Elizabeth Gaskell 29Th September 1810 - 12Th November 1865
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Radical Voices of Elizabeth Gaskell and Margaret Oliphant
From Fallen Woman to Businesswoman: The Radical Voices of Elizabeth Gaskell and Margaret Oliphant Item Type Thesis or dissertation Authors Baker, Katie Citation Baker, K. (2018). From Fallen Woman to Businesswoman: The Radical Voices of Elizabeth Gaskell and Margaret Oliphant. (Doctoral dissertation). University of Chester, United Kingdom. Publisher University of Chester Rights Attribution-NonCommercial-NoDerivs 3.0 United States Download date 30/09/2021 14:12:07 Item License http://creativecommons.org/licenses/by-nc-nd/3.0/us/ Link to Item http://hdl.handle.net/10034/621387 From Fallen Woman to Businesswoman: The Radical Voices of Elizabeth Gaskell and Margaret Oliphant Thesis submitted in accordance with the requirements of the University of Chester for the degree of Doctor of Philosophy by Katie Baker April 2018 Declaration The material being presented for examination is my own work and has not been submitted for an award of this or any other HEI except in minor particulars which are explicitly noted in the body of the thesis. Where research pertaining to the thesis was undertaken collaboratively, the nature and extent of my individual contribution has been made explicit. Signed Date Abstract This thesis demonstrates the ways in which Elizabeth Gaskell and Margaret Oliphant drew upon their domestic identities as wives and mothers to write in radical, yet subtle, ways which had the potential to educate and inform their young female readership. While in the nineteenth century the domestic space was viewed as the rightful place for women, I show how both Gaskell and Oliphant expanded this idea to demonstrate within their novels and short stories the importance of what I term an 'extended domesticity'. -
Preservation and Progress in Cranford
Preservation and Progress in Cranford Katherine Leigh Anderson Lund University Department of English ENGK01 Bachelor Level Degree Essay Christina Lupton May 2009 1 Table of Contents I. Introduction and Thesis.................................................. 3 II. Rejection of Radical Change in Cranford...................... 4 III. Traditional Modes of Progress....................................... 11 IV. Historical Transmission Through Literature.................. 14 V. Concluding Remarks....................................................... 18 VI. Works Cited...................................................................... 20 2 Introduction and Thesis Elizabeth Gaskell's Cranford was first published between 1851 and 1853 as a series of episodic stories in Household Words under the the editorship of Charles Dickens; it wasn't until later that Cranford was published in single volume book form. Essentially, Cranford is a collection of stories about a group of elderly single Victorian ladies and the society in which they live. As described in its opening sentence, ”In the first place, Cranford is in possession of the Amazons; all the holders of houses, above certain rent, are women” (1). Cranford is portrayed through the eyes of the first person narrator, Mary Smith, an unmarried woman from Drumble who visits Cranford occasionally to stay with the Misses Deborah and Matilda Jenkyns. Through Mary's observations the reader becomes acquainted with society at Cranford as well as Cranfordian tradition and ways of life. Gaskell's creation of Cranford was based on her own experiences growing up in the small English town of Knutsford. She made two attempts previous to Cranford to document small town life based on her Knutsford experiences: the first a nonfiction piece titled ”The Last Generation” (1849) that captured her personal memories in a kind of historical preservation, the second was a fictional piece,”Mr. -
Elizabeth Gaskell Was Born in Chelsea, London
