[Digital Booklet]

Total Page:16

File Type:pdf, Size:1020Kb

[Digital Booklet] 1. THE TIME (DIRTY BIT) 2. LIGHT UP THE NIGHT 3. LOVE YOU LONG TIME 4. XOXOXO 5. SOMEDAY 6. WHENEVER 7. FASHION BEATS 8. DON’T STOP THE PARTY 9. DO IT LIKE THIS 10. [THE SITUATION] 11. [THE COMING] 12. [OWN IT] 13. THE BEST ONE YET (THE BOY) 14. JUST CAN’T GET ENOUGH 15. PLAY IT LOUD [BONUS TRACKS] www.blackeyedpeas.com Interscope Records. 2220 Colorado Ave., Santa Monica, CA 90404. Manufactured and distributed in the United States by Universal Music Distribution. PC2010 Interscope Records. All rights reserved. Unauthorized duplication is a violation of applicable laws. 1. THE TIME (DIRTY BIT) Produced by will.i.am and DJ Ammo / Written by William Adams, Allan Pineda, Damien LeRoy, Franke Previte, John De Nicola, Donald Markowitz / Published by will.i.am music, llc (BMI), apl.de.ap publishing (BMI), Cherry River Music Co. (BMI), Damien LeRoy Music (BMI), Sony/ATV Tunes, LLC (ASCAP), EMI April Music Inc. o/b/o Calspen Music (ASCAP), PEN Music Group, Inc. o/b/o Marcu Music Company, Inc. (ASCAP), WorldSong Inc. (ASCAP) / Worldwide rights for will.i.am music, llc and apl.de.ap publishing administered by Cherry River Music Co. (BMI) / Contains interpolations from “(I’ve Had The) Time Of My Life” written by Franke Previte, John De Nicola, Donald Markowitz and published by Sony/ ATV Tunes, LLC (ASCAP), EMI April Music Inc. o/b/o Calspen Music (ASCAP), PEN Music Group, Inc. o/b/o Marcu Music Company, Inc. (ASCAP), WorldSong Inc. (ASCAP). Used by permission. All rights reserved. / Drum Programming and Synthesizers by DJ Ammo / Moog and Bass by will.i.am / Recorded and engi- neered by will.i.am in Ibiza, Spain / Vocals recorded and engineered by will.i.am and padraic “padlock” kerin at Glenwood Place Studios in Burbank, CA. 2. LIGHT UP THE NIGHT Produced by will.i.am / Written by William Adams, Allan Pineda, Keith Harris, Ricky Walters / Published by will.i.am music, llc (BMI), apl.de.ap publishing (BMI), Cherry River Music Co. (BMI), Universal Music Corp./Broke, Spoke and Gone Publishing (ASCAP), Songs of Universal, Inc. (BMI) / Worldwide rights for will.i.am music, llc and apl.de.ap publishing administered by Cherry River Music Co. (BMI). / Drum Programming, Bass and Synthesizers by will.i.am / Additional Synthesizers by DJ Ammo / Guitars by Alain Whyte / Contains elements of “Children’s Story” written by Ricky Walters, published by Songs Of Universal, Inc. (BMI) / This track contains a sample of the recording “Children’s Story” as performed by Slick Rick. Courtesy of Def Jam Records under license from Uni- versal Music Enterprises. Used by permission. All rights reserved. / Recorded by will.i.am in Venice, Italy / Vocals recorded and engineered by will.i.am and padraic “padlock” kerin at Ethernet Studios in Los Angeles, CA and Glenwood Place Studios in Burbank, CA. 3. LOVE YOU LONG TIME Produced by will.i.am / Written by William Adams, Stacy Ferguson and Joshua Alvarez. Published by will.i.am music, llc (BMI), and Cherry River Music Co. (BMI), Native Boys Music, Headphone Junkie Publishing (ASCAP), EMI Music Publishing, Inc. (ASCAP) / Worldwide rights for will.i.am music, llc, administered by Cherry River Music Co. (BMI). All rights for Headphone Junkie Publishing controlled and administered by EMI Music Publishing Inc. (ASCAP) / Drum Programming, Bass, and Synthesizers by will.i.am / Recorded and engineered by will.i.am and padraic “padlock” kerin at Glenwood Place Studios in Burbank, CA. 4. XOXOXO Produced by: will.i.am / Written by William Adams, Allan Pineda and Jean Baptiste / Published by will.i.am music, llc (BMI), apl.de.ap publishing (BMI), Jean Baptiste Music/Our 315 Music, administered by Cherry Lane Music Publishing (ASCAP). / Worldwide rights for will.i.am music, llc and apl.de.ap publishing administered by Cherry River Music Co. (BMI) / Drum