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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Hip Hop Pedagogies of Black Women Rappers Nichole Ann Guillory Louisiana State University and Agricultural and Mechanical College
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2005 Schoolin' women: hip hop pedagogies of black women rappers Nichole Ann Guillory Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Education Commons Recommended Citation Guillory, Nichole Ann, "Schoolin' women: hip hop pedagogies of black women rappers" (2005). LSU Doctoral Dissertations. 173. https://digitalcommons.lsu.edu/gradschool_dissertations/173 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. SCHOOLIN’ WOMEN: HIP HOP PEDAGOGIES OF BLACK WOMEN RAPPERS A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Curriculum and Instruction by Nichole Ann Guillory B.S., Louisiana State University, 1993 M.Ed., University of Louisiana at Lafayette, 1998 May 2005 ©Copyright 2005 Nichole Ann Guillory All Rights Reserved ii For my mother Linda Espree and my grandmother Lovenia Espree iii ACKNOWLEDGMENTS I am humbled by the continuous encouragement and support I have received from family, friends, and professors. For their prayers and kindness, I will be forever grateful. I offer my sincere thanks to all who made sure I was well fed—mentally, physically, emotionally, and spiritually. I would not have finished this program without my mother’s constant love and steadfast confidence in me. -
Early Vancouver Volume Four
Early Vancouver Volume Four By: Major J.S. Matthews, V.D. 2011 Edition (Originally Published 1944) Narrative of Pioneers of Vancouver, BC Collected During 1935-1939. Supplemental to Volumes One, Two and Three collected in 1931-1934. About the 2011 Edition The 2011 edition is a transcription of the original work collected and published by Major Matthews. Handwritten marginalia and corrections Matthews made to his text over the years have been incorporated and some typographical errors have been corrected, but no other editorial work has been undertaken. The edition and its online presentation was produced by the City of Vancouver Archives to celebrate the 125th anniversary of the City's founding. The project was made possible by funding from the Vancouver Historical Society. Copyright Statement © 2011 City of Vancouver. Any or all of Early Vancouver may be used without restriction as to the nature or purpose of the use, even if that use is for commercial purposes. You may copy, distribute, adapt and transmit the work. It is required that a link or attribution be made to the City of Vancouver. Reproductions High resolution versions of any graphic items in Early Vancouver are available. A fee may apply. Citing Information When referencing the 2011 edition of Early Vancouver, please cite the page number that appears at the bottom of the page in the PDF version only, not the page number indicated by your PDF reader. Here are samples of how to cite this source: Footnote or Endnote Reference: Major James Skitt Matthews, Early Vancouver, Vol. 4 (Vancouver: City of Vancouver, 2011), 33. -
Download a PDF of the Press Kit Here
