RIDGEFIELD ENCYCLOPEDIA Nov. 19, 2020
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Woman War Correspondent,” 1846-1945
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Carolina Digital Repository CONDITIONS OF ACCEPTANCE: THE UNITED STATES MILITARY, THE PRESS, AND THE “WOMAN WAR CORRESPONDENT,” 1846-1945 Carolyn M. Edy A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the School of Journalism and Mass Communication. Chapel Hill 2012 Approved by: Jean Folkerts W. Fitzhugh Brundage Jacquelyn Dowd Hall Frank E. Fee, Jr. Barbara Friedman ©2012 Carolyn Martindale Edy ALL RIGHTS RESERVED ii Abstract CAROLYN M. EDY: Conditions of Acceptance: The United States Military, the Press, and the “Woman War Correspondent,” 1846-1945 (Under the direction of Jean Folkerts) This dissertation chronicles the history of American women who worked as war correspondents through the end of World War II, demonstrating the ways the military, the press, and women themselves constructed categories for war reporting that promoted and prevented women’s access to war: the “war correspondent,” who covered war-related news, and the “woman war correspondent,” who covered the woman’s angle of war. As the first study to examine these concepts, from their emergence in the press through their use in military directives, this dissertation relies upon a variety of sources to consider the roles and influences, not only of the women who worked as war correspondents but of the individuals and institutions surrounding their work. Nineteenth and early 20th century newspapers continually featured the woman war correspondent—often as the first or only of her kind, even as they wrote about more than sixty such women by 1914. -
Ifatedance with Him Paul Mrs
after a short wedding trip he will take his bride South with him. Helen Pratt Two Brides Schauffler is still in Germany with the B. Earle, H. C. M. L. In the of the Month army. Mrs. Schauffler is the B. Graef, Akers, E. Presbyterian Church of Tena- Drawn 9 week-end spending Stanley, Robert Batcheller and fly, N. J., last night, Miss Irma Dem- Society in New York, where her son, Bedell Harned. of Mrs. Captain William was mar¬ Becomes Bride arest, daughter Mr. and Mrs. Edwin Dalton was Miss Kathleen ried to-day. Schauffler, Among those riding during the week Demarest, became the bride of Warren Picard and her took A were Mrs. Craig Biddle, Countess Otto Henry Swift, son of Mrs. Clara A. MnJU marriage To South large number of season sojourners Salm, Mrs. Kelly Evans, Mrs. Terah Swift, all of The place on October 4. by took up their residence at the Laurel Mrs. Albert Tenafly. ceremony Saturday, House this week. Mr. and Haggin, Jay, Mrs. Emiiy OfR.S.Emmet was performed by the Rey. Fi3her Photo Mrs. John Pearson, Miss Maud Kahn, the Misses Howo Booth, of Englewood, assisted by Barony Ideal Weather F. Shanley, jr., of Newark, N. J., after Van Henkelom, Baisley P. Elebash, the Rev. Dr. J. Calvin Mead. ¡ closing their summer residence at Count Robert de by Miss to Clairmont and the Gertrude Ackerman, of-Paterson, was Mrs. Palmer was Miss Allenhurst, c?me the hotel for tjje Baron and Baroness Rosorrranz. Winthrop winter. With them are Is Solemnized at maid of honor and the flower bearers Bushnell. -
Queens' College Record 2009
QUEENS’ COLLEGE RECORD • 2009 Queens’ College Record 2009 The Queens’ College Record 2009 Table of Contents 2 The Fellowship (March 2009) The Sporting Record 38 Captains of the Clubs 4 From the President 38 Reports from the Sports Clubs The Society The Student Record 5 The Fellows in 2008 44 The Students 2008 9 Retirement of Professor John Tiley 44 Admissions 9 Book Review 45 Director of Music 10 Thomae Smithi Academia 45 Dancer in Residence 10 Douglas Parmée, Fellow 1947–2008 46 Around the World and Back: A Hawk-Eye View 11 The Very Revd Professor Henry Chadwick 47 On the Hunt for the Cave of Euripides Fellow 1946–59, Honorary Fellow 1959–2008 48 Five Weeks in Japan 13 Richard Hickox, Honorary Fellow 1996–2008 49 Does Anyone Know the Way to Mongolia? 