Programming, Synthesizers and Moog Bass by will.i.am / Recorded and engineered by will.i.am and padraic “padlock” kerin at Glenwood Place Studios in Burbank, CA. 5. SOMEDAY Produced by will.i.am / Co-produced by Free School / Written by William Adams, Jean Baptiste, Allan Pineda, Jaime Gomez / Published by will.i.am music, llc (BMI), apl.de.ap publishing (BMI), Tab Magnetic Publishing (BMI), Cherry River Music Co. (BMI), Jean Baptiste Music/ Our 315 Music, administered by Cherry Lane Music Publishing (ASCAP) / Worldwide rights for will.i.am music, llc, apl.de.ap publishing and Tab Magnetic Publishing administered by Cherry River Music Co. (BMI) / Drum Programming and Moog Bass by will.i.am / Guitars by Alain Whyte / Recorded and engineered by will.i.am and padraic “padlock” kerin at Glenwood Place Studios in Burbank, CA. 6. WHENEVER Produced by will.i.am / Written by William Adams, Stacy Ferguson / Published by will.i.am music, llc (BMI), Cherry River Music Co. (BMI), Headphone Junkie Publishing (ASCAP), EMI Music Publishing, Inc. (ASCAP) / Worldwide rights for will.i.am music, llc administered by Cherry River Music Co. (BMI), All rights for Headphone Junkie Publish- ing controlled and administered by EMI Music Publishing Inc. (ASCAP) / Drum Programming, Moog Bass & iPad App Synthesizers by will.i.am / Guitars by Alain Whyte / Piano by Keith Harris / Recorded and engi- neered by will.i.am and padraic “padlock” kerin at Germano Studios in New York, NY and Glenwood Place Studios in Burbank, CA. 7. FASHION BEATS Produced by will.i.am and DJ Ammo / Written by William Adams, Stacy Ferguson, Keith Harris, Nile Rodgers, Bernard Edwards / Published by will.i.am music, llc (BMI), Headphone Junkie Publishing (ASCAP), EMIMusic Publishing, Inc. (ASCAP), Universal Music Corp./Broke, Spoke and Gone Publishing(ASCAP), Sony/ATV Songs, LLC (BMI), Bernard’s Other Music/Warner Tamerlane Publishing Corp. (BMI) / Worldwide rights for will.i.am music, llc, administered by Cherry River Music Co. (BMI), All rights for Headphone Junkie Publishing controlled and administered by EMI Music Publishing Inc. (ASCAP) / Drum Programming by will.i.am and DJ Ammo / Synthesizers by DJ Ammo / Guitars by Josh Lopez / Fender, Rhodes & Synths by Keith Harris. / Contains elements of “My Forbidden Lover” written by Nile Rodgers and Bernard Edwards, published by Sony/ATV Songs, LLC (BMI) and Bernard’s Other Music/Warner-Tamerlane Publishing Corp. (BMI) / Featuring samples from the Chic recording “My Forbidden Lover” produced under license from Atlantic Recording Corp., a divi- sion of Warner Music Group. Used by permission. All rights reserved. / Recorded and engineered by will.i.am and padraic “padlock” kerin at Glenwood Place Studios in Burbank, CA. 8. DON’T STOP THE PARTY Produced by DJ Ammo / Co-produced by: will.i.am / Written by William Adams, Allan Pineda, Jaime Gomez, Stacy Ferguson, Joshua Alvarez, Damien LeRoy / Published by will.i.am music, llc (BMI), apl.de.ap publishing (BMI), Tab Magnetic Publishing (BMI), Cherry River Music Co. (BMI), Headphone Junkie Publishing (ASCAP), EMI Music Publishing, Inc. (ASCAP), Native Boys Music / Worldwide rights for will.i.am music, llc, apl.de.ap publishing and Tab Magnetic Publishing administered by Cherry River Music Co. (BMI), All rights for Headphone Junkie Publishing controlled and administered by EMI Music Publishing Inc. (ASCAP) / Synthesizers and Moog Bass by DJ Ammo / Live Bass by Caleb Speir / Recorded and engineered by will.i.am and padraic “padlock” kerin at Germano Studios in New York, NY and The Record Plant in Hollywood, CA. 9. DO IT LIKE THIS Produced by DJ Ammo / Written by William Adams, Allan Pineda, Jaime Gomez, Damien LeRoy / Published by will.i.am music, llc (BMI), apl.de.ap publishing (BMI), Tab Magnetic Publishing (BMI), Cherry River Music Co. (BMI), Damien LeRoy Music (BMI) / World- wide rights for will.i.am music, llc, apl.de.ap publishing and Tab Magnetic Publishing administered by Cherry River Music Co. (BMI) / Drum Programming, Synthesizers and Moog Bass by DJ Ammo / Recorded and engineered by will.i.am in Toronto, Canada. 