Roderick Matte T : 1 778 895 3191 E : [email protected] PRODUCTION SOUND MIXER
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JEREMY STANBRIDGE Production Designer Stanbridgedesign.Com
JEREMY STANBRIDGE Production Designer stanbridgedesign.com PROJECTS DIRECTORS PRODUCERS/STUDIOS GOOD BOYS Lee Eisenberg Joe Drake, Evan Goldberg, Seth Rogen Feature Film & Gene Stupnitsky Universal COLONY Various Directors Brian Parker, Tim Southam, Ryan Condal Season 3 Carlton Cuse / USA Network ROADIES Cameron Crowe Iain Paterson, Peter Schindler / Showtime Pilot - Add’l Photography Warner Bros. INTO THE FOREST Patricia Rozema Ron McLeod, Niv Fichman, Aaron L. Gilbert Feature Film Margot Hand, / Rhombus Media THE MOVIE OUT HERE David Hicks Cynthia Chapman, Laurie Maxwell, Shel Piercy Feature Film Alliance Atlantis THE GUARD Various Directors Shawn Williamson, Cynthia Chapman Seasons 1 & 2 Brightlight Pictures / Global MEMORY LANES Pilot Brian K. Roberts Cynthia Chapman / CBC Partial List ART DIRECTOR GAME OVER, MAN! Kyle Newacheck Ted Gidlow, Barbara Kelly / Netflix FIFTY SHADES FREED James Foley Marcus Vicidi, Barbara Kelly / Universal Supervising Art Director FIFTY SHADES DARKER James Foley Marcus Vicidi, Barbara Kelly / Universal Supervising Art Director STAR TREK BEYOND Justin Lin Jeffrey Chernov / Paramount SHUT IN Farren Blackburn Olivier Glas, Christine Haebler / A24 ROADIES Pilot Cameron Crowe Iain Paterson, Peter Schindler / Showtime Warner Bros. TOMORROWLAND Brad Bird Jeffrey Chernov, Bernie Bellew / Disney FIFTY SHADES OF GREY Sam Taylor-Johnson Greg Goodman / Universal HORNS Alex Aja Sean Williamson, Cathy Schulman / Lionsgate THE COMPANY YOU KEEP Robert Redford Sean Williamson, Bill Holderman / Sony TWILIGHT SAGA: BREAKING DAWN II Bill Condon Bill Bannerman, Wyck Godfrey, Barbara Kelly Supervising Art Director Lionsgate TWILIGHT SAGA: BREAKING DAWN I Bill Condon Bill Bannerman, Wyck Godfrey, Barbara Kelly Summit TWILIGHT SAGA: ECLIPSE David Slade Bill Bannerman, Wyck Godfrey, Barbara Kelly Summit THE THING Matthijs van Mark Abrams, J Miles Dale, Eric Newman & Heijningen Jr. -
Premiere Props • Hollyw Ood a Uction Extra Vaganza VII • Sep Tember 1 5
Premiere Props • Hollywood Auction Extravaganza VII • September 15-16, 2012 • Hollywood Live Auctions Welcome to the Hollywood Live Auction Extravaganza weekend. We have assembled a vast collection of incredible movie props and costumes from Hollywood classics to contemporary favorites. From an exclusive Elvis Presley museum collection featured at the Mississippi Music Hall Of Fame, an amazing Harry Potter prop collection featuring Harry Potter’s training broom and Golden Snitch, to a entire Michael Jackson collection featuring his stage worn black shoes, fedoras and personally signed items. Plus costumes and props from Back To The Future, a life size custom Robby The Robot, Jim Carrey’s iconic mask from The Mask, plus hundreds of the most detailed props and costumes from the Underworld franchise! We are very excited to bring you over 1,000 items of some of the most rare and valuable memorabilia to add to your collection. Be sure to see the original WOPR computer from MGM’s War Games, a collection of Star Wars life size figures from Lucas Film and Master Replicas and custom designed costumes from Bette Midler, Kate Winslet, Lily Tomlin, and Billy Joel. If you are new to our live auction events and would like to participate, please register online at HollywoodLiveAuctions.com to watch and bid live. If you would prefer to be a phone bidder and be assisted by one of our staff members, please call us to register at (866) 761-7767. We hope you enjoy the Hollywood Live Auction Extravaganza V II live event and we look forward to seeing you on October 13-14 for Fangoria’s Annual Horror Movie Prop Live Auction. -
ROGIER STOFFERS, ASC, NSC Director of Photography
