independently released a film of their own, or ever worked on an independently financed production during the height of the generation's influence.
    [Show full text]
  • "/Title/Tt3702160/": {"Director": [["Kimberly Jessy"]], "Plot": ["\Nbeautiful D Anger Is an Animated 3D Made for TV/Short Film
    {"/title/tt3702160/": {"director": [["Kimberly Jessy"]], "plot": ["\nBeautiful D anger is an Animated 3D Made for TV/Short Film. It's a Thriller that combines, M TV's Teen Wolf, Pretty Little Liars, Gossip Girl, Sorcery, Twilight, in one film , Epic fight scenes, No-one is who you think they are, Alternate Universes, Teen Young Adult Action Good Verses Evil, flick with tons of Cliff Hangers! It takes place In Dark Oak, CA were the typical mean girl with magical powers tries to t ake over the school with her mean girl clique. Brooke Charles Takes on Kimberly Jesika and her good girl team. Death Becomes Brook cause she keeps coming back, Think Katherine Vampire Diaries. Kimberly has magical powers and so does her cla n. It's a match to the death. No one is who they seem or who they appear to be! Excitement and sitting on the edge of your seat. Written by\nKimb erly Jessy "], "imdb_rating": [], "mpaa_rating": [], "poster_link": [], "stars": [["Kimberly Jessy"], ["Helena Evans"], ["Chloe Benoit"]], "title": "Beautiful D anger 3D Animated Teen Thriller", "genre": [[" Animation"]], "release_date": [], "writer": [["Kimberly Jesika"], ["Doll Face Animated Films"]]}, "/title/tt25692 02/": {"director": [["Emily Gossett"]], "plot": ["\nThe last year of high school has been barely tolerable for Maggie Masters. After being dumped by her three y ear relationship with Chad, to be traded in for a football dream at UF, she has to succumb to her mother leaving for a better life. Maggie is left to pick up th e remains of her fragmented life. When fate intervenes by the touch from the mys terious and handsome Caleb Jacobson, whom she saves, leaves Maggie breathless, s tartled and captivated.
    [Show full text]