10. THE SITUATION Produced by apl.de.ap, Replay & DJ Ammo / Written by William Adams, Allan Pineda, Stacy Ferguson, Ryan Buendia / Published by will.i.am music, llc (BMI), apl.de.ap publishing (BMI), Cherry River Music Co. (BMI), Headphone Junkie Publishing (ASCAP), EMI Music Publishing, Inc. (ASCAP), Damien LeRoy Music (BMI) / Worldwide rights for will.i.am music, llc, apl.de.ap publishing and Tab Magnetic Publishing administered by Cherry River Music Co. (BMI), All rights for Headphone Junkie Publish- ing controlled and administered by EMI Music Publishing Inc. (ASCAP) / Drum Programming, Synthesizers and Bass by DJ Ammo / Guitars by Roland Casiquin / Recorded and engineered by will.i.am in Ireland. 11. THE COMING Produced by will.i.am / Written by William Adams, Allan Pineda, Jaime Gomez, Jean Baptiste, Joshua Alvarez, Barrington Levy, Paul Love / Published by will.i.am music, llc (BMI), apl.de.ap publishing (BMI), Tab Magnetic Publishing (BMI), Cherry River Music Co. (BMI), Jean Baptiste Music/Our 315 Music, administered by Cherry Lane Music Publishing (ASCAP), Native Boys Music, Music By Tafari, Inc. (BMI) o/b/o Lipstic Music, Greensleeves Publishing Ltd. (PRS) / Worldwide rights for will.i.am music, apl.de.ap publishing and Tab Magnetic Publishing administered by Cherry River Music Co. (BMI) / Contains elements of “Here I Come” written by Barrington Levy and Paul Love, published by Music By Tafari, Inc. (BMI) o/b/o Lipstic Music, Greensleeves Publishing Ltd. (PRS). Used by permission. / This track contains a sample of the recording “Here I Come” as performed by Barrington Levy. Courtesy of Greensleeves Records. Used by permission. All rights reserved. / Drum Programming, Synthesizers and Moog Bass by will.i.am / Recorded and engineered by will.i.am and padraic “padlock” kerin in Ibiza, Spain and Glenwood Place Studios in Burbank, CA.
Recommended publications
  • Platforms, Promotion, and Product Discovery: Evidence from Spotify Playlists
    JRC Digital Economy Working Paper 2018-04 Platforms, Promotion, and Product Discovery: Evidence from Spotify Playlists Luis Aguiar Joel Waldfogel (University of Minnesota and NBER) May 2018 This publication is a Working Paper by the Joint Research Centre, the European Commission’s in- house science service. It aims to provide evidence-based scientific support to the European policy- making process. The scientific output expressed does not imply a policy position of the European Commission. Neither the European Commission nor any person acting on behalf of the Commission is responsible for the use which might be made of this publication. JRC Science Hub https://ec.europa.eu/jrc JRC112023 Seville, Spain: European Commission, 2018 © European Union, 2018 Reuse is authorised provided the source is acknowledged. The reuse policy of European Commission documents is regulated by Decision 2011/833/EU (OJ L 330, 14.12.2011, p. 39). For any use or reproduction of photos or other material that is not under the EU copyright, permission must be sought directly from the copyright holders. How to cite this report: How to cite: Luis Aguiar, Joel Waldfogel, Platforms, Promotion, and Product Discovery: Evidence from Spotify Playlists ; JRC Digital Economy Working Paper 2018-04; JRC Technical Reports, JRC112023. All images © European Union 2018 Abstract Digitization has vastly increased the amount of new music produced and, because of streaming, has raised the number of songs available directly to consumers. While enhanced availability has levelled the playing field between already-prominent and new artists, creators may now be highly dependent on platform decisions about which songs and artist to promote.
