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Year in Review 2014–2015 About Bard Graduate Center
Year In Review 2014–2015 About Bard Graduate Center Founded in 1993 by Dr. Susan Weber, Bard Graduate Center is a research institute in New York City. Its MA and PhD programs, research initiatives, and Gallery exhibitions and publications, explore new ways of thinking about decorative arts, design history, and material culture. A member of the Association of Research Institutes in Art History (ARIAH), Bard Graduate Center is an academic unit of Bard College. Executive Planning Committee Dr. Barry Bergdoll Sir Paul Ruddock Edward Lee Cave Jeanne Sloane Verónica Hernández de Chico Gregory Soros Hélène David-Weill Luke Syson Philip D. English Seran Trehan Fernanda Kellogg Dr. Ian Wardropper Trudy C. Kramer Shelby White Dr. Arnold L. Lehman Mitchell Wolfson, Jr. Martin Levy Philip L. Yang, Jr. Jennifer Olshin Melinda Florian Papp Dr. Leon Botstein, ex-officio Lisa Podos Dr. Susan Weber, ex-officio Ann Pyne Published by Bard Graduate Center: Decorative Arts, Design History, Material Culture Printed by GHP in Connecticut Issued August 2015 Faculty Essays Table of Contents 3 Director’s Welcome 5 Teaching 23 Research 39 Exhibitions 51 Donors and Special Events Two-piece dress made for Madame Hadenge on the occasion of her honeymoon. France, 1881. Cotton Vichy fabric, bodice lined in white cotton. Les Arts Décoratifs, collection Union française des arts du costume, Gift Madame L. Jomier, 1958, UF 58-25-1 AB. Photographer: Jean Tholance. 2 Director's Welcome Director’s Welcome This is the fifth edition of Bard Graduate Center’sYear in Review. In looking at previous issues, it is remarkable to note how far we have travelled —and flourished—in four years. -
Barbara Nessim: an Artful Life on View September 19, 2014–January 11, 2015
Barbara Nessim: An Artful Life On View September 19, 2014–January 11, 2015 Barbara Nessim. Beware of the Blue Sky Syndrome, 1967. Pen and ink, watercolor, collage. Courtesy of the artist. Barbara Nessim: On View An Artful Life September 19, 2014– January 11, 2015 FIRST RETROSPECTIVE IN THE U.S. TO EXAMINE A PIONEERING ARTIST AND ILLUSTRATOR A constant innovator for more than five decades, Barbara Nessim was one of the first professional illustrators to master the computer as an artistic tool. This exhibition examines her sketchbooks, hand-drawn and computer- generated illustrations, paintings, collages, textiles, and fashion. Barbara Nessim: An Artful Life presents an overview of the work of this pioneering American artist and designer from the 1960s to the present day. Nessim’s distinctive illustrations have appeared on the covers of nearly every major American magazine, including Time, Rolling Stone, and the New York Times Magazine. Her work ranges from provocative prints, drawings, and paintings that represent her feminist views to illustrations for advertising cam- Barbara Nessim. Superman paigns for companies such as Levi’s and Ralph Lauren. Carrying Girl with Green Shoes, from the series Coney Island in She employs a wide variety of techniques, including line the Winter, 1963. Monotype drawing, watercolor, printmaking, photography, and col- etching; hand-colored with oil. Victoria and Albert Museum, lage. In a career that spans more than fifty years, she is E.11-2013. still actively working on new projects. Barbara Nessim: An Artful Life is curated by Douglas Dodds, Beginnings Senior Curator in the Word and Image Department at the Victoria and Albert Museum, London. -
Ahead of Their Time
