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Historical Painting Techniques, Materials, and Studio Practice
Historical Painting Techniques, Materials, and Studio Practice PUBLICATIONS COORDINATION: Dinah Berland EDITING & PRODUCTION COORDINATION: Corinne Lightweaver EDITORIAL CONSULTATION: Jo Hill COVER DESIGN: Jackie Gallagher-Lange PRODUCTION & PRINTING: Allen Press, Inc., Lawrence, Kansas SYMPOSIUM ORGANIZERS: Erma Hermens, Art History Institute of the University of Leiden Marja Peek, Central Research Laboratory for Objects of Art and Science, Amsterdam © 1995 by The J. Paul Getty Trust All rights reserved Printed in the United States of America ISBN 0-89236-322-3 The Getty Conservation Institute is committed to the preservation of cultural heritage worldwide. The Institute seeks to advance scientiRc knowledge and professional practice and to raise public awareness of conservation. Through research, training, documentation, exchange of information, and ReId projects, the Institute addresses issues related to the conservation of museum objects and archival collections, archaeological monuments and sites, and historic bUildings and cities. The Institute is an operating program of the J. Paul Getty Trust. COVER ILLUSTRATION Gherardo Cibo, "Colchico," folio 17r of Herbarium, ca. 1570. Courtesy of the British Library. FRONTISPIECE Detail from Jan Baptiste Collaert, Color Olivi, 1566-1628. After Johannes Stradanus. Courtesy of the Rijksmuseum-Stichting, Amsterdam. Library of Congress Cataloguing-in-Publication Data Historical painting techniques, materials, and studio practice : preprints of a symposium [held at] University of Leiden, the Netherlands, 26-29 June 1995/ edited by Arie Wallert, Erma Hermens, and Marja Peek. p. cm. Includes bibliographical references. ISBN 0-89236-322-3 (pbk.) 1. Painting-Techniques-Congresses. 2. Artists' materials- -Congresses. 3. Polychromy-Congresses. I. Wallert, Arie, 1950- II. Hermens, Erma, 1958- . III. Peek, Marja, 1961- ND1500.H57 1995 751' .09-dc20 95-9805 CIP Second printing 1996 iv Contents vii Foreword viii Preface 1 Leslie A. -
Paul Gauguin
Paul Gauguin Painter, Sculptor 1848 – 1903 • Born on June 7, 1848 in Paris, france • Mother was peruvian, family lived Peru for 4 years • Family returns to France when he is 7 • Serves in the Merchant Marine, then the French Navy • Returns to Paris and becomes a Stockbroker • Marries a danish woman and they have 5 children • They live in Copenhagen where he is a stockbroker • Paints in his free time – buys art in galleries and makes friends with artists Portrait of Madame Gauguin • Decides he wants to (1880) paint full time – leaves his family in Copenhagen and goes back to Paris • His early work is in the impressionist style which is very popular at that time • He is not very successful at his art, he is poor • Leaves France to find a simpler life on a tropical island Aline Gauguin Brothers (1883) Visits his friend Vincent vanGogh in Arles, France where they both paint They quarrel, with van Gogh famously cutting off part of his ! own ear Gauguin leaves france and never sees van Gogh again Night Café at Arles (1888) Decides he doesn’t like impressionism, prefers native art of africa and asia because it has more meaning (symbolism) He paints flat areas of color and bold outlines He lives in Tahiti and The Siesta (1892) paints images of Polynesian life Tahitian women on the beach (1891) • His art is in the Primitivist style- exaggerated body proportions, animal symbolism, geometric designs and bold contrasting colors • Gauguin is the first artist of his time to become successful with this style (so different from the popular impressionism) • His work influences other painters, especially Pablo Picasso When do you get married? (1892) Gauguin spent the remainder of his life painting and living ! in the Marquesas Islands, a very remote, jungle-like ! place in French Polynesia (close to Tahiti) Gauguin’s house, Atuona, ! Marquesas Islands Gauguin lived ! alone in the ! jungle, where ! one day his houseboy arrived to find him dead, with a smile on his face. -