    [Show full text]
  • SUZANNA LUBRANO Most Popular Female Zouk Artist from Cabo Verde
    LATIN POP ZOUK KIZOMBA AFROLATIN SUZANNA LUBRANO Most popular female Zouk artist from Cabo Verde Number one hits 20 years in Africa and of Music Europe 11 CD´s A major + 1 DVD influence on many of today´s Gold and Kizomba artists Platinum albums in Africa Major African Music Awards SUZANNA LUBRANO 2015/2016 Introduction Suzanna Lubrano is one of the most popular female artists in Lusophone Africa. In a career spanning almost 20 years, she has scored massive hits in countries such as Angola, Mozambique and Cape Verde, and has also managed to achieve frequent successes elsewhere. She has received numerous music awards and nominations. In 2015, Suzanna Lubrano has released her latest solo-album ´Vitoria´. Most of the songs on the album are self-composed. The album contains duets with Machel Montano (Trinidad), Iyanya (Nigeria) and Vinicius D´black (Brazil), several productions by Giorgio Tuinfort (producer of songs by Michael Jackson, Rihanna, Lady Gaga and many more), and is more diverse than previous albums. Although a Cape Verdean singer, Suzanna’s music can’t be described as specifically Cape Verdean. With her exciting mix of Zouk or Kizomba, Pop Coladeira, R&B and other African and Latino music styles, the 39 year old gifted vocalist has retained her star status in the Portuguese speaking African countries throughout her career, which started in 1996 with the release of her debut album ´Sem Bo Nes Mund´. Suzanna lubrano and Giorgio Tuinfort (Michael Jackson, Rihanna, Lady Gaga) working on songs for the Vitoria album. SUZANNA LUBRANO
    [Show full text]
  • Song Suggestions for Special Dances
    SONG SUGGESTIONS FOR SPECIAL DANCES PARTY EXCITEMENT www.partyexcitement.com Top 50 Bride & Groom First Dance Songs (Everything I Do) I do it for you by Bryan Adams A Thousand Years by Christina Perri All My Life by K‐Ci & JoJo Amazed by Lonestar At Last by Etta James Better Together by Jack Johnson Bless the Broken Road by Rascal Flatts By Your Side by Sade Can’t Help Falling in Love by Elvis Presley Chasing Cars by Snow Patrol Come Away with Me by Norah Jones Cowboys and Angels by Dustin Lynch Crazy Girl by Eli Young Band Crazy Love by Van Morrison Everything by Michael Buble Faithfully by Journey First Day of My Life by Bright Eyes God Gave Me You by Blake Shelton Hold on by Michael Buble I Cross my Heart by George Strait I Don’t Want to Miss a Thing by Aerosmith I Gotta Feeling by Black Eyed Peas I won’t give up by Jason Mraz I’ll be by Edwin McCain Into the Mystic by Van Morrison It’s Your Love by Tim McGraw and Faith Hill Let’s Stay Together by Al Green Lucky by Jason Mraz & Colbie Caillat Make You Feel My Love by Adele Making Memories of Us by Keith Urban Marry Me by Train Me and You by Kenny Chesney My Best Friend by Tim McGraw She’s everything by Brad Paisley Smile by Uncle Kracker Stand By Me by Ben E. King The Way you look tonight by Frank Sinatra Then by Brad Paisley This Year’s Love by David Gray Unchained Melody by Righteous Brothers Wanted by Hunter Hayes What a Wonderful World by Louis Armstrong When You Say Nothing at All by Alison Krauss Wonderful Tonight by Eric Clapton You and Me by Dave Matthews Band You are the Best
    [Show full text]
  • Song of the Year
