DOCSLIB.ORG

Žižek and Ideology

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Žižek and Ideology “The Fantasy itself is the most Real Thing” Exploring Desire in the 21st Century: Žižek and Ideology Cindy Lee Zeiher A thesis submitted in partial fulfilment of the requirement for the degree of Doctor of Philosophy in Sociology at the University of Canterbury January 2014 Abstract This thesis considers how desire might be theorised in the twenty first century against the backdrop of New Zealand society, culture and film. Methodologically, this exploration is addressed with reference to Žižek’s return to a critique of ideology, whose conceptual basis is drawn from Marx, Althusser and Lacan, and which is significant in its analysis of contemporary desire as emanating from social conditions and constellations of power. Žižek’s challenge to call for a new Master is one that this thesis responds to enthusiastically. Such a response is posited from a location which intersects Lacanian psychoanalysis and sociological theories. The method this exploration employed focus groups and individual interviews from which talk of desire is constructed and critically explored. Focus groups and individual interviews were conducted following a viewing of the New Zealand film, Heavenly Creatures, which enabled an exploration of how participants offer competing ideological locations which can reveal the hidden and not so hidden mechanisms regulating social relations and ambiguities. The participant profiles of the focus groups were designed around key themes relating to the film: fathers of teenage daughters; those working or heavily involved within the creative industries; young women aged between 18-25; and those who grew up in Christchurch during the 1950’s. Heavenly Creatures is a film interpretation of the actual murder of Christchurch resident Honora Rieper in 1954 by her teenage daughter and this daughter’s friend. In exploring both the themes of friendship and the figure of the mother, Heavenly Creatures deliberately conflates fantasy with ideology, so that it is from this intersection that possibilities of subjective desire are confronted. When addressing desire set against this particular film, participants confront deadlocks and misrecognitions, in particular the disintegration of those ideological conditions with which they are identifying. These include the limitations of 2 modern capitalism, concerns about the ‘environment’, the pervasive engagement with cynicism, and frustrations with the inability to intimately and socially self-express. In order to understand and articulate desire various locations are posited in the guise of subjective truth. These points of fixation are structured by the conditions of dominant social and cultural ideologies, which the participant seeks to symbolise in returning to the ambiguity of the promise of the Master’s discourse as proposed by Lacan. This thesis critically explores three of the modalities through which Lacan’s construct of the Master is revealed in participants’ talk about desire: these are the precarious position of belief, the fragmented body, and love as an ideological act. It is argued that these modalities work within discourse in such a way as to offer participants ideological personification as well as a complexity of circumstances from which they can designate the objet a (the truth of one’s desire in psychoanalytic terms) insisted by the superego. In this way these three modalities are configured as enabling a speaking, or a saying, from a position of knowledge. This position in turn insists that the subject does not have to abandon the problem of desire but rather engage with knowledge attained through confronting and developing a literacy of desire. Desire read alongside the modalities of belief, the body and love posit a contemporary ontology in which the gaze commands an ethical and somewhat moral dimension from which the subject can construct a Master which not only seeks to recognise and speak about desire, but also manage it within daily life. 3 Acknowledgments It is impossible to thank everyone who has made this thesis possible – that would be in itself a thesis! Firstly, there are those wonderful writers and theorists who have boldly and unapologetically paved the way for emerging scholars such as myself. These thinkers have captured my imagination and have inspired and challenged me with their approaches, methods and theoretical challenges and I acknowledge them in my reference list. My primary supervisor, Professor Victoria Grace has been an immeasurable intellectual inspiration and mentor to me over the course of my honours and doctorate years. She has been an ongoing source of patience, support and encouragement as well as providing exacting and excellent feedback on my thesis development. Victoria’s breadth of knowledge, wealth of experience and intellectual strength meant that undertaking this thesis has been a real pleasure. Victoria understood my need for freedom for expression and exploration of new ideas, all the while providing critique and feedback on my work. Because of Victoria’s respect for my vision, this thesis always felt alive and exciting even when this vision was not always entirely clear to me. I am fortunate enough to have a father-in-law, Nick Derrick, who has undertaken his own thesis journey and understands the joys, frustrations and commitment it takes to dedicate to the world of ideas. My mother-in-law, Judy Derrick has throughout been supportive, loving and encouraging of my work. Nick and Judy have been with me every step of the way from the very beginning. I would also like to thank my family in the United Kingdom, especially Frances Carr, who supported me when I travelled there to attend a conference. Thank you to Dr Alan Wright for helpful and critical feedback on my chapters, particularly those relating to film theory and interpretation, writing style and expression. 