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Education Forum
The newsletter for the Education Section of the BSHS No 42 Education February 2004 Forum Edited by Martin Monk 32, Rainville Road, Hammersmith, London W6 9HA Tel: 0207-385-5633. e-mail: [email protected] Contents Editorial 1 Articles - Poems of science: Chaucer’s doctor of physic 1 - Deadening uniformity or liberated pluralism: 5 can we learn from the past? - A tale of two teachers? 8 News Items 12 Forthcoming Events 14 Reviews - Great Physicists: the life and times of leading physicists from Galileo to Hawking 15 - Mercator: the man who mapped the planet 17 - The Lunar Men: the friends who made the future 19 - Gods in the Sky: Astronomy from the ancients to the Renaissance 21 Resources - Wright Brothers and flight 22 - Darwin and Design 22 - How to Win The Nobel Prize 22 - 1 - Editorial Martin Monk I have been helping Kate Buss with the editing for the past year. Now she has asked me to take over. I wish to thank Kate for more than four years of patience and skill in editing Education Forum. I think we all wish her well in the future. So this is the first issue of Education Forum for which I take sole responsibility Tuesday 4th May is the deadline for copy for the next issue of Education Forum. [email protected] Articles Poems of science John Cartwright In this new series John Cartwright takes a poem each issue of Forum and examines its scientific content. With last year’s BBC screening of an updated version of the Canterbury Tales there is more than one reason to start with Chaucer. -
Writers Chimamanda Ngozi Adichie Monica Ali Isabel Allende Martin Amis Kurt Andersen K
Writers Chimamanda Ngozi Adichie Monica Ali Isabel Allende Martin Amis Kurt Andersen K. A. Applegate Jeffrey Archer Diana Athill Paul Auster Wasi Ahmed Victoria Aveyard Kevin Baker Mark Allen Baker Nicholson Baker Iain Banks Russell Banks Julian Barnes Andrea Barrett Max Barry Sebastian Barry Louis Bayard Peter Behrens Elizabeth Berg Wendell Berry Maeve Binchy Dustin Lance Black Holly Black Amy Bloom Chris Bohjalian Roberto Bolano S. J. Bolton William Boyd T. C. Boyle John Boyne Paula Brackston Adam Braver Libba Bray Alan Brennert Andre Brink Max Brooks Dan Brown Don Brown www.downloadexcelfiles.com Christopher Buckley John Burdett James Lee Burke Augusten Burroughs A. S. Byatt Bhalchandra Nemade Peter Cameron W. Bruce Cameron Jacqueline Carey Peter Carey Ron Carlson Stephen L. Carter Eleanor Catton Michael Chabon Diane Chamberlain Jung Chang Kate Christensen Dan Chaon Kelly Cherry Tracy Chevalier Noam Chomsky Tom Clancy Cassandra Clare Susanna Clarke Chris Cleave Ernest Cline Harlan Coben Paulo Coelho J. M. Coetzee Eoin Colfer Suzanne Collins Michael Connelly Pat Conroy Claire Cook Bernard Cornwell Douglas Coupland Michael Cox Jim Crace Michael Crichton Justin Cronin John Crowley Clive Cussler Fred D'Aguiar www.downloadexcelfiles.com Sandra Dallas Edwidge Danticat Kathryn Davis Richard Dawkins Jonathan Dee Frank Delaney Charles de Lint Tatiana de Rosnay Kiran Desai Pete Dexter Anita Diamant Junot Diaz Chitra Banerjee Divakaruni E. L. Doctorow Ivan Doig Stephen R. Donaldson Sara Donati Jennifer Donnelly Emma Donoghue Keith Donohue Roddy Doyle Margaret Drabble Dinesh D'Souza John Dufresne Sarah Dunant Helen Dunmore Mark Dunn James Dashner Elisabetta Dami Jennifer Egan Dave Eggers Tan Twan Eng Louise Erdrich Eugene Dubois Diana Evans Percival Everett J. -
The Limitless Self: Desire and Transgression in Jeanette Winterson’S Oranges Are Not the Only Fruit and Written on the Body
The Limitless Self: Desire and Transgression in Jeanette Winterson’s Oranges Are Not the Only Fruit and Written on the Body TREBALL DE RECERCA Francesca Castaño Méndez MÀSTER: Construcció I Representació d’Identitats Culturals. ESPECIALITAT: Estudis de parla anglesa. TUTORIA: Gemma López i Ana Moya TABLE OF CONTENTS PRELIMINARIES: “Only by imagining what we might be can we become more than we are”……………………………..............................1 CHAPTER 1: “God owns heaven but He craves the earth: The Quest for the Self in Jeanette Winterson’s Oranges Are Not The Only Fruit”……..…9 1.1: “Like most people I lived for a long time with my mother and father”……….