Sermon: Elizabeth Gaskell was born in Chelsea, London. Her father was William Stephenson who had intended on going into the Dissenting Ministry but after some preaching as a Unitarian in the Manchester area he decided that a paid ministry was wrong. (I wonder if decisions like this had any effect on the generally low stipends that our ministers receive.) He served for a short time as a minister in Failsworth before turning to farming (unsuccessfully) and then moved to London where he obtained a position as keeper of records in the Treasury. Elizabeth's mother, also Elizabeth, came from a large family and had family connections with the Darwins, Turners, and the Wedgewoods, great intellectuals of the day. Unfortunately she died when Elizabeth was only one and her older brother was 13. Her father sent her to live with her aunt in Cheshire. Her father remarried when she was four but she continued to spend more time with her aunt than her father, who died in 1829. Elizabeth studied briefly at a school in Stratford-upon-Avon and it is believed that she was impressed by the beautiful countryside and this later provided her with inspiration when writing some of her books. In 1832 she married William Gaskell, the junior Unitarian minister at Manchester's Cross Street Chapel. They eventually had 5 children, their only son sadly died in infancy of scarlet fever and one daughter was stillborn. Throughout her marriage Elizabeth made her home a vital centre, where William carried out his religious and educational duties, where Sunday Schools met and where famous people were welcomed -- raising her children amidst this environment. -
Gaskell Society Newsletter Contents
GASKELL SOCIETY NEWSLETTER CONTENTS No.1. March 1986. Nussey, John. Inauguration of the Gaskell Society: a Brontë Society Members’ Account. p3-5. Brill, Barbara. Annie A. and Fleeming [Jenkin]. p6-11. [Leach, Joan]. Mrs Gaskell – a Cinderella at Chatsworth. p14-16. No.2. August 1986. Brill, Barbara. Job Legh and the working class naturalists. p3-6. [Keaveney, Jennifer]. Mastermind. p6. Kirkland, Janice. Mrs Gaskell’s country houses, [Boughton House, Worcester; Hulme Walfield, Congleton; The Park, near Manchester]. p10-11. Leach, Joan. Mrs Gaskell’s Cheshire; Summer Outing – June 29th 1986, [Tabley House & chapel. The Mount, Bollington]. [illus.] p12-19. Monnington, Rod. Where can I find Mrs Gaskell? [The Diary of a Hay on Wye Bookseller, by Keith Gowen, 1985]. p23-24. No.3. Spring 1987. Hewerdine, H., F.R.S.H. Cross Street Chapel. p3-5. Marroni, Francesco. Elizabeth Gaskell in Italian translation. p6-8. Leach, Joan. Cleghorn. p9-10. Moon, Richard. Letter on Boughton Park, [Worcester]. p14. Leach, Joan. Thomas Wright, the Good Samaritan [by G.F. Watts]. [illus.] p15-25. No.4. August 1987. Thwaite, Mary. The “Whitfield” Gaskell collection, [Knutsford Library]. p3-5. Brill, Barbara. William Gaskell’s hymns. p6-8. [Leach, Joan]. Green Heys Fields, [Manchester]. [Country rambles and wild flowers by Leo Grindon, 1858]. p11-12. [Heathwaite House, Knutsford]. [illus. of 1832 water colour]. p13. Summer outing to North Wales, [Sunday June 29th 1987]. [gen. table]. p14-21. [Lascelles, Gen. Sir Alan]. A Cranford fan. p23. [Leach, Joan]. The Gaskells and poetry. p24. No.5. March 1988. Jacobi, Elizabeth (later Rye). Mrs. Gaskell, [port. by H.L. -
Elizabeth Gaskell's North and South Televised
Taking bearings: Elizabeth Gaskell’s North and South televised MARGARET HARRIS When North and South appeared in two volumes in 1855, its title page carried no author’s name. The novel was described as being ‘By the author of “Mary Barton,” “Ruth,” “Cranford,” &c.’, much as it had been on its first appearance as a serial in Dickens’s weekly Household Words between 2 September 1854 and 27 January 1855. Yet Elizabeth Gaskell’s authorship was no secret: while some, like the anonymous Athenaeum reviewer, con- tinued to refer to ‘the Author’, most used her name, the Leader reviewer for instance scrupulously identifying her as ‘Mrs. Gaskell, if not a Manchester lady, a settler therein’.1 The designation ‘Mrs Gaskell’ has been damning. This form of address, emphasising her (willingly embraced) roles as wife and mother, was reinforced over time as literary historians based her reputa- tion on the ‘charming’ Cranford, allowing her ability in delineating the restricted sphere of domesticity, but denying her range. Lord David Cecil is exemplary: in his judgement, she is a domestic novelist with real facility in presenting feeling, while ‘As for the industrial novels, it “would have been impossible for her if she tried, to have found a subject less suited to her talents”’.2 It would be anachronistic now to embark on a defence of Gaskell against Cecil. Jenny Uglow’s description of her as ‘an original, passionate and sometimes rather strange writer’3 states an agreed late-twentieth century position consequent on Gaskell’s instatement as an industrial novelist and ‘social explorer’4 by Raymond Williams, John Lucas, and others from the late 1950s.5 It is the transgressive and confronting Gaskell that viewers encounter in Sandy Welch’s script and Brian Percival’s direction of the 2004 BBC-TV version of North and South, her fourth novel. -
Love Is GREAT Edition 1, March 2015
An LGBT guide Brought to you by for international media March 2015 Narberth Pembrokeshire, Wales visitbritain.com/media Contents Love is GREAT guide at a glance .................................................................................................................. 3 Love is GREAT – why? .................................................................................................................................... 4 Britain says ‘I do’ to marriage for same sex couples .............................................................................. 6 Plan your dream wedding! ............................................................................................................................. 7 The most romantic places to honeymoon in Britain ............................................................................. 10 10 restaurants for a romantic rendezvous ............................................................................................... 13 12 Countryside Hideaways ........................................................................................................................... 16 Nightlife: Britain’s fabulous LGBT clubs and bars ................................................................................. 20 25 year of Manchester and Brighton Prides .......................................................................................... 25 Shopping in Britain ....................................................................................................................................... -
Ressentiment in Gaskelvs Ruth
3 Under Cover: Sympathy and Ressentiment in GaskelVs Ruth Under the cover of sympathy with the dismissed labourers, Mr. Preston indulged his own private pique very pleasantly. — Elizabeth Gaskell, Wives and Daughters Elizabeth Gaskell’s goal in Ruth (1853) was to elicit sympathy for the figure of the fallen woman by means of the detailed representation of an individual case.Yet as many readers have noted, the novel takes an am- bivalent approach to the category and the character with which it is most concerned. Critical of the social barriers that would place Ruth outside respectable society, Gaskell at the same time devised a heroine who is nat- urally good— indeed, one whose innocence borders on (and is figured as) an “unconsciousness” of the social norms she violates. R uth’s claim on readerly sympathy thus seems to derive less from a critique of the idea of fallenness than from her status as not truly fallen. And yet, as if doubting her heroine’s virtue, Gaskell requires Ruth to redeem herself. The novel remains unable to reconcile her supposed innocence with her deviation from it, and— as if to escape all the confusion— she dies at its end.1 1 For a useful review of Ruth criticism, see Elizabeth Helsinger, Robin Sheets, and William Veeder, eds., The Woman Question (Chicago: University o f Chicago Press, 1983), 77 78 Fear of Falling Criticism of the novel has, understandably, been unable to leave the sub- ject of the fallen woman behind. But in addition to being concerned with the fate of fallen women, Ruth expresses Gaskell s general interest in sym- pathy as a solution to divisive social problems; in Mary Barton and North and South, for instance, individual sympathy is her solution to class conflict. -
The Unitarian Heritage an Architectural Survey of Chapels and Churches in the Unitarian Tradition in the British Isles
