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Interconnections and Uneasy Alliances Between the Black and South Asian Diasporas: a Study of Hip Hop Videos, Film, and Literature
INTERCONNECTIONS AND UNEASY ALLIANCES BETWEEN THE BLACK AND SOUTH ASIAN DIASPORAS: A STUDY OF HIP HOP VIDEOS, FILM, AND LITERATURE VISHA GANDHI A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN ENGLISH YORK UNIVERSITY TORONTO, ONTARIO SEPTEMBER 2014 © Visha Gandhi, 2014 Interconnections and Uneasy Alliances Between the Black and South Asian Diasporas: A Study of Hip Hop Videos, Film, and Literature This dissertation challenges the belief that racialized communities do immediately support and identify with each other; my research on the Black and South Asian diasporas unearths the Orientalist thoughts and anti-Black racisms that exist in each respective community. Using the work of Edward Said in his text, Orientalism, and research on racial triangulation by Asian Americanist Claire Jean Kim, my work attempts to clarify the often-conflicted relations and dynamics between South Asians, Blacks, and whites. Chapter two of this dissertation looks at romantic and sexual involvement between different racial communities; I specifically look at the films Mississippi Masala and Bhaji on the Beach to delve into the cultural rarity that is the Black-South Asian romance. Chapter three discusses Black Orientalism in American hip hop videos by such artists as Truth Hurts, and Timbaland and Magoo. Finally, chapter four looks at gendered dynamics and longings for blackness in the texts Consensual Genocide, by Leah Lakshmi Piepzna-Samarasinha, and Londonstani, by Gautam Malkani. ii This dissertation is dedicated to my family, and especially to Catherine Thompson, for her unending support. And to all hip hop brown girls who practice their appreciation respectfully. -
Research Vs. Education
In Voice In Perspectives In F o c u s 1 1 1 In sid e ROTC Debate Pa* Femme Fatale Pa* Book of Tales Pag0 Classified Ads............9 Focus...................... 10 Executive order will do what years of campus P" New record showcases MDd Howard’s Some of the stories student’s tell may surprise -d S\ Sports.........................6 conflict could not do. Efforts to expel ROTC from incredible emotional range. Armed with a / you. Vice Chancellor Scott Evenbeck is j. £ L Perspectives................7 universities wiD make transition difficult %J stellar reputation, she’s poised for success. § compiling them for a book. J L \J > Voice......................... 5 The IUPUI Monday Morning January 25,1993 © 1993The S a g a m o re M oney on Research vs. its way to co u n cils Education Richardson added. ■ Student activity fees ■ Trustee member Ray ’Thirty years ago when I was in will be allocated within The Black Student Union school, faculty did the teaching. I Richardson queationing received a good education because I two weeks. commemorated Dr. Martin teacher workloads. was taught by professors." he said. "Now, students are taught by other Darin Crone Luther King Jr’s legacy with students or, at IUPUI, by adjunct By Tony Knoderer faculty." niSepmo* Contributing to Tkt Sagamsrt 22nd annual dinner. As an example. Richardson added he A two month delay in the dispersal was tokl by Norman Lefstein, dean of In a less complicated world, perhaps, the School of Law at IUPUI, that the of student activity fees to some people’s professional responsibilities organizations on campus is the result glass load for law professors is could be determined simply by the generally two. -
Simulating the Impact of Qoe on Per-‐Service Group Hsd Bandwidth
