Pericos & Friends

Total Page:16

File Type:pdf, Size:1020Kb

Pericos & Friends Pericos & Friends “This is the result of nearly two years of hard work, during which time we have revisited some of our favorite songs and recreated them, along with some hits by Bob Marley and other great artists. We treated ourselves and invited artists we revere and some great friends to come and play with us, and each of them brought their own magic to our music. Pericos & Friends is an album created with the help of over 50 musicians, recorded in 9 countries and with tracks in a variety of languages, yet a love of reggae and music in general tie the whole project together. We, the Pericos, are celebrating 25 years of makng music and this is the best way to start to celebrate!". With such strong evidence, all we can do is examine the result; Pericos & Friends is an album full of life, magic and joy, the pinnacle of a long career that not only made reggae popular throughout Latin America but also provided an indispensable songbook known and loved by all. Like the best parties, Pericos & Friends is an album chock full of fun from beginning to end. Waiting, Mucha Experiencia, Pupilas Lejanas, Natural Mystic, Runaway, Complicado and Aturdido are all here! Los Pericos are celebrating their 25th birthday and they´re doing it in style! They have even brought along special guests like Ali Campbell (of UB40 fame), the pioneer Gregory Isaacs, the immortal Wailers, founding father Toots Hibbert (of Toots and the Maytals), the talented Mykal Rose of Black Uhuru and contemporary legends like the Skatalites. A unique combo composed of Pato Banton and the unforgettable duo of Sly and Robbie also come together along with Latin stars like Cidade negra, Guillermo Boneto of Los Cafres, Juan Manuel Casán of the Spanish group Seguridad Social as well as the Uruguayans of No Te Va Gustar and the Chilean members of Gondwana. In the history of rock in Argentina there has never been an album that brought together so many important artists with a common goal. Pericos & Friends is not just a party, its not just another fun reggae album either, it is a hit that is sure to cross generational and geographical frontiers!.
Recommended publications
  • Sly & Robbie – Primary Wave Music
    SLY & ROBBIE facebook.com/slyandrobbieofficial Imageyoutube.com/channel/UC81I2_8IDUqgCfvizIVLsUA not found or type unknown en.wikipedia.org/wiki/Sly_and_Robbie open.spotify.com/artist/6jJG408jz8VayohX86nuTt Sly Dunbar (Lowell Charles Dunbar, 10 May 1952, Kingston, Jamaica, West Indies; drums) and Robbie Shakespeare (b. 27 September 1953, Kingston, Jamaica, West Indies; bass) have probably played on more reggae records than the rest of Jamaica’s many session musicians put together. The pair began working together as a team in 1975 and they quickly became Jamaica’s leading, and most distinctive, rhythm section. They have played on numerous releases, including recordings by U- Roy, Peter Tosh, Bunny Wailer, Culture and Black Uhuru, while Dunbar also made several solo albums, all of which featured Shakespeare. They have constantly sought to push back the boundaries surrounding the music with their consistently inventive work. Dunbar, nicknamed ‘Sly’ in honour of his fondness for Sly And The Family Stone, was an established figure in Skin Flesh And Bones when he met Shakespeare. Dunbar drummed his first session for Lee Perry as one of the Upsetters; the resulting ‘Night Doctor’ was a big hit both in Jamaica and the UK. He next moved to Skin Flesh And Bones, whose variations on the reggae-meets-disco/soul sound brought them a great deal of session work and a residency at Kingston’s Tit For Tat club. Sly was still searching for more, however, and he moved on to another session group in the mid-70s, the Revolutionaries. This move changed the course of reggae music through the group’s work at Joseph ‘Joe Joe’ Hookim’s Channel One Studio and their pioneering rockers sound.