THE BRILLIANT MISTAKES [email protected] • 917.821.6262 THE BRILLIANT MISTAKES’ “DISTANT DRUMMING” SET FOR RELEASE OCTOBER 7 The Brilliant Mistakes—the New York City based band lauded for “restlessy catchy hooks, a clever turn of phrase and frothy, piano-driven pop with heart, soul and smarts” (The Boston Globe) are ready to unveil Distant Drumming, their new album set for release on October 7 on the band’s own Aunt Mimi’s Records. The album was produced by bassist Lincoln Schleifer (Levon Helm, Buddy Miller) and recorded at Lincoln’s Log Cabin in The Bronx, features guest musicians Mike Viola (The Candy Butchers, Walk Hard), Larry Campbell (Bob Dylan, Paul Simon) and Marc Shulman (Suzanne Vega) and was mastered by Fred Kevorkian (Ryan Adams, The White Stripes) in Hell’s Kitchen in Manhattan. Songwriter-bassist Erik Philbrook describes Distant Drumming as an album that musically and lyrically is about “finding and following the rhythms of your own life.” To that end the band sought to create a more organic album and delved deeper in the studio, experimenting with dynamics, arrangements, atmosphere, instrumentation and grooves to create music not only rich in meaning and emotion, but one that mixes blasts of majestic rock with meditative and moody acoustic pop and folk. The result is a ruthlessly thrilling album by a band that has long flown beneath the radar of the mainstream but are kindred spirits with such contemporaryAmericana envelope- pushers as Wilco, My Morning Jacket and Spoon. Distant Drumming benefits from the evolution of the band’s two songwriters—Alan Walker and Erik Philbrook— into separate but equally provocative lyricists. -
Rochyderabad 27072017.Pdf
List of Companies under Strike Off Sl.No CIN Number Name of the Company 1 U93000TG1947PLC000008 RAJAHMUNDRY CHAMBER OF COMMERCE LIMITED 2 U80301TG1939GAP000595 HYDERABAD EDUCATIONAL CONFERENCE 3 U52300TG1957PTC000772 GUNTI AND CO PVT LTD 4 U99999TG1964PTC001025 HILITE PRODUCTS PVT LTD 5 U74999AP1965PTC001083 BALAJI MERCHANTS ASSOCIATION PRIVATE LIMITED 6 U92111TG1951PTC001102 PRASAD ART PICTURES PVT LTD 7 U26994AP1970PTC001343 PADMA GRAPHITE INDUSTRIES PRIVATE LIMITED 8 U16001AP1971PTC001384 ALLIED TOBBACCO PACKERS PVT LTD 9 U63011AP1972PTC001475 BOBBILI TRANSPORTS PRIVATE LIMITED 10 U65993TG1972PTC001558 RAJASHRI INVESTMENTS PRIVATE LIMITED 11 U85110AP1974PTC001729 DR RANGARAO NURSING HOME PRIVATE LIMITED 12 U74999AP1974PTC001764 CAPSEAL PVT LTD 13 U21012AP1975PLC001875 JAYALAKSHMI PAPER AND GENERAL MILLS LIMITED 14 U74999TG1975PTC001931 FRUTOP PRIVATE LIMITED 15 U05005TG1977PTC002166 INTERNATIONAL SEA FOOD PVT LTD 16 U65992TG1977PTC002200 VAMSI CHIT FUNDS PVT LTD 17 U74210TG1977PTC002206 HIMALAYA ENGINEERING WORKS PVT LTD 18 U52520TG1978PTC002306 BLUEFIN AGENCIES AND EXPORTS PVT LTD 19 U52110TG1979PTC002524 G S B TRADING PRIVATE LIMITED 20 U18100AP1979PTC002526 KAKINADA SATSANG SAREES PRINTING AND DYEING CO PVT LTD 21 U26942TG1980PLC002774 SHRI BHOGESWARA CEMENT AND MINERAL INDUSTRIES LIMITED 22 U74140TG1980PTC002827 VERNY ENGINEERS PRIVATE LIMITED 23 U27109TG1980PTC002874 A P PRECISION LIGHT ENGINEERING PVT LTD 24 U65992AP1981PTC003086 CHAITANYA CHIT FUNDS PVT LTD 25 U15310AP1981PTC003087 R K FLOUR MILLS PVT LTD 26 U05005AP1981PTC003127 -
Soundtrack and Garnering Accolades for Their Debut Album “Remind Me in Three Days.” Check out Our Exclusive Interview on Page 7