Finding Form Art at Saint Mary's
Summer 2007 . Finding Form Art at Saint Mary’s Your gift to the Annual Fund creates. Your gift could help a young woman... who has always dreamed in color... attend Saint Mary’s... where she will learn theories and techniques… and study the ideas and events… that have inspired expression through the ages… ideas that will change her perspective… and give her the power… to change the perspective of others. The Annual Fund A Larger Canvas Gifts to the Annual Fund help provide fifinancial nancial aidaid andand scholarshipsscholarships toto SaintSaint Mary’sMary's students.students. NineNine out out of ten Saint Mary’sMary's studentsstudents receivereceive somesome kindkind ofof fifinancial nancial assistance.assistance. YourYour contribution,contribution, largelarge oror small, small, makes a difference! Please support the Annual Fund by making a gift onlineonline atat www.saintmarys.eduwww.saintmarys.edu oror byby callingcalling (800)(800) SMC-8871.SMC-8871. tableof contents Volume 82, Number 2 Summer 2007 FEATURES Courier (USPS 135-340) is published four times a year by Saint Mary’s College, Notre Dame, IN 46556-5001. 4 From Inspiration Periodicals postage paid at the Post Offi ce at Notre Dame, IN 46556 to Installation and at additional mailing offi ces. POSTMASTER: Send address changes by Scot Erin Briggs to Alumnae Relations, Saint Mary’s College, 110 Le Mans Hall, Notre The fourth in a six-part series on the Dame, IN 46556-5001. College’s nationally accredited programs. Copyright 2007 Saint Mary’s College, Page 4 Notre Dame, IN 46556. Reproduction in whole or part is 10 The Artist’s Way prohibited without written permission. -
The Anchor Newspapers
Rhode Island College Digital Commons @ RIC The Anchor Newspapers 9-11-1939 The Anchor (1939, Volume 11 Issue 01) Rhode Island College of Education Follow this and additional works at: https://digitalcommons.ric.edu/the_anchor Recommended Citation Rhode Island College of Education, "The Anchor (1939, Volume 11 Issue 01)" (1939). The Anchor. 47. https://digitalcommons.ric.edu/the_anchor/47 This Book is brought to you for free and open access by the Newspapers at Digital Commons @ RIC. It has been accepted for inclusion in The Anchor by an authorized administrator of Digital Commons @ RIC. For more information, please contact [email protected]. Greetings , lanket Tax Payable Class of 1942 ! THE ANCHO Today RHODE ISLAND COLLEGE OF EDUCATION Vol. XI, ::--Jo.1 PROVIDENCE, RHODE ISLAND, MONDAY, SEPTEMBER 11, 1939 Price 10c Repainted College Interior Barnard Practice Trustees Expected to Name Greets R i c_e_a_n_s__ T _o_d_a----=--y Assignments Made College Head in October Guide Editor Dean Lists New Students in Shower Repairs to Commence Preparatory Course Board Pays Honor ,Professor Brown President in October Until Appointment The list of students who will prac to Attainments Much discussed plans for altera tice at Henry Barnard School from The new President of R. I. C. E. tions in the physical aspect of Rhode September, 1939 to February , 1940 of Dr. Alger to take the place of Doctor John Island College of Education ha'Ve in preparation rfor spring state train Lincoln 1A1ger, ,who resigned in Aug finally been partially carried into ef irug assignments was made •known by Declaring that '"Doctor John Al ust, will not 1be named until Octo fect. -
8. Siestas and Snoozes