NUMBER 2 2013 Ahead of Their Time About this Issue In the modern era, it seems preposterous that jazz music was once National Council on the Arts Joan Shigekawa, Acting Chair considered controversial, that stream-of-consciousness was a questionable Miguel Campaneria literary technique, or that photography was initially dismissed as an art Bruce Carter Aaron Dworkin form. As tastes have evolved and cultural norms have broadened, surely JoAnn Falletta Lee Greenwood we’ve learned to recognize art—no matter how novel—when we see it. Deepa Gupta Paul W. Hodes Or have we? When the NEA first awarded grants for the creation of video Joan Israelite Maria Rosario Jackson games about art or as works of art, critical reaction was strong—why was Emil Kang the NEA supporting something that was entertainment, not art? Yet in the Charlotte Kessler María López De León past 50 years, the public has debated the legitimacy of street art, graphic David “Mas” Masumoto Irvin Mayfield, Jr. novels, hip-hop, and punk rock, all of which are now firmly established in Barbara Ernst Prey the cultural canon. For other, older mediums, such as television, it has Frank Price taken us years to recognize their true artistic potential. Ex-officio Sen. Tammy Baldwin (D-WI) In this issue of NEA Arts, we’ll talk to some of the pioneers of art Sen. Sheldon Whitehouse (D-RI) Rep. Betty McCollum (D-MN) forms that have struggled to find acceptance by the mainstream. We’ll Rep. Patrick J. Tiberi (R-OH) hear from Ian MacKaye, the father of Washington, DC’s early punk scene; Appointment by Congressional leadership of the remaining ex-officio Lady Pink, one of the first female graffiti artists to rise to prominence in members to the council is pending. -
Janet Fish: Master of Light and Shadow Now Through July 27, 2014 Welcome
Huntsville Museum of Art Summer 2014 artViews Janet Fish: Master of Light and Shadow Now through July 27, 2014 welcome Dear Museum Members, Museum Board of Directors Chairman: John Wynn t’s been said that each of us, at one time or another, Vice Chairman: Richard Crunkleton Iexperiences a “six degrees of separation” moment. In Secretary: Walter (Tod) Dodgen some cases it’s fewer than six degrees, and it can happen Treasurer: Charlie Bonner more than once. Dorothy Davidson Betsy Lowe As our summer season kicks into high gear with the Sarah Gessler David Nast Joyce Griffin Virgina Rice opening of two milestone exhibitions, Janet Fish: Master Patsy Haws Herman Stubbs of Light and Shadow and Al Hirschfeld: A Celebration Carole Jones of Hollywood and Broadway, I’m reminded that my encounters with both artists and their works are tied Foundation Board President: Bobby Bradley to two individuals that I’m proud to call my friends – Buddy Teich and the late Vice President: Dee Kowallik Elaine Kend. Our lives have crossed paths many times over the years, and nearly Secretary: Parke Keith each time it has led to something Heather Baker Blake Mitchell momentous. Dane Block Bronwen Murray I first became acquainted with Kerry Doran Melanie Murray Micah Fisher Shannon Raleigh Janet Fish and her visually energized Patrick Fleming Keyke Reed still life paintings when I curated Greg Gum Dianne Reynolds a show of hers at the Southern Tharon Honeycutt Mark Spencer Vermont Arts Center in the Rosemary Lee Dana Town Susan Linn Lori Webber summer of 1989. I have since had Michele Lucas Charlotte Wessel the good fortune to work with Janet Dabsey Maxwell on numerous occasions, and it is an Women’s Guild Officers honor for me to introduce one of President: Suzanne Barnes America’s most noted living artists President-elect: Sasha Sealy to the residents of Alabama. -
The Illustration Game: Quotes & Notes
Rhode Island School of Design DigitalCommons@RISD Faculty & Librarian Work RISD Faculty & Librarians 1-1-2019 The Illustration Game: Quotes & Notes Jaleen Grove Rhode Island School of Design, [email protected] Illustration Department Rhode Island School of Design, [email protected] Follow this and additional works at: https://digitalcommons.risd.edu/faculty_work Part of the Illustration Commons Recommended Citation Grove, Jaleen and Department, Illustration, "The Illustration Game: Quotes & Notes" (2019). Faculty & Librarian Work. 4. https://digitalcommons.risd.edu/faculty_work/4 This Book is brought to you for free and open access by the RISD Faculty & Librarians at DigitalCommons@RISD. It has been accepted for inclusion in Faculty & Librarian Work by an authorized administrator of DigitalCommons@RISD. For more information, please contact [email protected]. The Illustration Game: Quotes and Notes Jaleen Grove The Illustration