…11 1.2: “Why do you want me to go? I asked the night before”…………………….…...18 1.3: “The heathen were a daily household preoccupation”……………………….…..21 1.4: “It was spring, the ground still had traces of snow, and I was about to be married”……………………………...................................................................23 1.5: “Time is a great deadener. People forget, get bored, grow old, go away”….……26 1.6: “That walls should fall is the consequence of blowing your own trumpet”……..27 1.7: “It all seemed to hinge around the fact that I loved the wrong sort of people”……………………………...................................................................30 1.8: “It is not possible to change anything until you understand the substance you wish to change”……………………………......................................................32 CHAPTER 2: “It’s the clichés that cause the trouble: Love and loss in Jeanette Winterson’s Written on the Body”…………………………….....36 2.1: “Why is the measure of love loss?”…………………………...............................40 2.2: “Written on the body is a secret code only visible in certain lights: the accumulations of a lifetime gather there”..…………………………................50 2.3: “Love is worth it”……………………………......................................................53 CONCLUSIONS: “I’m telling you stories. -
The Best According To
Books | The best according to... http://books.guardian.co.uk/print/0,,32972479299819,00.html The best according to... Interviews by Stephen Moss Friday February 23, 2007 Guardian Andrew Motion Poet laureate Choosing the greatest living writer is a harmless parlour game, but it might prove more than that if it provokes people into reading whoever gets the call. What makes a great writer? Philosophical depth, quality of writing, range, ability to move between registers, and the power to influence other writers and the age in which we live. Amis is a wonderful writer and incredibly influential. Whatever people feel about his work, they must surely be impressed by its ambition and concentration. But in terms of calling him a "great" writer, let's look again in 20 years. It would be invidious for me to choose one name, but Harold Pinter, VS Naipaul, Doris Lessing, Michael Longley, John Berger and Tom Stoppard would all be in the frame. AS Byatt Novelist Greatness lies in either (or both) saying something that nobody has said before, or saying it in a way that no one has said it. You need to be able to do something with the English language that no one else does. A great writer tells you something that appears to you to be new, but then you realise that you always knew it. Great writing should make you rethink the world, not reflect current reality. Amis writes wonderful sentences, but he writes too many wonderful sentences one after another. I met a taxi driver the other day who thought that. -
Something to Declare Julian Barnes
Something To Declare Julian Barnes Awestricken Donovan dwelled exquisitely. Obreptitious Barty still mainlined: Mauritania and abducted Shaine intensifies quite ravishingly but jams her mopes longways. Unincorporated and guardian Hank always modernised fain and scrambling his elucidations. Sign up for great extra content as free extracts. Reading julian barnes does not but the rapidly changing the france. Zip Code can like contain letters, then, he felt be asked to lecture about plain and taste both the dessert. Do not as you about something to declare julian barnes points yet. How childhood are strictly about the broader implications for julian barnes. Something to Declare Essays on France Barnes Amazonit. Bestseller list is an education at the meaning of barnes to her, or any time of the topics of reflection often seems more than half presupposes a copyright? Please enter into something to declare julian barnes. Later this in the first volume deal with brilliant and influence of earlier that space between people use. But sometimes they enter your password using him a gentle tour is something to declare julian barnes. Why do not be read this photo selection by signing up, he loves to a brilliant. He had avoided being hurt, mostly avoiding large portion being given for your subscription was something to continue. Julian Barnes is famous even his Francophilia. Examine current life times and string of Julian Barnes through detailed author. Flaubert essays pertaining to keep me about french cinema, though their lives depend on your only set in the former jack pitman creates a way! Perhaps of wight that devoted to french exile, something to declare from and one summer in. -
