The Rhetoric of Sacred Spaces in Ancient Greece A

Total Page:16

File Type:pdf, Size:1020Kb

The Rhetoric of Sacred Spaces in Ancient Greece A RITUAL, TRADITION AND PERFORMANCE: THE RHETORIC OF SACRED SPACES IN ANCIENT GREECE A Thesis Presented to the faculty of the Department of Communication Studies California State University, Sacramento Submitted in partial satisfaction of the requirements for the degree of MASTER OF ARTS in Communication Studies by Hannah Edwards SPRING 2017 © 2017 Hannah Edwards ALL RIGHTS RESERVED ii RITUAL, TRADITION AND PERFORMANCE: THE RHETORIC OF SACRED SPACES IN ANCIENT GREECE A Thesis by Hannah Edwards Approved by: __________________________________, Committee Chair Mark A. E. Williams, Ph.D. __________________________________, Second Reader Nicholas F. Burnett, Ph.D. __________________________________, Third Reader Gerri Smith, Ph.D. __________________________ Date iii Student: Hannah Edwards I certify that this student has met the requirements for format contained in the University format manual, and that this thesis is suitable for shelving in the Library and credit is to be awarded for the thesis. __________________________, Graduate Coordinator ___________________ Michele Foss-Snowden, Ph.D. Date Department of Communication Studies iv Abstract of RITUAL, TRADITION AND PERFORMANCE: THE RHETORIC OF SACRED SPACES IN ANCIENT GREECE by Hannah Edwards This thesis explores how space and ritual functioned rhetorically in religious settings in ancient Greece. Epidaurus, Eleusis, and Delphi were the three sacred spaces used as case studies. These spaces represented three different functions of Greek religion: healing, mystery cult, and oracular divination. Using the method of close reading, rhetorical analysis of the spaces and rituals revealed that foundation myths gave rhetorical meaning to the place of the sanctuary, which framed the spaces within it. This meaning was communicated to the inner self of the supplicants who performed rituals in those spaces. The repetition of rituals in those spaces made them into places of public memory, and the interplay of ritual, place, and memory resulted in a sense of Greek and polis identity. _______________________, Committee Chair Mark A. E. Williams, Ph.D. _______________________ Date v ACKNOWLEDGEMENTS If you had told me 18 months ago that I would write a thesis to culminate my master’s degree I would not have believed you. Sometimes doing things that scare you are the most rewarding and worthwhile in the end. Of course, there were a few special people who helped me get through this scary thing. Prof. Williams, thank you for being an absolute dream to work with from start to finish, I genuinely could not have done this without you. I am so lucky to have found a professor with such an avid interest in classics to work with me on a thesis based in the ancient world. We made quite the team. Thanks for the coffee chats, putting up with my perpetual lateness, and understanding my British accent. You never gave up on me, and always pushed me to produce my best work. Sorry for the lost hours of sleep, but I will always be grateful to you for the effort you invested in me during my time at Sac State. Thank you also to Prof. Burnett and Dr. Smith, for your fast-paced reading, flexibility around my tight deadlines, and valuable input throughout the process. Thank you to my amazing parents, for your unfailing support and encouragement, despite an 8-hour time difference and 5000 miles between us. You kept me going through all the highs and lows, and celebrated every little milestone with me along the way. And thank you to my roommate Jocelyn, for driving me to the library whenever it was raining, and for putting up with all my moaning and late-night showers. vi TABLE OF CONTENTS Page Acknowledgements ..................................................................................................... .vi Chapter 1. INTRODUCTION ...................................................................................................1 Background: Religion in Ancient Greece ..........................................................1 Polis Religion .............................................................................................2 Literature Review...............................................................................................7 Justification for Artifacts .................................................................................18 Epidaurus .................................................................................................20 Eleusis ......................................................................................................21 Delphi .......................................................................................................22 Method .............................................................................................................24 2. THE GREEK VIEW: RHETORICAL SACRED SPACES ..................................29 Introduction: Defining Spaces and Places .......................................................29 Epidaurus: Overview .......................................................................................30 Eleusis: Overview ............................................................................................37 Delphi: Overview .............................................................................................42 Epidaurus: Analysis .........................................................................................47 Sanctuaries as Memory Places .................................................................50 Eleusis: Analysis ..............................................................................................52 Memory Places as Destinations ...............................................................55 vii Delphi: Analysis...............................................................................................56 Conclusion .......................................................................................................58 3. ACTING GREEK: THE RHETORIC OF RITUAL PERFORMANCE ...............61 Ritual Space .....................................................................................................61 Epidaurus: Overview .......................................................................................62 Eleusis: Overview ............................................................................................69 Delphi: Overview .............................................................................................76 Myth, Place and Ritual: A Rhetorical Synthesis ..............................................85 Ritual and Memory ..................................................................................86 Conclusion .......................................................................................................97 4. CONCLUSIONS AND DISCUSSION ...............................................................102 Critical Problem .............................................................................................104 Modern Receptions ........................................................................................105 Territoriality of Religion in Modern America .......................................107 Future Research .............................................................................................108 Appendix A. Epidaurus ..............................................................................................111 Appendix B. Eleusis...................................................................................................113 Appendix C. Delphi ..................................................................................................115 References ..................................................................................................................117 viii 1 CHAPTER 1 INTRODUCTION Greek religion was deeply embedded in the larger network of relationships within the polis. Greek religion was religion-in-practice and Greek religious practices permeated all spheres of life. It follows that it is not possible to reflect upon Greek religion as a category in and of itself. (Kindt, 2012, p. 16) Background: Religion in Ancient Greece As in many contemporary cultures, religion was inextricably linked to everyday life in ancient Greece. Ancient Greeks had a reverential thambos (awe) for the supernatural forces that permeated their universe. The gods needed to be constantly appeased and consulted; all important transactions, both public and private, needed divine sanction and permission. Life revolved around the rhythm of religious festivals and the everyday performance of rituals to propitiate the gods. Social, political, and emotional stability depended on an orderly system of communication with the gods to secure and maintain divine favor. Greek religious beliefs and practices provided a connection between the humans and the gods, but also a strong link between the individual poleis and the rest of Greece (Kindt, 2012, p. 14). Eschewing any central orthodoxy, numerous and ubiquitous Greek gods oversaw and protected human activities in the mortal realm. Thus, from the ninth century BC onwards, Greek civilization became a temple culture, establishing places of cultural identity and prestige in which citizens could interact with the divine. Temples became sacred spaces organized around religious social systems, 2 facilitating social interaction in a religious setting, bestowing meaning upon human events, including suffering, illness, and death. The ancient Greeks understood sacred space in explicitly
Recommended publications
  • An Echo of Delphi: the Pythian Games Ancient and Modern Steven Armstrong, F.R.C., M.A
    An Echo of Delphi: The Pythian Games Ancient and Modern Steven Armstrong, F.R.C., M.A. erhaps less well known than today’s to Northern India, and from Rus’ to Egypt, Olympics, the Pythian Games at was that of kaloi k’agathoi, the Beautiful and PDelphi, named after the slain Python the Good, certainly part of the tradition of Delphi and the Prophetesses, were a mani­ of Apollo. festation of the “the beautiful and the good,” a Essentially, since the Gods loved that hallmark of the Hellenistic spirituality which which was Good—and for the Athenians comes from the Mystery Schools. in particular, what was good was beautiful The Olympic Games, now held every —this maxim summed up Hellenic piety. It two years in alternating summer and winter was no great leap then to wish to present to versions, were the first and the best known the Gods every four years the best of what of the ancient Greek religious and cultural human beings could offer—in the arts, festivals known as the Pan-Hellenic Games. and in athletics. When these were coupled In all, there were four major celebrations, together with their religious rites, the three which followed one another in succession. lifted up the human body, soul, and spirit, That is the reason for the four year cycle of and through the microcosm of humanity, the Olympics, observed since the restoration the whole cosmos, to be Divinized. The of the Olympics in 1859. teachings of the Mystery Schools were played out on the fields and in the theaters of the games.