    [Show full text]
  • Pablo Moses INTERVIEW
    MAGAZINE #3 - December 2010 Rootz Underground Live in Kingston Horace Andy & Scientist Tippy Lloyd Brown Don Chandler Glen Washington Duane Stephenson Pablo Moses INTERVIEW * Israel Vibration * Sadiki * Cornadoor * Clinark * Alpheus * * Trojan * Buju Banton * Gappy Ranks * Special Delivery * J Boog * * Lloyd Brown * Frenchie * Pow Pow * Konshens * United Reggae Mag #3 - December 2010 Want to read United Reggae as a paper magazine? In addition to the latest United Reggae news, views andNow videos you online can... each month you can now enjoy a free pdf version packed with most of United Reggae content from the last month.. SUMMARY 1/ NEWS •Lloyd Brown - Special Delivery - Own Mission Records - Calabash J Boog - Konshens - Trojan - Alpheus - Racer Riddim - Everlasting Riddim London International Ska Festival - Jamaican-roots.com - Buju Banton, Gappy Ranks, Irie Ites, Sadiki, Tiger Records 3 - 9 2/ INTERVIEWS •Interview: Tippy 11 •Interview: Pablo Moses 15 •Interview: Duane Stephenson 19 •Interview: Don Chandler 23 •Interview: Glen Washington 26 3/ REVIEWS •Voodoo Woman by Laurel Aitken 29 •Johnny Osbourne - Reggae Legend 30 •Cornerstone by Lloyd Brown 31 •Clinark - Tribute to Michael Jackson, A Legend and a Warrior •Without Restrictions by Cornadoor 32 •Keith Richards’ sublime Wingless Angels 33 •Reggae Knights by Israel Vibration 35 •Re-Birth by The Tamlins 36 •Jahdan Blakkamoore - Babylon Nightmare 37 4/ ARTICLES •Is reggae dying a slow death? 38 •Reggae Grammy is a Joke 39 •Meet Jah Turban 5/ PHOTOS •Summer Of Rootz 43 •Horace Andy and Scientist in Paris 49 •Red Strip Bold 2010 50 •Half Way Tree Live 52 All the articles in this magazine were previously published online on http://unitedreggae.com.This magazine is free for download at http://unitedreggae.com/magazine/.
    [Show full text]
  • New Gregory Isaacs Song Set for Release
    New Gregory Isaacs Song Set For Release Published by: Jamaica Gleaner on Saturday, August 12th, 2017 Overseas-based label, Upsetta Records, is gearing up to release a new Gregory Isaacs record. It is one of only two records to be released for the late king of lovers rock since his passing in 2010. According to Upsetta, they got the record through a deal with another label. "For two years, one of our bredren from VIS Records had been mentioning that they had a Gregory Isaacs session and would love to see what we at Upsetta Records could do with it. The tune was originally recorded with VIS Records before Gregory passed away in 2010. They had released the tune, but with little promotion and fanfare, thus the tune was hardly heard by anyone and they wanted it to get the proper exposure, and that's why they have reached out to us," he explained. The record is featured on Upsetta Records' Lion Pride rhythm, a project which was almost completed before the producers decided to add Gregory to the compilation. Upsetta said the sound of the rhythm called for Isaacs' unique vocals. "One night, while they were wrapping up production on the Lion Pride Rhythm, Dubee, a member of Team Upsetta, was listening to the mixed version of the compilation. The rhythm was so soulful and smooth and he heard Gregory crooning over the drum line and organs. He immediately jumped up and whatsapp our bredren from VIS Records and told him he thinks we are ready to take him up on the Gregory session.