50 South Korea – As Diverse as its Kimchi 14 The Staff 51 Losing the Granola 52 Streetbite 2008 The Buildings 52 Distinctions and Awards 15 The Fabric 2008 54 Reports from the Clubs and Societies 16 The Chapel The Academic Record 62 Learning to Find Our Way Through Economic Turmoil 18 The Libraries 64 War in Academia 19 Newly-Identified Miniatures from the Old Library The Development Record 23 The Gardens 66 Donors to Queens’ 2008 The Historical Record The Alumni Record 24 1209 And All That 69 Alumni Association AGM 26 A Bohemian Mystery 69 News of Members 29 Robert Plumptre – 18th-Century President of Queens’ 80 The 2002 Matriculation Year and Servant of the House of Yorke 81 Deaths 33 Abraham v Abraham 82 Obituaries 37 Head of the River 1968 88 Forthcoming Alumni Events The front cover photograph shows the Martyrdom of St Lucy from a miniature attributed to Pacino di Bonaguida, from the Old Library. -
TRINITY COLLEGE Cambridge Trinity College Cambridge College Trinity Annual Record Annual
2016 TRINITY COLLEGE cambridge trinity college cambridge annual record annual record 2016 Trinity College Cambridge Annual Record 2015–2016 Trinity College Cambridge CB2 1TQ Telephone: 01223 338400 e-mail: [email protected] website: www.trin.cam.ac.uk Contents 5 Editorial 11 Commemoration 12 Chapel Address 15 The Health of the College 18 The Master’s Response on Behalf of the College 25 Alumni Relations & Development 26 Alumni Relations and Associations 37 Dining Privileges 38 Annual Gatherings 39 Alumni Achievements CONTENTS 44 Donations to the College Library 47 College Activities 48 First & Third Trinity Boat Club 53 Field Clubs 71 Students’ Union and Societies 80 College Choir 83 Features 84 Hermes 86 Inside a Pirate’s Cookbook 93 “… Through a Glass Darkly…” 102 Robert Smith, John Harrison, and a College Clock 109 ‘We need to talk about Erskine’ 117 My time as advisor to the BBC’s War and Peace TRINITY ANNUAL RECORD 2016 | 3 123 Fellows, Staff, and Students 124 The Master and Fellows 139 Appointments and Distinctions 141 In Memoriam 155 A Ninetieth Birthday Speech 158 An Eightieth Birthday Speech 167 College Notes 181 The Register 182 In Memoriam 186 Addresses wanted CONTENTS TRINITY ANNUAL RECORD 2016 | 4 Editorial It is with some trepidation that I step into Boyd Hilton’s shoes and take on the editorship of this journal. He managed the transition to ‘glossy’ with flair and panache. As historian of the College and sometime holder of many of its working offices, he also brought a knowledge of its past and an understanding of its mysteries that I am unable to match. -
Contemporary American Painting and Sculpture
AT UR8ANA-GHAMPAIGN ARCHITECTURE The person charging this material is responsible for .ts return to the library from which it was withdrawn on or before the Latest Date stamped below '"" """"""'"9 "< "ooks are reason, ™racTo?,'l,°;'nary action and tor di,elpl(- may result in dismissal from To renew the ""'*'e™«y-University call Telephone Center, 333-8400 UNIVERSITY OF ILLINOIS LIBRARY AT URBANA-CHAMPAIGN I emp^rary American Painting and Sculpture University of Illinois Press, Urbana, 1959 Contemporary American Painting and Scuipttfre ^ University of Illinois, Urbana March 1, through April 5, 195 9 Galleries, Architecture Building College of Fine and Applied Arts (c) 1959 by the Board of Trustees of the University of Illinois Library of Congress Catalog Card No. A4 8-34 i 75?. A^'-^ PDCEIMtBieiiRr C_>o/"T ^ APCMi.'rri'Ht CONTEMPORARY AMERICAN PAINTING AND SCULPTURE DAVID D. HENRY President of the University ALLEN S. WELLER Dean, College of Fine and Applied Arts Chairman, Festival of Contemporary Arts N. Britsky E. C. Rae W. F. Doolittlc H. A. Schultz EXHIBITION COMMITTEE D. E. Frith J. R. Shipley \'. Donovan, Chairman J. D. Hogan C. E. H. Bctts M. B. Martin P. W. Bornarth N. McFarland G. R. Bradshaw D. C. Miller C. W. Briggs R. Perlman L. R. Chesney L. H. Price STAFF COMMITTEE MEMBERS E. F. DeSoto J. W. Raushenbergcr C. A. Dietemann D. C. Robertson G. \. Foster F. J. Roos C. R. Heldt C. W. Sanders R. Huggins M. A. Sprague R. E. Huh R. A. von Neumann B. M. Jarkson L. M. Woodroofe R. Youngman J. -