SIMULATING THE IMPACT OF QOE ON PER-SERVICE GROUP HSD BANDWIDTH CAPACITY REQUIREMENTS TOM CLOONAN, CTO, NETWORK SOLUTIONS JIM ALLEN, LEAD SOFTWARE ENGINEER, BROADBAND GROUP MIKE EMMENDORFER, SENIOR DIRECTOR OF SOLUTION ARCHITECTURE AND STRATEGY, OFFICE OF THE CTO TABLE OF CONTENTS INTRODUCTION TO TRAFFIC ENGINEERING ................................................... 3 QUALITY OF EXPERIENCE BASICS .................................................................... 7 THE NEW TRAFFIC ENGINEERING FORMULA ................................................. 9 VALIDATING THE NEW TRAFFIC ENGINEERING FORMULA ........................... 14 TWO OBSERVED WEAKNESSES OF THE NEW TRAFFIC ENGINEERING FORMULA ..................................................................................................... 39 SELECTING APPROPRIATE TMAX & BHPG VALUES GIVEN AN ADVERTISED BILLBOARD BANDWIDTH .............................................................................. 41 TYPICAL DESIGN SCENARIO .......................................................................... 44 CONCLUSIONS .............................................................................................. 46 RELATED READINGS ...................................................................................... 46 REFERENCES ................................................................................................. 46 ABBREVIATIONS & ACRONYMS .................................................................... 48 Copyright 2014 – ARRIS Enterprises, Inc. All rights Reserved. 2 -
Proceedings, the 74Th Annual Meeting, 1998
PROCEEDINGS The 74th Annual Meeting 1998 NATIONAL ASSOCIATION OF SCHOOLS OF MUSIC NUMBERS? JUNE 1999 PROCEEDINGS The 74th Annual Meeting 1998 NATIONAL ASSOCIATION OF SCHOOLS OF MUSIC © 1999 by the National Association of Schools of Music. All rights reserved including the right to reproduce this book or parts thereof in any form. ISSN 0190-6615 National Association of Schools of Music 11250 Roger Bacon Drive, Suite 21 Reston, Virginia 20190 Tel. (703) 437-0700 Web address: www.arts-accredit.org E-mail: [email protected] CONTENTS Preface v Pre-M^ting Workshop: Faculty Loads, Evaluation, and the Promotion Proceis Introduction J^ey Cornelius 1 Faculty Loads: A Context for Discussion Morton Achter 3 Faculty Evaluation and Post-Tenure Review James Gardner 5 Promotion and Tenure Issues: Context for Discussion J^ey Cornelius 8 Early Childhood Music Education Early Childhood Music Education: The Professional Landscape Joyce Jordan 13 Management Public Relations for Music Units: The Perspective from the Small, Liberal Arts College William F. Schlacks 23 Outreach Working with Local Music Instruction for Ages 3-18 Gary L Ingle 27 Working with Local Music Instruction for Ages 3-18 RussA. Schultz 30 New Dimensions: Innovation and Ttndition in the Studio and Classroom Introduction to hmovative Teaching in Lessons and the Classroom David Tomatz 35 A New Approach to First-Semester Music Theory Fred Everett Maus 37 Perspectives on Improvisation Gary Smart 44 New Dimensions: Education and Training in Vocal Performance Vocal Pedagogy within Jazz/Commercial -
Record Reviews - Page 7
Record reviews - page 7 VOL XIX. NO. 131 thl' indl'pendl'nt ~tlldl"lll lll"w,papl'r 'lT\ ing notrt daml' ;md ~aint man·~ MONDAY, APRIL 22, 1985 5-day manhunt ends with arrest of alleged first-degree murderer Associated Press think was used in the shootings - an Ingram MAC-10 automatic pistol - FORSYTH, Mo. -Authorities Satur about 20 to 30 feet from where Tate day arrested a reputed member of a was arrested, said Keithley. neo-Nazi group, ending an intense Tate's arrest was announced manhunt that began five days earlier before nearly I 00 residents and with the slaying of a state trooper at reporters at the Taney County cour a random traffic stop. thouse. The residents clapped and David Tate, 22,linked to the neo· cheered when the arrest was an Nazi group called The Order and nounced, and again when Taney charged with first-degree murder in County Circuit Judge james justus the trooper's death, was arrested said that if Tate was convicted, he .unarmed and without incident in a could face the death penalty. city park, said Capt. Lee Thompson of the Missouri Highway Patrol. Forsyth is about 15 miles from Hundreds of police using Branson, where Trooper Jimmie camouflage, helicopters, dogs and Linegar was shot dead and Trooper road blocks had searched the rugged Allen Hines wounded. Ozark Mountains on both sides of Tate was arraigned Saturday night the Arkansas-Missouri border since before Taney County Circuit Judge the trooper was killed and another James Clifford Crouch on charges of wounded with a silencer-equipped first-degree murder in the slaying of automatic pistol on Monday. -