4 I am indebted to focus group participants in this study, all of whom have been generous with their time and trust in me. Thank you to Dr Tiina Vares for checking in with me from time to time. I am most grateful to have received a University of Canterbury Doctoral Scholarship which has supported me over the last three and half years. I would also like to acknowledge the financial support from the New Zealand Vice Chancellors’ Committee who awarded me a Claude McCarthy Fellowship which enabled me to travel and present my research in the United Kingdom. The University of Canterbury School of Social and Political Sciences have been very generous, providing financial support for me to travel to and present my research at various conferences in Australia and in the United States. I am fortunate to have encountered the global community of Žižek scholars. In particular I would like to acknowledge Dr Matthew Flisfeder, Dr Louis-Paul Willis, Dr Antonio Garcia, Dr Agon Hanza and Professor Rex Butler who have all provided generous and invaluable feedback and support. Thank you to the Australian Psychoanalytic Association and in particular, members of the Lacanian research ‘cartel’ I am a part of: Glenn Rutter, Dr Nicole Thomas and Julie-Anne Smith. My gratitude also goes to Dr Cherie Lacey and Dr Irene Lee for their unwavering support, insightful contributions and friendship. My patient and loving friends have been incredibly understanding and thoughtful, particularly when I have at times been an absent friend. Thank you specifically to Chris Reddington, Tamara Smith, Jennine Bailey, Jeff Henderson, Hermione Johnson, Tia Grieg and Andy Butler. 5 Thank you to the wonderful Liz MacLeod for generously allowing me to include in this thesis her parent’s story of love, respect and commitment. A very special thank you to Siobhan Collins for just being you! Last but certainly not least, my heartfelt gratitude goes to my loving partner Reuben Derrick and our daughter Naima. Everything I do, contemplate doing or even dream about is because you are both so inspiring to me. Thank you for taking this journey with me. This thesis is dedicated to you both and our new baby on the way. 6 Contents Abstract ..................................................................................................................................... 2 Acknowledgments .................................................................................................................... 4 List of illustrations ................................................................................................................. 11 List of figures .......................................................................................................................... 15 List of publications ................................................................................................................. 17 List of presentations ............................................................................................................... 18 Part 1: Framing desire.......................................................................................................... 20 Chapter 1: Exploring theorisations of desire ........................................................................ 21 Introduction ...................................................................................................................... 21 Thesis background and breakdown .................................................................................. 23 Cultural, historical and social conceptualisations of desire .............................................. 26 The contemporary desiring subject: from Althusser to Žižek .........................................
Load more

Recommended publications
  • The Seminar of Jacques Lacan Book X Anxiety 1962
    THE SEMINAR OF JACQUES LACAN BOOK X ANXIETY 1962 - 1963 Translated by Cormac Gallagher from unedited French typescripts FOR PRIVATE USE ONLY 14.11.62 I 2 Seminar 1: Wednesday 14 November 1962 I am going to speak to you this year about anxiety. Someone who is not at all distant from me in our circle, nevertheless let me see the other day his surprise at the fact that I chose this subject which did not seem to him to be something that had all that much to offer. I must say that I will have no trouble in proving the contrary to him. In the mass of questions that are proposed to us on this subject, I will have to make very severe choices. That is why I will try from today to throw you into the work. But already this question seemed to me to preserve the trace of some naivety or other which has never been checked because it seemed to indicate a belief that it is by choice that each year I pick on a subject, like that, which appears interesting to me to continue on some sort of idle chatter. No. As you will see, I think, anxiety is very precisely the meeting point where you will find waiting everything that was involved in my previous discourse and where, together, there await a certain number of terms which may appear not to have been sufficiently connected up for you up to the present. You will see on this terrain of anxiety how, by being more closely knotted together, each one will take its place still better.