Game, published in Communication Arts magazine, is an artwork that critically evaluates and satirizes the illustration industry 1959-2019. It conceives of the time period in the form of a board game in which players roll a die to advance along a path, accumulating points or losing them according to typical events of each decade. The path winds through a forest of quotations that were said in print at the time or shortly after by leading illustrators and critics. For the quotations to read properly and succinctly, wording was very slightly modified in some cases. The sources and the quotes without modification are given here for those who wish to see context and origin. This document only discusses the quotations that appear in the black background. -
Marianne Boesky Gallery Frank Stella
MARIANNE BOESKY GALLERY NEW YORK | ASPEN FRANK STELLA BIOGRAPHY 1936 Born in Malden, MA Lives and works in New York, NY EDUCATION 1950 – 1954 Phillips Academy (studied painting under Patrick Morgan), Andover, MA 1954 – 1958 Princeton University (studied History and Art History under Stephen Greene and William Seitz), Princeton, NJ SELECTED SOLO AND TWO-PERSON EXHIBITIONS 2021 Brussels, Belgium, Charles Riva Collection, Frank Stella & Josh Sperling, curated by Matt Black September 8 – November 20, 2021 [two-person exhibition] 2020 Ridgefield, CT, Aldrich Contemporary Art Museum, Frank Stella’s Stars, A Survey, September 21, 2020 – September 6, 2021 Tampa, FL, Tampa Museum of Art, Frank Stella: What You See, April 2 – September 27, 2020 Tampa, FL, Tampa Museum of Art, Frank Stella: Illustrations After El Lissitzky’s Had Gadya, April 2 – September 27, 2020 Stockholm, Sweeden, Wetterling Gallery, Frank Stella, March 19 – August 22, 2020 2019 Los Angeles, CA, Los Angeles County Museum of Art, Frank Stella: Selection from the Permanent Collection, May 5 – September 15, 2019 New York, NY, Marianne Boesky Gallery, Frank Stella: Recent Work, April 25 – June 22, 2019 Eindhoven, The Netherlands, Van Abbemuseum, Tracking Frank Stella: Registering viewing profiles with eye-tracking, February 9 – April 7, 2019 2018 Tuttlingen, Germany, Galerie der Stadt Tuttlingen, FRANK STELLA – Abstract Narration, October 6 – November 25, 2018 Los Angeles, CA, Sprüth Magers, Frank Stella: Recent Work, September 14 – October 26, 2018 Princeton, NJ, Princeton University -
Listed Exhibitions (PDF)
G A G O S I A N G A L L E R Y Alexander Calder Biography Born in 1898, Lawnton, PA. Died in 1976, New York, NY. Education: 1926 Académie de la Grande Chaumière, Paris, France. 1923–25 Art Students League, New York, NY. 1919 B.S., Mechanical Engineering, Stevens Institute of Technology, Hoboken, NJ. Solo Exhibitions: 2015 Alexander Calder: Imagining the Universe. Sotheby’s S|2, Hong Kong. Calder: Lightness. Pulitzer Arts Foundation, Saint Louis, MO. Calder: Discipline of the Dance. Museo Jumex, Mexico City, Mexico. Alexander Calder: Multum in Parvo. Dominique Levy, New York, NY. Alexander Calder: Primary Motions. Dominique Levy, London, England. 2014 Alexander Calder. Fondation Beyeler, Basel. Switzerland. Alexander Calder: Gouaches. Gagosian Gallery, Davies Street, London, England. Alexander Calder: Gouaches. Gagosian Gallery, 980 Madison Avenue, New York, NY. Alexander Calder in the Rijksmuseum Summer Sculpture Garden. Rijksmuseum, Amsterdam, Netherlands. 2013 Calder and Abstraction: From Avant-Garde to Iconic. Los Angeles County Museum of Art, Los Angeles, CA. 2011 Alexander Calder. Gagosian Gallery, Davies Street, London, England. 2010 Alexander Calder. Gagosian Gallery, W. 21st Street, New York, NY. 2009 Monumental Sculpture. Gagosian Gallery, Rome, Italy. 2005 Monumental Sculpture. Gagosian Gallery, W. 24th Street, New York, NY. Alexander Calder 60’s-70’s. GióMarconi, Milan, Italy. Calder: The Forties. Thomas Dane, London, England. 2004 Calder/Miró. Foundation Beyeler, Riehen, Switzerland. Traveled to: Phillips Collection, Washington, D.C. (through 2005). Calder: Sculpture and Works on Paper. Elin Eagles-Smith Gallery, San Francisco, CA. 590 Madison Avenue, New York, NY. 2003 Calder. Gagosian Gallery, Los Angeles, CA. Calder: Gravity and Grace. -
