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Teaching the Short Story: a Guide to Using Stories from Around the World. INSTITUTION National Council of Teachers of English, Urbana
DOCUMENT RESUME ED 397 453 CS 215 435 AUTHOR Neumann, Bonnie H., Ed.; McDonnell, Helen M., Ed. TITLE Teaching the Short Story: A Guide to Using Stories from around the World. INSTITUTION National Council of Teachers of English, Urbana, REPORT NO ISBN-0-8141-1947-6 PUB DATE 96 NOTE 311p. AVAILABLE FROM National Council of Teachers of English, 1111 W. Kenyon Road, Urbana, IL 61801-1096 (Stock No. 19476: $15.95 members, $21.95 nonmembers). PUB 'TYPE Guides Classroom Use Teaching Guides (For Teacher) (052) Collected Works General (020) Books (010) EDRS PRICE MF01/PC13 Plus Postage. DESCRIPTORS Authors; Higher Education; High Schools; *Literary Criticism; Literary Devices; *Literature Appreciation; Multicultural Education; *Short Stories; *World Literature IDENTIFIERS *Comparative Literature; *Literature in Translation; Response to Literature ABSTRACT An innovative and practical resource for teachers looking to move beyond English and American works, this book explores 175 highly teachable short stories from nearly 50 countries, highlighting the work of recognized authors from practically every continent, authors such as Chinua Achebe, Anita Desai, Nadine Gordimer, Milan Kundera, Isak Dinesen, Octavio Paz, Jorge Amado, and Yukio Mishima. The stories in the book were selected and annotated by experienced teachers, and include information about the author, a synopsis of the story, and comparisons to frequently anthologized stories and readily available literary and artistic works. Also provided are six practical indexes, including those'that help teachers select short stories by title, country of origin, English-languag- source, comparison by themes, or comparison by literary devices. The final index, the cross-reference index, summarizes all the comparative material cited within the book,with the titles of annotated books appearing in capital letters. -
Shirley Jackson's “The Lottery” and Holocaust Literature
humanities Article Shirley Jackson’s “The Lottery” and Holocaust Literature Michael Robinson Writing and Rhetoric Department, Harrington School of Communication and Media, College of Arts and Sciences, University of Rhode Island, Kingstown, RI 02881, USA; [email protected] Received: 12 January 2019; Accepted: 19 February 2019; Published: 25 February 2019 Abstract: Shirley Jackson’s “The Lottery” has been notorious since its first publication in 1948, but rarely, if ever, has it been read in light of its immediate historical context. This essay draws on literature, philosophy, and anthropology from the period to argue that Jackson’s story, which scholars have traditionally read through the lens of gender studies, invokes the themes of Holocaust literature. To support this argument, the essay explores imaginative Holocaust literature from the period by David Rousset, whose Holocaust memoir The Other Kingdom appeared in English translation in 1946, anthropological discourse from the period on scapegoating and European anti-Semitism, and critical discourse on the Holocaust and anti-Semitism from the period by Hannah Arendt and Theodor Adorno. The analysis finds that, in representing the phenomena of scapegoating and death selection in a small town in the US, Jackson’s story belongs to an abstract discourse on Holocaust-related themes and topics that was actively produced at midcentury, as evidenced partly by Rousset’s influential memoir. A master of the horror genre, Jackson could have drawn on her own experience of anti-Semitism, along with her known interest in the study of folklore, to contribute this chilling representation of the personal experience of death selection to a discourse on Holocaust-related themes. -
Stanley Edgar Hyman Papers [Finding Aid]. Library of Congress. [PDF