87 8. Siestas and Snoozes When one yawns until the hinges of the jaws can’t open any wider and stretches to the point of tumbling over, drowsiness seeks satisfaction in sleep: The body is demanding attention. Twenty or thirty minutes of rest are called for, ideally during the fall in vigilance between three and five in the afternoon. Studies show that halfway through the day at least twenty minutes of sleep boosts one’s intellectual and physical performance. In East Asia, many companies make time available for workers and staff to take a nap after lunch. Elsewhere, however, this break that promotes wellbeing is rarely respected. Like other practices that once seemed so difficult to establish, however, leadership and example, together with appropriate facilities, could make for an enduring change. If people are really a company’s most precious resource, why can’t a break that makes them more productive become established practice? When one is sleepy, it shows: Edgar Degas’ (1834-1917) The Ironers (fig. 134) is a justly famous work that captures this theme perhaps better than any other. Figure 134.- . Edgar Degas (France, 1834-1917). The Ironers, circa 1878/79. – Oil on canvas, 76 x 81.5 cm. Musée d'Orsay, Paris France Two women in a laundry stand before an ironing bench. Degas places them along a diagonal. The one on the left, already in a state of lethargy, yawns as drowsiness overcomes her; beside her, her exhausted workmate leans heavily on her iron, pressing down with both hands. Confined in the close frame of the painting, the women evoke an emotion that the restricted space intensifies. -
PRESS RELEASE the Dallas Film Society Announces the Full
PRESS RELEASE The Dallas Film Society announces the full schedule for the 10th edition of the Dallas International Film Festival (April 14-24) Academy Award-nominated DP Ed Lachman will receive the Dallas Star Award, and legendary director Monte Hellman will receive the first L.M. “Kit” Carson Maverick Award USA Network’s Queen of the South debuts first episode on the big screen as Centerpiece presentation Nine world premieres include Shaun M. Colón’s A FAT WRECK, Alix Blair and Jeremy M. Lange’s FARMER/VETERAN, Ben Caird’s HALFWAY, Ciaran Creagh’s IN VIEW, Jeff Barry’s OCCUPY, TEXAS, Willie Baronet and Tim Chumley’s SIGNS OF HUMANITY, Jenna Jackson and Anthony Jackson’s UNTIL PROVEN INNOCENT, and the next episode in Randal Kleiser’s VR series, Defrost Dallas, TX (March 21, 2016) – The Dallas Film Society today announced the full schedule of film selections for the 10th edition of the Dallas International Film Festival. The list of titles and events are led by an Opening Weekend Celebration at the Dallas City Performance Hall (2520 Flora Street), Presented by One Arts Plaza on April 14-17. Centerpiece Gala presentations include the first episode for the USA Network’s locally shot new television series, Queen of the South, and the previously announced selection of Chris Kelly’s OTHER PEOPLE. The famed Dallas Star Award will be presented to Academy Award-nominated cinematographer, Ed Lachman, and the inaugural presentation of the L.M. Kit Carson Maverick Filmmaker Award to director Monte Hellman. The Opening Weekend Celebration will serve as one of the anchor events for Dallas Arts Week (April 10-17) as DIFF continues to put film on the arts pedestal in the City of Dallas. -
Meyerbeer's Robert Le Diable
Meyerbeer’s Robert le Diable Meyerbeer’s Robert le Diable : The Premier Opéra Romantique By Robert Ignatius Letellier Meyerbeer’s Robert le Diable : The Premier Opéra Romantique , by Robert Ignatius Letellier This book first published 2012 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2012 by Robert Ignatius Letellier All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-4191-9, ISBN (13): 978-1-4438-4191-7 Fig. 1 Giacomo Meyerbeer. Lithograph by Delpech after a drawing by Maurin (c. 1836) CONTENTS List of Figures............................................................................................. xi Abbreviations .......................................................................................... xvii Introduction ................................................................................................. 1 1. The Origins .............................................................................................. 3 2. The Sources .......................................................................................... 15 The Plot ............................................................................................... -
Eindhoven Footnotes 2 Not Knowing the City of Knowledge Eindhoven Footnotes 2 Not Knowing the City of Knowledge 2 Introduction Jacqueline Schoemaker