Black North American and Caribbean Music in European Metropolises a Transnational Perspective of Paris and London Music Scenes (1920S-1950S)
Black North American and Caribbean Music in European Metropolises A Transnational Perspective of Paris and London Music Scenes (1920s-1950s) Veronica Chincoli Thesis submitted for assessment with a view to obtaining the degree of Doctor of History and Civilization of the European University Institute Florence, 15 April 2019 European University Institute Department of History and Civilization Black North American and Caribbean Music in European Metropolises A Transnational Perspective of Paris and London Music Scenes (1920s- 1950s) Veronica Chincoli Thesis submitted for assessment with a view to obtaining the degree of Doctor of History and Civilization of the European University Institute Examining Board Professor Stéphane Van Damme, European University Institute Professor Laura Downs, European University Institute Professor Catherine Tackley, University of Liverpool Professor Pap Ndiaye, SciencesPo © Veronica Chincoli, 2019 No part of this thesis may be copied, reproduced or transmitted without prior permission of the author Researcher declaration to accompany the submission of written work Department of History and Civilization - Doctoral Programme I Veronica Chincoli certify that I am the author of the work “Black North American and Caribbean Music in European Metropolises: A Transnatioanl Perspective of Paris and London Music Scenes (1920s-1950s). I have presented for examination for the Ph.D. at the European University Institute. I also certify that this is solely my own original work, other than where I have clearly indicated, in this declaration and in the thesis, that it is the work of others. I warrant that I have obtained all the permissions required for using any material from other copyrighted publications. I certify that this work complies with the Code of Ethics in Academic Research issued by the European University Institute (IUE 332/2/10 (CA 297). -
Norway's Jazz Identity by © 2019 Ashley Hirt MA
Mountain Sound: Norway’s Jazz Identity By © 2019 Ashley Hirt M.A., University of Idaho, 2011 B.A., Pittsburg State University, 2009 Submitted to the graduate degree program in Musicology and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy, Musicology. __________________________ Chair: Dr. Roberta Freund Schwartz __________________________ Dr. Bryan Haaheim __________________________ Dr. Paul Laird __________________________ Dr. Sherrie Tucker __________________________ Dr. Ketty Wong-Cruz The dissertation committee for Ashley Hirt certifies that this is the approved version of the following dissertation: _____________________________ Chair: Date approved: ii Abstract Jazz musicians in Norway have cultivated a distinctive sound, driven by timbral markers and visual album aesthetics that are associated with the cold mountain valleys and fjords of their home country. This jazz dialect was developed in the decade following the Nazi occupation of Norway, when Norwegians utilized jazz as a subtle tool of resistance to Nazi cultural policies. This dialect was further enriched through the Scandinavian residencies of African American free jazz pioneers Don Cherry, Ornette Coleman, and George Russell, who tutored Norwegian saxophonist Jan Garbarek. Garbarek is credited with codifying the “Nordic sound” in the 1960s and ‘70s through his improvisations on numerous albums released on the ECM label. Throughout this document I will define, describe, and contextualize this sound concept. Today, the Nordic sound is embraced by Norwegian musicians and cultural institutions alike, and has come to form a significant component of modern Norwegian artistic identity. This document explores these dynamics and how they all contribute to a Norwegian jazz scene that continues to grow and flourish, expressing this jazz identity in a world marked by increasing globalization. -
Florida Historical Quarterly, Vol. 51, Number 4
