Janet Browne 1. Personal Details Janet Elizabeth Bell Browne History
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Stratford's the Merchant of Venice and Alabama Shakespeare Festival's the Winter's Tale
Vol. XVI THE • VPSTART • CR.OW Editor James Andreas Clemson University Founding Editor William Bennett The University of Tennessee at Martin Associate Editors Michael Cohen Murray State University Herbert Coursen Bowdoin College Charles Frey The University of Washington Marjorie Garber Harvard University Walter Haden The University of Tennessee at Martin Chris Hassel Vanderbilt University Maurice Hunt Baylor University Richard Levin The University of California, Davis John McDaniel Middle Tennessee State University Peter Pauls The University of Winnipeg Jeanne Roberts American University Production Editors Tharon Howard, Suzie Medders, and Deborah Staed Clemson University Editorial Assistants Martha Andreas, Kelly Barnes, Kati Beck, Dennis Hasty, Victoria Hoeglund, Charlotte Holt, Judy Payne, and Pearl Parker Copyright 1996 Clemson University All Rights Reserved Clemson University Digital Press Digital Facsimile Vol. XVI About anyone so great as Shakespeare, it is probable that we can never be right, it is better that we should from time to time change our way of being wrong. - T. S. Eliot What we have to do is to be forever curiously testing new opinions and courting new impressions. -Walter Pater The problems (of the arts) are always indefinite, the results are always debatable, and the final approval always uncertain. -Paul Valery Essays chosen for publication do not necessarily represent opin ions of the editor, associate editors, or schools with which any contributor is associated. The published essays represent a diver sity of approaches and opinions which we hope will stimulate interest and further scholarship. Subscription Information Two issues- $14 Institutions and Libraries, same rate as individuals- $14 two issues Submission of Manuscripts Essays submitted for publication should not exceed fifteen to twenty double spaced typed pages, including notes. -
Article Full Text PDF (646KB)
BOOK REVIEWS ism was condemned by a Friend in "his denunciation of the Church's 'adulterous connection' with the state." He "abominated the 'fornicating' Church, indicting it for the The Politics of Evolution: Morphology, Medicine, 'filthy crime of adultery' with aristocratic government, and Reform in Radical London. Adrian Desmond. which had left it with the 'stigma of disgrace' to degenerate 1989. The University of Chicago Press, Chicago, IL. into 'an inflictor of misery... a destroyer of moral principle 503 p. $34.95 cloth. ... a subverter of the good order of society.'" Desmond focuses our attention midway between the In a counterattack, the conservative scientists avowed French Revolution and the appearance of Darwin's Origin "that the new crop of foul fruits being harvested in Britain, of Species, the score of years around 1830. He describes the treason, blasphemy, and riots, was the result of a diseased political, social, and scientific ferment in radical London 'speculative science' spawned by the French Revolution." that fueled an evolving appreciation of natural law rather The radicals were accused of "inciting the working classes." than divine creation to explain the what, when, why, and There were to be "fatal consequences of an atheistic self- how of the living world. Signs of its emergence appeared developing nature for the authority of kings and priests." "when the first wave of Scottish students arrived in Paris The Radicals as physiologists "explained higher organic after Waterloo" around 1820 where "they found Jean- wholes by their physico-chemical constituents, while as Baptiste Lamarck, at seventy-one, tetchy, pessimistic, and democrats they saw political constituents, voters, em- losing his sight." A more liberal medical education was powered to sanction a higher authority: a delegate to act available in Roman Catholic France than in Calvinistic in their interest." Organisms derived their existence by Scotland. -
Ebook Download the Archers Miscellany