A Week at the Fair; Exhibits and Wonders of the World's Columbian
; V "S. T 67>0 CORNELL UNIVERSITY LIBRARY ""'""'"^ T 500.A2R18" '""''''^ "^"fliiiiWi'lLi£S;;S,A,.week..at the fair 3 1924 021 896 307 'RAND, McNALLY & GO'S A WEEK AT THE FAIR ILLUSTRATING THE EXHIBITS AND WONDERS World's Columbian Exposition WITH SPECIAL DESCRIPTIVE ARTICLES Mrs. Potter Palmer, The C6untess of Aberdeen, Mrs. Schuyler Van Rensselaer, Mr. D. H. Burnh^m (Director of Works), Hon. W. E. Curtis, Messrs. Adler & Sullivan, S. S. Beman, W. W. Boyington, Henry Ives Cobb, W, J. Edbrooke, Frank W. Grogan, Miss Sophia G. Havden, Jarvis Hunt, W. L. B. Jenney, Henry Van Brunt, Francis Whitehouse, and other Architects OF State and Foreign Buildings MAPS, PLANS, AND ILLUSTRATIONS CHICAGO Rand, McNally & Company, Publishers 1893 T . sod- EXPLANATION OF REFERENCE MARKS. In the following pages all the buildings and noticeable features of the grounds are indexed in the following manner: The letters and figures following the names of buildings in heavy black type (like this) are placed there to ascertain their exact location on the map which appears in this guide. Take for example Administration Building (N i8): 18 N- -N 18 On each side of the map are the letters of the alphabet reading downward; and along the margin, top and bottom, are figures reading and increasing from i, on the left, to 27, on the right; N 18, therefore, implies that the Administration Building will be found at that point on the map where lines, if drawn from N to N east and west and from 18 to 18 north and south, would cross each other at right angles. -
Janet Fish: Paintings and Drawings Since 1975 University of Richmond Museums
University of Richmond UR Scholarship Repository Exhibition Brochures University Museums 1987 Janet Fish: Paintings and Drawings Since 1975 University of Richmond Museums Follow this and additional works at: http://scholarship.richmond.edu/exhibition-brochures Part of the Fine Arts Commons, and the Painting Commons Recommended Citation University of Richmond Museums. Janet Fish: Paintings and Drawings Since 1975, September 10 to October 03, 1987, Marsh Art Gallery, University of Richmond Museums. Richmond, Virginia: University of Richmond Museums, 1987. Exhibition Brochure. This Book is brought to you for free and open access by the University Museums at UR Scholarship Repository. It has been accepted for inclusion in Exhibition Brochures by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. JANET FISH LENDERS TO THE EXHIBITION Janet Fish Robert Miller Gallery, New York Don and Jennifer Carter Dolores and Stanley Feldman PaineWebber Group, lnc. Lois Farfel Stark The Marsh Gallery exhibition is made possible by the generosity of Joel Harnett, RC '45, and the Cultural Affairs Committee, University of Richmond. © 1987 University of Richmond COVER: Geography. 1984 JANET FISH Paintings and Drawings Since 1975 September 10-0ctober 3, 1987 Exhibition organized by Susanne Arnold with an essay by Robert C. Morgan Marsh Gallery Modlin Fine Arts Center University of Richmond Rrd Cups a11d Tulips, 198 1 2 concerns and to the arts. The 1979 recipient of the Her paintings of the early '70s, in which she ACKNOWLEDGMENTS Gotham Human Relations Award for civic leader combined realistic subjects with an abstract ship, Harnett is a poet and, with his wife Lila, a handling of paint, established her career. -
Paintings by Gari Melchers
THE ART INSTITUTE OF CHICAGO I SPECIAL EXHIBITIONS FOR APRIL PAINTINGS BY GARI MELCHERS APRIL FOUR TO MAY ONE, 1919 ARI ]. MELCHERS, 80 West 40th Street, New York. Born in Detroit, Michigan, August 11, G1860. Pupil of Dusseldorf Academy, 1877-80; Lefebvre and Boulanger in Paris. Member of the Asso- ciate National Academy of Design; National Academy of Design; Paris Society of American Painters; National Society of Fine Arts, Paris; International Society of Artists, London; Munich Secession; Berlin Royal Acad- emy; National Institute of Arts and Letters. Awards: Honorable mention, Paris Salon; first class medal, Amsterdam; third