“Insta” Change in Social Media Contracts & Users
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CWD FTC Facebook Credits Complaint
June 28, 2011 VIA EMAIL AND FEDEX OVERNIGHT Donald S. Clark Secretary U.S. Federal Trade Commission 600 Pennsylvania Avenue, NW Washington, D.C. 20580 Re: Facebook, Inc. and Facebook Credits Dear Secretary Clark: Enclosed is a Complaint, Request for Investigation, Injunction, and Other Relief submitted by Consumer Watchdog regarding Facebook, Inc. and its virtual currency, Facebook Credits. As explained in the complaint, Consumer Watchdog believes that Facebook is engaging in anticompetitive and unfair business practices in the market for virtual goods purchased in social games through its Facebook Credits terms with game developers. We request that, pursuant to the Federal Trade Commission’s authority under section 5 of the Federal Trade Commission Act and 16 C.F.R. § 2.5, the Commission investigate Facebook’s anticompetitive conduct and enjoin Facebook from engaging in conduct that violates sections 2 and 1 of the Sherman act, and section 5 of the Federal Trade Commission Act. Please let me know if you have any questions. Sincerely, Harvey Rosenfield cc via email: Jon Leibowitz, Chairman William E. Kovacic J. Thomas Rosch Julie Brill Edith Ramirez Before the Federal Trade Commission Washington, DC In the Matter of ) ) Facebook, Inc. and ) Facebook Credits ) ) ________________________________) Complaint, Request for Investigation, Injunction, and Other Relief I. Introduction 1. Consumer Watchdog submits this Complaint to the Federal Trade Commission (“FTC” or “the Commission”) requesting an investigation and injunctive relief concerning the anticompetitive terms and impact of Facebook Credits, an ambitiously revamped virtual currency system recently announced by Facebook, Inc. (“Facebook”), the dominant social networking company in the United States and the world. -
Facebook Coin: What's the Realistic Angle?
MARCH 14, 2019, 6:16PM EDT Facebook Coin: What’s The Realistic Angle? BY RYAN TODD It’s that time of year, the post-earnings lull where equity analysts take time to digest new company information and either reaffirm their views or offer material changes to their theses. For some looking to make a splash, the occasional brow-raising bold calls trickle out as well. This week, Barclays’ internet analyst Ross Sandler released a note to clients which walked through his bullish view on Facebook Coin, suggesting the project could unlock as much as $19 billion in incremental revenue by 2021, and a conservative base-case forecast of $3 billion. That’s not a typo. Initially reported back in December by Bloomberg, Facebook’s blockchain team has apparently been developing a stablecoin for payments within WhatsApp. More recently, the New York Times published a report, showing the surprising speed of development of Facebook’s stablecoin. According to the report, Facebook had held talks with exchanges about listing its stablecoin, which will be pegged “to a basket of different foreign currencies, rather than just the dollar.” Additionally, the Facebook blockchain team is prepared to launch this stablecoin in the first half of 2019, according to NYT. Here’s what you need to know: Facebook’s experiment with Facebook Credits offers FB Coin clues Based on Barclays’ channel checks and note to investors, FB Coin may actually start out as a single purpose virtual token that mimics the functionality Facebook Credits offered in the early 2010s. Facebook Credits was a program that allowed the purchase of an in-platform token with a credit card/PayPal ($1 = 10FB credits) in order to use as a currency for paid applications and in-game items. -
A Theoretical and Empirical Study of Social Media As a Crisis Communication Channel in the Aftermath of the BP Gulf of Mexico Oil Spill Ill
A Theoretical and Empirical Study of Social Media as a Crisis Communication Channel in the Aftermath of the BP Gulf of Mexico Oil Spill ill By Kylie Ann Dowthwaite Date: 15 April 2011 University: Copenhagen Business School Masters: Cand.merc. MCM External Councilor: Nicolaj Hoejer Nielsen No. of pages: 81 STU: 184.127 Kylie Ann Dowthwaite | April 2011 Acknowledgement Several people have contributed to this research throughout the study period and thereby helped me to carry out this work. First of all I would like to thank my supervisor Nicolaj Hoejer Nielsen for his comments and support throughout my master thesis. I would also like to thank all the key informants and survey respondents for their cooperation and contribution to the work. Finally, I would like to express my gratitude to my fiancée, family and friends for their support and encouragement through the whole study period. Kylie Ann Dowthwaite Kylie Ann Dowthwaite | April 2011 Executive Summary On the 20th of April 2010 the largest oil spill in the history of the US occurred and BP was the main responsible party. This lead to a massive crisis communication effort, where multiple organisations were involved and social media was utilized on a scale never seen before in BP. Within classical crisis communication the Situational Crisis Communication Theory (SCCT), by Coombs, states that an appropriate response strategy has to be chosen depending on the crisis responsibility of the organisation. In the field of crisis communication for social media the theoretical framework is sporadic and very operational with Gonzalez-Herrero & Smith and Conway et al. -
Facebook Credits 2012 a Merchant's Perspective
