Social Media As a Tool for Anti-Racist Corporate Disruption In
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The Performance of Intersectionality on the 21St Century Stand-Up
The Performance of Intersectionality on the 21st Century Stand-Up Comedy Stage © 2018 Rachel Eliza Blackburn M.F.A., Virginia Commonwealth University, 2013 B.A., Webster University Conservatory of Theatre Arts, 2005 Submitted to the graduate degree program in Theatre and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Chair: Dr. Nicole Hodges Persley Dr. Katie Batza Dr. Henry Bial Dr. Sherrie Tucker Dr. Peter Zazzali Date Defended: August 23, 2018 ii The dissertation committee for Rachel E. Blackburn certifies that this is the approved version of the following dissertation: The Performance of Intersectionality on the 21st Century Stand-Up Comedy Stage Chair: Dr. Nicole Hodges Persley Date Approved: Aug. 23, 2018 iii Abstract In 2014, Black feminist scholar bell hooks called for humor to be utilized as political weaponry in the current, post-1990s wave of intersectional activism at the National Women’s Studies Association conference in San Juan, Puerto Rico. Her call continues to challenge current stand-up comics to acknowledge intersectionality, particularly the perspectives of women of color, and to encourage comics to actively intervene in unsettling the notion that our U.S. culture is “post-gendered” or “post-racial.” This dissertation examines ways in which comics are heeding bell hooks’s call to action, focusing on the work of stand-up artists who forge a bridge between comedy and political activism by performing intersectional perspectives that expand their work beyond the entertainment value of the stage. Though performers of color and white female performers have always been working to subvert the normalcy of white male-dominated, comic space simply by taking the stage, this dissertation focuses on comics who continue to embody and challenge the current wave of intersectional activism by pushing the socially constructed boundaries of race, gender, sexuality, class, and able-bodiedness. -
After the Killing of George Floyd, U of M Researchers and Alumni Grapple with the Racism in Our Midst
UNIVERSITY OF MINNESOTA ALUMNI ASSOCIATION FALL 2020 WHERE DO WE GO FROM HERE? After the killing of George Floyd, U of M researchers and alumni grapple with the racism in our midst. The pillars senior living Life as it should be At the Pillars of Prospect Park, care and compassion have no bounds. proud partnership with NOW OPEN | SCHEDULE A VIRTUAL TOUR TODAY 612-623-7000 | PILLARSSENIORLIVING.COM/PROSPECTPARK Made possible by members of the University of Minnesota Alumni Association since 1901 | Volume 120, Number 1 Fall 2020 4 Editor’s Note A Hard Conversation 5 Letters Feedback on recent stories 6 Up Front Med school fights COVID-19 misinformation on social media, record patents for U of M, and more 12 Discoveries Safe Voting During Covid-19 By George Beck Plus: Short research updates 15 From the President Lessons from John Lewis By Joan Gabel 18 Where Do We Go From Here? 8 After the killing of George Floyd, researchers and alumni reflect on what comes next. 2 0 The Minnesota Paradox: Are there two Minnesotas, one for whites and one for people of color? By Elizabeth Foy Larsen About the cover At the memorial site for 3 0 When Racism Makes You Sick: Examining disparities George Floyd on 38th and in health outcomes linked to race By Susan Maas Chicago in Minneapolis, 3 4 We Need to Talk: Cochairs of the Black Alumni Network Indigenous artist, educator share their thoughts. By Adora Land and Ernest Comer III and activist Mari Mansfield, left, created the 36 Taking a Stand: Read excerpts of the letter that Mourning Passage led to the U of M cutting some ties with the MPD. -
Museum Activism
MUSEUM ACTIVISM Only a decade ago, the notion that museums, galleries and heritage organisations might engage in activist practice, with explicit intent to act upon inequalities, injustices and environmental crises, was met with scepticism and often derision. Seeking to purposefully bring about social change was viewed by many within and beyond the museum community as inappropriately political and antithetical to fundamental professional values. Today, although the idea remains controversial, the way we think about the roles and responsibilities of museums as knowledge- based, social institutions is changing. Museum Activism examines the increasing significance of this activist trend in thinking and practice. At this crucial time in the evolution of museum thinking and practice, this ground-breaking volume brings together more than fifty contributors working across six continents to explore, analyse and critically reflect upon the museum’s relationship to activism. Including contribu- tions from practitioners, artists, activists and researchers, this wide-ranging examination of new and divergent expressions of the inherent power of museums as forces for good, and as activists in civil society, aims to encourage further experimentation and enrich the debate in this nascent and uncertain field of museum practice. Museum Activism elucidates the largely untapped potential for museums as key intellectual and civic resources to address inequalities, injustice and environmental challenges. This makes the book essential reading for scholars and students of museum and heritage studies, gallery studies, arts and heritage management, and politics. It will be a source of inspiration to museum practitioners and museum leaders around the globe. Robert R. Janes is a Visiting Fellow at the School of Museum Studies , University of Leicester, UK, Editor-in-Chief Emeritus of Museum Management and Curatorship, and the founder of the Coalition of Museums for Climate Justice. -