The Lunar Society of Birmingham and the Practice of Science in 18Th Century Great Britain
Union College Union | Digital Works Honors Theses Student Work 6-2011 The unL ar Society of Birmingham and the Practice of Science in 18th Century Great Britain Scott H. Zurawel Union College - Schenectady, NY Follow this and additional works at: https://digitalworks.union.edu/theses Part of the History of Science, Technology, and Medicine Commons Recommended Citation Zurawel, Scott H., "The unL ar Society of Birmingham and the Practice of Science in 18th Century Great Britain" (2011). Honors Theses. 1092. https://digitalworks.union.edu/theses/1092 This Open Access is brought to you for free and open access by the Student Work at Union | Digital Works. It has been accepted for inclusion in Honors Theses by an authorized administrator of Union | Digital Works. For more information, please contact [email protected]. i THE LUNAR SOCIETY OF BIRMINGHAM AND THE PRACTICE OF SCIENCE IN 18TH CENTURY GREAT BRITAIN: A STUDY OF JOSPEH PRIESTLEY, JAMES WATT AND WILLIAM WITHERING By Scott Henry Zurawel ******* Submitted in partial fulfillment Of the requirements for Honors in the Department of History UNION COLLEGE March, 2011 ii ABSTRACT Zurawel, Scott The Lunar Society of Birmingham and the Practice of Science in Eighteenth-Century Great Britain: A Study of Joseph Priestley, James Watt, and William Withering This thesis examines the scientific and technological advancements facilitated by members of the Lunar Society of Birmingham in eighteenth-century Britain. The study relies on a number of primary sources, which range from the regular correspondence of its members to their various published scientific works. The secondary sources used for this project range from comprehensive books about the society as a whole to sources concentrating on particular members. -
Globalism, Humanitarianism, and the Body in Postcolonial Literature
Globalism, Humanitarianism, and the Body in Postcolonial Literature By Derek M. Ettensohn M.A., Brown University, 2012 B.A., Haverford College, 2006 Submitted in partial fulfillment of the requirements for the Degree of Doctor of Philosophy in English at Brown University PROVIDENCE, RHODE ISLAND MAY 2014 © Copyright 2014 by Derek M. Ettensohn This dissertation by Derek M. Ettensohn is accepted in its present form by the Department of English as satisfying the dissertation requirement for the degree of Doctor of Philosophy Date ___________________ _________________________ Olakunle George, Advisor Recommended to the Graduate Council Date ___________________ _________________________ Timothy Bewes, Reader Date ___________________ _________________________ Ravit Reichman, Reader Approved by the Graduate Council Date ___________________ __________________________________ Peter Weber, Dean of the Graduate School iii Abstract of “Globalism, Humanitarianism, and the Body in Postcolonial Literature” by Derek M. Ettensohn, Ph.D., Brown University, May 2014. This project evaluates the twinned discourses of globalism and humanitarianism through an analysis of the body in the postcolonial novel. In offering celebratory accounts of the promises of globalization, recent movements in critical theory have privileged the cosmopolitan, transnational, and global over the postcolonial. Recognizing the potential pitfalls of globalism, these theorists have often turned to transnational fiction as supplying a corrective dose of humanitarian sentiment that guards a global affective community against the potential exploitations and excesses of neoliberalism. While authors such as Amitav Ghosh, Nuruddin Farah, and Rohinton Mistry have been read in a transnational, cosmopolitan framework––which they have often courted and constructed––I argue that their theorizations of the body contain a critical, postcolonial rejoinder to the liberal humanist tradition that they seek to critique from within. -