    General Field Page 1 of 15 Category 3 - Song Of The Year 015. AMAZING 031. AYO TECHNOLOGY Category 3 Seal, songwriter (Seal) N. Hills, Curtis Jackson, Timothy Song Of The Year 016. AMBITIONS Mosley & Justin Timberlake, A Songwriter(s) Award. A song is eligible if it was Rudy Roopchan, songwriter songwriters (50 Cent Featuring Justin first released or if it first achieved prominence (Sunchasers) Timberlake & Timbaland) during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only. 017. AMERICAN ANTHEM 032. BABY Angie Stone & Charles Tatum, 001. THE ACTRESS Gene Scheer, songwriter (Norah Jones) songwriters; Curtis Mayfield & K. Tiffany Petrossi, songwriter (Tiffany 018. AMNESIA Norton, songwriters (Angie Stone Petrossi) Brian Lapin, Mozella & Shelly Peiken, Featuring Betty Wright) 002. AFTER HOURS songwriters (Mozella) Dennis Bell, Julia Garrison, Kim 019. AND THE RAIN 033. BACK IN JUNE José Promis, songwriter (José Promis) Outerbridge & Victor Sanchez, Buck Aaron Thomas & Gary Wayne songwriters (Infinite Embrace Zaiontz, songwriters (Jokers Wild 034. BACK IN YOUR HEAD Featuring Casey Benjamin) Band) Sara Quin & Tegan Quin, songwriters (Tegan And Sara) 003. AFTER YOU 020. ANDUHYAUN Dick Wagner, songwriter (Wensday) Jimmy Lee Young, songwriter (Jimmy 035. BARTENDER Akon Thiam & T-Pain, songwriters 004. AGAIN & AGAIN Lee Young) (T-Pain Featuring Akon) Inara George & Greg Kurstin, 021. ANGEL songwriters (The Bird And The Bee) Chris Cartier, songwriter (Chris 036. BE GOOD OR BE GONE Fionn Regan, songwriter (Fionn 005. AIN'T NO TIME Cartier) Regan) Grace Potter, songwriter (Grace Potter 022. ANGEL & The Nocturnals) Chaka Khan & James Q. Wright, 037. BE GOOD TO ME Kara DioGuardi, Niclas Molinder & 006.
    [Show full text]
  • 1 Song Title
    Music Video Pack Vol. 6 Song Title No. Popularized By Composer/Lyricist Hillary Lindsey, Liz Rose, FEARLESS 344 TAYLOR SWIFT Taylor Swift Christina Aguilera; FIGHTER 345 CHRISTINA AGUILERA Scott Storch I. Dench/ A. Ghost/ E. Rogers/ GYPSY 346 SHAKIRA Shakira/ C. Sturken HEARTBREAK WARFARE 347 JOHN MAYER Mayer, John LAST OF THE AMERICAN GIRLS 351 GREENDAY Billie Joe Armstrong OPPOSITES ATTRACT 348 JURIS Jungee Marcelo SAMPIP 349 PAROKYA NI EDGAR SOMEDAY 352 MICHAEL LEARNS TO ROCK Jascha Richter SUNBURN 353 OWL CITY Adam Young Nasri Atweh, Justin Bieber, Luke THAT SHOULD BE ME 354 JUSTIN BIEBER Gottwald, Adam Messinger THE ONLY EXCEPTION 350 PARAMORE Farro, Hayley Williams Max Martin, Alicia WHAT DO YOU WANT FROM ME 355 ADAM LAMBERT Moore, Jonathan Karl Joseph Elliott, Rick WHEN LOVE AND HATE COLLIDE 356 DEF LEPPARD Savage Jason Michael Wade, YOU AND ME 357 LIFEHOUSE Jude Anthony Cole YOUR SMILING FACE 358 JAMES TAYLOR James Taylor www.wowvideoke.com 1 Music Video Pack Vol. 6 Song Title No. Popularized By Composer/Lyricist AFTER ALL THESE YEARS 9057 JOURNEY Jonathan Cain Michael Masser / Je!rey ALL AT ONCE 9064 WHITNEY HOUSTON L Osborne ALL MY LIFE 9058 AMERICA Foo Fighters ALL THIS TIME 9059 SIX PART INVENTION COULD'VE BEEN 9063 SARAH GERONIMO Richard Kerr (music) I'LL NEVER LOVE THIS WAY AGAIN 9065 DIONNE WARWICK and Will Jennings (lyrics) NOT LIKE THE MOVIES 9062 KC CONCEPCION Jaye Muller/Ben Patton THE ART OF LETTING GO 9061 MIKAILA Linda Creed, Michael UNPRETTY 9066 TLC Masser YOU WIN THE GAME 9060 MARK BAUTISTA 2 www.wowvideoke.com Music Video Pack Vol.