THE ARCHERS MISCELLANY PDF, EPUB, EBOOK Joanna Toye | 256 pages | 01 Feb 2010 | Ebury Publishing | 9781846077548 | English | London, United Kingdom The Archers Miscellany PDF Book Friend Reviews. This certainly is a miscellany. Retrieved 26 February Archived from the original on 14 March Given that GE and Apple were unlikely to start sponsoring U. In February , a panel of 46 broadcasting industry experts, of which 42 had a professional connection to the BBC, listed The Archers as the second-greatest radio programme of all time. Stefano added it May 03, When John Archer died no music was played. Music artist and CCM pioneer Erick Nelson defined The Archers' role in the development of contemporary Christian music as representing one- half of a convergence: traditional vocal groups like The Archers got hipper while the hippie rock groups like the Maranatha bands got more mellow —eventually both evinced the polished, commercial sound that would be identified as stereotypical contemporary Christian music. Retrieved 28 June Since Easter Sunday , there have been six episodes a week, from Sunday to Friday, broadcast at around following the news summary. Historians note an exception: China, where archers were so highly skilled and well equipped that they continued to prove useful in battling nomads on the open steppe. The history of the different families and the homes was useful. An elite archer does not grip her bow tightly, fearing what anxious jitters might do; she attaches it to a string that wraps around her hand, extends her arm forward, and holds the bow in place with the skin between her thumb and index finger. -
Infosys Prize 2018
Infosys Science Foundation INFOSYS PRIZE 2018 LEPIDOPTERA – WINGS WITH SCALES Those brilliant pigments that create magical colors on the wings of a butterfly is chemistry in play. That the pattern and tint are governed by its genes is what we learn from the field of genetics. And how can we separate nanoscience from this mystical being? The ‘nano’ chitin or tiny scales on the wings reflect light to create a mosaic of iridescent hues. When you see blue, purple, or white on a butterfly, that’s a structural color, while orange, yellow, and black are pigments. How overwhelming is this complexity! And how mystical the butterfly looks as it soars into the sky, its tiny scales aiding the flow of air – a marvel of aerodynamics! We divide this universe into parts – physics, biology, geology, astronomy, psychology and so on, but nature does not categorize. And so every small and big discovery by scientists and researchers from diverse fields come together to create a deeper understanding of our vast and interconnected universe. Oh yes, the powder that brushes off on your fingers when you touch a butterfly’s wings are the tiny scales breaking off, and that ‘slipperiness’ helps the butterfly escape the trap. But that touch may perhaps sadly contribute towards its demise. A caution therefore that we must tread carefully lest we hurt our world, for when we disturb one part of the universe, we may unknowingly create a butterfly effect. ENGINEERING AND COMPUTER SCIENCE NAVAKANTA BHAT Professor, Indian Institute of Science, and Chairperson, Centre for Nano Science and Engineering, IISc, Bengaluru, India Navakanta Bhat is Professor of Electrical and Communications Engineering at Among his many awards are the Dr. -
2 April 2021 Page 1 of 10 SATURDAY 27 MARCH 2021 Robin Was a Furniture Designer Best Known for His Injection Nali
Radio 4 Extra Listings for 27 March – 2 April 2021 Page 1 of 10 SATURDAY 27 MARCH 2021 Robin was a furniture designer best known for his injection Nali ...... Nina Conti moulded polypropylene stacking chair, of which over 20 million Libby ...... Sarah Kendall SAT 00:00 Dream Story by Arthur Schnitzler (m000tg86) have been manufactured. Joan ...... Sarah Thom Episode 5 The Days shared a vision of good, affordable design for all. Mrs Singh ...... Nina Wadia Having infiltrated a secret masked ball where the female Together they established themselves as Britain's most Cilla ...... Gbemisola Ikumelo revellers are naked, Fridolin is discovered and must face his celebrated post-war designer couple, often been compared to Zoanna ...... Gbemisola Ikumelo hosts. US contemporaries, Charles Eames and Ray Eames. Roland ...... Colin Hoult Read by Paul Rhys. But despite their growing fame in the 1950s and 60s they Producer: