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TYPE CONO FFIC IAL2 014C APIT OLIZ EDPR FROM: Christopher Slye “Chairman of the Board” <SOTA> SENT: 16.06.14 / 23:23 EDT TO:REDACTEDXXXXXXXXXXXXXXXXXXX XXXXXXXXXXXXXXXXXXXXXX CC:REDACTEDXXXXXXXXXXXXX SUBJECT: Welcome to TYPECON2014 On behalf of the SOTA Board of Directors, REDACTEDXXX REDACTEDXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX REDACTEDXXXXXXXXXXXXXXXXXXXXXX and REDACTEDXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX REDACTEDXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX REDACTEDXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX REDACTEDXXXXXXXXXXXXXXXXXXXXXXXXXXXX REDACTEDXXXXX when REDACTEDXXXXXXXXXXXXXXX REDACTEDXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX REDACTEDXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX REDACTED . Christopher Slye Chairman of the Board The Society of Typographic Aficionados Talk like an Egyptian 001 PAGE #002 DOC: 20DC TC14 SECT ION: #001 CODE PROG RAMG OVER VIEW **** **** ****003 ******************************* ******************************* ******************************* ******************************* WEDNESDAY 30 JULY FRIDAY 01 AUGUST SATURDAY 02 AUGUST SUNDAY 03 AUGUST FULL-DAY WORKSHOPS MAIN PROGRAM MAIN PROGRAM MAIN PROGRAM 0900–1630 0800 0800 0830 Writing Type: Continental Breakfast Continental Breakfast Continental Breakfast Exploring Connections Exhibits & Marketplace Open Exhibits & Marketplace Open Exhibits & Marketplace Open Between Calligraphy and Type Jim Wasco & Julian Waters 0830 0830 0900 Opening Remarks Opening Remarks Opening Remarks Glyphs.app for the Pros Rainer Erich Scheichelbauer & 0840 0840 0910 Georg Seifert 20th Century Metal Type David + the Machine Cracking the Code Foundry Ephemera Aaron Bell David Jonathan Ross Devanagari: Simplifying Rob Saunders the Complex 0925 0955 Rob Keller & Kimya Gandhi 0925 The Typography of Problems of Adjacency Merchant of Alphabets: George Maciunas John Hudson HALF-DAY WORKSHOPS: MORNING 2014 Edition Mila Waldeck John Collins 1035 0900–1200 1005 Coffee Break Technographic Workshop: 1005 Coffee Break Coffee Break 1055 Digital Fabrication 1030 Müller-Brockmann & Ashley John Pigford & 1030 Wood Type Teamwork: From Müller-Brockmannesque Tricia Treacy The Uppercase M and the Analog to Digital and Back Again Kimberly Elam Rest of the Gang: Crafting Type Mark Jamra HALF-DAY WORKSHOPS: at Medium 1115 AFTERNOON Marcin Wichary & Dustin Senos 1050 Octagonal Gothic: A Look at 1330–1630 Young Swiss Style: Contemporary 8-Sided Letterforms 1050 Swiss Graphic Design Sean King Flourishing Rules Type in 20: Typo + Photo Thierry Blancpain Xandra Zamora Mitch Goldstein 1135 1110 Efficient Web Type, c. 1556 Letterpress Poster Sprint & Print 1110 Three Decades of Kenneth Ormandy Lauren Emeritz & Laura Kinneberg Codes and Cards: Symbology “Getting Better” from Victorian-Era Calling Cards David Lemon 1205 SPECIAL PRESENTATION Nancy Sharon Collins A Collaborative Reference to Wednesday evening 1135 Writing Systems 1135 The Look of Sound: Branding & Victor Gaultney Dana Tanamachi The Romance of Offset Marketing of New Technology in Presented by Type Directors Club Mark Simonson the American Record Industry, 1245 Closing Remarks ******************************* 1888–1967 1215 Nick Shinn THURSDAY 31 JULY Lunch Break 1300–1530 1215 REDACTEDREDACTED 1230 REDACTEDREDAC FULL-DAY WORKSHOPS Lunch Break REDACTEDREDAC 0900–1630 1400 1315–1500 1400 Type Crit with John Downer, The Expressive Brush Radical Anecdotes In Search Designing for Audiences with Akira Kobayashi & Matthew Carter Stephen Rapp & for Solutions Low Literacy Skills Debi Sementelli Liron Lavi Turkenich Corinne Nakamura-Rybak & EVENING EVENT Hebrew Type Design: Jennifer Messenger-Heilbronner 1445 1900–2200 Tasting of a Square Script The Power of an Alphabet to 1445 Liron Lavi Turkenich Define a Culture Typography: A Matter of Life Alice J. Lee Ma venitas imus et quas mil and Death HALF-DAY WORKSHOPS: MORNING errum fugite volupis aut ut harum Richard Hunt 1505 0900–1200 assinvel mo que si optatentor Type at Scale: An Inside Look at 1505 magnisiti cusande bitiamus apid Watercolor + Handlettering Typography at Facebook Liberation from Mediocrity, or, modis repeditatet prorrores alite Amber Goodvin Scott Boms The Freedom of Paying Bills velibusciet optae ea soluptae. Between the Letters: Hrant Papazian 1525 Optatio. Tem aut verionet voluptin The Business of Being an Coffee Break rem vita qui verum voluptum 1525 Independent Type Designer volecus maximpo rehent ut dest Greek Yogurt & The Melting Pot of 1540 Silas Dilworth, Matthew Butterick et et aliquae volorepedit idio Food Packaging in America The Sans with Contrast: & Jackson Cavanaugh officiliqui simillab il ipicab iumque Terrance Weinzierl Seriflessness Across Time exera apeliquis aut labori asi Technographic Workshop: Carl Crossgrove optate pre etusoriscit quo dolupta 1545 Letterpress Printing tiistrum quam ut dolupta quodis Coffee Break 1620 Ashley John Pigford & aut id quatior empore nobitaqui Zapfino Arabic: A Question of Tricia Treacy adi rest volutatius. 