Ver su s Entertainment & Culture at Vanderbilt DECEMBER 3—DECEMBER 9, 2008 VOL. 46, NO. 26 “Abstract Progressive” rapping duo The Knux are giving Vincent Chase his soundtrack and garnering accolades for their debut album “Remind Me in Three Days.” Check out our exclusive interview on page 7. We saw a lot of movies over break. We weigh in on which to see and … from which to fl ee. “808s and Heartbreaks” is really good. Hey, Kanye, hey. PLACES TO GO, PEOPLE TO SEE THURSDAY, DECEMBER 4 FRIDAY, DECEMBER 5 SATURDAY, DECEMBER 6 The Regulars Harley Allen Band — Station Inn Parachute Musical and KinderCastle with Noises Carols & Cocoa — Barnes and Noble, Cool THE RUTLEDGE The go-to joint for bluegrass in the Music City features Harley Allen, 10 — The Mercy Lounge and Cannery Ballroom Springs 410 Fourth Ave. S. 37201 Part of the Mercy Lounge’s Winter of Dreamz musical showcase, a well-known song writer who’s worked with Garth Brooks, Dierks Need to get into the Christmas spirit? The Battle Ground Academy 782-6858 Bentley and Gary Allan to name a few. Make sure to see this living Friday’s event showcases Parachute Musical and KinderCastle along Middle School Chorus will lead you in some of your favorite seasonal legend in action. ($10, 9 p.m.) with opener Noises 10. Head to the Mercy Lounge to enjoy some carols as you enjoy delicious hot chocolate. (Free, 11 a.m., 1701 MERCY LOUNGE/CANNERY live local music and $2.50 pints courtesy of Winter of Dreamz co- Mallory Lane, Brentwood) presenter Sweetwater 420. -
Ohio Archaeological Inventory Form Instruction Manual
Ohio Archaeological Inventory Form Instruction Manual With the support of the U.S. Department of the Interior’s Historic Preservation Fund and the Ohio Historic Preservation Office of the Ohio Historical Society Copyright © 2007 Ohio Historical Society, Inc. All rights reserved. The publication of these materials has been made possible in part by a grant from the U.S. Department of the Interior’s National Park Service, administered by the Ohio Historic Preservation Office. However, its contents do not necessarily reflect the opinions of the Department of the Interior, nor does the mention of trade names or commercial products imply their endorsement. The Ohio Historic Preservation Office receives federal assistance from the U.S. Department of the Interior’s Historic Preservation Fund. U.S. Department of the Interior regulations prohibit unlawful discrimination in depart- mental federally assisted programs on the basis of race, color, national origin, age or disability. Any person who believes he or she has been discriminated against in any program, activity, or facility operated by a recipient of Federal assistance should write to: Office of Equal Opportunity, U.S. Department of the Interior, National Park Service, 1849 C Street N.W., Washington D.C. 20240. Ohio Historic Preservation Office 567 East Hudson Street Columbus, Ohio 43211-1030 614/ 298-2000 Fax 614/ 298-2037 Visit us at www.ohiohistory.org OAl Rev. June 2003 Table of Contents Introduction and General Instructions 1 Definition of Archaeological Resource (Site) 1 Submitting an Ohio Archaeological Inventory Form 2 Itemized Instructions 3 A. Identification 3 1. Type of Form 3 2. -
Pressemitteilung Zu the Neal Morse Band