Florida Historical Quarterly Volume 51 Number 4 Florida Historical Quarterly, Vol 51, Article 1 Number 4 1972 Florida Historical Quarterly, Vol. 51, Number 4 Florida Historical Society [email protected] Find similar works at: https://stars.library.ucf.edu/fhq University of Central Florida Libraries http://library.ucf.edu This Full Issue is brought to you for free and open access by STARS. It has been accepted for inclusion in Florida Historical Quarterly by an authorized editor of STARS. For more information, please contact [email protected]. Recommended Citation Society, Florida Historical (1972) "Florida Historical Quarterly, Vol. 51, Number 4," Florida Historical Quarterly: Vol. 51 : No. 4 , Article 1. Available at: https://stars.library.ucf.edu/fhq/vol51/iss4/1 Society: Florida Historical Quarterly, Vol. 51, Number 4 Published by STARS, 1972 1 Florida Historical Quarterly, Vol. 51 [1972], No. 4, Art. 1 COVER Construction of Fort Zachary Taylor began in Key West in 1845 and it was completed in 1866. The original plans were drawn by Colonel Joseph Totten. A violent hurricane in 1846 destroyed most of the fort’s temporary work buildings and supplies, but construction was quickly resumed. Crafts- men for the brick work were imported from Germany and Ireland. Laborers were local slaves whose owners were paid $1.00 a day for their services. This is a view of the fort as drawn by a member of the garrison. It ap- peared in Harpers Weekly, March 2, 1861. Between 1898 and 1905, deciding that the fortress would be less vulnerable if not so tall, the structure was deliberately torn down to one story. -
Diskographie Koenig ORIG AUF IMAC.Pages
DISKOGRAPHIE KLAUS KOENIG (update März 2020) "MUSIC FOR THE GENTLE MAN" Jazz Live Trio TCB 36202 "NIGHT THOUGHTS" Jazz Live Trio TCB 35202 "SEVEN THINGS I ALWAYS WANTED TO SAY" Seven Things TCB 35402 "NAUSIKAA" Jazz Live Trio TCB 32502 "PIAZZA ROTONDA" Seven Things TCB 33102 "MAGOG" (Wiederveröffentlichung) TCB 01302 "MAGOG live in Montreux 1973“ (Wiederveröffentlichung) TCB 01232 "Swiss Radio Days Jazz Live Concert Series“ : Gert Westphal + Jazz Live Trio“ Jazz & Lyrik TCB 01262 Sal Nistico / Tony Scott + JLT TCB 02212 Albert Mangelsdorff / Francois Jeanneau + JLT TCB 02222 Gianni Basso / Guy Lafitte + JLT TCB 02242 Benny Bailey / Idrees Sulieman + JLT TCB 02252 Karin Krog / Enrico Rava / Miriam Klein + JLT TCB 02262 Phil Woods / Eddie Daniels / Stuff Smith / Leo Wright + JLT TCB 02272 Kenny Wheeler / Alan Skidmore + JLT TCB 02282 Sahib Shihab / Art Farmer / Cliff Jordan + JLT TCB 02322 Slide Hampton / Karl Berger / Glenn Ferris + JLT TCB 02352 Johnny Griffin / HaL Singer / Leszek Zadlo / Ferdinand Povel + JLT TCB 02362 Dexter Gordon / Hans Kennel + Andy Scherrer + Paul Haag + JLT (Magog) TCB 02382 Franco Ambrosetti / Hans Kennel-Thomas Grünwald/ TCB 02392 Andy Scherrer-Roman Schwaller/Daniel Bourquin + JLT "MAGOG live in Montreux 1973” Evasion EB 200 210 “MAGOG” ECM/JAPO 60011 “GOGS’S DREAMS” Klaus Koenig, solo piano TCB 8740 “Swiss Radio Jazz Live Concert Series“: Vol 1 Americans in Europe TCB 8710 Vol 2 Euro-American Fusions TCB 8720 Vol 3 European TCB 8730 1 “Lunet” Gianni Basso European SPLASC(H) Records H 101 “Galatea” Jazz Live Trio Dire FO 368 “Organic” The Victor Burghardt & Mike Barone-Orchestra Ex Libris EL 12 282 “Pedro Y Antonia” Hugo Heredia + Jazz Live Trio Ariston AR 1214 ”Franco Ambrosetti And The Jazz Live Situation” Dire RPM 33 FO 343 Musica Helvetica Programm Nr. -
BOLLI Course Schedule Spring 2018
BOLLI Course Schedule Spring 2018 Spring 2018 courses will begin the week of March 5 and run through the week of May 14, with a break the week of April 2. There will be no courses on Patriot's Day, Monday, April 16. 5b courses will begin the week of April 17, except Monday courses which will begin April 23. MONDAY TUESDAY WEDNESDAY THURSDAY March 5 March 6 March 7 March 8 March 12 March 13 March 14 March 15 March 19 March 20 March 21 March 22 March 26 March 27 March 28 March 29 Spring Break April 2 - 5 April 9 April 10 April 11 April 12 No courses April 16 (Patriot’s Day- April 17 April 18 April 19 Make up May 21) April 23 April 24 April 25 April 26 April 30 May 1 May 2 May 3 May 7 May 8 May 9 May 10 May 14 May 15 May 16 May 17 Make Up Dates: May 21, 22, 23, 24 1 Monday BOLLI Study Groups Spring 2018 Period 1 MUS1-10-Mon1 LIT4-10-Mon1 LIT5-5b-Mon1 SOC5-10-Mon1 9:30 a.m.