1600 Slanted Writing Issues with Devanagari Nadine Chahine HALF-DAY WORKSHOPS: Display Type AFTERNOON Sarang Kulkarni 1645 1330–1630 SOTA Typography Award 1620 Presentation Pen Dance Thinking Typographically Mary Hart in Design EVENING EVENT Brian Warren KEYNOTE PRESENTATION 2030–2300 Thursday evening 1705 The Infamous Type Quiz & SOTA Catalyst Award Silent Auction Tobias Frere-Jones & Presentation Presented by Monotype Presented by SOTA PROGRAM OVERVIEW 005 PAGE #006 DOC: 20DC TC14 SECT ION: #002 CODE PRE CONF EREN CE P ROGR AM** ****007 PRE-CONFERENCE WORKSHOPS *************************************** Glyphs.app for the Pros Pre-conference workshops will be held at the Corcoran Rainer Erich Scheichelbauer & Georg Seifert College of Art + Design, Pyramid Atlantic Art Center, and the Hyatt Regency Washington. Transportation between Batch-processing, importing VFBs, hinting, using metric workshops and the conference hotel will be provided. keys for spacing, applying custom parameters, and auto- mating tasks through scripting: in this workshop, type de- Full day workshops break for lunch 1200–1330. sign pros can get all their Glyphs.app questions answered. Attendees can purchase a Glyphs.app license at a discount price. Some prior experience in type design or font produc- tion required. *************************************** WEDNESDAY, JULY 30TH Requirements: Workshop attendees must bring their own laptops with the following pre-installed software: Mac OS X 10.7 or later; the latest version of Glyphs.app; a text editor FULL-DAY SESSIONS such as TextMate or Sublime Text. 0900–1630 *************************************** *************************************** REDACTEDREDACTEDREDACTED Writing Type: Exploring Connections Between Calligraphy REDACTEDXXXXXXXXXX and Type Jim Wasco & Julian Waters Velias suntures ut quatur magnate aut liquid quaspidem. Nam et que porit ut vel molum, earum vent, quatatquam Type originally grew directly out of the hand and the pen. repudaecta arit, nus prempori nest aditi sint la pra que Join master lettering designer Julian Waters, and type velisquiae. Et lati volore latae pre, cus consent que accup- designer Jim Wasco for a full day hand lettering workshop, ta speriberatum res volores tiaturi utemqui nullanti conse experiencing styles of calligraphy responsible for molding peresequas exero ellores sitenih icillacea sum quibus typeface designs over the centuries. This workshop will unt doluptatem volorep tatio. Et officiducid quam eos et provide the fundamentals of lettering and give you that quasped quis consequunt lis dolorent intius ad eturepu direct connection between hand lettering/calligraphy and ditatur aut voluptas ex everum quiam, excerunti dolorio type. Whether you are just interested in playing around qui dolupie nduciis es ea nobitatur sit rest quam am quatis with letterforms, or an experienced type designer, feel the dolori aut quis nos voloris rerum ad quia venisquia quost roots of early type flow through your own fingers. quias min et, quam, ut quibusci numquat esciisq uatur- erferci nobiti cum fuga. On ressinu llupiet laut maximinciet Waters will cover chisel nib calligraphic styles including vellor aceptaspis doluta volorepudis aut od quam, siti modern versions of simple Blackletter (Gutenberg etc. in repercimus, sit odipsam nem earciendes ipis mi, quiaece the north), to Humanist/Roman and Italic (Jenson, Aldus pudandandic tempor as in receriatem. etc. in the south). Wasco will focus on spring steel nib Copperplate Calligraphy, the later pointed pen/engraving *************************************** period, how that “swelled line” affected Roman forms as Devanagari: Simplifying the Complex well as the sloped ones … and up to contemporary brush Rob Keller & Kimya Gandhi scripts. Experience India’s beautiful and complex Devanagari script Equae volut aut repel ipsaecto molutatur am, ut dolest, in this full day workshop. Participants will first learn about sus quos es eaquatet fugit, alitis voluptas ut aut pe per- all about the script’s history through tons of inspiring ferum fugit, explabo. Git la consendae vitatus doluptature samples before writing, drawing, and creating lettering soluptatur magnimusdae laut dolorem repratio. Et quas dit of their own. The second half of the day will be all digital, estiis eum voluptat. focusing on the technical aspects of Indic type design and how we can simplify the complicated process of creating As pe ipsam doluptat delest, incient apicillam fugiate Devanagari fonts with Glyphs. Prior experience with Glyphs cuptatias molupta tecus. is helpful but not required. Express yourself and get your mojo working.
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