The Curious Cases of Cancel Culture
California State University, San Bernardino CSUSB ScholarWorks Electronic Theses, Projects, and Dissertations Office of aduateGr Studies 8-2021 THE CURIOUS CASES OF CANCEL CULTURE Loydie Solange Burmah California State University - San Bernardino Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd Part of the Mass Communication Commons, and the Social Media Commons Recommended Citation Burmah, Loydie Solange, "THE CURIOUS CASES OF CANCEL CULTURE" (2021). Electronic Theses, Projects, and Dissertations. 1289. https://scholarworks.lib.csusb.edu/etd/1289 This Thesis is brought to you for free and open access by the Office of aduateGr Studies at CSUSB ScholarWorks. It has been accepted for inclusion in Electronic Theses, Projects, and Dissertations by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. THE CURIOUS CASES OF CANCEL CULTURE A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in Communication Studies by Loydie S. Burmah August 2021 THE CURIOUS CASES OF CANCEL CULTURE A Thesis Presented to the Faculty of California State University, San Bernardino by Loydie S. Burmah August 2021 Approved by: Liliana Conlisk-Gallegos, Committee Chair, Communication Studies Mihaela Popescu, Committee Member Ahlam Muhtaseb, Committee Member © 2021 Loydie S. Burmah ABSTRACT Cancel culture is a complex phenomenon that challenges our notions of civic practices, perpetuates surveillance practices amongst individuals who encourage digital public shaming and obscures communal ideas regarding accountability. Hence, it is imperative to complicate and nuance “cancel culture” to understand the different meanings derived from its diverse mechanizations. -
Am2021-Program.Pdf
ASA is pleased to acknowledge the supporting partners of the 116th Virtual Annual Meeting 116th Virtual Annual Meeting Emancipatory Sociology: Rising to the Du Boisian Challenge 2021 Program Committee Aldon D. Morris, President, Northwestern University Rhacel Salazar Parreñas, Vice President, University of Southern California Nancy López, Secretary-Treasurer, University of New Mexico Joyce M. Bell, University of Chicago Hae Yeon Choo, University of Toronto Nicole Gonzalez Van Cleve, Brown University Jeff Goodwin, New York University Tod G. Hamilton, Princeton University Mignon R. Moore, Barnard College Pamela E. Oliver, University of Wisconsin-Madison Brittany C. Slatton, Texas Southern University Earl Wright, Rhodes College Land Acknowledgement and Recognition Before we can talk about sociology, power, inequality, we, the American Sociological Association (ASA), acknowledge that academic institutions, indeed the nation-state itself, was founded upon and continues to enact exclusions and erasures of Indigenous Peoples. This acknowledgement demonstrates a commitment to beginning the process of working to dismantle ongoing legacies of settler colonialism, and to recognize the hundreds of Indigenous Nations who continue to resist, live, and uphold their sacred relations across their lands. We also pay our respect to Indigenous elders past, present, and future and to those who have stewarded this land throughout the generations TABLE OF CONTENTS d Welcome from the ASA President..............................................................................................................................................................................1 -
Marcus Grant Thesis
UNIVERSITY OF MIAMI “SAY THEIR NAMES”: BLACK MUSIC-MAKING IN A TIME OF PROTEST By Marcus Randall Grant A THESIS Submitted to the Faculty of the University of Miami in partial fulfillment of the requirements for the degree of Master of Music Coral Gables, Florida May 2021 ©2021 Marcus Randall Grant All Rights Reserved UNIVERSITY OF MIAMI A thesis submitted in partial fulfillment of the requirements for the degree of Master of Music “SAY THEIR NAMES”: BLACK MUSIC-MAKING IN A TIME OF PROTEST Marcus Randall Grant Approved: ________________ _________________ Melvin L. Butler, Ph.D. David Ake, Ph.D. Associate Professor of Musicology Professor of Musicology ________________ _________________ Gabrielle Cornish, Ph.D. Guillermo Prado, Ph.D. Assistant Professor of Musicology Dean of the Graduate School _________________ M. Scott Heerman, Ph.D. Assistant Professor of History GRANT, MARCUS RANDALL (M.M., Musicology) “Say Their Names”: Black Music-Making (May 2021) In a Time of Protest. Abstract of a thesis at the University of Miami. Thesis supervised by Dr. Melvin L. Butler. No. of pages in text. (100) The spring and summer of 2020 saw a resurgence of Black Lives Matter protests following the murders of Ahmaud Arbery, Breonna Taylor, and George Floyd—all unarmed Black people killed either at the hands of police or rogue vigilantes. Several artists subsequently released music in support of these protests, using their platforms to raise awareness of the ongoing struggles plaguing Black communities. This thesis focuses on the creative responses of a select few of those artists who included particular chants and slogans from BLM protests (“I Can’t Breathe” and “Arrest the killers of Breonna Taylor”) in their music. -
Grieving Time: the Formation of Virtual Shrines on Social Media