Stanley Edgar Hyman Papers A Finding Aid to the Collection in the Library of Congress Manuscript Division, Library of Congress Washington, D.C. 1994 Revised 2013 March Contact information: http://hdl.loc.gov/loc.mss/mss.contact Additional search options available at: http://hdl.loc.gov/loc.mss/eadmss.ms997001 LC Online Catalog record: http://lccn.loc.gov/mm82058941 Prepared by Michael McElderry with the assistance of Scott McLemee Collection Summary Title: Stanley Edgar Hyman Papers Span Dates: 1932-1978 Bulk Dates: (bulk 1938-1970) ID No.: MSS58941 Creator: Hyman, Stanley Edgar, 1919-1970 Extent: 14,000 items ; 47 containers ; 18.6 linear feet Language: Collection material in English Location: Manuscript Division, Library of Congress, Washington, D.C. Summary: Literary critic and educator. Correspondence, memoranda, journal, manuscripts of articles, book reviews, and books, research material, notes, reports, and other papers relating to Hyman's career as literary critic, book reviewer, and professor of language, literature, and the history of myth and ritual at Bennington College, Bennington, Vermont. Of special interest are files pertaining to his book review column published in the New Leader and letters written to Hyman by his wife, Shirley Jackson, and by his friend and mentor, Kenneth Burke. Selected Search Terms The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein. People Aaron, Daniel, 1912- Adler, Renata. Arvin, Newton, 1900-1963. Barth, John, 1930- Bernstein, Walter. Bodkin, Maud. -
“Homespun” Horror: Shirley Jackson's Domestic Doubling
“Homespun” Horror: Shirley Jackson’s Domestic Doubling by Hannah Phillips In Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS in The Department of English State University of New York New Paltz, New York 12561 May 2019 “Homespun” Horror: Shirley Jackson’s Domestic Doubling Hannah Phillips State University of New York at New Paltz ___________________________________________________ We, the thesis committee for the above candidate for the Master of Arts degree, hereby recommend acceptance of this thesis. ___________________________________________________ Michelle Woods, Thesis Advisor Department of English, SUNY New Paltz ___________________________________________________ Cyrus Mulready, Thesis Committee Member Department of English, SUNY New Paltz ___________________________________________________ Approved on _5/1/19 Submitted in partial fulfillment of the requirements for the Master of Arts degree in English at the State University of New York at New Paltz Phillips 1 “Homespun” Horror: Shirley Jackson’s Domestic Doubling “All the time that I am making beds and doing dishes and driving to town for dancing shoes, I am telling myself stories. Stories about anything, anything at all. Just stories. After all, who can vacuum a room and concentrate on it? I tell myself stories…They keep me working, my stories.” —“Memory and Delusion,” Shirley Jackson The home space exists at the center of Shirley Jackson’s writing, presented to readers as a force of consistent fascination for characters. The domestic setting is one where Jackson manages to (or, attempts to) break free from enforced societal structure. Her work deconstructs the Freudian double, offering sardonically humorous takeaways that give way to liminality and horror alongside happiness. Fear in the everyday through a domesticized setting tangles and blurs the rigidly imposed lines of humor/horror, the mother/writer, housewife/public figure, and demon/angel of the house. -
We Have Always Lived in the Castle PDF Book
WE HAVE ALWAYS LIVED IN THE CASTLE PDF, EPUB, EBOOK Shirley Jackson | 176 pages | 01 Oct 2009 | Penguin Books Ltd | 9780141191454 | English | London, United Kingdom We Have Always Lived in the Castle PDF Book Tim Harris Liz O'Sullivan A crowd of villagers also gathers, and most of them are excited to see the house burn down, showing no concern for the Blackwood family. Later, Jim Clarke comes back with Dr. Constance has not left their home in six years, going no farther than her large garden. It leaves you, even in the end, wondering who in the story is crazier more unsettled? Which she will do time and time again out of spite. Harris Bosco Hogan Lethem calls this reversion to their pre-Charles stasis Merricat's "triumph". You can guess it's Merricat from the first chapter. Here we have Mary Katherine, or Merricat as she is often referred, a girl of eighteen akin to a feral cat. Crazy Credits. For her any deviation from her comfortable normality is seen as threatening—a parallel to the social standards of the town