Alexandra Smith Published in 1926, Arthur Schnitzler’s ‘Dream Story’ was remained uncomfortable with the public attention they received. A BBC Studios production for BBC Radio 4 first broadcast in alternately titled ‘Rhapsody’ and, in the original German, They shared a passion for nature and spent more and more time November 2016. ‘Traumnovelle’. outdoors. Lucienne drew much of her inspiration from plants SAT 05:30 Stand-Up Specials (m000tcl3) Credited as the novella that inspired Stanley Kubrick's last film. and flowers and Robin was a talented and obsessive mountain Jacob Hawley: Class Act Translated by JMQ Davies. climber. Stevenage soft lad Jacob Hawley left his hometown behind a Producer: Eugene Murphy Wayne reflects on the many layers to Robin and Lucienne and, decade ago and has ascended Britain's social class system, Made for BBC7 and first broadcast in September 2003. -
Designing the Dinosaur: Richard Owen's Response to Robert Edmond Grant Author(S): Adrian J
Designing the Dinosaur: Richard Owen's Response to Robert Edmond Grant Author(s): Adrian J. Desmond Source: Isis, Vol. 70, No. 2 (Jun., 1979), pp. 224-234 Published by: The University of Chicago Press on behalf of The History of Science Society Stable URL: http://www.jstor.org/stable/230789 . Accessed: 16/10/2013 13:00 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. The University of Chicago Press and The History of Science Society are collaborating with JSTOR to digitize, preserve and extend access to Isis. http://www.jstor.org This content downloaded from 150.135.115.18 on Wed, 16 Oct 2013 13:00:27 PM All use subject to JSTOR Terms and Conditions Designing the Dinosaur: Richard Owen's Response to Robert Edmond Grant By Adrian J. Desmond* I N THEIR PAPER on "The Earliest Discoveries of Dinosaurs" Justin Delair and William Sarjeant permit Richard Owen to step in at the last moment and cap two decades of frenzied fossil collecting with the word "dinosaur."' This approach, I believe, denies Owen's real achievement while leaving a less than fair impression of the creative aspect of science. -
Presidential Address Commemorating Darwin
Presidential Address Commemorating Darwin The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Browne, Janet. 2005. Presidential address commemorating Darwin. The British Journal for the History of Science 38, no. 3: 251-274. Published Version 10.1017/S0007087405006977 Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:3345924 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA BJHS 38(3): 251–274, September 2005. f British Society for the History of Science doi:10.1017/S0007087405006977 Presidential address Commemorating Darwin JANET BROWNE* Abstract. This text draws attention to former ideologies of the scientific hero in order to explore the leading features of Charles Darwin’s fame, both during his lifetime and beyond. Emphasis is laid on the material record of celebrity, including popular mementoes, statues and visual images. Darwin’s funeral in Westminster Abbey and the main commemorations and centenary celebrations, as well as the opening of Down House as a museum in 1929, are discussed and the changing agendas behind each event outlined. It is proposed that common- place assumptions about Darwin’s commitment to evidence, his impartiality and hard work contributed substantially to his rise to celebrity in the emerging domain of professional science in Britain. During the last decade a growing number of historians have begun to look again at the phenomena of scientific commemoration and the cultural processes that may be involved when scientists are transformed into international icons. -
HARRIET RITVO History Faculty E51-285 Massachusetts Institute Of