Icons of Hip Hop: an Encyclopedia of the Movement, Music, and Culture, Volumes 1 & 2
Icons of Hip Hop: An Encyclopedia of the Movement, Music, and Culture, Volumes 1 & 2 Edited by Mickey Hess Greenwood Press ICONS OF HIP HOP Recent Titles in Greenwood Icons Icons of Horror and the Supernatural: An Encyclopedia of Our Worst Nightmares Edited by S.T. Joshi Icons of Business: An Encyclopedia of Mavericks, Movers, and Shakers Kateri Drexler ICONS OF HIP HOP An Encyclopedia of the Movement, Music, And Culture VOLUME 1 Edited by Mickey Hess Greenwood Icons GREENWOOD PRESS Westport, Connecticut . London Library of Congress Cataloging-in-Publication Data Icons of hip hop : an encyclopedia of the movement, music, and culture / edited by Mickey Hess p. cm. – (Greenwood icons) Includes bibliographical references, discographies, and index. ISBN-13: 978-0-313-33902-8 (set: alk. paper) ISBN-13: 978-0-313-33903-5 (vol 1: alk. paper) ISBN-13: 978-0-313-33904-2 (vol 2: alk. paper) 1. Rap musicians—Biography. 2. Turntablists—Biography. 3. Rap (Music)—History and criticism. 4. Hip-hop. I. Hess, Mickey, 1975– ML394. I26 2007 782.421649'03—dc22 2007008194 British Library Cataloguing in Publication Data is available. Copyright Ó 2007 by Mickey Hess All rights reserved. No portion of this book may be reproduced, by any process or technique, without the express written consent of the publisher. Library of Congress Catalog Card Number: 2007008194 ISBN-10: 0-313-33902-3 (set) ISBN-13: 978-0-313-33902-8 (set) 0-313-33903-1 (vol. 1) 978-0-313-33903-5 (vol. 1) 0-313-33904-X (vol. 2) 978-0-313-33904-2 (vol. -
113.171.1' 14 Black Radio Exclusive
113.171.1' 14 BLACK RADIO EXCLUSIVE I \hifilui, /V fluiFi i(i'lfl f!lilePt.nr t. pwr _ get. 1 or mow ... ash- ar ' McDonald "TEAR IT UP" THE NEW SINGLE Produced by David Gamson, Gardner Cole and Michael McDonald From the album Take It To Heart Management. HK Management V1990 Reprise Records ONTENTS Publisher SIDNEY MILLER Assistant Publisher SEPTEMBER 28. 1990 VOLUME XV, NUMBER 36 SUSAN MILLER Editor -in -Chief RUTH ADKINS ROBINSON Managing Editor JOSEPH ROLAND REYNOLDS VP/Midwest Editor JEROME SIMMONS Art Department FEATURES LANCE VANTILE WHITFIELD art director COVER STORY-Anita Baker 24 MARTIN BLACKWELL INTRO-Nayobe/Kenyatta 11 typography/computers PROFILE-Geoff McBride 28 International Dept. DOTUN ADEBAYO. Great Britain ON THE RADIO-Bailey Coleman 39 JONATHAN KING. Japan SECTIONS NORMAN RICHMOND. Canada PUBLISHERS 5 Columnists NEWS 6 Rap/Roots/Reggae. On Stage LARRIANN FLORES BRE FLICKS 10 What Ever Happened: MUSIC REPORT 14 SPIDER HARRISON JAZZ 17 Ivory's Notes. STEVEN IVORY In Other Media: ALAN LEIGH MUSIC REVIEWS 18 Gospel: TIM SMITH RADIO NEWS 30 Record Reviews GRAPEVINE/PROPHET 46 LARRIANN FLORES CHARTS & RESEARCH TERRY MUGGLETON RACHEL WILLIAMS SINGLES CHART 12 Staff Writers ALBUMS CHART 16 CORNELIUS GRANT JAZZ CHART 17 LYNETTE JONES NEW RELEASE CHART 19 RACHEL WILLIAMS Production RADIO REPORT 29 RUSSELL CARTER THE NATIONAL ADDS 32 ANGELA JOHNSON PROGRAMMER'S POLL 40 RAY MYRIE COLUMNS Administration INGRID BAILEY. Circulation Dir. RAP, ROOTS & REGGAE 20 ED STANSBURY. Marketing Dir. WHAT EVER HAPPENED TO? 23 ROXANNE POWELL. office mgr. FAR EAST PERSPECTIVE 26 FELIX WHYTE. traffic IVORY'S NOTES 27 Printing PRINTING SERVICES. -
RHODE ISLAND ECONOMIC DEVELOPMENT CORPORATION Job Creation Guaranty Program Taxable Revenue Bonds (38 Studios, LLC Project), Series 2010
PRIVATE PLACEMENT MEMORANDUM DATED OCTOBER 22, 2010 NEW ISSUE – Book-Entry Only Ratings: See “Ratings” herein. Interest on the 2010 Bonds is includible in income for federal income tax purposes. In the opinion of Moses & Afonso, Ltd., Bond Counsel, except for estate, inheritance, and gift taxes, the 2010 Bonds and the income (including gain from sale or exchange) therefrom shall at all times be free from taxation of every kind by the State of Rhode Island and its municipalities and political subdivisions, although income from the 2010 Bonds may be included in the measure of certain Rhode Island corporate and business taxes. $75,000,000 RHODE ISLAND ECONOMIC