Grieving Time: The Formation of Virtual Shrines on Social Media Anna Cohen Senior Honors Thesis The Department of American Studies, The University of North Carolina at Chapel Hill May 5, 2021 Approved: ____________________________________ Patricia Sawin (Thesis Advisor) Department of American Studies ____________________________________ Antonia Randolph Department of American Studies ____________________________________ Grabrielle Berlinger Department of American Studies ii Abstract Anna M. Cohen: Grieving Time: The Formation of Virtual Shrines on Social Media (Under the Direction of Dr. Patricia Sawin) This thesis engages with Jack Santino’s research on physical shrines and Kay Turner’s “September 11: The Burden of the Ephemeral” as well as other theories surrounding systemic racism and marginalization. Grieving Time: The Formation of Virtual Shrines on Social Media seeks to analyze the different pieces of virtual shrines on social media and their uses in the broader folkloric studies of ritual, decentralized healing, and collective trauma. More specifically, this thesis aims to explain postings on Twitter to create an assemblage that address grief after instances of racialized violence. This thesis will also address Kay Turner’s argument about the role of physical shrines and how they guide those left behind after a sudden unexpected death to a stage of acceptance. I am arguing that due to the nature of systemic racism having no clear end on its stronghold in American society, virtual shrines on social media’s role is to help maintain a constant state of grief rather than deliver those left behind after a racial killing to a stage of acceptance. iii Introduction Figure 1: A Tweet by User @Jaden responding to the protests after the murder of George Floyd. -
Performance and K-Pop Stans: Digital Activism in 2020
PERFORMANCE AND K-POP STANS: DIGITAL ACTIVISM IN 2020 LAURA ÁLVAREZ TRIGO INSTITUTO FRANKLIN-UAH The Internet is at present the ideal space for political and communicative action. Public discourse is largely shaped by conversations around celebrities, bloggers and digital activists that take place on the Internet. However, the spreading potential of any unfiltered message online is a reason for concern. During President Donald Trump’s administration, apprehension about fake news and conspiracy theories on the Internet kept on growing. It became commonplace for any uniformed online comment to turn into a core element in somebody’s identity as has been the case with QAnon (see LaFrance 2020). This is partly because online behavior and interactions— mediated by the specific communication processes predominant in the digital context—are not only defining aspects in the political sphere but are also instrumental for identity creation and social relationships development. Subjective perceptions of the self are nowadays “constitutively mediated by technological uses and practices” (Lasén and Casado 2014, 11). Subjectivities, identities and opinions become intertwined in the online public personas that individuals construct. A person’s online display of identity has become part of their intersubjectivity, as well as potentially defining of their social interactions. The Internet is a channel and a locus that facilitates both participation and mobilization (Meikle 2002). There are varying levels of social activism within online communities, ranging from coordinated protests to more passive minor changes to social media profiles. Graham Meikle highlights the differences—from a legal standpoint—that separate minor acts of civil disobedience from more radical acts of hacktivism (2002). -
Chicana Perspectives on the Politics of Public Mourning
CHICANA PERSPECTIVES ON THE POLITICS OF PUBLIC MOURNING María J. Durán A dissertation submitted to the faculty at the University of Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English and Comparative Literature in the College of Arts and Sciences. Chapel Hill 2019 Approved by: María DeGuzmán Shayne Legassie Ashley Lucas Michelle Robinson Ariana Vigil © 2019 María J. Durán ALL RIGHTS RESERVED ii ABSTRACT María J. Durán: Chicana Perspectives on the Politics of Public Mourning (Under the direction of María DeGuzmán) Recent studies of late twentieth-century loss, grief, and mourning have turned to political theory to address mourning’s transformative, future-oriented vision for democratic society. My dissertation builds on this political theory discourse to argue that manifestations of public mourning in Marisela Treviño Orta’s Braided Sorrow (2009), Cherríe Moraga’s Heroes and Saints (1994), and Luis Alfaro’s Electricidad: A Chicano Take on the Tragedy of Electra (2003) give rise to a new formulation of political agency for Chicanas and advance a means for political dissent. These three Chicana/o plays reveal the ways structural forms of violence differentially impact marginalized and disenfranchised Chicana/o communities, including farmworkers in central California, working-class women in Ciudad Juárez, and chola/os in East Los Angeles. Examining the loss resulting from different forms of violence that transpire in these plays, my project concludes that Chicanas become political agents who disrupt the disavowal of loss in Chicana/o communities by dominant society; reject the privatization of mourning; expand notions of what mourning can look like in the public sphere; question whose losses “count” or carry forth social significance; defend the grievability of Chicana/o bodies; challenge the social invisibility of loss and social injury; urge public recognition for loss; and demand both responsibility and accountability from state authorities.