class medal, Paris Salon; first class medal, Munich; grand prize,. Paris Exposition; first prize, The Art Institute of Chicago; medal of honor, Berlin; gold medal, Philadelphia Art Club ; medal of honor, Antwerp; Temple gold medal, The Pennsyl- vania Academy of the Fine Arts'; first class medal, Vienna; gold medal, Pan-American Exposition, Buf- falo; gold medal, Universal Exposition, St. Louis; second W. A. Clark prize, The Corcoran Gallery of Art; Knight of the Order of St. Michael of Bavaria; Chevalier of the Legion of Honor of France, officer 1904; officer R. Prussian Order of Red Eagle, 1907. Represented in the Luxembourg Museum, Paris; The Corcoran Gallery of Art; Carnegie Institute; The Pennsylvania Academy of the Fine Arts; National Gallery ; Detroit Museum of Art; The Art Institute of Chicago ; Metropolitan Museum of Art; The Minneapolis Institute of Arts; City Art Museum, St. Louis; School of Design, Providence. CATALOGUE PHLOX 2 BREAKFAST 3 THE SMITHY 4 NELLIE KABEL 5 JULY FLOWERS 6 OLD VIRGINIA 7 SUMMER COTTAGE 8 CHILD WITH ORANGE 9 NELSON BERRY'S STORE 10 YOUNG WOMAN AT HER TOILET 11 MARRIAGE Lent by The Minneapolis Institute of Arts 12 MY GARDEN Lent by Mr. -
Oral History Interview with Chuck Close, 1987 May 14-September 30
Oral history interview with Chuck Close, 1987 May 14-September 30 Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a tape-recorded interview with Chuck Close on May 14, 1987. The interview took place at the artist's studio on 75 Spring Street, New York City, and was conducted by Judd Tully for the Archives of American Art, Smithsonian Institution. Interview JUDD TULLY: According to published information, you were born in the state of Washington in 1940. What was your actual birthdate and tell me a little bit about Monroe, Washington? CHUCK CLOSE: July 5, 1940. Monroe, Washington, was a smelly little town halfway up the Cascade Mountains, northeast of Seattle. I didn't live there very long, actually. I was born at home -- not in a hospital -- of humble beginnings. Actually, I want to go back and photograph the house, because if I were a politician it would be great to have a picture of the shack that I was born in. [They laugh.] MR. TULLY: Was it really a shack? MR. CLOSE: Well, it wasn't a real shack, but it was a very modest little cottage. "Cottage" is giving it all the benefit of the doubt. It was definitely on the wrong side of the tracks -- about thirty five feet from the tracks. -
Name Website Address Email Telephone 11R Www
A B C D E F 1 Name Website Address Email Telephone 2 11R www.11rgallery.com 195 Chrystie Street, New York, NY 10002 [email protected] 212 982 1930 Gallery 14th St. Y https://www.14streety.org/ 344 East 14th St, New York, NY 10003 [email protected] 212-780-0800 Community 3 4 A Gathering of the Tribes tribes.org 745 East 6th St Apt.1A, New York, NY 10009 [email protected] 212-777-2038 Cultural 5 ABC No Rio abcnorio.org 156 Rivington Street , New York, NY 10002 [email protected] 212-254-3697 Cultural 6 Abrons Arts Center abronsartscenter.org 456 Grand Street 10002 [email protected] 212-598-0400 Cultural 7 Allied Productions http://alliedproductions.org/ PO Box 20260, New York, NY 10009 [email protected] 212-529-8815 Cultural Alpha Omega Theatrical Dance Company, http://alphaomegadance.org/ 70 East 4th Street, New York, NY 10003 [email protected] Cultural 8 Inc. 9 Amerinda Inc. (American Indian Artists) amerinda.org 288 E. 10th Street New York, NY 10009 [email protected] 212-598-0968 Cultural 10 Anastasia Photo anastasia-photo.com 166 Orchard Street 10002(@ Stanton) [email protected] 212-677-9725 Gallery 11 Angel Orensanz Foundation orensanz.org 172 Norfolk Street, NY, NY 10002 [email protected] 212-529-7194 Cultural 12 Anthology Film Archives anthologyfilmarchives.org 32 2nd Avenue, NY, NY 10003 [email protected] 212-505-5181 Cultural 13 ART Loisaida / Caroline Ratcliffe http://www.artistasdeloisiada.org 608 East 9th St. #15, NYC 10009 [email protected] 212-674-4057 Cultural 14 ARTIFACT http://artifactnyc.net/ 84 Orchard Street [email protected] Gallery 15 Artist Alliance Inc.