Facebook Credits 2012 A Merchant’s Perspective The Leader in Social Entertainment February 23, 2012 _________________________________________________________________________________________________ Facebook Credits Overview Facebook Credits are a virtual currency that can be used to buy virtual goods, digital goods and other select products on the Facebook platform. They can be purchased using a credit card, PayPal, a mobile phone, gift cards and 50+ payment methods in 47 currencies. This form of payment was introduced to make it easy to pay for virtual goods and currency in applications across the Facebook platform. Facebook Credits are valued at approximately $0.10 each, but discounts are available when bought in bulk. Facebook keeps 30 percent of transactions and the developer keeps 70 percent. So if a merchant charges 100 Credits ($10.00) for a virtual or digital good, Facebook earns 30 Credits or $3.00 per transaction and the developer retains $7.00. On July 1, 2011, Facebook Credits became mandatory for Facebook Games and Facebook Deals; and are highly recommended for all other applications on Facebook. Facebook Credits can be purchased or earned and can be used for digital goods such as movies and music, but cannot be used for physical goods like clothing or DVDs. Facebook Credits are valid worldwide and can be subject to state and local tax if the digital good is a taxable item. Users accumulate Facebook Credits in their Facebook accounts. Facebook Credits can be purchased or earned outside of Facebook, on merchant websites for example, but can only be spent within the social network. An entertainment company or merchant can give Facebook Credits to users as an incentive or they can receive Facebook Credits for payment on their virtual or digital goods. -
Facebook V. Profile Technologies
/% 1 Timothy L. Alger, State Bar No. 160303 [email protected] V 2 Sunita Bali, State Bar No. 274108 [email protected] 0 PERKINS COIE llp 3 -£ 3150 Porter Drive 4 Palo Alto, CA 94304-1212 Telephone: 650.838.4300 5 Facsimile: 650.838.4350 6 Attorneys for Plaintiffs Facebook, Inc. and Facebook Ireland Limited 9 UNITED STATES DISTRICT COURT 10 NORTHERN DISTRICT OF CALIFORNIA 11 SAN JOSE DIVISION » O Q 12 1 3 0 4 51 13 FACEBOOK, INC., a Delaware Case No. corporation, and FACEBOOK IRELAND 14 LIMITED, an Irish company, COMPLAINT FOR BREACH OF CONTRACT 15 Plaintiffs, [DEMAND FOR JURY TRIAL] 16 v. 17 PROFILE TECHNOLOGY, LTD, a New Zealand company; and CHRISTOPHER 18 CLAYDON, an individual, 19 Defendants. 20 21 Plaintiffs Facebook, Inc. and Facebook Ireland Limited(collectively "Facebook"), by and 22 through undersigned counsel, hereby allege as follows: 23 I. INTRODUCTION 24 1. Facebook permits certain application developers to access and use information that 25 is available on Facebook's services, providedthat they agree to and comply with Facebook's user 26 and developer agreements. Profile Technology Ltd. ("Profile Technology") and its CEO, 27 Christopher Claydon C'Claydon") (collectively "Defendants"), obtained access to such data as 28 COMPLAINT AND DEMAND FOR JURY TRIAL part of their contractual relationship with Facebook. The data included information posted by and 2 about Facebook users ("User Data"). 3 2. Defendants copied User Data onto Defendants' computer servers for their own use 4 and made it accessible to others, for Defendants" commercial benefit, on Defendants' website, 5 www.profileengine.com. -
OIG 13-A-08 Independent Evaluation of NRC's Use and Security of Social
EVALUATION REPORT Independent Evaluation of NRC’s Use and Security of Social Media OIG-13-A-08 January 23, 2013 All publicly available OIG reports (including this report) are accessible through NRC’s Web site at: http:/www.nrc.gov/reading-rm/doc-collections/insp-gen/ UNITED STATES NUCLEAR REGULATORY COMMISSION WASHINGTON, D.C. 20555-0001 OFFICE OF THE INSPECTOR GENERAL January 23, 2013 MEMORANDUM TO: R. William Borchardt Executive Director for Operations FROM: Stephen D. Dingbaum /RA/ Assistant Inspector General for Audits SUBJECT: INDEPENDENT EVALUATION OF NRC’S USE AND SECURITY OF SOCIAL MEDIA (OIG-13-A-08) Attached is the Office of the Inspector General’s (OIG) independent evaluation report titled, Independent Evaluation of NRC’s Use and Security of Social Media (OIG-13-A-08). The report presents the results of the subject evaluation. Agency comments provided during a December 7, 2012, exit conference have been incorporated, as appropriate, into this report. Please provide information on actions taken or planned on the recommendations within 30 days of the date of this memorandum. Actions taken or planned are subject to OIG followup as stated in Management Directive 6.1. We appreciate the cooperation extended to us by members of your staff during the evaluation. If you have any questions or comments about our report, please contact me at 415-5915 or Beth Serepca, Team Leader, at 415-5911. Attachment: As stated CONTENTS EXECUTIVE SUMMARY .................................................................................... IV AGENCY COMMENTS ..................................................................................... VIII CHAPTER 1: SOCIAL MEDIA MEASUREMENT .................................................. 1 NRC Narrowly Defines Social Media Success .................................................. 1 NRC Has made Progress Against All its Social Media Objectives ................... -
FACEBOOK MARKETING – What Do Users Think of It?