    [Show full text]
  • About Karen Proctor, Founder. Over 20 Years Ago, Londoner Karen Proctor Discovered Reggae
    The Lion Roars Bringing the world of Reggae music together in one easy-to-use app. Now available on Apple App Store and Google Play. Aimed at everyone from ardent reggae and dancehall fans to the fledgling listener, Jamarado offers its subscribers both a musical journey and a voyage of discovery into Jamarado life. Jamarado is not only an extensive, curated collection of the multi-faceted music from the 60s to now, it’s also an intuitive one-stop-hub offering access to the broader reggae culture and its connections. From events to the best in food, health, fashion, travel and home, Jamarado is a music and lifestyle app for both a new generation of reggae listeners, diehard devotees and music lovers the world over. Simple-to-use, easy-to-choose the Jamarado App is designed to allow listeners to select the music by zones according to mood, taste or genre. The 12 main Jamarado Zones range from Big Chunes and Feelin’ Irie, to Love Mi Always, Back-a-Time, Rebel Rockers, One World, Dancehall, Now Beatz, Party Karnival, Special Selectahs and So Hot Right Now featuring the latest hits. Listeners enter a unique world of continuous flow music with curated tracks from a growing catalogue of over 5000 hand-picked tunes. No ads. No fuss. No talking – pure music, old school radio-style with the streaming technology of today. From big names to rising artists, much loved classics to niche gems. Jamarado encourages the element of discovery introducing subscribers to artists and tracks they don’t yet know, whilst playing the old favourites and the biggest hits.
    [Show full text]
  • Tony Chin Earl Zero Derrick Lara Papa Michigan Johnny Dread Anthony John Fully Fulwood Mellow Movement Iriemag.Com
    DEC 2015 CA 01.04 T R A X ROOTS / ROCK / REGGAE / RESPECT featuring HOUSE OF SHEM ARMY RAS D Z-MAN TONY CHIN EARL ZERO DERRICK LARA PAPA MICHIGAN JOHNNY DREAD ANTHONY JOHN FULLY FULWOOD MELLOW MOVEMENT IRIEMAG.COM CA ISSUE #01.04 / DECEMBER 2015 “ If you haven’t confidence in self, you are twice defeated in the race of life. With confidence, you have won even before you have started.” - Marcus Garvey Nicholas ‘Nico’ Da Silva Founder/Publisher & Editor in Chief IRIEMAG.COM MERCH. The Official ‘Rockers’ Tee from Irie Magazine Available in T-Shirts & Hoodies for Men/Women Two styles to choose from: Jamaica or Ethiopia IRIEMAG.COM House of Shem Derrick Lara Papa Michigan Ras D New Zealand Jamaica Jamaica Jamaica Army Fully Fulwood Tony Chin Johnny Dread U.S. Virgin Islands Jamaica Jamaica United States Earl Zero Anthony John Mellow Movement Z-Man United States Jamaica United States United States NZL HOUSE OF SHEM IRIEMAG.COM REGGAE HOUSE OF SHEM House Of Shem is an Aotearoa (New Zealand) based harmony trio comprised of Carl Perkins and his FOLLOW two sons, Te Omeka Perkins and Isaiah Perkins, who are each multi-instrumentalist and producers. House of Shem Formed 2005 in the rural area of Whanganui, the band embodies elements of roots reggae, pacific reggae and traditional maori music with relatable song-writing that connects powerfully with not only New Zealand and Australia audiences, but reggae listeners globally attracting fans from all Featured Album areas of the world. Since bursting onto the music scene with their debut album ‘Keep Rising’ in 2008, House of Shem has released three very successful Albums and built a rapidly growing loyal fan base.