that see their deviation as threatening—and Merricat feels imbued with magical powers that ward off such demons. Then it is followed by a second, lengthier chapter where an overarching conflict is introduced, typically through a minor conflict in plot where more exposition is unveiled through the banter of characters. It was also social commentary in that delicious way that only Southern Gothicism can offer though this novel has no clear mention of place, it is widely believed to have been set in Vermont, making it technically not Southern Gothic, though every other aspect of it is every bit that genre : it tore back the layers on the small town where everyone knows your name, on the myth of genteelism, courtesy, manners, and community that we all think of from this era of writing Castle was originally published in At dinner, Charles offers to take over the job of getting groceries in town, and Constance is grateful to him. -
Class of 1964 50 TH REUNION
Class of 1964 50 TH REUNION BENNINGTON COLLEGE Class of 1964 Patricia Cronin Adams Valarya Cliffton Myra Goldberg Ruth Reich Alpert Yola Englander Coffeen Marjorie Goldstone Greenberg Deborah Sprague Arnold-Roht Cora Cohen Donna Raye Gurian Greene Sarah Scattergood Ashe Maryanne Conheim Susan Holland Greenleaf Diane Sullivan Bacro Carlotta Crissey Laurie Manulis Harmon Gale Feuer Barish Carol King Daly Elizabeth Walker Hasegawa Diane Litman Benjamin Paul Day Brannon (Barbara) Heath Corinne Biggs Biggs-Hyman Sarah Verone Lawton del Bourgo Barbara Thacher Herpin Elizabeth Blum Elena Carter Delbanco Susan Groehl Hofmann Alison Creel Bodelon Wendy Gunshor DeMegret Jessica Howard Renee Bonner Alexandra Ramsay DiLuglio Diana Chace Hoyt Damaris Low Botwick Edith Keppel Drury Elizabeth Yeomans Hunt Babette Amberger Brackett* Bronwyn Jones Dunne Jaqueth Hutchinson Joan B. Brainard Deborah Dupee Laurence Hyman Virginia Howard Brecher Andrea Boroff Eagan* Judy Isacoff Ann Lane Breit Alexandra Eames Lucy James Alexandra Broches Amy Ehrlich Alix Kabat Betsy Brotman Barbara Ireland Fajardo* Faith Kaltenbach Elizabeth Adele Brown* Betsy Feist Ruth Chute Knapp Pamela deWindt Burke Marilyn Frasca Karen Muson Latil Julia Faunce Carragan* Gretchen van Horne Ganz Marya Randall Levenson Judith Armstrong Chance Julie Rogers Gittins Jon Lightfoot Nancy Farnam Charles Vivian Bachrach Glick Suzi Brandt Lipes Carol Abbt Ciscel Janet Gohres Victoria Greene Maddux Karen J. Clemmer* Belinda Gold Dorothy Henken Malachowski * Denotes Deceased 50TH REUNION CLASS OF 1964 1 Nancy Annis McDowell Erna Crown Reingold* Linda Tolbert Tarnay Alexandra Herter Mead Naomi Rothman Rhoads Jill Mattuck Tarule Patricia Cronin Adams Ann Harvey Mendershausen Susan Pattison Roberts-Smith Holland (Virginia) Taylor Information based on article submission, “Windows to Your Help,” Susan Merrill Donna Romero Diane Sherer Tucker Wentworth-Douglass Hospital, Fall 2013, by Robert L.A. -
University of Florida Thesis Or Dissertation Formatting
THE DOMESTIC FANTASTIC: POSTWAR AMERICAN FICTION FROM BRADBURY TO PLATH By ANDREA E. KRAFFT A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2015 1 © 2015 Andrea E. Krafft 2 ACKNOWLEDGMENTS I thank my dissertation director, Marsha Bryant, for her feedback, assistance, and unceasing encouragement as I completed this project. I also thank Susan Hegeman, Stephanie A. Smith, and Trysh Travis for their support and guidance over the past two years as members of my dissertation committee. I could have not completed this project without the additional support of my partner, my sister, and my parents, who have always encouraged my pursuits, academic and otherwise. 3 TABLE OF CONTENTS page ACKNOWLEDGMENTS................................................................................................. 3 ABSTRACT.................................................................................................................... 6 CHAPTER 1 INTRODUCTION ..................................................................................................... 7 Postwar Studies: A Critical Review ........................................................................ 10 Understanding the Fantastic: Some Definitions ..................................................... 16 Chapter Abstracts .................................................................................................. 22 2 “SHRUNK TO THE COZY WALLS OF THE HOME”: -