Bachelor's thesis Degree Programme in Internation Business 2011 Jani Orpana, Jukka Teräs FACEBOOK MARKETING – What do users think of it? BACHELOR´S THESIS | ABSTRACT TURKU UNIVERSITY OF APPLIED SCIENCES Degree Programme in International Business 01.12.2011 | 108 pages Instructor(s): Laura Heinonen Author(s): Jani Orpana, Jukka Teräs FACEBOOK MARKETING – WHAT DO USERS THINK OF IT? The Internet is part of our daily lives, has been for decades in continuously increasing proportion and continues inevitably on the same path. We use it for getting information, entertainment, shopping, in our work and studies and, above all, for communication. E-mail is a familiar mode of communication, but among the later trends in the Internet is the social media with its various manifestations. It provides us means to stay in touch with our family and friends and to meet new people and to socialize among the likeminded. Social media is hoarding ever more larger share of people’s time that spend in overall and especially in the Internet. The most significant by far is the Facebook.com, the phenomenon that has grown at an unpreceded pace and today it attracts more visitors than any other web domain except Google.com. The change in behaviour presents a challenge and an opportunity in a marketer’s perspective. The people are withdrawing from the television and other established marketing channels but at the same time they are flocking to a new environment that is far more interactive and with the right tools in skilled hands it also provides more information about the audience. -
Credits' 25 January 2011, by BARBARA ORTUTAY , AP Technology Writer
Facebook to require games to accept its 'credits' 25 January 2011, By BARBARA ORTUTAY , AP Technology Writer (AP) -- Facebook will require all games on its site to accept payments through its own virtual currency system beginning July 1. Although game developers won't have to use Facebook Credits as their only in-game currency, those who do will get special incentives, such as early access to new product features and more desirable targeting for ads, the company said. Facebook gets a 30 percent cut when developers use Credits to sell virtual goods and other items. Although Facebook relies mostly on advertisements to make money, the payments system lets Facebook broaden its revenue sources. Deborah Liu, a platform marketing manager at Facebook, said in the blog post Monday that more than 350 applications from 150 game developers already use Credits. That accounts for more than 70 percent of all virtual goods transactions on the site. Facebook users can use virtual currency to buy items such as special crops in "FarmVille" and virtual deep fryers in "Cafe World," both from Zynga. Credits can be purchased through Facebook using PayPal, credit cards or a mobile phone account. Facebook, which is based in Palo Alto, Calif., said it plans to work with developers who don't use Credits yet to get feedback and make improvements to the system. ©2010 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed. APA citation: Facebook to require games to accept its 'credits' (2011, January 25) retrieved 2 October 2021 from https://phys.org/news/2011-01-facebook-require-games-credits.html This document is subject to copyright. -
Indigenous Connections and Social Media: Māori Involvement in the Events at Standing Rock
Indigenous Connections and Social Media: Māori Involvement in the Events at Standing Rock India Fremaux A thesis submitted to Auckland University of Technology in partial fulfilment of the requirements for the degree of Master of Communication Studies (MCS) 2019 School of Communication Studies, Faculty of Design and Creative Technologies Abstract The whirlwind development of digital ICTs has had significant implications for Indigenous peoples and their movements towards social and political change. Digital ICTs facilitate global Indigenous connections, assist the rapid diffusion of information and present a decentralised outlet for Indigenous perspectives. However, for Indigenous groups, issues of access, cultural appropriation and misrepresentation remain. With the aid of digital ICTs, the Standing Rock movement successfully united Indigenous cultures across the world. This research focuses on Māori in Aotearoa (New Zealand) who expressed passionate support on social media and even travelled thousands of kilometres to stand in solidarity with the Standing Rock Sioux. The aim of this study is to determine the interest and involvement of Māori in these events via the qualitative analysis of two data sets drawn from participants; in-depth interviews and personal social media posts. Each participant was chosen for their vociferous support of the Standing Rock movement and their identification as Māori. The findings revealed that while participant interest stemmed from a number of areas, particularly pertaining to Indigenous affinity and kinship, it was social media that initiated and sustained that interest. These results indicate that there are deep connections between Māori and the Standing Rock Sioux and the role of social media in facilitating and maintaining those connections was complex. -