    [Show full text]
  • John-Bowlby-Separation-Anxiety-And-Anger-Attachment-And-Loss-Vol-2-1976
    Attachment and Loss VOLUME II SEPARATION ANXIETY AND ANGER John Bowlby With Additional Notes by the Author BASIC BOOKS A Member of the Perseus Books Group -i- 1 To THREE FRIENDS Evan Durbin Eric Trist Robert Hinde Copyright © 1973 by The Tavistock Institute of Human Relations Library of Congress Catalog Card Number: 70-78464 ISBN: 0-465-07691-2 Cloth ISBN: 0-465-09716-2 Paper Printed in the United States of America 99 RRD-H 30 29 28 27 26 25 24 -ii- 2 Contents Foreword page vii Preface xi Acknowledgements xvii PART I: SECURITY, ANXIETY, AND DISTRESS 1 Prototypes of Human Sorrow 3 Responses of young children to separation from mother 3 Conditions leading to intense responses 6 Conditions mitigating the intensity of responses 16 Presence or absence of mother figurer: a key variable 22 2 The Place of Separation and Loss in Psychopathology 25 Problem and perspective 25 Separation anxiety and other forms of anxiety 30 A challenge for theory 30 3 Behaviour with and without Mother: Humans 33 Naturalistic observations 33 Experimental Studies 39 Ontogeny of responses to separation 52 4 Behaviour with and without Mother: Non-human Primates 57 Naturalistic observations 57 Early experimental studies 60 Further studies by Hinde and Spencer-Booth 69 PART II: AN ETHOLOGICAL APPROACH TO HUMAN FEAR 5 Basic Postulates in Theories of Anxiety and Fear 77 Anxiety allied to fear 77 Models of motivation and their effects on theory 79 Puzzling phobia or natural fear 83 6 Forms of Behaviour Indicative of Fear 87 An empirical approach 87 Withdrawal behaviour and
    [Show full text]
  • The Interpreter of Desires Iranian Cinema and Psychoanalysis
    This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. The Interpreter of Desires Iranian Cinema and Psychoanalysis Farshid Kazemi A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of Islamic and Middle Eastern Studies University of Edinburgh © Farshid Kazemi, 2018 DECLARATION I hereby certify that the work contained herein has been composed by me in its entirety, and represents my own scholarly work. Besides Chapter 2, which has been published in the peer-reviewed journal Camera Obscura: Feminism, Culture, and Media Studies, no part of this thesis has been previously submitted for any other degree or professional qualification. Signed: Farshid Kazemi ii Abstract The goal of this thesis is the study of the structure of desire and sexuality in post- revolutionary Iranian cinema, through the prism of Lacanian psychoanalytic film theory.