Disturbia 1 the House Down the Street: the Suburban Gothic In
Notes Introduction: Welcome to Disturbia 1. Siddons, p.212. 2. Clapson, p.2. 3. Beuka, p.23. 4. Clapson, p.14. 5. Chafe, p.111. 6. Ibid., p.120. 7. Patterson, p.331. 8. Rome, p.16. 9. Patterson, pp.336–8. 10. Keats cited in Donaldson, p.7. 11. Keats, p.7. 12. Donaldson, p.122. 13. Donaldson, The Suburban Myth (1969). 14. Cited in Garreau, p.268. 15. Kenneth Jackson, 1985, pp.244–5. 16. Fiedler, p.144. 17. Matheson, Stir of Echoes, p.106. 18. Clapson; Beuka, p.1. 1 The House Down the Street: The Suburban Gothic in Shirley Jackson and Richard Matheson 1. Joshi, p.63. Indeed, King’s 1979 novel Salem’s Lot – in which a European vampire invades small town Maine – vigorously and effectively dramatises this notion, as do many of his subsequent narratives. 2. Garreau, p.267. 3. Skal, p.201. 4. Dziemianowicz. 5. Cover notes, Richard Matheson, I Am Legend, (1954: 1999). 6. Jancovich, p.131. 7. Friedman, p.132. 8. Hereafter referred to as Road. 9. Friedman, p.132. 10. Hall, Joan Wylie, in Murphy, 2005, pp.23–34. 11. Ibid., p.236. 12. Oppenheimer, p.16. 13. Mumford, p.451. 14. Donaldson, p.24. 15. Clapson, p.1. 201 202 Notes 16. Ibid., p.22. 17. Shirley Jackson, The Road Through the Wall, p.5. 18. Friedman, p.79. 19. Shirley Jackson, Road, p.5. 20. Anti-Semitism in a suburban setting also plays a part in Anne Rivers Siddon’s The House Next Door and, possibly, in Richard Matheson’s I Am Legend (in which the notably Aryan hero fends off his vampiric next-door neighbour with a copy of the Torah). -
Papers of Stanley Edgar Hyman
Stanley Edgar Hyman A Register of His Papers in the Library of Congress Prepared by Michael McElderry with the assistance of Scott McLemee Manuscript Division, Library of Congress Washington, D.C. 1994 Contact information: http://lcweb.loc.gov/rr/mss/address.html Finding aid encoded by Library of Congress Manuscript Division, 1997 Finding aid URL: http://hdl.loc.gov/loc.mss/eadmss.ms997001 Latest revision: 2005-02-09 Collection Summary Title: Papers of Stanley Edgar Hyman Span Dates: 1932-1978 Bulk Dates: (bulk 1938-1970) ID No.: MSS58941 Creator: Hyman, Stanley Edgar, 1919-1970 Extent: 14,000 items; 47 containers; 18.6 linear feet Language: Collection material in English Repository: Manuscript Division, Library of Congress, Washington, D.C. Abstract: Correspondence, memoranda, journal, mss. of articles, book reviews, and books, research material, notes, reports, and other papers relating to Stanley Edgar Hyman's career as literary critic, book reviewer, and professor of language, literature, and the history of myth and ritual at Bennington College, Bennington, Vt. Of special interest are files pertaining to his book review column (May 1961-June 1965) published in the New Leader and letters written to Hyman by his wife, Shirley Jackson, and by his friend and mentor, Kenneth Burke. Selected Search Terms The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein. Names: Hyman, Stanley Edgar, 1919-1970 Aaron, Daniel, 1912- Adler, Renata Arvin, Newton, 1900-1963 Barth, John Bernstein, Walter Bodkin, Maud Burke, Kenneth, 1897- Campbell, Joseph, 1904- Cowley, Malcolm, 1898- Creeley, Robert, 1926- Delbanco, Nicholas Eliot, T. -
1 ARSENIC in the SUGAR by Sophia Reutter in Partial Fulfillment
1 ARSENIC IN THE SUGAR By Sophia Reutter In partial fulfillment of the degree Bachelor of Arts with Honors in English Wittenberg University 22 April 2020 2 Coveted Course or Chief Calamity—The Happy Housewife The existence of women in the realm of domesticity has been acknowledged, yet rarely ever questioned in our cultural past; however, the realm of domesticity in more modern years has vexed gender politics and has created a significant debate, especially concerning the dysphoria that sometimes occasions women’s identity. Barbara Welter, a feminist historian, identifies in her renowned work “The Cult of True Womanhood” the collective voices of various feminists from the 19th century, applying them in a modern context, such as S.E. Farley who claimed that “As society is constituted, the true