    [Show full text]
  • Hou Het Echt! Authenticity in the Dutch Hip-‐Hop Scene from the Point Of
    Hou het echt! Authenticity in the Dutch hip-hop scene from the point of view of A&R-personnel Tim van Meurs Erasmus School of History, Culture and Communication Erasmus University Rotterdam 362905 [email protected] Supervisor: Dr. Laura Braden Second reader: Prof.dr. Koen van Eijck June 8th, 2015 Foreword “You are trying to apply science to something that isn’t!” With those words, interviewee and godfather of Nederhop Kees de Koning summarized quite well what I have been doing for the last couple of months. Ambitious as I was at the start of the master thesis process, I figured I could interview some key behind-the-scenes figures of the Dutch hip-hop scene without too much trouble. At times, I wished I had listened to those who told me to pick another topic because people from the music industry are generally too busy to conduct a, for them, uninteresting interview. But this thesis now lies in front of you, finished and well, and ready to be read. But it did not become what it is now without any problems. Problems that I did not solve by myself. So for that, I would like to thank the people who guided me through my breakdowns, helped me get further in the process, and supplied me with all sorts of resources to go on; from encouragement, to food, to the opportunity for interviews. First I want to thank my interviewees, for without them I literally would not have been able to make this thesis. So thanks Farid, for being my first interviewee and referring me to others, and thanks Angelo, Jimmy, Pim, Gaétan, Tim, Amier, Jaap, Casper, Vincent and Kees for giving me some of your precious time.
    [Show full text]
  • The Black Eyed Peas 'Pump It' up on Big Screens
    THE BLACK EYED PEAS ‘PUMP IT’ UP ON BIG SCREENS NATIONWIDE WITH THE E.N.D. WORLD TOUR LIVE PRESENTED BY BLACKBERRY CONCERT EVENT LIVE FROM LOS ANGELES ON MARCH 30 NCM Fathom and AEG Live Team Up Again to Present an Exclusive One-Night Concert Performance with Behind-the-Scenes Footage Broadcast LIVE to Nearly 500 Select Movie Theaters Centennial, Colo. – Feb. 11, 2010 – The Black Eyed Peas are getting the party started across the country on The E.N.D. World Tour, presented by BlackBerry® and will rock the big screen as their concert performance from Los Angeles is transmitted LIVE nationwide on Tuesday, March 30th. Broadcast from STAPLES Center to nearly 500 select movie theaters across America, The Black Eyed Peas: The E.N.D. World Tour LIVE Presented by BlackBerry event will feature a 30-minute exclusive program for movie theater audiences, including behind-the-scenes footage and band interviews. Tickets for The Black Eyed Peas: The E.N.D. World Tour LIVE Presented by BlackBerry on March 30 at 10:30 p.m. Eastern / 9:30 p.m. Central / 8:30 p.m. Mountain / 7:30 p.m. Pacific are available at participating theater box offices and online at www.FathomEvents.com. For a complete list of theater locations and prices, please visit the web site (theaters and participants may be subject to change). “This tour is not the E.N.D. but the beginning of The Black Eyed Peas experience presented to you in full Pea fashion,” says Taboo of The Black Eyed Peas.