UNITARIP The Unitarian Heritage An Architectural Survey of Chapels and Churches in the Unitarian tradition in the British Isles. Consultant: H.1. McLachlan Text and Research: G~ahamHague Text and Book Design: Judy Hague Financial Manager: Peter Godfrey O Unitarian Heritage 1986. ISBN: Q 9511081 O 7 Disrributur. Rev P B. Codfrey, 62 Hastlngs Road, Sheffield, South Yorkshirc. S7 2GU. Typeset by Sheaf Graphics, 100 Wellington Street, Sheffield si 4HE Printed in England. The production of this book would have been impossible without the generous help and hospitality of numerous people: the caretakers, secretaries and ministers oi chapels, and those now occupying disused chapels; the staff of public libraries and archives in many towns and cities; the bus and train dr~verswho enabled us to visit nearly every building. We would like to record grateful thanks to the staff of Dx Williams's Library and the National Monument Record for their always courteous help; Annette Percy for providing the typescript; Charrnian Laccy for reading and advising on the scnpt; and to the North Shore Unitarian Veatch Program, and District Associations in the British Isles for their generous financial help. Sla~rmsa.Burv St Edmunds. Unirarjan Chapel. 5 Contents: Introduction Chapter 1: The Puritans before 1662 2: The Growth of Dissent 1662-1750 Gazetteer 1662-1750 3: New Status, New Identity, New Technology 1750-1 840 Gazetteer 1750-18411 4: The Gothic Age 1840-1918 Gazetteer 1840-1918 5: Decay, Destruction and Renewal 1918-1984 Top photogruph c. 1900 cf Bessels Green Old Meeting House (1716). Gazetteer 1918-1984 Below. engravmg of 1785 91 Slockron-on-Tees,meeung-house on nghr 6: The Unitarian Chapels of Wales Gazetteer 7: The Unitarian Chapels of Scotland by Andrew Hi11 Gazetteer 8: Chapels of the Non-Subscribing Presbyterian Church of Ireland by John McLachlan Gazetteer Maps and Plans Bibliography Index Chapters I to 8 are each composcd a/ an introduction, an alp~ab~t~ca. -
Bibliographic Supplement Gaskell Scholarship 2002 – 2011
BIBLIOGRAPHIC SUPPLEMENT GASKELL SCHOLARSHIP 2002 – 2011 BIBLIOGRAPHIES/BIBLIOGRAPHIC ESSAYS Ashley, Mike. “Mrs. Gaskell: Victorian Novelist.” Book and Magazine Collector December, 2007: 26-37. Baker, Fran. “Gaskell Papers in the John Rylands University Library.” Gaskell Society Journal 20 (2006): 1-13. _____. “The Papers of J. G. Sharps.” Gaskell Society Newsletter 44 (Autumn, 2007): 2-6. Brotherton Library, University of Leeds. Gaskell and the Brontës: Literary Manuscripts of Elizabeth Gaskell (1810-1865) and the Brontës from the Brotherton Library, University of Leeds. A Listing and Guide to the Microfilm Collection. Marlborough: Adam Matthew, 2003. Print. Chapple, John A.V. “Early Gaskell Scholars: Adolphus William Ward 1837- 1924.” Gaskell Society Journal 19 (2005): 96-99. Hamilton, Susan. “Gaskell Then and Now.” The Cambridge Companion to Elizabeth Gaskell. Ed. Jill L. Matus. Cambridge: Cambridge UP, 2007. 178-191. _____. “Ten Years of Gaskell Criticism.” Dickens Studies Annual 31 (2002): 397-414. Lingard, Christine. “Gaskell in Translation: A Summary.” Gaskell Society Newsletter 41 (Spring, 2006): 10-16. Sadlair, Michael. 1922. “Mrs. Gaskell.” Excursions in Victorian Bibliography: Scholar Select. Charleston, SC: Nabu Press, 2010. 201-213. Print. NancySWeyant.com Shattock, Joanne. “The New Complete Edition of the Works of Elizabeth Gaskell.” Gaskell Society Journal 19 (2005): 100-106. Shelston, Alan. “Where Next in Gaskell Studies?” Elizabeth Gaskell, Victorian Culture, and the Art of Fiction: Original Essays for the Bicentenary. Ed. Sandro Jung. Ghent: Academia P, 2010. 1-12. Weyant, Nancy S. Elizabeth Gaskell: An Annotated Guide to English Language Sources, 1992-2001. Lanham, MD: Scarecrow Press, 2004. BIOGRAPHIES/BIOGRAPHICAL FOOTNOTES Avery, Simon. 2003. “Gaskell, Elizabeth Cleghorn.” Continuum Encyclopedia of British Literature. -
Elizabeth Gaskell and the Middle Class