dignity and beauty of the female character seem to consist in a right understanding and faithful and cheerful performance of social and family duties,” women were to work in the roles that were built for them (Welter 157). There were other writers that felt that “There is a composure at home; there is something sedative in the duties which home involves. It affords security not only from the world, but from delusions and errors of every kind:” a thought that perhaps paves the way for the thoughts that identify the agency that women built necessarily out of their domestic roles (Welter 157). Welter’s thoughts, though more reflective of her times, follow much of the same ideas on domesticity that exist in the modern day. This assertion that women were making about domesticity serving as a place of sanctuary, a place in which they could retreat away from their other worries, incidentally, brought them out of the shadows and into their own light. -
Shirley Jackson: a Rather Haunted Life Pdf, Epub, Ebook
SHIRLEY JACKSON: A RATHER HAUNTED LIFE PDF, EPUB, EBOOK Ruth Franklin | 624 pages | 25 Oct 2016 | WW Norton & Co | 9780871403131 | English | United States Shirley Jackson: A Rather Haunted Life PDF Book Some of our own deepest convictions may be false. Shirley Jackson: A Rather Haunted Life reads as if Ruth Franklin wanted to write a biography of Jackson's husband, critic Stanley Hyman, found no takers, so decided to turn it into a biography of Jackson. Some of the stuff with Hyman feels like filler in a book that is almost pages long. The miracle is wrought by Shirley Jackson, God bless her, as ever unparalleled … [a] leader in the field of beautifully written, quiet, cumulative shudders. At nearly twice the length of the Oppenheimer book, one would have hoped for even more insight into Jackson, her life and her writings. Preview — Shirley Jackson by Ruth Franklin. And b Is it fact, or fiction? After one of Hyman's repeated infidelities, Jackson refrains from sending him an angry letter and then suffers a throat infection. At first things seemed promising: Hyman was hired as a staff writer at the New Yorker and began teaching at Bennington College, but he never published as much in the magazine as he hoped, and his first foray into teaching ended abruptly after he offended his colleagues. Books by Ruth Franklin. Her interest in witchcraft, made it easy to oversimplify her work - the classic back-handed compliment being the description of her writing with a broomstick rather than a pen. As much as she seems searching or at times craving approvals, she's still solidly narcissistic too. -
Craig Howes T. Trimble, U of Toronto
IABAA 2017 – Lives Outside the Lines: A Symposium in Honour of Marlene Kadar Panel Three: Inhabited Geographies of Life Writing Moderator: Craig Howes T. Trimble, U of Toronto [[email protected]] Writing through the Walls: Shirley Jackson, House/Wife Shirley Jackson’s writing career was haunted by questions of genre. The mid-century New England writer is best known for her eerie novels about women whose selves splintered under the pressure of the houses they inhabited—a story famously told in The Haunting of Hill House (1959). But she also wrote humorous sketches of family life for popular women’s magazines, selections of which she collected into the memoirs Life Among the Savages (1953) and Raising Demons (1957). As Jackson biographer Ruth Franklin (2016) observes, this supposed schism bothered critics, who regularly commented on Jackson’s split writer/housewife persona. But Jackson’s memoirs sound some of the same uncanny notes as her fictions—a new family home “insists” that the furniture is arranged just so—and her fictions derive their creeping dread from the writer’s experiences of the everyday violence of small-town life and the patriarchal family form. Shirley Jackson’s generic dexterity results in a body of work that depicts the family home as a locus of warmth, comfort, imagination, constraint, and entrapment—an undecidability mirrored in the writer’s own struggles with agoraphobia near the end of her life. Beginning with “an expanded concept of the autobiographical signature or trace” (Brophy and Hladki 2014, 6), this paper reads across the generic seams of Jackson’s writing.