    [Show full text]
  • 9789461664174.Pdf
    A DARK TRACE SIGMUND FREUD ON THE SENSE OF GUILT FIGURES OF THE UNCONSCIOUS 8 Editorial Board PHILIPPE VAN HAUTE (Radboud University Nijmegen, The Netherlands) TOMAS GEYSKENS (Catholic University Leuven, Belgium) PAUL MOYAERT (Catholic University Leuven, Belgium) MONIQUE DAVID-MÉNARD (Université Paris VII – Diderot, France) VLADIMIR SAFATLE (University of Sao Paolo, Brazil) CHARLES SHEPHERDSON (State University of New York at Albany, USA) A Dark Trace Sigmund Freud on the Sense of Guilt Herman Westerink The translation was funded by the Netherlands Organisation for Scientific Research (NWO). Original title: Het schuldgevoel bij Freud. Een duister spoor. Authorized translation from the Dutch language edition published by Uitgeverij Boom, Amsterdam. © 2005 Dutch language edition by Uitgeverij Boom, Amsterdam (The Netherlands). © 2009/2013 English language edition by Leuven University Press / Universitaire Pers Leuven / Presses Universitaires de Louvain. Minderbroedersstraat 4, B-3000 Leuven (Belgium) ePDF published in 2021 by Leuven University Press / Presses Universitaires de Louvain / Universitaire Pers Leuven. Minderbroedersstraat 4, B-3000 Leuven (Belgium). © 2021 Herman Westerink This ePDF is published under a Creative Commons Attribution Non-Commercial Non-Derivative 4.0 Licence. Further details about Creative Commons licences are available at http://creativecommons.org/licenses/ Attribution should include the following information: Herman Westerink. A Dark Trace: Sigmund Freud on the Sense of Guilt. Leuven: Leuven University Press,
    [Show full text]
  • An Introductory Dictionary of Lacanian Psychoanalysis
    An Introductory Dictionary of Lacanian Psychoanalysis Jacques Lacan is arguably the most original and influential psychoanalytic thinker since Freud. His ideas have revolutionised the clinical practice of psychoanalysis and continue to have a major impact in fields as diverse as film studies, literary criticism, feminist theory and philosophy. Lacan’s writings are notorious for their complexity and idiosyncratic style and An Introductory Dictionary of Lacanian Psychoanalysis will be invaluable for reading in every discipline where his influence is felt. Detailed definitions are provided for over two hundred Lacanian terms. Attention is given both to Lacan’s use of common psychoanalytic terms and how his own terminology developed through the various stages of his teaching. Taking full account of the clinical basis of Lacan’s work, the dictionary details the historical and institutional background to Lacanian ideas. Each major concept is traced back to its origins in the work of Freud, Saussure, Hegel and others. An Introductory Dictionary of Lacanian Psychoanalysis provides a unique source of reference for psychoanalysts in training and in practice. Placing Lacan’s ideas in their clinical context, the dictionary is also an ideal companion for readers in other disciplines. Dylan Evans trained as a Lacanian psychoanalyst in Buenos Aires, London and Paris. He is currently working on a PhD at the State University of New York at Buffalo. An Introductory Dictionary of Lacanian Psychoanalysis Dylan Evans London and New York First published 1996 by Routledge 11 New Fetter Lane, London EC4P 4EE This edition published in the Taylor & Francis e-Library, 2006. “To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to http://www.ebookstore.tandf.co.uk/.” Simultaneously published in the USA and Canada by Routledge 29 West 35th Street, New York, NY 10001 © 1996 Dylan Evans All rights reserved.
    [Show full text]
  • Lacan and Organization
    Lacan and Organization Carl Cederström & Casper Hoedemaekers (eds) may f l y Lacan and Organization Carl Cederström & Casper Hoedemaekers (eds) The work of Jacques Lacan has become an influential source to most disciplines of the social sciences, and is now considered a standard reference in literary theory, cultural studies and political theory. While management and organization studies has tradition- ally been preoccupied with questions of making corporations more efficient and productive, it has also mobilized a strong and forceful critique of work, management and capitalism. It is primarily as a contribution to this tradition of critical scholarship that we can see the work of Lacan now emerging. In this edited collection, a number of organizational scholars have made common cause with political theorists and psychoanalysts. Together they explore the many intersections of Lacan and organi- zation. The contributions address a series of pertinent questions: What are the new templates for control in the workplace? How is subjectivity produced in contemporary organizations? And how can a Lacanian reading of contemporary work politics render new insights into resistance and ethics? This edited collection includes contributions from Peter Fleming, Rickard Grassman, Jason Glynos, Campbell Jones, Carol Owens, André Spicer and Yannis Stavrakakis. may f l y www.mayflybooks.org Today, at one and the same time, scholarly publishing is drawn in two directions. On the one hand, this is a time of the most exciting theoretical, political and artistic projects that respond to and seek to move beyond global administered society. On the other hand, the publishing industries are vying for total control of the ever-lucrative arena of scholarly publication, creating a situation in which the means of distribution of books grounded in research and in radical interrogation of the present are increasingly restricted.