ROGIER STOFFERS, ASC, NSC Director of Photography FEATURES – Partial List BORDERLANDS Eli Roth Lionsgate REDEEMING LOVE DJ Caruso Pure Flix WORK IT Laura Terruso Alloy Entertainment A DOG’S JOURNEY Gail Mancuso Amblin Partners THE HOUSE WITH A CLOCK IN ITS WALLS Eli Roth DreamWorks / Universal EVERY DAY Michael Sucsy Likely Story / MGM DEATH WISH Eli Roth MGM / Paramount Pictures BRIMSTONE Martin Koolhoven N279 Entertainment / Central Park Films Nominated, Best Cinematography, Camerimage (2017) Official Selection, Toronto Film Festival (2016) THE DISAPPOINTMENTS ROOM D.J. Caruso Demarest Films CAREFUL WHAT YOU WISH FOR Elizabeth Allen Rosenbaum Troika Pictures DIRTY WEEKEND Neil LaBute Horsethief Pictures / E1 Entertainment THE SURPRISE Mike van Diem N279 Entertainment / Bristol Media Nominated, Golden Calf for Best Film, Nederlands Film Festival (2015) WHAT IF Michael Dowse CBS / No Trace Camping SOME VELVET MORNING Neil LaBute Tribeca Film / Untouchable Films BRANDED Jamie Bradshaw / Aleksandr Dulerayn Mirumir / Roadside Attractions THE VOW Michael Sucsy Screen Gems / Spyglass NO STRINGS ATTACHED Ivan Reitman Paramount Pictures DEATH AT A FUNERAL Neil LaBute Screen Gems BRANDED Jamie Bradshaw Mirumir THE SECRET LIFE OF BEES Gina Prince-Bythewood Fox Searchlight Pictures LAKEVIEW TERRACE Neil LaBute Screen Gems BALL’S OUT: GARY THE TENNIS COACH Danny Leiner GreeneStreet Films DISTURBIA D.J. Caruso DreamWorks SKG MONGOL: THE RISE OF Sergey Bodrov Picturehouse Entertainment GENGHIS KHAN (Shared Credit) Nominated, Best Cinematographer, European Film Awards (2008) Nominated, Best Foreign Language Film of the Year, Academy Awards (2008) THE BAD NEWS BEARS Richard Linklater Paramount Pictures SCHOOL OF ROCK Richard Linklater Paramount Pictures MASKED AND ANONYMOUS Larry Charles Destiny Productions / Hannibal Pictures ENOUGH Michael Apted Columbia Pictures JOHN Q. -
Université De Montréal Un Regard Hors De Soi : Étude Des Rapports Entre
Université de Montréal Un regard hors de soi : Étude des rapports entre corps, caméra et espace dans l’histoire des techniques de prise de vues au cinéma par Philippe Bédard Département d’histoire de l’art et d’études cinématographiques Faculté des arts et des sciences Thèse présentée en vue de l’obtention du grade de Philosophiæ Doctor (Ph. D.) en Études cinématographiques Septembre 2020 © Philippe Bédard, 2020 Université de Montréal Département d’histoire de l’art et d’études cinématographiques, Faculté des arts et des sciences Cette thèse intitulée Un regard hors de soi : Étude des rapports entre corps, caméra et espace dans l’histoire des techniques de prise de vues au cinéma Présentée par Philippe Bédard A été évaluée par Carl Therrien Président-rapporteur Richard Bégin Directeur de thèse Carl Therrien Membre du jury Antoine Gaudin Évaluateur externe I RÉSUMÉ En tant que phénomène divisé entre technique et esthétique, le mouvement de caméra s’avère parfois difficile à analyser. Comme le remarque Vivian Sobchack (1982, 317), le vocabulaire typiquement utilisé pour aborder les mouvements de caméra nous renvoie à leur processus de création et n’est pas suffisant pour rendre compte de l’expérience que nous en avons lors du visionnement d’un film. Le projet de cette thèse est d’aborder les mouvements de caméra du point de vue des rapports qui se tissent entre la caméra, le corps et l’espace, et ce, à la fois au moment de la production d’un film et dans le cadre de l’expérience spectatorielle. Un phénomène particulier guide notre étude, soit ce que nous appelons l’ « image exo- centrique ». -
2019-MESA-Update-Of-Services.Pdf
1 Our Mission • Connect our members with their most important customers • Promote thought leadership, industry initiatives and accomplishments of our members • Support service providers in advancing efficiencies in the creation, production and distribution of media and entertainment • Provide measurable sales & marketing value and ROI to its members. 2 Who We Are • MESA is dedicated to advancing the digital transformation of media & entertainment, with strategic focus on: • Content Protection & Cybersecurity • Information Technology • Data, AI, Workflow & Devices • Since 2008 the Media & Entertainment Services Alliance (MESA) has served senior studio/network executives along with their trusted service providers with information services, collaborative meetings, industry events and initiatives. 3 Our Communities & Initiatives MESA represents four, strategic communities through 12 annual face-to-face meetings, 40,000 daily newsletter and journal readers, and 15,000 social media market influencers. The cornerstone of MESA’s value proposition is the strength of increased industry collaboration through our communities and initiative based associations, coalitions and workgroups. MESA activities and services are available to qualified content owners/distributors and service provider members only. Content IT, Enterprise, Metadata, AI, Protection & Data, Analytics Workflow Cybersecurity & Software & Devices 4 Who We Serve MESA represents companies that provide technology solutions and services to media & entertainment leaders, including: • Content -