HARRIET RITVO History Faculty E51-285 Massachusetts Institute of Technology Cambridge MA 02139 617/253-6960 or 4965 (fax 253-9406) [email protected] Education Ph.D. Harvard University, 1975 Girton College, Cambridge University, 1968-69 A.B. Harvard University, magna cum laude, Phi Beta Kappa, 1968 Fellowships and Awards 2005- Fellow, American Academy of Arts and Sciences 2002-3 Senior Fellowship, National Humanities Center 1999 Visiting Scholar, Humanities Research Institute, University of California at Irvine 1990 Whiting Writers' Award 1990 Guggenheim Fellowship 1990 Fellowship, National Humanities Center 1989 National Endowment for the Humanities Fellowship 1989 Visiting Fellowship, Clare Hall, Cambridge University 1985-86 Fellowship, Stanford Humanities Center 1984 Visiting Fellowship, Yale Center for British Art 1982 Old Dominion Fellowship (M.I.T.) 1969-74 Graduate Prize Fellowship (Ford Foundation) 1968-69 Isobel Briggs Traveling Fellowship Professional Experience Academic 1995- Arthur J. Conner Professor of History, MIT 1980-95 Assistant to Full Professor, MIT 1979-80 Lecturer, Humanities Department, MIT 1974-75 Lecturer in English, University of Massachusetts, Boston 1971-75 Teaching Fellow in History and Literature and in English, Harvard University Administrative 1999-2006 Head, History Faculty, MIT 1992-95 Associate Dean, School of Humanities and Social Science, MIT 1980-81 Assistant Director, Writing Program, MIT 1979-80 Assistant to the Dean, School of Humanities and Social Science, MIT 1977-79 Editor, Bulletin of the American Academy of Arts and Sciences 1976-79 Staff Associate for Arts and Humanities, American Academy of Arts and Sciences 1975-76 Assistant Director, Office of Sponsored Research, Boston University Other 2006 Leader, Summer Seminar for Liberal Arts College Faculty ("Going Global: Environmental History and the Exchange of Animals, Plants, and Ideas"), National Humanities Center 2002-3 Marsh Book Prize Committee, American Society for Environmental History 2001- Editorial Board, Environmental History 1. -
Galton, Terman, Cox: the Distinctive Volume II in Genetic Studies Of
GCQXXX10.1177/0016986220921360Gifted Child QuarterlySimonton 921360research-article2020 Article Gifted Child Quarterly 1 –10 Galton, Terman, Cox: © 2020 National Association for Gifted Children Article reuse guidelines: The Distinctive Volume II sagepub.com/journals-permissions DOI:https://doi.org/10.1177/0016986220921360 10.1177/0016986220921360 in Genetic Studies of Genius journals.sagepub.com/home/gcq Dean Keith Simonton1 Abstract With just one exception, all of the volumes in Terman’s Genetic Studies of Genius report the results of a longitudinal study of more than a thousand intellectually gifted children. That single exception is Volume II, Cox’s single-authored The Early Mental Traits of Three Hundred Geniuses, which instead was a retrospective study of 301 eminent creators and leaders, using historiometric methods to estimate their IQs (as well as to assess a subset of 100 on 67 character traits). This article discusses how this volume actually fits with the other four volumes in the set. After giving the historical background, discussion turns to the emergence of Cox’s doctoral dissertation. Then comes a narrative of the aftermath, including subsequent contributions by Cox, Terman, and numerous other researchers extending into the 21st century. The article closes by treating the ways that the intellectually gifted and the historic geniuses are not comparable, thus indicating the need for more recent replications and extensions of her work. Keywords archival, biographical, historical analysis, early childhood, gifted, intelligence Strictly speaking, Lewis M. Terman’s (1925-1959) monu- complete list of impressive big names provided on multiple mental and highly influential Genetic Studies of Genius con- occasions throughout the volume. -
Francis Galton
Journal ofMedical Ethics 1998;24:99-105 J Med Ethics: first published as 10.1136/jme.24.2.99 on 1 April 1998. Downloaded from Francis Galton: and eugenics today David J Galton, and Clare J Galton St Bartholomew's Hospital, London and Princess Alexandra Hospital, Brisbane, Queensland, Australia Abstract Laws proposes many social measures to improve Eugenics can be defined as the use ofscience applied the quality of future generations.' to the qualitative and quantitative improvement of Galton strongly believed, following on from the human genome. The subject was initiated by Darwin's theories of evolution and natural selec- Francis Galton with considerable support from tion, that "we should attempt to exert control over Charles Darwin in the latter half of the 19th century. organic evolution in the same way as we exert Its scope has increased enormously since the recent control over the physical world