Music Faculty Biographies
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Pan-March-2020.Pdf
PANJOURNAL OF THE BRITISH FLUTE SOCIETY MARCH 2020 “This is my Flute. There are many like it, but this one is mine” Juliette Hurel Maesta 18K - Forte Headjoint pearlflutes.eu Principal Flautist of the Rotterdam Philharmonic Orchestra contents The British Flute Society news & events 24 President 2 BFS NEWS William Bennett OBE 4 NOTES FROM THE CHAIR 6 NEWS Vice President 11 FLUTE CHOIR NEWS Wissam Boustany 13 TRADE NEWS 14 EVENTS LISTINGS Honorary Patrons 16 INTERNATIONAL EVENTS Sir James Galway 23 FLUTE CHOIR FOCUS: and Lady Jeanne Galway WOKING FLUTE CHOIR 32 Conductorless democracy in action. Vice Presidents Emeritus Atarah Ben-Tovim MBE features Sheena Gordon 24 ALEXANDER MURRAY: I’VE GONE ON LEARNING THE FLUTE ALL MY LIFE Secretary Cressida Godfrey examines an astonishing Rachel Shirley career seven decades long and counting. [email protected] 32 CASE FOR MOVEMENT EDUCATION Musicians move for a living. Kelly Mollnow 39 Membership Secretary Wilson shows them how to do it freely and [email protected] efficiently through Body Mapping. 39 WILLIAM BENNETT’S The British Flute Society is a HAPPY FLUTE FESTIVAL Charitable Incorporated Organisation Edward Blakeman describes some of the registered charity number 1178279 enticing treats on offer this summer in Wibb’s feel-good festival. Pan 40 GRADED EXAMS AND BEYOND: The Journal of the EXPLORING THE OPTIONS AVAILABLE 40 British Flute Society The range of exams can be daunting for Volume 39 Number 1 student and teacher alike. David Barton March 2020 gives a comprehensive review. 42 STEPHEN WESSEL: Editor A NATIONAL TREASURE Carla Rees Judith Hall gives a personal appreciation of [email protected] the flutemaker in the year of his retirement. -
Rachmaninoff and Tchaikovsky
~ Program ~ Rhapsody on a Theme by Paganini Sergei Rachmaninoff (1873 - 1943) Andrew Staupe, Piano ~ Intermission ~ Symphony No. 2 in C minor, Op. 17 Pytor Ilytich Tchaikovsky PLAYING. SHARING. INSPIRING. (1840 – 1893) I. Andante sustenuto – Allegro vivo Yuri Ivan, Music Director II. Andantino marziale, quasi moderato Andrew Staupe, Piano III. Scherzo. Allegro molto vivace IV. Finale moderato assai – Allegro vivo Rachmaninoff and Tchaikovsky ~ Summer POPS! ~ Saturday, May 19, 2012 7:30 PM Sunday, August 12, 2 PM at Lake Harriet Bandshell Sunday, August 19, 7 PM at Como Lakeside Pavilion St. Albert the Great Catholic Church Minneapolis, Minnesota Monday, August 20, 7 PM at Maple Grove Town Green Visit kenwoodsymphonyorchestra.org for more information The Kenwood Symphony Orchestra was founded as the Kenwood ~ Biographies ~ Chamber Orchestra in 1972 as an adult education class at the Kenwood Community Center. From those humble beginnings, the orchestra quickly American pianist Andrew Staupe is rapidly emerging as one of the most grew in membership, ability, and reputation. Over the years, several gifted outstanding pianists of his generation. He recently debuted in Carnegie Hall conductors have graced the podium, including Uri Barnea, Lee Humphries, to great critical acclaim, in which New York Concert Review stated “Mr. Jim Riccardo, Jeannine Wager, William Intriligator, Myles Hernandez, Staupe gave a brilliant performance, handling the virtuosic demands with Kenneth Freed, and Jeffrey Stirling. Since 2007, the orchestra has been apparent ease.” This season he also debuted with the San Diego Symphony under the direction of Yuri Ivan. Based at Washburn High School, the KSO under Jahja Ling, Glacier Symphony, Rochester Symphony, and the represents over 50 highly accomplished volunteer musicians of all ages and Minnesota Sinfonia. -
2018 Available in Carbon Fibre