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 2009 “The Sort . of People to Which I Belong”: Elizabeth Gaskell and the Middle Class Allison Masters The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Masters, Allison, "“The Sort . of People to Which I Belong”: Elizabeth Gaskell and the Middle Class" (2009). Graduate Student Theses, Dissertations, & Professional Papers. 16. https://scholarworks.umt.edu/etd/16 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. “THE SORT . OF PEOPLE TO WHICH I BELONG”: ELIZABETH GASKELL AND THE MIDDLE CLASS By ALLISON JEAN MASTERS B.A., University of Colorado, Boulder, Colorado, 2006 Thesis presented in partial fulfillment of the requirements for the degree of Masters of Arts in English Literature The University of Montana Missoula, MT May 2009 Approved by: Perry Brown, Associate Provost for Graduate Education Graduate School John Glendening, Chair English Jill Bergman English Ione Crummy French Masters ii Masters, Allison, M.A., May 2009 English “The Sort . of People to Which I Belong”: Elizabeth Gaskell and the Middle Class Chairperson: John Glendening In this thesis, I examine Elizabeth Gaskell’s development as a middle-class author, which is a position that most scholars take for granted. -
Unitarian Members of Parliament in the Nineteenth Century
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Stirling Online Research Repository Unitarian Members of Parliament in the Nineteenth Century A Catalogue D. W. Bebbington Professor of History, University of Stirling The catalogue that follows contains biographical data on the Unitarians who sat in the House of Commons during the nineteenth century. The main list, which includes ninety-seven MPs, is the body of evidence on which the paper on „Unitarian Members of Parliament in the Nineteenth Century‟ is based. The paper discusses the difficulty of identifying who should be treated as a Unitarian, the criterion chosen being that the individual appears to have been a practising adherent of the denomination at the time of his service in parliament. A supplementary list of supposed Unitarian MPs, which follows the main list, includes those who have sometimes been identified as Unitarians but who by this criterion were not and some who may have been affiliated to the denomination but who were probably not. The borderline is less sharp than might be wished, and, when further research has been done, a few in each list may need to be transferred to the other. Each entry contains information in roughly the same order. After the name appear the dates of birth and death and the period as an MP. Then a paragraph contains general biographical details drawn from the sources indicated at the end of the entry. A further paragraph discusses religious affiliation and activities. Unattributed quotations with dates are from Dod’s Parliamentary Companion, as presented in Who’s Who of British Members of Parliament. -
From Cranford to the Country of the Pointed Firs: Elizabeth Gaskell's American Publication and the Work
From Cranford to The Country of the Pointed Firs: Elizabeth Gaskell’s American Publication and the Work of Sarah Orne Jewetti ALAN SHELSTON In this second of two articles on Elizabeth Gaskell’s American connections I plan first to outline the history of the publication of her work in the United States during her own lifetime, and then to consider the popularity of Cranford in that country in the years following her death. I shall conclude by discussing the work of the New England writer, Sarah Orne Jewett whose story sequences Deephaven (1877) and The Country of the Pointed Firs (1896) clearly reflect the influence of Gaskell’s work. I One of the remarkable things about Gaskell’s career as a novelist is the way in which, after a late start, her career took off. She was in her late thirties when Mary Barton was published, but from then on, and in particular through the 1850s, her output was incessant. This was partly due to the fact that Dickens took her up for Household Words; it is interesting to watch her becoming increasingly independent of his encouragement and influence through the fifties decade. What is also interesting is the extent to which she was taken up abroad, both on the continent and in the USA. To some extent this is because publishers in those countries found it more profitable to publish established English authors - even if, as in the case of the Europeans, they had to translate them - than to develop native talent. It was a period when popular fiction flourished, often published in cheap and sometimes unauthorised popular series.