Kong: Skull Island Announced
News release February 2017 MADAME TUSSAUDS LONDON GOES APE OVER KONG: SKULL ISLAND DELIVERY Iconic attractions in London and New York get set to welcome Kong: Skull Island experience 21st February 2017. Today, Madame Tussauds London signed for a monstrous delivery that is set to be a roaring success at the iconic attraction, with the arrival of a larger than life Kong: Skull Island experience. In partnership with Legendary Pictures and Warner Bros. Pictures, Madame Tussauds London and Madame Tussauds New York will bring the experience to life with an eight-foot, multi-sensory animatronic head of the gigantic ape that will wow and terrify visitors in equal measure. Guests can expect to embark on an adventure deep into the tropical environment of the infamous Skull Island, where they will be challenged to evade the traps of colossal petrifying spiders and uncover artifacts from the film. As they journey through the secluded bamboo jungle, they will be joined by a new wax figure of Captain James Conrad, played by British actor Tom Hiddleston in the upcoming film, before coming face to face with the enormous breathing, blinking, snarling and roaring mystical monster himself. The enormous animatronic Kong head, made from 64 square metres of specialist faux hair, took 72 days to build and create by 33 team members. Each movement of the head uses state of the art pneumatic controls which was designed specifically for Kong. The system precisely controls the pressure and flow of air to recreate life like facial movements, grunts, snorts and roars made by the ferocious beast. -
How Superman Developed Into a Jesus Figure
HOW SUPERMAN DEVELOPED INTO A JESUS FIGURE CRISIS ON INFINITE TEXTS: HOW SUPERMAN DEVELOPED INTO A JESUS FIGURE By ROBERT REVINGTON, B.A., M.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfillment of the Requirements for the Degree of Master of Arts McMaster University © Copyright by Robert Revington, September 2018 MA Thesis—Robert Revington; McMaster University, Religious Studies McMaster University MASTER OF ARTS (2018) Hamilton, Ontario, Religious Studies TITLE: Crisis on Infinite Texts: How Superman Developed into a Jesus Figure AUTHOR: Robert Revington, B.A., M.A (McMaster University) SUPERVISOR: Professor Travis Kroeker NUMBER OF PAGES: vi, 143 ii MA Thesis—Robert Revington; McMaster University, Religious Studies LAY ABSTRACT This thesis examines the historical trajectory of how the comic book character of Superman came to be identified as a Christ figure in popular consciousness. It argues that this connection was not integral to the character as he was originally created, but was imposed by later writers over time and mainly for cinematic adaptations. This thesis also tracks the history of how Christians and churches viewed Superman, as the film studios began to exploit marketing opportunities by comparing Superman and Jesus. This thesis uses the methodological framework of intertextuality to ground its treatment of the sources, but does not follow all of the assumptions of intertextual theorists. iii MA Thesis—Robert Revington; McMaster University, Religious Studies ABSTRACT This thesis examines the historical trajectory of how the comic book character of Superman came to be identified as a Christ figure in popular consciousness. Superman was created in 1938, but the character developed significantly from his earliest incarnations. -
The Next Growth Strategy for Hallyu 79
Lee & Kim / The Next Growth Strategy for Hallyu 79 THE NEXT GROWTH STRATEGY FOR HALLYU A Comparative Analysis of Global Entertainment Firms Yeon W. Lee Seoul School of Integrated Science and Technology [email protected] Kyuchan Kim Korea Culture and Tourism Institute [email protected] Abstract Previous policy approaches on Hallyu have been focused on the role of government engagement, particularly in fostering diversity and equal business opportunities for small-and-medium enterprises (SMEs). However, a more strategic approach to the cultural industries should be implemented by carefully examining the role of the private sector, particularly the role of large enterprises (LEs). his is important because LEs have an overarching and fundamentally diferentiated role in increasing the size of industry through their expansive value-creating activities and