NFAc_Obsession_18_Ad_1.pdf 1 6/4/18 3:56 PM Brannen & LaFIn Come see how fast your obsession can begin. C M Y CM MY CY CMY K Booth 301 · brannenutes.com Brannen Brothers Flutemakers, Inc. HANDMADE CUSTOM 18K ROSE GOLD TRY ONE TODAY AT BOOTH #515 #WEAREVQPOWELL POWELLFLUTES.COM Wiseman Flute Cases Compact. Strong. Comfortable. Stylish. And Guaranteed for life. All Wiseman cases are hand- crafted in England from the Visit us at finest materials. booth 408 in All instrument combinations the exhibit hall, supplied – choose from a range of lining colours. Now also NFA 2018 available in Carbon Fibre. Orlando! 00 44 (0)20 8778 0752 [email protected] www.wisemanlondon.com MAKE YOUR MUSIC MATTER Longy has created one of the most outstanding flute departments in the country! Seize the opportunity to study with our world-class faculty including: Cobus du Toit, Antero Winds Clint Foreman, Boston Symphony Orchestra Vanessa Breault Mulvey, Body Mapping Expert Sergio Pallottelli, Flute Faculty at the Zodiac Music Festival Continue your journey towards a meaningful life in music at Longy.edu/apply TABLE OF CONTENTS Letter from the President ................................................................... 11 Officers, Directors, Staff, Convention Volunteers, and Competition Committees ................................................................ 14 From the Convention Program Chair ................................................. 21 2018 Lifetime Achievement and Distinguished Service Awards ........ 22 Previous Lifetime Achievement and Distinguished -
Volume 21 No. 1 March 2002 British Flute Society Address Book
Presiderlt: Sir James Galway OBE The psychology of Vice-presihr: Albert Cooper cover is from the worlishops of sculptor flute teaching Acting Chairmat/: Kenneth Bell Jan van Nost and has been in the 24 grounds of Painswiclc House, Lucinda klackworth-Young shares Gloucestershire, since it was first some of the best-kept secrets of constructed in the 18th century. successful tlute teaching and ....................................... happy, motivated pupils. The Journal of The British Flute Society British Flute Society Sing alto flute! Volume 21 No. 1 Address Book 2 The sonoritv of the alto flute has 28 March 2002 enormous expressive possibilities. Carla Rees reveals its history and Editor& Committee Comment sings its praises in this first article Clare Roberts Editor 3 of a new series. Kenneth Bell ........................................ Christine Ring BFS news Brian Finnegan: a bit Helen Baker i\ new section to keep. .vou up to date 4 of a wizard with all BFS events, activities and 30 Contacting the BFS information, including memhers' noticeboard Funky tlute playing General enquiries ........................................ from a techno acrobat Kenneth Bell Acting Choir - to find out more E-mail: secretary@bfs,org.uk Flute news about the man and his Ben's diary, tlute days for young music, read I-Ielen- Membership enquiries 6 people, advice, rare crystal flute Louise Balter's interview John Rayworth A4en1bedip Secretary with the central figure The Nook, How Mill, of the folli band Flook! Brampton Letters ...................... Cumbria CA8 9JY Octotonic music, coping with Tel: 01228 670306 braces 11 Deafness no bar E-mail: [email protected] this flautist All telephone enquiries regarding BFS June playing The flute is the best thing that has ever membership should be directed day with happened to Ruth Montgomery. -
The Stars Come Out
Austin Symphonic Band presents tars The S e Out Com Sunday, April 2 • 4 PM AISD Performing Arts Center Richard Floyd, Music Director ASB Board of Directors and Officers Music Director: Richard Floyd Assistant Music Director: Bill Haehnel Executive Director: Amanda Turley President: Al Martin Past-President: Erin Knight President-Elect: Marty Legé Board of Directors: Keith Chenoweth Jim Crandall Donald McDaniel Kristin Morris Treasurer: Sharon Kojzarek Bookkeeper: Mark Knight Librarian: Karen VanHooser Concert Coordinator: Kevin Jedele Transportation Manager: Chuck Ellis Marketing Director: Thomas Edwards Graphic Artist: Karen Cross Webmaster: David Jones Archivist: Tim DeFries Austin Symphonic Band PO Box 6472 Austin, Texas 78762 (512) 956-7420 [email protected] austinsymphonicband.org facebook.com/ATXSymphonicBand twitter.com/AustinSymphBand instagram.com/ATXSymphonicBand ASB is supported in part by the Cultural Arts Division of the City of Austin Economic Development Department. Visit NowPlayingAustin.com. Richard Floyd, Music Director RICHARD FLOYD is in his 55th year of active involvement as a conductor, music educator, and administrator. He has enjoyed a distinguished and highly successful career at virtually every level of wind band performance from beginning band programs through high school and university wind ensembles as well as adult community bands. Floyd recently retired as State Director of Music at The University of Texas at Austin. He now holds the title Texas State Director of Music Emeritus. He has served as Music Director and Conductor of the Austin Symphonic Band since 1985. Floyd is a recognized authority on conducting, the art of wind band rehearsing, concert band repertoire, and music advocacy. As such, he has toured extensively throughout the United States, Canada, Australia, and Europe as a clinician, adjudicator, and conductor including appearances in 42 American states and in nine other countries. -