and to direct it into revolution in molecular genetics. Geneticfiles can be channels of our own choosing".4 This would pro- easily obtainedfor individuals either antenatally or at vide practical applications for Darwin's theories birth; somatic gene therapy has been introducedfor and replace his idea of natural selection by a type some rare inborn errors of metabolism; and gene of artificial selection. The publication of Darwin's manipulation ofhuman germ-line cells will no doubt Origin ofSpecies in 1859 and the elaboration ofhis occur in the nearfuture to generate organs for theory of evolution by natural selection provoked transplantation. both bitter theological controversies with the The past history ofeugenics has been appalling, creationist proponents of the animal world as well with gross abuses in the USA between 1931 and as spirited debates on its application to social copyright. -
Heredity and Hereditarianism
Philosophy of Education An Encyclopedia Editor J.J. Chambliss Garland Publishing, Inc. New York & London 1996 HEREDITY AND HEREDITARIANISM Barry Mehler Department of Humanities Ferris State University Big Rapids, MI 49307 2500 words. Heredity is usually defined as the genetic transmission of characteristics from parent to offspring. This, however, is an oversimplification. The child does not inherit characteristics or traits from its parents. Children do not inherit musical ability, criminal tendencies, or IQ. Neither do they inherit physical characteristics such as skin or hair color. The child inherits one set of allele's from each parent. Together they form the child's genotype. The child also inherits mitochondria which are outside the nucleus of the cell. Genes code for the production of proteins which in turn interact with the environment to produce a phenotype. What we refer to as traits or characteristics are the phenotypes. The human being in all his or her complexity is the result of this interaction of a unique genotype with a unique environment. The modern study of heredity began with the rediscovery in 1900 of the work of Gregor Mendel (1822-1884) by Hugo De Vries, Karl Correns, and Erich Tschermak. Mendel discovered the basic laws of segregation and independent assortment of paired alleles which opened the way for the modern science of genetics. The American geneticist, Thomas Hunt Morgan (1866-1945) carried on studies of heredity in Drosophila (fruit fly) and was awarded the Nobel prize in 1933 for his discoveries relating to the laws and mechanisms of heredity. Morgan showed the existence of genes located at specific sites on chromosomes. -
Simply-Hitchcock-1587911892. Print
Simply Hitchcock Simply Hitchcock DAVID STERRITT SIMPLY CHARLY NEW YORK Copyright © 2017 by David Sterritt Cover Illustration by Vladymyr Lukash Cover Design by Scarlett Rugers All rights reserved. No part of this publication may be reproduced, distributed, or transmitted in any form or by any means, including photocopying, recording, or other electronic or mechanical methods, without the prior written permission of the publisher, except in the case of brief quotations embodied in critical reviews and certain other noncommercial uses permitted by copyright law. For permission requests, write to the publisher at the address below. [email protected] ISBN: 978-1-943657-17-9 Brought to you by http://simplycharly.com Dedicated to Mikita, Jeremy and Tanya, Craig and Kim, and Oliver, of course Contents Praise for Simply Hitchcock ix Other Great Lives xiii Series Editor's Foreword xiv Preface xv Acknowledgements xix 1. Hitch 1 2. Silents Are Golden 21 3. Talkies, Theatricality, and the Low Ebb 37 4. The Classic Thriller Sextet 49 5. Hollywood 61 6. The Fabulous 1950s 96 7. From Psycho to Family Plot 123 8. Epilogue 145 End Notes 147 Suggested Reading 164 About the Author 167 A Word from the Publisher 168 Praise for Simply Hitchcock “With his customary style and brilliance, David Sterritt neatly unpacks Hitchcock’s long career with a sympathetic but sharply observant eye. As one of the cinema’s most perceptive critics, Sterritt is uniquely qualified to write this concise and compact volume, which is the best quick overview of Hitchcock’s work to date—written with both the cineaste and the general reader in mind.