    [Show full text]
  • Live Hard...Party Harder
    ISSUE #12 OUR SPECIAL ONE YEAR ANNIVERSARY ISSUE. HAPPY BIRTHDAY US! LIVE HARD.... ....PARTY HARDER WARNING Before playing this game, read the Xbox 360® console, Xbox 360 Kinect® Sensor, and accessory manuals for important safety and health information. www.xbox.com/support. Important Health Warning: Photosensitive Seizures A very small percentage of people may experience a seizure when exposed to certain visual images, including flashing lights or patterns that may appear in video games. Even people with no history of seizures or epilepsy may have an undiagnosed condition that can cause “photosensitive epileptic seizures” while watching video games. Symptoms can include light-headedness, altered vision, eye or face twitching, jerking or shaking of arms or legs, disorientation, confusion, momentary loss of awareness, and loss of consciousness or convulsions that can lead to injury from falling down or striking nearby objects. Immediately stop playing and consult a doctor if you experience any of these symptoms. Parents, watch for or ask children about these symptoms—children and teenagers are more likely to experience these seizures. The risk may be reduced by being farther from the screen; using a smaller screen; playing in a well-lit room, and not playing when drowsy or fatigued. If you or any relatives have a history of seizures or epilepsy, consult a doctor before playing. Table of Contents 02 Getting Started 04 The Lost and Damned 06 The Ballad of Gay Tony 08 Credits 16 Warranty/Technical Support 1 Getting Started Game Controls Xbox LIVE Xbox 360 Controller Play anyone and everyone, anytime, anywhere on Xbox LIVE®.
    [Show full text]
  • The Neptunes Have Oversize Lincoln Navigator
    } THENERDM ENTALITY THHY6 AVffiJ AY-XA B*UNCT, LENITT hIglRF UhIKT S'N SYh*CA NM HUSTLTPB HATSF &R T'{H KING OF POP.I T WAS *h,l-Y A MATTERO F TIM€ gHF{3RgT I{K \IIRGII''I[AM E,4CHP R$SLJCTIONT EAM CALI-EDT F{€I \FPTU'XE$P tJTTi{ENRC LIg'\d?SO N'HI OLP Ah{& LKTTF{€IRO WTdg ?RANGgS *UNSS LSOSHS hNT'..IfC; I.,IART"BSY ETHAN BROWN IHARRELL wTLLIAMs HAs rHE EvENING MAppED our "lIsrrN," have been shockingly consistent hitmakers, racking up ahalf- "tonight |!|h" explains, we're gonna hang out with punks, dozen Top ro hits (and loads of Top 4os) in an arenawhererna' I skatersa nd brothers from the hood." He glances down jor players like Sean "Puffy" Combs and legendary hit men such at the freshly painted morel parking lot and climbs into his as Clive Davis often strike out. Moreover. the Neptunes have oversize Lincoln Navigator. "I can t hang with just one group of proved they can savea rtists from themseives,s pinning stalwart people." The z8-year-old producer-musician is the mirror im- stars in new directions. They transformed JayZ'shrstler-by- age of his inclusive social sphere-call it a ghetto-glam-bumpkin numbers "I Just Wanna Love U (Give It z Me)" inro a soulful look faded thrift-store jeans, tattered Rolling Stones baseball sing-along, remixed and rescued the Backstreet Boys' uninspiring cap, VersaceT -shirt and white Prada sneakers.A nd though he u.rth.- "The Call' and converted Mystlfal's clicired boory "rl'i wears a chunky diamond earring in one ear and a cartoonishly "Shake Ya Ass" into a brassv.
    [Show full text]
  • Theoretical Approaches to Quotation in Hip-Hop Recordings Justin A
    Williams, J. A. (2014). Theoretical Approaches to Quotation in Hip- Hop Recordings. Contemporary Music Review, 33(2), 188-209. https://doi.org/10.1080/07494467.2014.959276 Publisher's PDF, also known as Version of record Link to published version (if available): 10.1080/07494467.2014.959276 Link to publication record in Explore Bristol Research PDF-document University of Bristol - Explore Bristol Research General rights This document is made available in accordance with publisher policies. Please cite only the published version using the reference above. Full terms of use are available: http://www.bristol.ac.uk/red/research-policy/pure/user-guides/ebr-terms/ This article was downloaded by: [University of Bristol] On: 26 March 2015, At: 13:07 Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK Contemporary Music Review Publication details, including instructions for authors and subscription information: http://www.tandfonline.com/loi/gcmr20 Theoretical Approaches to Quotation in Hip-Hop Recordings Justin A. Williams Published online: 28 Oct 2014. Click for updates To cite this article: Justin A. Williams (2014) Theoretical Approaches to Quotation in Hip-Hop Recordings, Contemporary Music Review, 33:2, 188-209, DOI: 10.1080/07494467.2014.959276 To link to this article: http://dx.doi.org/10.1080/07494467.2014.959276 PLEASE SCROLL DOWN FOR ARTICLE Taylor & Francis makes every effort to ensure the accuracy of all the information (the “Content”) contained in the publications on our platform. Taylor & Francis, our agents, and our licensors make no representations or warranties whatsoever as to the accuracy, completeness, or suitability for any purpose of the Content.