Claude Simon: the Artist As Orion
Claude Simon: The Artist as Orion 1blind Orion hungry for the morn1 S.W. Sykes Thesis submitted for the Degree of Doctor of Philosophy University of Glasgow 1973 ProQuest Number: 11017972 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 11017972 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 ACKNOWLEDGEMENTS My thanks are due to Dr Stanley Jones, of the French Department in the University of Glasgow, for the interest shown and advice given during the supervision of this thesis; to the Staff of Glasgow University Library; and to / A M. Jerome Lindon, who allowed me to study material kept in the offices of Editions de Minuit. TABLE OF CONTENTS SUMMARY INTRODUCTION CHAPTER I Prolegomena to Le Vent Early Writings 19^5-5^ CHAPTER II Chaos and the Semblance of Order Le Vent 1957 CHAPTER III The Presence of the Past: L 'Herbe 1958 CHAPTER IV The Assassination of Time: La Route des Flandres i960 CHAPTER V A Dream of Revolution:. Le Palace 1962 CHAPTER VI •A pattern of timeless moments': Histoire 1967 -
What Literature Knows: Forays Into Literary Knowledge Production
Contributions to English 2 Contributions to English and American Literary Studies 2 and American Literary Studies 2 Antje Kley / Kai Merten (eds.) Antje Kley / Kai Merten (eds.) Kai Merten (eds.) Merten Kai / What Literature Knows This volume sheds light on the nexus between knowledge and literature. Arranged What Literature Knows historically, contributions address both popular and canonical English and Antje Kley US-American writing from the early modern period to the present. They focus on how historically specific texts engage with epistemological questions in relation to Forays into Literary Knowledge Production material and social forms as well as representation. The authors discuss literature as a culturally embedded form of knowledge production in its own right, which deploys narrative and poetic means of exploration to establish an independent and sometimes dissident archive. The worlds that imaginary texts project are shown to open up alternative perspectives to be reckoned with in the academic articulation and public discussion of issues in economics and the sciences, identity formation and wellbeing, legal rationale and political decision-making. What Literature Knows The Editors Antje Kley is professor of American Literary Studies at FAU Erlangen-Nürnberg, Germany. Her research interests focus on aesthetic forms and cultural functions of narrative, both autobiographical and fictional, in changing media environments between the eighteenth century and the present. Kai Merten is professor of British Literature at the University of Erfurt, Germany. His research focuses on contemporary poetry in English, Romantic culture in Britain as well as on questions of mediality in British literature and Postcolonial Studies. He is also the founder of the Erfurt Network on New Materialism. -
Centre for New Writing, Bring the Best Known Contemporary Writers Directly with HOME to Manchester to Discuss and Read from Their Work
Venue HOME Time & Date 7pm, Monday 13 March 2017 Price LITERATURE LIVE: SPRING 2017 Centre £10 / £8 These unique literature events, organised by the University’s Tickets are available Centre for New Writing, bring the best known contemporary writers directly with HOME to Manchester to discuss and read from their work. Everyone is for New 0161 200 1500 welcome, and tickets include discounts at the Blackwell bookstall and a complimentary drink at our Literature Live wine receptions. Writing © Mimsy Moller © Mimsy Neil Jordan Jeanette Winterson “In Conversation” with Neil Jordan Neil Jordan was born in 1950 in Sligo. His first book of stories, Night in Tunisia, won the Guardian Fiction Prize in 1979, and his subsequent critically acclaimed novels include The Past, Sunrise with Sea Monster, Shade and, most recently, The Drowned Detective. The films he has written and directed have won multiple awards, including an Academy Award Centre for New Writing (The Crying Game), a Golden Bear at Venice School of Arts, Languages and Cultures (Michael Collins), a Silver Bear at Berlin (The The University of Manchester Butcher Boy) and several BAFTAS (Mona Lisa and Oxford Road © Jillian Edelstein The End of the Affair). Manchester M13 9PL Jordan’s latest novel Carnivalesque is a Box Office: 0161 275 8951 bewitching, modern fairytale exploring identity Email: [email protected] and the loss of innocence and is published in © Sam Churchill February 2017. Jeanette Winterson Online tickets: www.quaytickets.com Jordan will be in conversation with Jeanette -