    [Show full text]
  • Athens, Central Greece & Peloponnese
    Athens, Central Greece & Peloponnese Athens – Olympia – Delphi 6 Days / 5 Nights Day 1 – Arrival in Athens Upon arrival at Athens International Airport, you will be met by our representative and transferred to your hotel. Balance of the day at leisure. If time permits depending on your arrival time to Athens, you may enjoy one of our optional tours. (Cape Sounion or Athens By Night Tour with Traditional Greek show). Day 2 – Athens After breakfast at hotel, pick up for our Athens Sightseeing Tour. Our Athens Half Day Tour begins with a panoramic drive around Syntagma square, passing by many sightseeing hot spots such as National Garden, Hadrian’s Arch, St. Paul’s Church, Parliament, Tomb of the Unknown Soldier, Catholic Cathedral and Schliemann’s House. We will then drive past the Athens Trilogy which includes the University of Athens, the Academy of Athens, and the National Library. Our licensed guide will make you feel as if you are experiencing firsthand Athens’s old and new history as you look at these stately buildings. We continue for a photo stop at Panathenaic Stadium, otherwise known as Kallimarmaro Stadium, where the first Olympic Games took place in 1896. As we proceed, we pass by Zappeion and the Temple of Olympian Zeus. Last but not least, we make our way to the archaeological site of Acropolis, an UNESCO’S world heritage monument and we visit Propylae, as well as the small Temple of Athena Nike. Of course, our visit shall not be completed without the Parthenon and Erechtheion. The expert guided Athens sightseeing and museum tour continues with a pleasant short walk passing by Herodion and Dionysos Theater, in order to visit the New Acropolis Museum.
    [Show full text]
  • Oracle of Apollo Near Oroviai (Northern Evia Island, Greece) Viewed in Its Geοlogical and Geomorphological Context, Βull
    Mariolakos, E., Nicolopoulos, E., Bantekas, I., Palyvos, N., 2010, Oracles on faults: a probable location of a “lost” oracle of Apollo near Oroviai (Northern Evia Island, Greece) viewed in its geοlogical and geomorphological context, Βull. Geol. Soc. of Greece, XLIII (2), 829-844. Δελτίο της Ελληνικής Γεωλογικής Εταιρίας, 2010 Bulletin of the Geological Society of Greece, 2010 Πρακτικά 12ου Διεθνούς Συνεδρίου, Πάτρα, Μάιος 2010 Proceedings of the 12th International Congress, Patras, May, 2010 ORACLES ON FAULTS: A PROBABLE LOCATION OF A “LOST” ORACLE OF APOLLO NEAR OROVIAI (NORTHERN EUBOEA ISLAND, GREECE) VIEWED IN ITS GEOLOGICAL AND GEOMORPHOLOGICAL CONTEXT I. Mariolakos1, V. Nikolopoulos2, I. Bantekas1, N. Palyvos3 1 University of Athens, Faculty of Geology, Dynamic, Tectonic and Applied Geology Department, Panepistimioupolis Zografou, 157 84, Athens, Greece, [email protected], [email protected] 2 Ministry of Culture, 2nd Ephorate of Prehistoric and Classical Antiquities, L. Syggrou 98-100, 117 41 Athens, Greece, [email protected] 3 Harokopio university, Department of Geography, El. Venizelou 70 (part-time) / Freelance Geologist, Navarinou 21, 152 32 Halandri, Athens, Greece, [email protected] Abstract At a newly discovered archaeological site at Aghios Taxiarches in Northern Euboea, two vo- tive inscribed stelae were found in 2001 together with hellenistic pottery next to ancient wall ruins on a steep and high rocky slope. Based on the inscriptions and the geographical location of the site we propose the hypothesis that this is quite probably the spot where the oracle of “Apollo Seli- nountios” (mentioned by Strabo) would stand in antiquity. The wall ruins of the site are found on a very steep bedrock escarpment of an active fault zone, next to a hanging valley, a high waterfall and a cave.