    [Show full text]
  • Neurosis Or Perversion? a Lacanian Psychoanalytic Diagnostic and Clinical Approach to the Treatment of Paraphilia at a Forensic
    Duquesne University Duquesne Scholarship Collection Electronic Theses and Dissertations Summer 2011 Neurosis or Perversion? A Lacanian Psychoanalytic Diagnostic and Clinical Approach to the Treatment of Paraphilia at a Forensic Outpatient Setting: A Case Study and Exegetical Method Stephanie Swales Follow this and additional works at: https://dsc.duq.edu/etd Recommended Citation Swales, S. (2011). Neurosis or Perversion? A Lacanian Psychoanalytic Diagnostic and Clinical Approach to the Treatment of Paraphilia at a Forensic Outpatient Setting: A Case Study and Exegetical Method (Doctoral dissertation, Duquesne University). Retrieved from https://dsc.duq.edu/etd/1256 This Immediate Access is brought to you for free and open access by Duquesne Scholarship Collection. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Duquesne Scholarship Collection. For more information, please contact [email protected]. NEUROSIS OR PERVERSION? A LACANIAN PSYCHOANALYTIC DIAGNOSTIC AND CLINICAL APPROACH TO THE TREATMENT OF PARAPHILIA AT A FORENSIC OUTPATIENT SETTING: A CASE STUDY AND EXEGETICAL METHOD A Dissertation Submitted to the McAnulty College and Graduate School of Liberal Arts Duquesne University In partial fulfillment of the requirements for the degree of Doctor of Philosophy By Stephanie Swales, M.A. August 2011 Copyright by Stephanie Swales 2011 NEUROSIS OR PERVERSION? A LACANIAN PSYCHOANALYTIC DIAGNOSTIC AND CLINICAL APPROACH TO THE TREATMENT OF PARAPHILIA AT A FORENSIC OUTPATIENT SETTING: A CASE STUDY AND EXEGETICAL METHOD By Stephanie Swales Approved April 15, 2011 ________________________________ ________________________________ Bruce Fink, Ph.D. Jessie Goicoechea, Ph.D. Professor of Psychology Assistant Professor of Psychology (Committee Chair) (Committee Member) ________________________________ Robert Coufal, Ph.D.
    [Show full text]
  • Beyond Symptom Accumulation: a Lacanian Clinical Approach to Obsession - a Case Study and Theoretical Exposition Julie L
    Duquesne University Duquesne Scholarship Collection Electronic Theses and Dissertations Summer 2014 Beyond Symptom Accumulation: A Lacanian Clinical Approach to Obsession - A Case Study and Theoretical Exposition Julie L. Futrell Follow this and additional works at: https://dsc.duq.edu/etd Recommended Citation Futrell, J. (2014). Beyond Symptom Accumulation: A Lacanian Clinical Approach to Obsession - A Case Study and Theoretical Exposition (Doctoral dissertation, Duquesne University). Retrieved from https://dsc.duq.edu/etd/562 This Immediate Access is brought to you for free and open access by Duquesne Scholarship Collection. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Duquesne Scholarship Collection. For more information, please contact [email protected]. BEYOND SYMPTOM ACCUMULATION: A LACANIAN CLINICAL APPROACH TO OBSESSION A CASE STUDY AND THEORETICAL EXPOSITION A Dissertation Submitted to the McAnulty College and Graduate School of Liberal Arts Duquesne University In partial fulfillment of the requirements for the degree of Doctor of Philosophy By Julie L. Futrell, M.A., M.Ed. August 2014 Copyright by Julie L. Futrell 2014 iv BEYOND SYMPTOM ACCUMULATION: A LACANIAN CLINICAL APPROACH TO OBSESSION A CASE STUDY AND THEORETICAL EXPOSITION By Julie L. Futrell Approved May 3, 2013 ________________________________ ________________________________ Bruce Fink, Ph.D. Suzanne Barnard, Ph.D. Professor of Psychology Associate Professor of Psychology (Committee Chair) (Committee Member) ________________________________ Colleen Carney, Ph.D. Adjunct Faculty (Committee Member) ________________________________ ________________________________ James Swindal, Ph.D. Leswin Laubscher, Ph.D. Dean, McAnulty College and Graduate Chair, Department of Psychology School of Liberal Arts Associate Professor of Psychology Professor of Philosophy iii ABSTRACT BEYOND SYMPTOM ACCUMULATION: A LACANIAN CLINICAL APPROACH TO OBSESSION A CASE STUDY AND THEORETICAL EXPOSITION By Julie L.