Salt Lake City August 1—4, 2019 Nfac Discover 18 Ad OL.Pdf 1 6/13/19 8:29 PM
47th Annual National Flute Association Convention Salt Lake City August 1 —4, 2019 NFAc_Discover_18_Ad_OL.pdf 1 6/13/19 8:29 PM C M Y CM MY CY CMY K Custom Handmade Since 1888 Booth 110 wmshaynes.com Dr. Rachel Haug Root Katie Lowry Bianca Najera An expert for every f lutist. Three amazing utists, all passionate about helping you und your best sound. The Schmitt Music Flute Gallery offers expert consultations, easy trials, and free shipping to utists of all abilities, all around the world! Visit us at NFA booth #126! Meet our specialists, get on-site ute repairs, enter to win prizes, and more. schmittmusic.com/f lutegallery Wiseman Flute Cases Compact. Strong. Comfortable. Stylish. And Guaranteed for life. All Wiseman cases are hand- crafted in England from the Visit us at finest materials. booth 214 in All instrument combinations the exhibit hall, supplied – choose from a range of lining colours. Now also NFA 2019, Salt available in Carbon Fibre. Lake City! Dr. Rachel Haug Root Katie Lowry Bianca Najera An expert for every f lutist. Three amazing utists, all passionate about helping you und your best sound. The Schmitt Music Flute Gallery offers expert consultations, easy trials, and free shipping to utists of all abilities, all around the world! Visit us at NFA booth #126! Meet our specialists, get on-site ute repairs, enter to win prizes, and more. 00 44 (0)20 8778 0752 [email protected] schmittmusic.com/f lutegallery www.wisemanlondon.com TABLE OF CONTENTS Letter from the President ................................................................... 11 Officers, Directors, Staff, Convention Volunteers, and Competition Committees ............................................................... -
Bush Foundation Annual Report 2000
Bush Foundation Foundation Bush Bush Foundation Annual Annual Report Annual Report Report BUSH FOUNDATION Information The Annual Report highlights grants made by the Bush Foundation in . For information on grant guidelines for organizations or fellow- ships, please contact the Foundation. Bush Foundation East First National Bank Building Minnesota Street St. Paul, Minnesota Tel: -- Fax: -- E-mail: [email protected] www.bushfoundation.org BUSH FOUNDATION Contents Grant Overview 3 Year in Review 5 Program Highlights 11 Grant List 27 Fellowship Programs 71 Financial Review 75 Board of Directors 86 Staff 88 Program Committees 90 Index 92 BUSH FOUNDATION Grant Overview Grant Payments and New Commitments - Grant payments are those made in the year indicated on current and past grants. New commitments are the sum of dollars the Board votes in approved grants each year. These obligations will be paid in either the current year or in later years. ’ ’ ’ ’ ’ Grant payments New commitments ($ Millions) Distribution of Grants This chart shows the Fellowship Arts & distribution of Programs Humanities . grant amounts by % .% Other program area. The .% Bush Board does not Education have any prior poli- .% cies which determine the amount to be granted in one pro- Human Services gram area in a given .% Health year, except in the .% fellowship programs. BUSH FOUNDATION Year in Review The year was an PROGRAMS unusual year for the Bush The spring retreat Foundation. Our endow- focused on Bush work in ment and grant making education. We examined exceeded expectations; we emerging issues in early expanded and evaluated childhood, K-, and higher program areas and devel- education. The Board oped new programs; and, approved several directions we began a long-range in education: to continue planning process. -
Music in the Schools 2016 -2017 1 Water – One of Our Most Precious Resource