    [Show full text]
  • United Reggae Magazine #7
    MAGAZINE #12 - October 2011 Queen Ifrica INTERVIEW FRANZ JOB SOLO BANTON DAWEH CONGO JOHNNY CLARKE JUNIOR MURVIN DON CORLEON, PRESSURE AND PROTOJE Sugar Minott - Dennis Brown - Peter Tosh - Tony Rebel J-Boog - Ce’Cile - Ruff Scott - I-Wayne - Yabass - Raging Fyah Bunny Lee and The Agrovators - Sly and Robbie - Junior Reid United Reggae Magazine #12 - October 2011 Want to read United Reggae as a paper magazine? Now you can... In addition to the latest United Reggae news, views and videos online each month you can now enjoy a SUMMARY free pdf version packed with most of United Reggae content from the last month. 1/ NEWS EDITORIAL by Erik Magni 2/ INTERVIEWS • Don Corleon, Pressure and Protoje 16 • Solo Banton 18 • Johnny Clarke 23 • Daweh Congo 25 • Queen Ifrica 29 • Franz Job 32 • Junior Murvin 35 3/ REVIEWS • The Upsessions - Below The Belt 41 • J-Boog - Backyard Boogie 42 • CeCile - Jamaicanization 44 Discover new music • Ruff Scott - Roots And Culture 45 • I-Wayne - Life Teachings 46 In the heydays of music magazines in the 90’s and early 2000’s getting a complimentary • Yabass - Back A Yard Dub 47 music CD was a regular pleasure. I for one found several new artists and groups due to • Bunny Lee and The Agrovators - Dub Will Change Your Mind 48 this promotional tool. Since then the music and publishing businesses have radically • Raging Fyah - Judgement Day 49 changed. Consumers have taken their reading and listening habits online and this has • The Bristol Reggae Explosion 2: The 1980s 50 lead to a dramatic decrease in sold physical units.
    [Show full text]
  • The Peacemaker's Chauffeur by Jason Wilson
    • The Peacemaker’s Chauffeur By Jason Wilson Review by Douglas Heselgrave September 15, 2011 When I first heard Bob Marley in 1977 at fifteen years of age, the way I thought of music changed almost instantly. Until then, I thought that music that expressed the need for social change and self-reliance belonged solely to artists like Bob Dylan, Phil Ochs and Richie Havens. An acoustic guitar – and little else in the way of accompaniment – was de rigeur. ‘Dance music’ such as reggae had always existed in my mind as little more than a novelty or at best a soundtrack to a summer party. But, once I heard the newly minted ‘Exodus’ album at my friend’s brother’s apartment, I was hooked. As a burgeoning reggae fan, I couldn’t have come on board at a better time. In the next few years, I became exposed to the music of Peter Tosh, Bunny Wailer, Burning Spear, Culture, Wailing Souls, Augustus Pablo, Toots and the Maytals ….. the list goes on. I was lucky enough to see Bob Marley live on the Survival tour and in the following years, it was not uncommon to be able to attend shows by Tosh, Dennis Brown, Culture, Third World, Burning Spear and Gregory Isaacs all in a single summer. Those were heady days, and if you’re of my generation and of my musical inclination, you may have begun to despair about the state of reggae in recent years. Caribbean friends assure me that there is a lot of great music still being produced, and I’m sure that they’re right.
    [Show full text]
  • Toop Ocean of Sound
    115 ocean of sound make music that can make wrongs right. I was getting help from God, through space,through the sky, through the firma- ment, through the earth, through the wind, through the fire. I got- supportthrough the weather to make space music." Lee Perry's spelf When I clap my hand, duppy appear to me from coast to coast, flying through the night post and through treyholes. SometimeS they melt the key, if-the key is in the keyhole, in a puff ofsmoke --PffffffffL~ ~ When I cut a Stench-Fart, it so loud that it bring up volcano lava, and is more dangerous than a hurricane ... Say "hi" to the lovers of Christ, and "bye" to the lovers of the devil. 'cause I kill the devil with my spiritual leveL MXR Armagideon War. Electrical machine, computer man, the mighty Upsetter, the ghost in the machine. Mad Perry, lightniiJ.g head master, breaker of doom. Dr Fu Manchu, black Fu Manchu. Boom! Boom! Boom! Boom! Boom! Boom! Boom! Boom! This is a musical curse. Blessed are the Poor, and cursed are the Rich. Hic Hoc; Hic Hoc, Yak Yak. It finish. Yak Yak. replicant Dub_music is like-along echo delay,-looping through time. Regenerating every few- years, sometimes so quiet that only a disciple could hear, sometime shatteringly loud, dub unpicks music in the commercial sphere. Spreading out a song or.a groOve-over a vast landscape of peaks and deep trenches, extending- hooks and beam to vanishing point, dub creates llew maps of time, intangible sound sculptures, sacred Sites, balm and shock for mind, body and spirit.