DEVELOPMENT CORPORATION Job Creation Guaranty Program Taxable Revenue Bonds (38 Studios, LLC Project), Series 2010 Dated: Date of Delivery Due: November 1, 2020 The Rhode Island Economic Development Corporation Job Creation Guaranty Program Taxable Revenue Bonds (38 Studios, LLC Project), Series 2010 (the “2010 Bonds”) are being issued by the Rhode Island Economic Development Corporation (the “Issuer”) pursuant to Chapters 026/029 of the Rhode Island Public Laws of 2010 (the “Act”), the Rhode Island Economic Development Corporation Act, Title 42, Chapter 64 of the Rhode Island General Laws, as amended (the “Issuer Act”), the Loan and Trust Agreement (the “Agreement”) dated as of November 1, 2010 by and among the Issuer, 38 Studios, LLC (the “Company”) and The Bank of New York Mellon Trust Company, N.A., as trustee (the “Trustee”), and resolutions passed by the Issuer’s board of directors on June 14, 2010 and July 26, 2010 authorizing the issuance of the 2010 Bonds (the “Resolutions”). -
Laternadanal
INFORMATION TO USERS This reproduction was made from a copy of a manuscript sent to us for publication and microfilming. While the most advanced technology has been used to pho tograph and reproduce this manuscript, the quality of the reproduction is heavily dependent upon the quality of the material submitted. Pages in any manuscript may have indistinct print. In all cases the best available copy has been filmed. The following explanation of techniques is provided to help clarify notations which may appear on this reproduction. 1. Manuscripts may not always be complete. When it is not possible to obtain missing pages, a note appears to indicate this. 2. When copyrighted materials are removed from the manuscript, a note ap pears to indicate this. 3. Oversize materials (maps, drawings, and charts) are photographed by sec tioning the original, begirming at the upper left hand comer and continu ing from left to right in equal sections with small overlaps. Each oversize page is also filmed as one exposure and is available, for an additional charge, as a standard 35mm slide or in black and white paper format.* 4. Most photographs reproduce acceptably on positive microfilm or micro fiche but lack clarity on xerographic copies made from the microfilm. For an additional charge, all photographs are available in black and white standard 35mm slide format.* *For more information about black and white slides or enlarged paper reproductions, please contact the Dissertations Customer Services Department. 'IMversify Mkitmlnis m . laternadanal 8603075 Winebrenner, Terrence Calvin MY HEROES HAVE ALWAYS BEEN COWBOYS: THE RHETORICAL VISION OF COUNTRY-WESTERN POPULAR SONGS, 1970-1979 The Ohio State University Ph.D. -
2014-Present A&R Consultant
STANLEY BROWN [email protected] WORKING Entertainment One, New York, NY - 2014-Present EXPERIENCE A&R Consultant ● Maintain and develop relationships directly with artists, songwriters and producers. ● Ensure that all assigned projects are completed on scheduled timelines, within budget and commercially ready for release. ● Work with other departments weekly to ensure projects are successful and have longevity. Timeless Music Group, New York, NY - 2000-Present Founder & Director ● Produce and write music for various artists and projects. RCA Inspiration, New York, NY - 2010-2013 Senior Director of A&R ● Identified new talent, concepts and projects. ● Facilitated development and coordinated signings of new artists. ● Maintained positive working relationships with artist roster, management and legal representation. ● Worked closely with other departments to ensure the commercial success of projects released. Motown Records, New York, NY - 2000-2001 Senior Director of A&R Butch Lewis Productions (BET), New York, NY - 2000-2001 Booking Coordinator Island Records, New York, NY - 1995-1999 Vice President of A&R, Island Black Music ACHIEVEMENTS ● Writer and/or Producer contributing to albums that have sold over 12 million albums in the United States and 20 million worldwide to date in genres ranging from Gospel, Rhythm & Blues and Pop music. ● Formed the Love Fellowship with Hezekiah Walker which has won two Grammy awards, garnered 12 Grammy nominations and countless Dove, Stellar and NAACP awards and nominations. ● Executive Producer and A&R on Fred Hammond’s #1 Gospel Album “United Tenors” ● Signed Bishop T.D. Jakes to his first recording deal. ● Created music for corporate clients including General Motors, PepsiCo., IBM, Verizon, Subway, McDonald’s, Walmart and others. -