    [Show full text]
  • Archaic Eretria
    ARCHAIC ERETRIA This book presents for the first time a history of Eretria during the Archaic Era, the city’s most notable period of political importance. Keith Walker examines all the major elements of the city’s success. One of the key factors explored is Eretria’s role as a pioneer coloniser in both the Levant and the West— its early Aegean ‘island empire’ anticipates that of Athens by more than a century, and Eretrian shipping and trade was similarly widespread. We are shown how the strength of the navy conferred thalassocratic status on the city between 506 and 490 BC, and that the importance of its rowers (Eretria means ‘the rowing city’) probably explains the appearance of its democratic constitution. Walker dates this to the last decade of the sixth century; given the presence of Athenian political exiles there, this may well have provided a model for the later reforms of Kleisthenes in Athens. Eretria’s major, indeed dominant, role in the events of central Greece in the last half of the sixth century, and in the events of the Ionian Revolt to 490, is clearly demonstrated, and the tyranny of Diagoras (c. 538–509), perhaps the golden age of the city, is fully examined. Full documentation of literary, epigraphic and archaeological sources (most of which have previously been inaccessible to an English-speaking audience) is provided, creating a fascinating history and a valuable resource for the Greek historian. Keith Walker is a Research Associate in the Department of Classics, History and Religion at the University of New England, Armidale, Australia.
    [Show full text]
  • The Lighting of God's Face During Solar Stands in The
    Mediterranean Archaeology and Archaeometry, Vol. 18, No 3, (2018), pp. 225-246 Copyright © 2018 MAA Open Access. Printed in Greece. All rights reserved. DOI: 10.5281/zenodo.2543786 THE LIGHTING OF GOD’S FACE DURING SOLAR STANDS IN THE APOLLO TEMPLE DELPHI Vlachos, A.1, Liritzis, I.1 and Georgopoulos, A.2 1University of the Aegean, Dept of Mediterranean Studies, Lab of Archaeometry, 1 Demokratias Str, Rhodes 85132, Greece 2National Technical University of Athens, School of Rural & Surveying Engineering, Dept of Topography, Iroon Polytechniou 915773 Zografos, Athens, Greece Received: 01/07/2018 Accepted: 25/11/2018 Corresponding author: I. Liritzis ([email protected]) ABSTRACT The direction of solar light and how it relates with the Apollo Temple in Delphi is investigated. Following up earlier investigation of defining the time to delivering an oracle and the historical reported position of a golden Apollo statue in the rear of the main structure (opisthodomos, adyton or Temple‘s sanctum) the sun lighting the statue‘s face during selected solar stands is virtually constructed. Based on both ancient and con- temporary sources, an accurately-oriented 3D model of the Temple was created, which incorporated win- dows in the sanctum area. A light and shadow study followed to establish the movement of shadows and presence of sunlight around and inside the Temple, during the important days for the ancient cult. It is shown that the shining of God‘s golden statue would have been possible, through windows, giving a dis- tinct impression of Apollo‘s presence in Delphi especially during his absence in the three winter months to the hyperborean lands between winter solstice and spring equinox.