Eindhoven Footnotes 2 Not Knowing the City of Knowledge Eindhoven Footnotes 2 Not Knowing the City of Knowledge 2 Introduction Jacqueline Schoemaker SOMETIMES SOMEONE ASKS me to pass on to others a method of approaching public space that was passed on to me several years ago. It’s a simple method, one you can apply yourself, anywhere you are, if you feel that the territory you custom- arily move about in, or even some territory you don’t know at all, needs closer examination. Here’s what you do: you draw a random straight line on a topographical map of the territory you’re about to explore, and you walk, as closely as possible, on that line. You don’t choose where you walk but you let yourself be dictated by a predetermined route that doesn’t follow but cuts right through the logic of the planned environ- ment, the logic, that is, of the social, political and economic fabrics that make up the territory. You become a stranger to those structures, you 3 EINDHOVEN FOOTNOTES don’t walk from home to work or from a concert to the train station, but you walk westward, or you walk until the steady rain makes you seek shelter. How do you walk a straight line? You can’t. In reality, you make an irregular zigzag move- ment while you walk. The straight line that you drew on the map cuts through houses, office buildings, railway lines, enclosed industrial areas, roads under construction, woods without footpaths. In order to stay as closely as possible on the straight line, you have to diverge from it, continually. -
An Illustrated Catalogue of Painter-Etchings for Sale by Frederick Keppel & Co
CORNELL UNIVERSITY COLLEGE OF ARCHITECTURE LIBRARY Cornell University Library NE 1960.K38 The print-collector's bulletln:an illust 3 1924 020 561 738 THE PRINT-COLLECTOR'S BULLETIN AN ILLUSTRATED CATALOGUE OF PAINTER-ETCHINGS FOR SALE BY FREDERICK KEPPEL & CO. 4 EAST 39th STREET, NEW YORK NOTE ALTHOUGH on the day of issuing The Print-Collectok's . Bulletin Ave were able to supply each print mentioned at the price quoted, the steady advance in the value of certain rare prints sometimes renders it impossible for us to supply a duplicate im- pression at the original price. After the Bulletin has been examined, we should be glad to send a selection of the Etchings themselves, for inspection, by ex- press or mail, to any address. AVe pay all charges of transmission ; and our correspondents need feel under no obligation to purchase, if the Etchings themselves do not satisfy them in every respect. Correspondents whom we do not already know, and who may desire to have Etchings sent on selection, will recognize the pro- priety of introducing themselves with a proper reference. Frederick Keppel & Co. Septemlier L!S, 1908 \^ ADOLPHE APPIAN ADOLPHE APPIAN MY admiration foi' Appiaii's wofk as an etcher (lie is a chai'iii- . iiig painter also) was ab'eady great several years ago, but the more I see how rare liis (pialities are in contemporary art, or in any art, the more I feel disposed to value them. His work is always quite easy and graceful in manner, never strained, never betraying an effort, and it hardly ever fails to charm by a most delicate feeling for the poeti-y of natural landscape. -
2021 Finalist Directory
2021 Finalist Directory April 29, 2021 ANIMAL SCIENCES ANIM001 Shrimply Clean: Effects of Mussels and Prawn on Water Quality https://projectboard.world/isef/project/51706 Trinity Skaggs, 11th; Wildwood High School, Wildwood, FL ANIM003 Investigation on High Twinning Rates in Cattle Using Sanger Sequencing https://projectboard.world/isef/project/51833 Lilly Figueroa, 10th; Mancos High School, Mancos, CO ANIM004 Utilization of Mechanically Simulated Kangaroo Care as a Novel Homeostatic Method to Treat Mice Carrying a Remutation of the Ppp1r13l Gene as a Model for Humans with Cardiomyopathy https://projectboard.world/isef/project/51789 Nathan Foo, 12th; West Shore Junior/Senior High School, Melbourne, FL ANIM005T Behavior Study and Development of