diversiied business areas. his study focuses on the complementary roles of SMEs and LEs in facilitating the growth of Hallyu by bringing in the perspective of value chain diversiication and the modiied value chain framework for the ilm industry. By conducting a comparative analysis of the global entertainment irms in the US, China, and Japan, this study reveals how LEs in the global market enter and explore new industries within culture and continue to enhance their competitiveness. By forming a business ecosystem through linking their value-creating activities as the platform of network, this study looks into the synergistic role among enterprises of diferent size and scale and suggests that Korea’s policy for Hallyu should reorient toward a new growth strategy that encourages the integrative network of irms where the value activities of LEs serve as the platform for convergence. -
GOSSIP GIRL Reboot Launches Official Trailer
The iconic series returns: “GOSSIP GIRL” reboot launches official trailer MIAMI, FL., June 10, 2021 – The iconic series returns! HBO Max has just launched the official trailer for the GOSSIP GIRL reboot, a Max Original, that premieres exclusively on the platform on July 8. Click here to watch the trailer! Eight years after the original website went dark, Gossip Girl is back as your number one source into the scandalous lives of New York’s elite, and she’s making up for lost time. A new generation of Upper East Siders will now be targeted, bringing to light their scandals, angst and gossip in the new era of social media. The cast includes performances by Whitney Peak, Emily Alyn Lind, Evan Mock, Jordan Alexander, Thomas Doherty, Eli Brown, Zión Moreno, Savannah Smith and Tavi Gevinson. GOSSIP GIRL is narrated by the original voice, Kristen Bell. GOSSIP GIRL is produced by Fake Empire and Alloy Entertainment in association with Warner Bros. Television and CBS Studios. The series is written, executive produced and developed by Joshua Safran of Random Acts. Executive producers also include Josh Schwartz and Stephanie Savage of Fake Empire, and Leslie Morgenstein and Gina Girolamo of Alloy Entertainment. Lis Rowinski of Fake Empire serves as co-executive producer. Karena Evans directs two episodes and original costume designer Eric Daman rejoins the series.All complete seasons and episodes of the original GOSSIP GIRL will also be available on HBO Max, when it launches on June 29. Posted on 2021/06/10 on hbomaxlapress.com. -
The Magic of Antiquity in Superhero Comics
NEW VOICES IN CLASSICAL RECEPTION STUDIES Issue 4 (2009) SAYING ‘SHAZAM’:THE MAGICOF ANTIQUITYIN SUPERHERO COMICS © Luke V. Pitcher, Durham University INTRODUCTION: COMICS, CULTURE AND THE CLASSICS Nine episodes into the third season of the NBC TV drama Heroes, Hiro Nakamura finds himself in a predicament.1 Like many of the characters on the show, Hiro has recently discovered that he has superhuman powers—in his case, the ability to bend space and time. However, an enemy has just wiped the last eighteen years of his memory. Hiro now has the knowledge and persona of a ten-year old. How is he to go about rediscovering what he has lost and regain his sense of his mission? Hiro’s friend Ando suggests that they should go to some place that will help him remember. Hiro eagerly agrees, and teleports both of them to somewhere he thinks can do this: ‘the source of all knowledge’,2 the sort of locale where wise men gather, like ‘the Greek oracle at Delphi, the Library at Alexandria’.Ando is disconcerted when he discovers that his friend has whisked him to a comics store. Geekiness is a prominent part of Hiro’s character. Nonetheless, Heroes in general, and Hiro’s quest to recover his identity through comic books in particular, illuminate the position that comics hold in contemporary popular culture. In the first place, the show exemplifies the extent of the ‘cross-fertilisation’that can now take place between comics and higher-profile forms of cultural production, such as TV shows, films, and novels. Heroes is implicated at all levels with the comics industry: its plot (as we have just seen), often includes them; comics-related in-jokes abound;3 until November 2008, the comic book writer Jeph Loeb was one of its co-executive producers; and one episode featured a cameo appearance from the former president of Marvel Comics, Stan Lee.4 Of course, Heroes is a show about people with super-powers. -
Do You Fit the Alloy Mold?
Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 2013 Do You Fit the Alloy Mold? The Homogenization of Structure and Audience in the Television Adaptations of 'Gossip Girl,' 'Pretty Little Liars,' and 'The Vampire Diaries' Caitlin Murray Virginia Commonwealth University Follow this and additional works at: https://scholarscompass.vcu.edu/etd Part of the English Language and Literature Commons © The Author Downloaded from https://scholarscompass.vcu.edu/etd/3064 This Thesis is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. © Caitlin Murray 2013 All Rights Reserved Do You Fit the Alloy Mold? The Homogenization of Structure and Audience in the Television Adaptations of Gossip Girl, Pretty Little Liars, and The Vampire Diaries A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in English at Virginia Commonwealth University. by Caitlin Murray Bachelor of Arts, Virginia Tech, Blacksburg, VA, 2010 Director: Dr. Richard Fine, Professor of English Virginia Commonwealth University Richmond, Virginia April 25, 2013 Acknowledgment The author wishes to thank several people. I would like to thank my parents and my sister for their unending love and support. I would also like to thank Zachary for his support and patience in the year it took me to write this thesis. I would like to thank my committee members, Dr. Christenbury and Dr. Brinegar for all of the help they have given me throughout this process. -
Atli Örvarsson
ATLI ÖRVARSSON AWARDS & NOMINATIONS BMI AWARDS (2015-2017) CHICAGO FIRE, CHICAGO P.D., Music for Top Film & Television Series CHICAGO MED, THE PERFECT GUY HARPA NORDIC FILM COMPOSERS RAMS AWARD (2016) Best Film Score EDDA AWARDS NOMINATION (2016) RAMS Best Music ASCAP FILM AND TELEVISION CHICAGO FIRE AWARD (2013) Music for Top Television Series EDDA AWARDS NOMINATION (2012) THE EAGLE Best Music ASCAP FILM AND TELEVISION VANTAGE POINT AWARD (2009) Music for Top Box Office Film WORLD SOUNDTRACK AWARD (2009) BABYLON A.D. Discovery of the Year INTERNATIONAL FILM MUSIC CRITICS AWARD NOMINATION (2008) Breakthrough Film Composer of the Year ASCAP FILM AND TELEVISION LAW & ORDER: SPECIAL VICTIMS UNIT AWARD (2006) Music for Top Television Series ASCAP FILM AND TELEVISION LAW & ORDER AWARD (2006) Music for Top Television Series ASCAP FILM AND TELEVISION LAW & ORDER: CRIMINAL INTENT AWARD (2006) Music for Top Television Series PARK CITY FILM MUSIC FESTIVAL STRIKE THE TENT (2006) Gold Medal for Excellence: Audience Choice Best Impact of Music The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 1 ATLI ÖRVARSSON ASCAP FILM AND TELEVISION LAW & ORDER AWARD (2005) Music for Top Television Series ASCAP FILM AND TELEVISION LAW & ORDER: SPECIAL VICTIMS UNIT AWARD (2005) Music for Top Television Series FEATURE FILM THE HITMAN’S WIFE’S BODYGUARD Les Weldon, Matthew O’Toole, prods. Millennium Films / Lionsgate Patrick Hughes, dir. THE HITMAN’S BODYGUARD David Ellison,Mark Gill, Dana Goldberg, Millennium Films / Lionsgate Matthew O’Toole, prods. Patrick Hughes, dir. POUND FOR POUND (DEN BEDSTE Mikkel Jersin, Lea Løbger, prods. MAND) Mikkel Serup, dir. Pegasus Pictures THE EDGE OF SEVENTEEN Julie Ansell, James L.