Pressemitteilung zu The Neal Morse Band The Neal Morse Band spielt ihren Progressive Rock am 13.06.2022 in der Markthalle in Hamburg Hamburg, Juni 2021 – Zuletzt waren sie im März/April 2019 hierzulande zu sehen, jetzt hat die Neal Morse Band eine weitere Deutschland-Tournee für den Juni 2022 angekündigt. Im Rahmen der Promotion ihres vierten Albums “Innocence & Danger”, das am 27. August 2021 erscheint, wird die Progressive Rock-Band um Bandleader Neal Morse am 13.06.2022 in der Markthalle in Hamburg auftreten. Im Laufe seiner Karriere hat der Gitarrist, Keyboarder und Sänger Neal Morse schon viele Höhen und Tiefen erlebt, bekannt wurde er als maßgeblicher Teil der Neo-Prog-Formationen Spock's Beard, Transatlantic und Flying Colors. Seit 2003 veröffentlicht Morse zwar auch Soloplatten unter seinem Namen, nun hat er sich aber auch wieder in ein Bandgefüge integriert: The Neal Morse Band (aka NMB) formiert sich in ihrer jetzigen Form 2012, zu den langjährigen Mitstreitern Morse’, Mike Portnoy (dr, v) und Randy George (b), kommen Bill Hubauer (key, v) und Eric Gillette (g, v) hinzu. “The Grand Experiment”, das Debüt der Band aus dem Jahr 2015, zeigt eine in diesem Bereich lange nicht gehörte Frische und Reife, die mit den folgenden Alben “The Similitude Of A Dream” (2016) und “The Great Adventure” (2019) weiter perfektioniert wird. Nun erscheint am 27. August 2021 mit “Innocence & Danger” das vierte Werk einer Gruppe von Musikern, die in ihrem Genre, dem progressiven Rock, allesamt eine Ausnahmestellung einnehmen. Nach den beiden vorherigen Konzept-Alben ist es schon erstaunlich, dass “Innocence & Danger” diesmal keiner roten Linie folgt. -
Native Sons and Daughters Program Manual
NATIVE SONS AND DAUGHTERS PROGRAMS® PROGRAM MANUAL National Longhouse, Ltd. National Longhouse, Ltd. 4141 Rockside Road Suite 150 Independence, OH 44131-2594 Copyright © 2007, 2014 National Longhouse, Ltd. All rights reserved. International copyright secured. No part of this manual may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, now known or hereafter invented, electronic, mechanical, photocopying, xerography, recording, or otherwise, without the prior written consent of National Longhouse, Ltd. Printed in the United States of America EDITORS: Edition 1 - Barry Yamaji National Longhouse, Native Sons And Daughters Programs, Native Dads And Sons, Native Moms And Sons, Native Moms And Daughters are registered trademarks of National Longhouse, Ltd. Native Dads And Daughters, Native Sons And Daughters, NS&D Pathfinders are servicemarks of National Longhouse TABLE of CONTENTS FOREWORD xi ACKNOWLEDGMENTS xiii CHAPTER 1: INTRODUCTION 1 Why NATIVE SONS AND DAUGHTERS® Programs? 2 What Are NATIVE SONS AND DAUGHTERS® Programs? 4 Program Format History 4 Program Overview 10 CHAPTER 2: ORGANIZATIONAL STRUCTURES 15 Organizational Levels 16 Administrative Levels 17 National Longhouse, Ltd. 18 Regional Advisory Lodge 21 Local Longhouse 22 Nations 24 Tribes 25 CHAPTER 3: THE TRIBE 29 Preparing for a Tribe Meeting 30 Tribe Meetings 32 iii Table of Contents A Sample Tribe Meeting Procedure 34 Sample Closing Prayers 36 Tips for a Successful Meeting 37 The Parents' Meeting 38 CHAPTER 4: AWARDS, PATCHES, PROGRAM -
How Is It Not a Conspiracy?