Minnesota Sinfonia Music in the Schools 2016 -2017 1 Water – One of Our Most Precious Resource Dear Teachers, I am very excited to work with you for this year’s Music in the Schools presentation, Water, One of Our Most Precious Resources This program focuses on science, and how we as musicians use water as a theme for some of the music we perform. Following are teaching materials that I hope you will find helpful when preparing for our visit: • Lesson plans/activities that will relate the music we will play to the science standards and student activities in this curriculum. Listed are state-mandated standards for each grade level of K-8 that can be supported by using our materials. The Sinfonia welcomes new ideas, so please send us any suggestions you think we could include for the next time we use this curriculum. • Master listening CD that includes full renditions of the music the Sinfonia will perform, recordings of songs the students will sing and the music the orchestra students will play. Please use this CD in your classroom daily, and feel free to add other classical recordings, too. • Music for student choirs to sing: Students’ Songs: Down by the Riverside. and It‘s Raining (to be sung in English and Spanish) are songs that your school choir will perform on concert day with the orchestra (for schools without choirs, the children in one or two grades can serve as the choir). For schools with advanced choirs, both songs have optional second voice parts, If you cannot play the accompaniments on a piano, then please use the computer-generated accompaniments at the end of the CD when teaching children the music. -
Abstracts & Program Notes
ABSTRACTS & PROGRAM NOTES Admiral, Roger see Tardif, Guillaume (Hubert Léonard and The Belgian School of Violin Playing) Alexander, Justin Performance: A Confluence of Cultures in Flute and Percussion Music This flute and percussion program addresses the conference call for diversity by comprising works from three different continents. All three works are similarly contemporary in form and composition date, yet each draw from age old traditions in which the composer was enculturated or acculturated. More specifically, the program encompasses an amalgamation of the Western classical genre with the indigenous musics of Colombia, Egypt, and India. The program begins with a short selection called Pa’ Chicho, for flute and maracas. It is a recently composed work by Colombian composer Walter Menesses, in the folk music style of a pasillo. This form, particularly popular in Ecuador and Colombia in the 19th century, is still popular today, especially in Popayán, where the composer is based. Premiered in 1995, the second work is by Egyptian composer Halim El-Dahb, who passed away in 2017. Big Tooth Aspen for flute and darbucca is a three-movement work based on life, death and resurrection in each respective movement titled “Twigs,” “Droopy Flowers,” and “Hairy Seeds in the Wind.” Additionally, the flute uses many extended techniques throughout the piece, including pitch bending, multiphonics, and singing while playing. The final selection titled Devil Dance, also for flute and darbucca, is by Peyton MacDonald. This work, and many others by this American composer, is based on Hindustani themes from his extensive training in the East Indian tabla tradition. The work also features multiphonics by the flutist through simultaneous singing and playing. -
EXPANDING HORIZONS NEW YORK FLUTE FAIR 2006 Katherine Fink, Flute Fair Chair
The New York Flute Club NEWSLETTER February 2006 Music for Flute and Percussion PATRICIA AND GREGORY ZUBER Interview by Stefani Starin his interview took place by email in late December and early January. I knew Pat mostly from the NYFC (she’s been the Young Artist Competition coordinator since 2001) and was looking forward to interviewing her because of our similar repertoire interests and Tlife experiences. Both of us are married to musicians with whom we collaborate professionally—sharing the stage as performers, producing concerts, arranging/ composing, etc. STEFANI STARIN: How did you and Greg get started as a duo? In Concert PATRICIA ZUBER: We’ve been playing duets since we started dating as sopho- PATRICIA ZUBER, flute mores at the University of Illinois at GREGORY ZUBER, percussion Champaign-Urbana [in the late ’70s]. We Sunday, February 19, 2006, 5:30 pm performed on each other’s junior and Yamaha