How Formula 1 Will Change This Decade
Leading-Edge Motorsport Technology Since 1990 YOUR FREE COPY WITH OUR COMPLIMENTS F1: The future How Formula 1 will change this decade CoverALT_F1DigiDec19_GH_EVOLUTION.indd 1 24/12/2019 09:56 MINIATURE HYDRAULIC SYSTEMS FOR GLOBAL MOTORSPORT CLUTCH CONTROL | DIFFERENTIAL CONTROL | REAR BRAKE PRESSURE LIMITING | THROTTLE ACTUATION | POWER ASSISTED STEERING | ACTIVE RIDE HEIGHT CONTROL | TURBOCHARGER WASTE-GATE CONTROL | GEARBOX ACTUATION | DAMPER CONTROL | REAR WING ACTUATION | INLET TRUMPET CONTROL FORMULA 1 WEC HYPER CAR WRC SIM & TEST TIER 2 Moog high-performance motion control solutions and Miniature Servo Valves and Controllers | Power Assisted Steering components have been at the forefront of sub-miniature Valves | Actuators | Fuel and Oil Pressure Regulating Valves | actuation systems in motorsport since 1982. Over the intervening years, Moog has continuously developed its Brushed and Brushless Motors | Brake System Failsafe Switching range of leading products and systems for actuation in Valves | Cartridge Direct Drive Valve (DDV) | Miniature Hydraulic many motorsport sectors including Formula 1, World Rally Power Units | Precision Ball Screws | Integrated Motorsport Championship (WRC), Moto GP, Touring Cars, and Le Mans hyper car prototypes. Systems | Driver Simulation and Test Systems Today, Moog also offers customised simulation and test motion control solutions with combined motion mechanism, control loading system, complete software package, cockpit and a dedicated operator workstation. Moog_Industrial moog-in-the-uk Visit moog.com/motorsport MotionControlVideo moogintheuk FORMULA 1, F1, GRAND PRIX and related marks are trade marks of Formula One Licensing BV, a Formula 1 company. All rights reserved. moog.com/motorsport Moog_Motorsports_RaceCarEng_A4.inddUntitled-278 1 1 18/11/201918/11/2019 11:33 10:35 If any problems arise concerning this document, Moog Controls please contact Oyster Studios on +44 (0)1582 761212. -
Music Modernization and the Labyrinth of Streaming
The Business, Entrepreneurship & Tax Law Review Volume 2 Issue 2 Symposium: Innovation in Media and Article 5 Entertainment Law 2018 Music Modernization and the Labyrinth of Streaming Mary LaFrance Follow this and additional works at: https://scholarship.law.missouri.edu/betr Part of the Law Commons Recommended Citation Mary LaFrance, Music Modernization and the Labyrinth of Streaming, 2 BUS. ENTREPRENEURSHIP & TAX L. REV. 310 (2018). Available at: https://scholarship.law.missouri.edu/betr/vol2/iss2/5 This Conference Proceeding is brought to you for free and open access by the Law Journals at University of Missouri School of Law Scholarship Repository. It has been accepted for inclusion in The Business, Entrepreneurship & Tax Law Review by an authorized editor of University of Missouri School of Law Scholarship Repository. For more information, please contact [email protected]. LaFrance: Music Modernization and the Labyrinth of Streaming Music Modernization and the Labyrinth of Streaming Mary LaFrance* ABSTRACT The shift from record sales to music streaming has revolutionized the music indus- try. The federal copyright regime, which is rooted in a system of economic rewards based largely on sales, has been slow to adapt. This has impaired the ability of cop- yright law to channel appropriate royalties to songwriters, music publishers, and recording artists when the streaming of their works displaces record sales. The Orrin G. Hatch-Bob Goodlatte Music Modernization Act of 2018 addresses some of the most significant flaws in the current system. At the same time, it creates significant ambiguities and leaves some existing issues unresolved. * Mary LaFrance is the IGT Professor of Intellectual Property Law at the William S.