How is it not a Conspiracy? A Conspiracy Proven by Their Own Words And Those in a Position to Know © 2012 www.traditionalcatholicapologetics.com You are free to re-use large portions of this document (as in 30 pages) on your own website, as long as you cite the material as belonging to www.traditionalcatholicapologetics.com (please do this by providing a link to our home page or to the link given below). If you wish to make use of more than 30 pages or the entire document, then please refrain from reproducing any material on your own site and instead link to www.traditionalcatholicapologetics.com/conspiracy-quotes (the link to the document will then be on that page). If you wish to use the document in some other manner (physical copying/distribution, etc.), then ask for permission to do so by emailing [email protected] This entire document is the culmination of roughly 150 hours of work. Care was taken to include only quotes believed to be legitimate (sources are provided for many quotes). However, due to the monumental task of sourcing every quote, not every quote has a citation. I can assure the reader though that many popular conspiracy quotes were excluded from this document when they were found to not be credible (Quotes are sometimes misattributed, misworded, lack primary source material, etc.). Any opinions expressed in this document are solely those of the compiler. 2 Table of Contents Politics/New World Order ............................................................................................................................ -
Hawks Owner Calls Josh Smith 'Closest Thing to Lebron' -- NBA Fanhouse Page 1 of 10
Hawks Owner Calls Josh Smith 'Closest Thing to LeBron' -- NBA FanHouse Page 1 of 10 Shocking New scientific Paying for apnea discovery for discovery fuels treatment? How to joint relief muscle building spend less MAIL You might also like MMA Fighting , Fleaflicker Sign In / Register Main Choose A Sport NFL MLB NBA NHL NCAA Football NCAA Basketball Motorsports Golf Tennis Boxing MMA Women's Basketball Soccer English Premier League Sports Biz & Media Back Porch Cricket Scores And Stats NCAABB Scores MLB Scores NBA Scores NHL Scores NCAABB Women's MLB Stats NBA Stats NHL Stats Writers Fantasy Free Fantasy Games / Check Your Teams Fantasy Main Fantasy Baseball Fantasy Basketball Fantasy Football Latest Player News Forums NFL MLB NBA NHL NCAA Football NCAA Basketball Motorsports Golf Tennis Soccer Boxing MMA Fantasy Shop http://nba.fanhouse.com/2010/04/21/hawks-owner-calls-josh-smith-closest-thing-to-lebron/ 4/21/2010 Hawks Owner Calls Josh Smith 'Closest Thing to LeBron' -- NBA FanHouse Page 2 of 10 Tickets NFL Gear NBA Jerseys College Apparel FanShop Search Sports News NBA Home Scores Standings Stats Teams EASTERN CONFERENCE Atlantic Division Boston Celtics New Jersey Nets New York Knicks Philadelphia 76ers Toronto Raptors Southeast Division Atlanta Hawks Charlotte Bobcats Miami Heat Orlando Magic Washington Wizards Central Division Chicago Bulls Cleveland Cavaliers Detroit Pistons Indiana Pacers Milwaukee Bucks WESTERN CONFERENCE Northwest Division Denver -
Virtual Birding: Extending Birdwatching to Review Acoustic Recordings
Virtual Birding: Extending Birdwatching to Review Acoustic Recordings Mark Cottman-Fields BInfTech (Queensland University of Technology) A thesis by monograph in fulfilment of the requirements for the degree of Doctor of Philosophy in Human-Computer Interaction 2017 Principal Supervisor Professor Paul Roe Associate Supervisor Professor Margot Brereton Ecoacoustics Research Group Computer-Human Interaction Discipline Electrical Engineering and Computer Science School Science and Engineering Faculty Queensland University of Technology Brisbane, Queensland, Australia To those who love the dawn chorus i Keywords Human-Computer Interaction; Acoustic Sensing; Birdwatching; Birding; Birdwatchers; Birders; Field Research; Exploratory Prototype; Citizen Science; Acoustic Analysis; Interviews; User-centred Design; Website Interface; Audio Recording Review; Ecoacoustics; Serious Leisure; Expert Community; Human Computation; Domain Expertise; Collaborative Extension; Environmental Sound; Terrestrial Sensing; Research in the Wild ii Abstract Observations made by birders have been integral to avian research and conservation efforts for decades. However, broader sources of data about avian activity are needed, to improve the information available for environmental management. Technology advances have seen acoustic monitoring emerge as a new way to study birds. The ever-increasing raw data from acoustic sensors requires processing, to extract information about bird activity. This is a difficult analysis problem, as there are just under 900 bird species in Australia and most have multiple distinct, yet variable, calls. There is an opportunity to extend birding activities to include collection and review of recorded audio. Currently, no acoustic analysis interfaces are available to enable collaboration between ecologists and experienced birders. Effective interfaces require an understanding of the culture and practices of birders, along with how birders can apply their experience to the review of recorded audio.