    [Show full text]
  • Renato Sets It Straight: the Panamanian Roots of Reggaetón
    Peter Szok Renato Sets It Straight: An Interview on the Diffuse Roots of Reggaeton Texas Christian University, EE.UU. [email protected] Introduction An intense debate has arisen over the last decade regarding the origins and the development of reggaeton. As Wayne Marshall notes in a recent publication, the discussion has often taken on a heated and “linear” quality, with participants linking the genre’s spectacular emergence to pre- existing, nationalist narratives, while ignoring its global and fluid character, the “migration” of its artists, and the “reach of the media” which impacts its subjects simultaneously in various regions (Marshall 22). Puerto Ricans have most successfully produced this dance music which draws heavily on aspects of commercialized African diasporic culture and which is now heard and performed across Latin America, the United States, Europe, and many other parts of the world. As a result, they and others tend to present the rhythm as having come “straight outta Puerto Rico,” as implied in a 2008 documentary which ties reggaeton’s rise to the island’s youth and popular culture (Savidge and Chankin). However, Panamanian musicians are equally adamant that the musical form is essentially their creation and that its roots lie firmly in the traditions of the isthmus’ Afro-Antillean population. “We invented it in Panama,” insisted salsero Rubén Blades, during a press conference in Puerto Rico, while serving as his country’s Minister of Tourism. Speaking in what might be regarded as enemy territory, Blades identified reggaeton as part of his republic’s patrimony, and he called on Panamanians to abandon any prejudices and to recognize its importance in their society (“Rubén Blades” s.p.).
    [Show full text]
  • Meta and the Cornerstones Born in Senegal, West Africa, Lead Singer Of
    Meta AND The Cornerstones Born in Senegal, West Africa, lead singer of Meta and The Cornerstones, Meta Dia, discovered his love for music and desire to be a musician at a very young age. Listening to Reggae greats Bob Marley and Gregory Isaacs helped nurture his admiration and true appreciation for all types of music. As a self-taught musician, by age 14 he was performing on the street and stages of his hometown Dakar, Senegal. In 2000, Meta formed his first band YALLA SUUREN (God Bless), which was nominated for Best Hip-Hop/Reggae Group by the French Cultural Center the same year. Within two years, Meta had become one of the premier pioneering voices of the Hip-Hop culture in West Africa. After relocating to the United States, Meta immediately began collaborating with artists such as Sean Blackman, and Hip-Hop Ambassador Toni Blackman. Shortly after settling in New York City, he formed his visionary band, Meta and The Cornerstones. With varying ethnicity, religion, and musical influences, Meta and The Cornerstones’ sound is a melting pot rooted in diversity, strength, and unity as they combine their creative differences from Africa, Asia, the Middle East and the Caribbean bringing togetherness, peace and understanding. Meta and The Cornerstones channels Roots Reggae while simultaneously breathing new life into the genre, thus creating what critics have called a “soul-pounding spiritual experience” during their live performances. Inspired by Alpha Blondy and Lucky Dubee, they have shared the stage with Reggae stars Luciano, Steel Pulse, Clinton Fearon, Israel Vibration, Lee 'Scratch' Perry, Gentleman and Tanya Stephens amongst others.