    [Show full text]
  • Places to Ride in the Northwest 8Places to Ride in the Northwest
    PlacesPlaces toto RideRide 88 Chris Gilbert inin thethe NorthwestNorthwest Photo Christian Pondella HOW December 2004 TO Launch from a Boat 12 Plus: Florida Hurricanes, USA $5.95 Oregon Snowkiting & Exploring Mauritius 0 7447004392 8 2 3 On a whole other level. Guillaume Chastagnol. Photo Bertrand Boone Contents December 2004 Features 38 Northern Exposure Brian Wheeler takes us to eight of his favorite places to ride in the Northwest. 48 Exposed A photo essay of the kiteboarding lifestyle. 46 The Legend of Jim Bones Adam Koch explores the life of veteran waterman Jim Bones. 58 Journey into the Indian Ocean: The Island of Mauritius Felix Pivec, Julian Sudrat and José Luengo travel to the island just off Africa. DepartmentsDepartments 14 Launch Ten of the world’s best riders get together in Cape Hatteras to build the world’s biggest kiteboarding rail. 34 Close-up Bertrand Fleury and Bri Chmel 70 Analyze This Up close and personal with some of the latestlatest gear.gear. 72 Academy 10 Skim Board Tips to Help you Rip Cover Shot Tweak McCore Chris Gilbert launches off the USS Lexington in Corpus Christie, Texas. 81 Tweak McCore Photo Christian Pondella Contents Shot California’s C-street local Corky Cullen stretching out a Japan air. Photo Jason Wolcott Photo Tracy Kraft Double Check My phone rang the other day and it was my best friend telling me the wind was cranking at our local spot. Running around like a chicken with its head cut off, I threw my 15-meter kite and gear into the truck and made the quick rush down to the beach through 30 minutes of traffic.
    [Show full text]
  • Nova's Red Room with the Black Eyed Peas – Grand
    NOVA’S RED ROOM WITH THE BLACK EYED PEAS – GRAND FINAL EVE Friday 14 September 2018 The Black Eyed Peas, one of the most commercially successful pop groups, will perform in a special Nova’s Red Room on Friday 28 September in Melbourne. Comprised of will.i.am, apl.de.ap and Taboo, the Black Eyed Peas are multi-platinum artists who have released six studio albums, selling over 30 million records worldwide. The group have won seven Grammy awards and have just announced their new album Masters of The Sun, set for release on 12 October, which coincides with the launch of their new single "Big Love". Having formed in LA in the late 80s, the Black Eyed Peas 2003’s breakthrough album, Elephunk, produced their first hit singles, “Where Is the Love,” “Shut Up,” “Hey Mama” and “Let’s Get It Started”. Monkey Business followed in 2005, producing the hit singles, “Don’t Phunk with My Heart,” “My Humps” and “Pump It,” and went triple-platinum around the world. The E.N.D. (The Energy Never Dies), their fifth studio album, and was nominated for six Grammy Awards, winning Best Pop Vocal Album and featuring the hit singles, “Boom Boom Pow” and the David Guetta- produced “I Gotta Feeling”. The E.N.D. sold more than 14.5 million copies worldwide and was nominated for six Grammy Awards, winning Best Pop Vocal Album. The Beginning, the band’s sixth studio album, featured the singles “The Time (Dirty Bit),” “Just Can’t Get Enough” and “Don’t Stop The Party” and was followed with a six month “The Beginning Massive Stadium Tour.” Masters of The Sun is the group's first studio album in eight years, following their multi-million selling 2010 LP The Beginning.
    [Show full text]