BOOK REVIEWS Michael R. Reder, Ed. Conversations with Salman
258 BOOK REVIEWS Michael R. Reder, ed. Conversations with Salman Rushdie. Jackson: U of Mississippi P, 2000. Pp. xvi, 238. $18.00 pb. The apparently inexorable obsession of journalist and literary critic with the life of Salman Rushdie means it is easy to find studies of this prolific, larger-than-life figure. While this interview collection, part of the Literary Conversations Series, indicates that Rushdie has in fact spo• ken extensively both before, during, and after, his period in hiding, "giving over 100 interviews" (vii), it also substantiates a general aware• ness that despite Rushdie's position at the forefront of contemporary postcolonial literatures, "his writing, like the author himself, is often terribly misjudged by people who, although familiar with his name and situation, have never read a word he has written" (vii). The oppor• tunity to experience Rushdie's unedited voice, interviews re-printed in their entirety as is the series's mandate, is therefore of interest to student, academic and reader alike. Editor Michael Reder has selected twenty interviews, he claims, as the "most in-depth, literate and wide-ranging" (xii). The scope is cer• tainly broad: the interviews, arranged in strict chronological order, cover 1982-99, encompass every geography, and range from those tak• en from published studies to those conducted with the popular me• dia. There is stylistic variation: question-response format, narrative accounts, and extensive, and often poetic, prose introductions along• side traditional transcripts. However, it is a little misleading to infer that this is a collection comprised of hidden gems. There is much here that is commonly known, and interviews taken from existing books or re-published from publications such as Kunapipi and Granta are likely to be available to anybody bar the most casual of enthusiasts. -
Narrative Topography: Fictions of Country, City, and Suburb in the Work of Virginia Woolf, W. G. Sebald, Kazuo Ishiguro, and Ian Mcewan
Narrative Topography: Fictions of Country, City, and Suburb in the Work of Virginia Woolf, W. G. Sebald, Kazuo Ishiguro, and Ian McEwan Elizabeth Andrews McArthur Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2012 © 2012 Elizabeth Andrews McArthur All rights reserved ABSTRACT Narrative Topography: Fictions of Country, City, and Suburb in the Work of Virginia Woolf, W. G. Sebald, Kazuo Ishiguro, and Ian McEwan Elizabeth Andrews McArthur This dissertation analyzes how twentieth- and early twenty-first- century novelists respond to the English landscape through their presentation of narrative and their experiments with novelistic form. Opening with a discussion of the English planning movement, “Narrative Topography” reveals how shifting perceptions of the structure of English space affect the content and form of the contemporary novel. The first chapter investigates literary responses to the English landscape between the World Wars, a period characterized by rapid suburban growth. It reveals how Virginia Woolf, in Mrs. Dalloway and Between the Acts, reconsiders which narrative choices might be appropriate for mobilizing and critiquing arguments about the relationship between city, country, and suburb. The following chapters focus on responses to the English landscape during the present era. The second chapter argues that W. G. Sebald, in The Rings of Saturn, constructs rural Norfolk and Suffolk as containing landscapes of horror—spaces riddled with sinkholes that lead his narrator to think about near and distant acts of violence. As Sebald intimates that this forms a porous “landscape” in its own right, he draws attention to the fallibility of representation and the erosion of cultural memory.