-10:55 a.m. Beyond Hava Nagila: Whodunit? Murder in Existentialism at the Manipulation: How What is Jewish Ethnic Communities Café Hidden Influences Music? Affect Our Choice of Marilyn Brooks Jennifer Eastman Products, Politicians Sandy Bornstein and Priorities 5 Week Course – April 23 – May 21 Sandy Sherizen Period 2 MUS3-10-Mon2 LIT8-10-Mon2 SOC2-5a-Mon2 WRI1-10-Mon2 11:10 a.m. - 12:35 Why Sing Plays? An Historical Fiction: Childhood In the Writing to Discover: A p.m. -
Transportation Draft Report 4.26.21
Town Comprehensive Plan Draft Chapter 8 Transportation CHAPTER 8 - TRANSPORTATION 8.1 Existing Traffic Conditions and Trends Bedford's transportation system is comprised of highways and streets, a commuter rail line, bus routes, and sidewalks. The town's rural, low-density and tri hamlet pattern favored the growth of auto-related transportation. Most of Bedford's residents drive to shop, to commute, for recreation. The Metro-North Harlem line represents the only alternative transportation mode being used to a significant degree primarily by residents commuting to New York City, and the majority of these commuters drive to the train stations. Limited bus east/west bus service is also available. The town is served by interstate and state highway supplemented by a well-developed network of local roads. Interstate 684, the Saw Mill River Parkway, and State Highways 22, 35, 117, 121, and 172 traverse the town. Interstate 684 and the Saw Mill River Parkway both cross through the town in a north-south direction. These highways, together with the Metro-North Railroad (Harlem Line), form the backbone of Bedford's transportation system. Existing Functional Classification The 1988 Bedford Master Plan organized the roadways into the following categories: Limited access highways, through roads, collector roads, and local roads. The purpose of organizing the roadway system according to these categories is to recognize that some roads have to carry higher volumes, more through traffic at higher speeds and other roads serve mainly to provide access to adjacent properties. Roads in Bedford cannot serve both purposes in a safe and efficient manner. Many of the traffic problems in Bedford can be related to conflicts in the functional role that each roadway has to fulfill: Through traffic using local or collector roads as a short cut represents such a conflict; similarly, traffic turning in and out of commercial driveways along a through road (such as Route 117) is in conflict with the arterial function of that road. -
Ridgefield-Katonah
WEEKDAYS VIA KATONAH STATION TO RIDGEFIELD .AM Light Face, PM Bold Face AM PM Peak Grand Central Terminal — — — 6 02 3 52 4 18 4 41 4 57 A 5 27 5 29 5 44 6 10 6 29 6 56 7 21 White Plains Station — — — 6 38 4 26 — 5 15 5 31 — 6 03 — 6 44 7 03 7 30 — Katonah Station — — — 7 10 4 58 5 19 5 48 5 57 A 6 27 6 36 6 42 7 14 7 31 7 58 8 22 Katonah Station 6 13 + 6 24 6 41 + 7 15 5 03 5 24 — 6 02 6 32 — 6 47 7 20 7 36 8 03 8 27 South Salem Municipal Lot Park & Ride — — — X X X — X X — X X X X X Prospect Ridge (Bark Park) Park & Ride X 6 49 7 06 7 45 X X — X X — X X X X X Jessie Lee Memorial Church Park & Ride 6 38 — — X 5 25 5 51 — 6 26 6 57 — 7 10 7 43 8 00 8 26 8 51 Pulse Point — — — — — — — — — — — — — X X . A Will not operate 5/25, 7/3 and 8/31. + Board bus at BEE LINE bus stop at Katonah Ave and Parkway on village side of the Katonah Station. X Discharges passengers only on request. MTA METRO-NORTH RAILROAD’S GUARANTEED RIDE HOME PROGRAM O MTA Metro-North monthly UniTicket customers who ride the Ridgefield-Katonah Shuttle to Katonah Station and commute to Grand Central Terminal or Harlem-125th Street can get up to two free taxi rides per month from Katonah Station to their car or home during the few select times when the Ridgefield-Katonah Shuttle is not scheduled to meet a train.