    [Show full text]
  • Transcritical Encounters in Lacanian Psychoanalysis,” Intersections 11, No
    intersections online Volume 11, Number 2 (Autumn 2010) Bryan Klausmeyer, “Transcritical Encounters in Lacanian Psychoanalysis,” intersections 11, no. 2 (2010): 10-66. ABSTRACT The goal of this paper is to provide a “transcendental critical” interpretation of Lacanian psychoanalysis through an examination of the historical circumstances surrounding the development of Lacan's ideas and their underlying philosophical basis. Rather than operating as a closed system, I argue that Lacanian thought functions on the basis of "parallax" between irreconcilable positions (e.g., Kleinian vs. Anna-Freudian psychoanalysis, structuralism vs. poststructuralism) stemming from a central antinomy. To that end, Lacan ought to be understood above all as a critic, in the same vein as Kant and Marx. http://depts.washington.edu/chid/intersections_Autumn_2010/Bryan_Klausmeyer_Transcritical_Encounters_in_Lacanian_Psychoanalysis.pdf Fair Use Notice: The images within this article are provided for educational and informational purposes. They are being made available in an effort to advance the understanding of scientific, environmental, economic, social justice and human rights issues etc. It is believed that this constitutes a 'fair use' of any such copyrighted material as provided for in section 107 of the US Copyright Law. In accordance with Title 17 U.S.C. Section 107, the material on this site is distributed without profit to those who have an interest in using the included information for research and educational purposes. 10 intersections Autumn 2010 Transcritical Encounters in Lacanian Psychoanalysis By Bryan Klausmeyer Johns Hopkins University I. What is Transcendental Criticism? ighteenth-century Königsberg was a curious place for a philosopher to have E spent his life. Obviously, it was neither the city nor even the century in which the French psychoanalyst Jacques Lacan lived.
    [Show full text]
  • The Seminar of Jacques Lacan Book X Anxiety 1962
    THE SEMINAR OF JACQUES LACAN BOOK X ANXIETY 1962 - 1963 Translated by Cormac Gallagher from unedited French typescripts FOR PRIVATE USE ONLY http://www.lacaninireland.com 14.11.62 I 2 Seminar 1: Wednesday 14 November 1962 I am going to speak to you this year about anxiety. Someone who is not at all distant from me in our circle, nevertheless let me see the other day his surprise at the fact that I chose this subject which did not seem to him to be something that had all that much to offer. I must say that I will have no trouble in proving the contrary to him. In the mass of questions that are proposed to us on this subject, I will have to make very severe choices. That is why I will try from today to throw you into the work. But already this question seemed to me to preserve the trace of some naivety or other which has never been checked because it seemed to indicate a belief that it is by choice that each year I pick on a subject, like that, which appears interesting to me to continue on some sort of idle chatter. No. As you will see, I think, anxiety is very precisely the meeting point where you will find waiting everything that was involved in my previous discourse and where, together, there await a certain number of terms which may appear not to have been sufficiently connected up for you up to the present. You will see on this terrain of anxiety how, by being more closely knotted together, each one will take its place still better.