Artificial Nest for Nurturing Assassin Bugs (Sycanus indagator Stal.) Beneficial in Biological Pest Control https://projectboard.world/isef/project/51803 Nonthaporn Srikha, 10th; Natthida Benjapiyaporn, 11th; Pattarapoom Tubtim, 12th; The Demonstration School of Khon Kaen University (Modindaeng), Muang Khonkaen, Khonkaen, Thailand ANIM006 The Survival of the Fairy: An In-Depth Survey into the Behavior and Life Cycle of the Sand Fairy Cicada, Year 3 https://projectboard.world/isef/project/51630 Antonio Rajaratnam, 12th; Redeemer Baptist School, North Parramatta, NSW, Australia ANIM007 Novel Geotaxic Data Show Botanical Therapeutics Slow Parkinson’s Disease in A53T and ParkinKO Models https://projectboard.world/isef/project/51887 Kristi Biswas, 10th; Paxon School for Advanced Studies, Jacksonville, -
EOC Narcolepsy And
NARCOLEPSY Cover: “Sleeping Movement”, Siepie van der Meer. Y S P E The art of dreaming: L giving shape to dreams. O Narcolepsy and art. C R Collected by: Claudio Bassetti and Monika Raimondi Neurocenter (EOC) of Southern Switzerland A on behalf of the European Narcolepsy Network (EU-NN) under the patronage of the N European Sleep Research Society (ESRS) “The object of art is to give life a shape.” (William Shakespeare) INTRODUCTION Narcolepsy is a chronic sleep disorder in which a Y person is overcome by sudden, uncontrollable sleep attacks. It is believed to affect approximately 1 in every 2,000 people regardless of sex and/or race (about 200,000 people in Europe). S Narcolepsy is frequently unrecognised, and often mistaken for epilepsy or depression. The typical wait between onset and diagnosis is 10 years. P Many people with narcolepsy find that it affects their psychological well-being. Narcolepsy negatively E affects their self-esteem, job stability, and relationships. The most common symptom of narcolepsy is excessive and overwhelming daytime sleepiness regardless of the amount of night time L sleep a person gets. It usually starts affecting people when they are teenagers or young adults. Other classic symptoms O of narcolepsy, which don't necessarily occur in all patients, include cataplexy, disrupted or fragmented night time sleep, hypnagogic and hypnopompic hallucinations, and sleep paralysis. C Since it causes poor memory, reduced concentration or attention, and irritability, daytime sleepiness can impair people's ability to perform everyday tasks. R The life of a narcoleptic is one full of added complications. -
Ufos What Is a UFO?
Alien Visitations “The liberation of the human mind has never been furthered by such learned dunderheads [priests and pedants]; it has been furthered by gay fellows who heaved dead cats into sanctuaries and then went roistering down the highways of the world, proving to all men that doubt, after all, was safe -- that the god in the sanctuary was finite in his power, and hence a fraud. One horse-laugh is worth ten thousand syllogisms. It is not only more effective; it is also vastly more intelligent.” HL Mencken Space Travel As we discussed last week: • Space is big • Space travel is slow Barring unknown physics, it is unlikely that alien beings are flitting around our planet in flying saucers Close Encounters • I: Visual sighting of aerial object (UFO) • II: Observation plus physical effects • Heat • Electrical interference • Paralysis; frightened animals • Physical damage • III: Direct observation of extraterrestrials • Little green men • Tall grey aliens • IV: Abductions UFOs What is a UFO? • All are indeed unidentified. • Most are Venus. • Almost certainly none are alien spacecraft Picture from Robert Sheaffer: http://www.debunker.com/ufo.html Fata Morgana (mirage) Extraordinary Claims Require Extraordinary Evidence Is UFOlogy a science ahead of its time? Consider • Scientific study of Witchcraft • Phrenology • Fairies • Homeopathy • N-rays • Orgone • … • Cf Shaeffer 1980 (http://www.debunker.com/historical/ SmithsonianUFOtalk.html) Evidence for Visitations? If they are surveiling us, they have been sloppy • Equivalent of anthropology