    [Show full text]
  • The Top 200 Greatest Reggae Songs
    The top 200 greatest reggae songs 1. No Woman, No Cry - Bob Marley & the Wailers 2. Israelites - Desmond Dekker & the Aces 3. Stir It Up - Bob Marley & the Wailers 4. Pressure Drop - Toots & the Maytals 5. The Harder They Come - Jimmy Cliff 6. One Love - Bob Marley & the Wailers 7. 54-46 That's My Number - Toots & the Maytals 8. Satta Massagana - The Abyssinians 9. Funky Kingston - Toots & the Maytals 10. Montego Bay - Freddie Notes & The Rudies 11. Many Rivers To Cross - Jimmy Cliff 12. Marcus Garvey - Burning Spear 13. Legalize It - Peter Tosh 14. Redemption Song - Bob Marley & the Wailers 15. Here I Come - Dennis Brown 16. Get Up, Stand Up - Bob Marley & the Wailers 17. Rudy Got Soul - Desmond Dekker & The Aces 18. The Tide Is High - The Paragons 19. Three Little Birds - Bob Marley & the Wailers 20. Everything I Own - Ken Boothe 21. Night Nurse - Gregory Isaacs 22. You Don't Care - The Techniques 23. Vietnam - Jimmy Cliff 24. Rivers Of Babylon - The Melodians 25. Police & Thieves - Junior Murvin 26. Buffalo Soldier - Bob Marley & the Wailers 27. Red Red Wine - UB40 28. Cherry Oh Baby - Eric Donaldson 29. (I Am) The Upsetter - Lee "Scratch" Perry 30. Sitting & Watching - Dennis Brown 31. Jammin' - Bob Marley & the Wailers 32. Wear You To The Ball - U-Roy & The Paragons 33. Two Sevens Clash - Culture 34. I Shot The Sheriff - Bob Marley & the Wailers 35. Armagideon Time - Willie Williams 36. 007 Shanty Town - Desmond Dekker & The Aces 37. A Love I Can Feel - John Holt 38. Revolution - Dennis Brown 39. Queen Majesty - The Techniques 40.
    [Show full text]
  • Selected Discography - Dennis Brown
    12 East Street, P.O. Box 823 Kingston, Jamaica Tel: (876) 967-1526; 967-2516; 967-2494; 967-2496 Fax: (876) 922-5567 Email: [email protected] Website: www.nlj.gov.jm Selected Discography - Dennis Brown Singles “No Man Is an Island,” Dodd, 1968. “Money in My Pocket,” Joe Gibbs, 1979. “Big All Around” (with Gregory Isaacs), Music Works, 1989. “Liberation,” Alvin Ranglin, 1994. Albums No Man Is an Island, Dodd, 1968. Just Dennis, Trojan, 1975. Visions, Shanachie, 1977. Westbound Train, Third World, 1978. Wolf & Leopards, EMI, 1978. Live in Montreux, Laser, 1979. Joseph’s Coat of Many Colours, Laser, 1979. Words of Wisdom, Shanachie, 1979. Spellbound, Laser, 1980. Foul Play, A&M, 1981. Love Has Found Its Way, A&M, 1982. The Prophet Rides Again, A&M, 1983. Satisfactory Feeling, Tad’s, 1983. Money in My Pocket, Trojan, 1983. 12 East Street, P.O. Box 823 Kingston, Jamaica Tel: (876) 967-1526; 967-2516; 967-2494; 967-2496 Fax: (876) 922-5567 Email: [email protected] Website: www.nlj.gov.jm Walls & Letters, Joe Gibbs, 1984. Love’s Got a Hold on Me, Joe Gibbs, 1984. Reggae Superstars Meet, Striker, 1985. Halfway Up, Halfway Down, A&M, 1986. Hold Tight, Live & Learn, 1986. Brown Sugar, RAS, 1986. Slow Down, Shanachie, 1987. Inseparable, VP, 1988. My Time, Rohit, 1989. Good Vibrations, Rohit, 1989. No Contest, VP, 1989. Unchallenged, VP, 1990. Go Now, Rohit, 1991. Sarge, VP, 1991. Overproof, VP, 1991. Victory Is Mine, RAS, 1991. Cosmic Force, Heartbeat, 1992. Blazing, Shanachie, 1992. Friends For Life, Shanachie, 1992. Some Like It Hot, Heartbeat, 1992.
    [Show full text]