    [Show full text]
  • Luce Irigaray's "This Sex Which Is Not One"
    Luce Irigaray THIS SEX WHICH IS NO ONE Translated by CATHERINE PORTER with CAROLYN BURKE CORNELL UNIVERSITY PRESS New York Contents Originally published in French under the title Ce Sexe qui n'en est pas un, © 1. The Looking from Other Side 9 1977 by Editions de Minuit. Copyright © 1985 by Cornell University 2. This Sex Which Is Not One 23 All reserved. Except for brief quotations in a review, this book, or must not be reproduced in any form without permission in 3. Psychoanalytic Theory: Another Look 34 from the publisher. For information, address Cornell Press, 124 Roberts Place, Ithaca, New York 14850. 4. The Power of Discourse and the Subordination of First pUOllsneo 985 Cornell Press. the Feminine 68 International Standard Book Number 0-8014-1546-2 International Standard Book Number 0--8014-9331-5 Library of Congress Catalog Card Number 84-23013 5. COSt Fan Tutti 86 Printed in the United States of America Librarians: Library of Congress 6. The "Mechanics" of Fluids 106 appears on the last page of the book. The paper in this book is acid-Jree and meets the guidelines for 7. Questions 119 permanence and durability of the Committee on Production Guidelines for Book Longevity of the Council on Library Resources. 8. Women on the Market 170 9. Commodities among Themselves 10. "Frenchwomen," Stop Trying 198 11. When Our Lips Speak Together 205 Publisher's Note and Notes on Selected Terms 219 5 1 The Looking Glass, from the Other Side THIS SEX WHICH IS NOT ONE ... she suddenly began again. "Then it really has happened, after all! And now, who am I? I will remember, ifI can! I'm determined to do it!" But being determined didn't help her much, and all she could say, after a great deal ofpuzzling, was: "L, I know it begins with L." Through the Looking-Glass Alice's eyes are blue.
    [Show full text]
  • The Acoustic Mirror: the Female Voice in Psychoanalysis and Cinema
    Page iii The Acoustic Mirror The Female Voice in Psychoanalysis and Cinema Theories of Representation and Difference KAJA SILVERMAN General Editor: Teresa de Lauretis INDIANA UNIVERSITY PRESS Bloomington and Indianapolis Page iv Portions of chapters 1, 2, and 5 have appeared in somewhat different form in Wide Angle 8, nos. 1 and 2 (1985), Iris 3, no. 1 (1985), and Mary Ann Doane, Patricia Mellencamp, and Linda Williams, eds., Re-vision: Essays in Feminist Film Criticism (Los Angeles: AFI, 1984). © 1988 by Kaja Silverman All rights reserved No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying and recording, or by any information storage and retrieval system, without permission in writing from the publisher. The Association of American University Presses' Resolution on Permissions constitutes the only exception to this prohibition. MANUFACTURED IN THE UNITED STATES OF AMERICA Library of Congress Cataloging-in-Publication Data Silverman, Kaja. The acoustic mirror. (Theories of representation and difference) Bibliography: p. Includes index. 1. Women in motion pictures. 2. Moving-pictures—Psychological aspects. 3. Psychoanalysis. 4. Voice. I. Title. II. Series. PN1995.9.W6S57 1988 791.43'09'09352042 87-45834 ISBN 0-253-30284-6 ISBN 0-253-20474-7 (pbk.) 4 5 6 7 8 00 99 98 97 96 95 94 Page v Contents Acknowledgments vii Preface viii [1] Lost Objects and Mistaken Subjects: A Prologue 1 [2] Body Talk 42 [3] The Fantasy of the Maternal Voice: Paranoia and Compensation 72 [4] The Fantasy of the Maternal Voice: Female Subjectivity and the Negative Oedipus Complex 101 [5] Disembodying the Female Voice: Irigaray, Experimental Feminist Cinema, and Femininity 141 [6] The Female Authorial Voice 187 Notes 235 Index 254 Page vi For Michael and Philosophy on the Telephone.
    [Show full text]