Facebook: a Like Story Why Investors Shouldn’T Fall in Love
Facebook: A Like Story Why investors shouldn’t fall in love Edited by Jeffrey Goldfarb and Robert Cyran Cover design by Troy Dunkley 2 CONTENTS Preface ……………………….………. 4 The present ……………………….. 6 The past ………………………….… 14 Early days ……………………….…. 15 Growing up …………………….…. 22 Proud parents ……………….….. 32 The Future ………………………... 36 3 PREFACE WELL-FLAGGED - Facebook and its Chief Executive Mark Zuckerberg have raised some red flags for investors, including how the switch to mobile could be a big problem. REUTERS/Jim Young Facebook’s initial public offering is the seminal event of the capital markets in 2012. Breakingviews has followed the social network’s growth in analytical fashion since soon after it started in Mark Zuckerberg’s Harvard University dorm room in 2004. We’ve compiled a selection of some two dozen of these incisive stories to illustrate Facebook’s trajectory and increasing importance , from its origins as a site used by college students to a business with approaching a billion users and, after its IPO, potentially worth more than $100 billion. 4 “Facebook: A Like Story” kicks off with a timely, pertinent piece on how governments, rival businesses and Wall Street have become financially dependent on Facebook’s debut. The book also contains a handy number-cruncher - accompanied by an interactive calculator - that allows investors to value Facebook’s stock and see what assumptions are needed to reach the company’s indicated price of between $28 and $35 a share. Moving further back the company’s own timeline, the chapter entitled “The Past” explores how Facebook forged its path to domination in social media, often seemingly by the seat of its pants. -
Facebook Fake News in the Post -Truth World
9-717-473 REV: SEPTEMBER 14, 2 0 1 7 JOHN R. WELLS CAROLE A. WINKLER Facebook Fake News in the Post -Truth World Our mission is to make the world more open and connected. — Mark Zuckerberg1 Introduction In January 2017, Mark Zuckerberg, founder and CEO of Facebook was surrounded by controversy. The election of Donald Trump as the next President of the United States on November 8, 2016 had triggered a national storm of protests, and many put the blame at the door of fake news stories served up on Facebook’s Trending News Feed.2 Facebook had launched the service in January 2014 to deliver news stories that might be of interest to Facebook users, in addition to the automatic News Feed that told them what was going on in their social network. Individuals could select items that they were interested in, but an algorithm served up news items that might appeal based on past reading habits and those of their close friends.3 The argument against Facebook was that this process polarized public opinion, fueled prejudices and encouraged the bitter partisan character of the election campaign.4 Some claimed that fake news, propagated through News Feed, supported the rise of anti-establishment sentiments amongst groups that felt left behind by the establishment elite.5 Zuckerberg was unapologetic. On November 10, 2016 he had commented, “Personally I think the idea that fake news on Facebook, which is a very small amount of the content, influenced the election in any way — I think is a pretty crazy idea.”6 He argued that fake stories were posted on both sides of the political spectrum. -
Final Thesis
University of Huddersfield Repository Penni, Janice The Online Evolution of Social Media: An Extensive Exploration of a Technological Phenomenomen and its Extended Use in Various Activities Original Citation Penni, Janice (2015) The Online Evolution of Social Media: An Extensive Exploration of a Technological Phenomenomen and its Extended Use in Various Activities. Masters thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/id/eprint/28332/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ THE ONLINE EVOLUTION OF SOCIAL MEDIA: AN EXTENSIVE EXPLORATION OF A TECHNOLOGICAL PHENOMENOMEN AND ITS EXTENDED USE IN VARIOUS ACTIVITIES By Janice F.Y. Penni A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER by Research In THE SCHOOL OF COMPUTING AND ENGINEERING STUDIES THE UNIVERSITY OF HUDDERSFIELD April 2015 © Janice Penni, 2015 Abstract The rise and popularity of Social media technologies has created an interactive and communicative global phenomenon that has enabled billions of users to connect to other individuals to not just Facebook, Twitter and LinkedIn; but also with media sharing platforms such as Instagram and Pinterest.