Piano Salon, 689 Fifth Avenue senior recitals, then together in grad (entrance on 54th Street between Fifth and Madison Avenues) school [at Temple University in Philadelphia], and then professionally. Kembang Suling (1996) ................................................Gareth Farr (b. 1968) SS: So you met in college? flute and marimba Figures in a Landscape (1984)..................................Peter Klatzow (b. 1945) PZ: Yes, during ear-training class, when flute and marimba we were 19 years old!! The Old Men Admiring Themselves SS: Did you hit it off right away? in the Water (1986) ..................................................Robert Beaser (b. 1954) adapted by Gregory Zuber for alto flute, voice and marimba PZ: Yes, right away. Morris Robinson, bass SS: So do you two play together often E-Vaporation (2004), a film by Thomas Kovachevich now? The Blues, in three parts ..................................Gregory Zuber (b. -
The Flute Works of Erwin Schulhoff
University of Northern Colorado Scholarship & Creative Works @ Digital UNC Dissertations Student Research 8-2019 The Flute Works of Erwin Schulhoff Sara Marie Schuhardt Follow this and additional works at: https://digscholarship.unco.edu/dissertations Recommended Citation Schuhardt, Sara Marie, "The Flute Works of Erwin Schulhoff" (2019). Dissertations. 590. https://digscholarship.unco.edu/dissertations/590 This Text is brought to you for free and open access by the Student Research at Scholarship & Creative Works @ Digital UNC. It has been accepted for inclusion in Dissertations by an authorized administrator of Scholarship & Creative Works @ Digital UNC. For more information, please contact [email protected]. © 2019 SARA MARIE SCHUHARDT ALL RIGHTS RESERVED UNIVERSITY OF NORTHERN COLORADO Greeley, Colorado The Graduate School THE FLUTE WORKS OF ERWIN SCHULHOFF A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Arts Sara Marie Schuhardt College of Performing and Visual Arts School of Music August 2019 This Dissertation by: Sara Marie Schuhardt Entitled: The Flute Works of Erwin Schulhoff has been approved as meeting the requirement for the Degree of Doctor of Arts in College of Performing and Visual Arts in School of Music Accepted by the Doctoral Committee ______________________________________________________ Carissa Reddick, Ph.D., Research Advisor ______________________________________________________ James Hall, D.M.A., Committee Member _______________________________________________________ -
The Quintessential Quintet: Using the Woodwind Quintet to Improve Your Instrumental Music Program
The Quintessential Quintet: Using the Woodwind Quintet to Improve Your Instrumental Music Program The Montpelier Wind Quintet Beth Chandler, Flute Michele Kirkdorffer, Oboe Janice L. Minor, Clarinet Susan N. Barber, Bassoon Abigail Pack, Horn The Midwest Clinic An International Band and Orchestra Conference 57th Annual Conference December 17, 2003 Chicago, Illinois 2:30 p.m. School of MSC 7301 MUSIC Harrisonburg, VA 22807 540.568.6197 Phone 540.568.6714 Phone 540.568.7819 Fax CONTENTS Clinic Outline Suggested Repertoire for the Student Woodwind Quintet Standard Repertoire for the Woodwind Quintet Chamber Music Rehearsal Priorities Wind Quintet Rehearsal Guide A Guide to Woodwind Quintet Playing for the Developing Flutist by Beth E. Chandler Oboe Idiosyncrasies as Related to Wind Quintet Performance by Michele Kirkdorffer Clarinet Idiosyncrasies Related to the Woodwind Quintet by Janice L. Minor Bassoon Fundamentals: The Bassoonist’s Role in the Woodwind Quintet by Susan N. Barber Some Ideas on Playing Horn in a Wind Quintet by Abigail Pack Biographies The Quintessential Quintet: Using the Woodwind Quintet to Improve Your Instrumental Music Program CLINIC OUTLINE Introduction: Allegro con spirito from Divertimento No. 1 in B-flat Major, Haydn/Philadelphia Wind Quintet Repertoire: I. Transcriptions by grade level II. Collections of books III. Original compositions by grade level Polka from Five Easy Dances, Agay Ensemble Skills: I. Part Independence a. Leadership roles: solo vs. accompaniment Rumba from Five Easy Dances, Agay b. Sound/color/blend Pastorale, Beach c. Tuning concepts The Dawn from Suite of Old Lettish Dances, Jansons d. Balance/volume/intensity Saltarello from Early Hungarian Dances, Farkas II.