    [Show full text]
  • Wave-Based Acoustic Modeling of the Epidaurus Theatre
    Wave-based acoustic modeling of the Epidaurus theatre Konstantinos Kaleris, George Moiragias, Gavriil Kamaris and John Mourjopoulos Audio & Acoustic Technology Group, Electrical & Computer Engineering Department, University of Patras, Greece. Summary The acoustics of the ancient theatre of Epidaurus have been evaluated in the past via measurements and models. However, the topic still remains open especially with respect to the contributions of the specific architectural elements to the theatre's excellent acoustic performance. Here, the study focuses on 3 novel aspects for a better understanding of the theater's acoustics: (a) introduces a wave-based acoustics simulation of the Epidaurus theatre based on a flexible but simplified 3D geometric model (b) matches temporal and spectral features of measured and modeled responses, The wave model considers direct, reflected, diffracted and mixed reflection - diffraction sound paths for calculating the theatre's acoustic Impulse Response (IR) in several listening positions, from the front rows of the lower tier to the last rows of the upper tier. For exact tuning of the model, such simulated IR discrete temporal features due to the calculated sound paths are examined through time-distance matching, allowing thus direct comparison to the theatre's measured IRs and further interpretation of the effects of each of the architectural features of the theatre. In order to precisely match the simulation to measurements, the acoustic behavior of reflecting and diffracting surfaces/edges is incorporated in the model through application of special filters, developed according to the spectral characteristics of the reflection and diffraction features of the measured IRs. From the study it is deduced that sound diffraction plays a major role in the theatre's acoustics, assisting signal reception especially at the distant positions.
    [Show full text]
  • ECONOMIC ACTIVITIES in the SANCTUARY of HERA at SAMOS. a PROPOSAL for a NEW INTERPRETATION of TEMPLAR EDIFICES Rita Sassu
    ECONOMIC ACTIVITIES IN THE SANCTUARY OF HERA AT SAMOS. A PROPOSAL FOR A NEW INTERPRETATION OF TEMPLAR EDIFICES Rita Sassu ‘Sapienza’ University of Rome, Italy 1. An overview of the archaeological evidence The Samian extra-urban sanctuary of Hera is located 6 km far from the city.1 Traces of religious practice inside the area date back to XIII century B.C., while the goddess cult was probably introduced in XI- X century, replacing an earlier cult connected to a fertility deity. The complex architectural organization of the sacred area shows an extensive use of templar buildings, whose function is not always comprehensible, so that one of the main problems concerning the study of the Heraion regards the buildings interpretation. Hence, the aim of the present paper is trying to partially solve this issue through the proposal of some edifices’ identifications, by taking into account the archaeological, epigraphic and philological documentation and underlining the importance of economic activities carried out by the sanctuary. In IX century, the temenos consisted of a sacred area focused on a simple rectangular altar. The bomos was the kingpin of sacrificial practice; therefore, archaeological findings referring to this period – mainly ritual utensils such as bowls and cups, animal and feminine figurines2 – were prevalently discovered around the bomos.3 The altar underwent several reconstructions, finally acquiring a monumental form in the VI century B.C. (archaeological investigations leaded to the identification of seven previous architectural phases). The 1 For a history of Samos: Shipley 1987. 2 Concering findings in the Samian Heraion, related both to this period and the subsequent ones: Brize 1985; Brize 1989–90; Brize 1992; Gehrig 1964; Kyrieleis 1988; Jantzen 1972; Jarosch 1994; Schmidt 1968; Schattner 1990; Vierneisel 1961; Webb 1978.
    [Show full text]
  • Chthonic Aspects of Macdonald's Phantastes: from the Rising of The
    Chthonic Aspects of MacDonald’s Phantastes: From the Rising of the Goddess to the Anodos of Anodos Fernando Soto The Herios was a woman’s festival. Plutarch of course could not be present at the secret ceremonies of the Thyaiades, but his friend Thyia, their president, would tell him all a man might know . From the rites known to him he promptly conjectured that it was a “Bringing up of Semele.” Semele, it is acknowledged, is but a Thraco-Phrygian form of Gaia, The “Bringing up of Semele” is but the Anodos of Gala or of Kore the Earth Maiden. It is the Return of the vegetation or Year-Spirit in the spring. (Jane Harrison, Themis 416) 1. Introduction and General Backgrounds hantastes is one of the most mysterious books George MacDonald wrote andP one of the least understood books in the English tradition. Since its publication in 1858, reviewers, readers and researchers have experienced great difficulties understanding the meaning of this complex work.The perceived impediments have been so great that some scholars remain unsure whether Phantastes contains a coherent plot or structure (Reis 87, 89, 93-94; Robb 85, 97; etc.). Other critics appear adamant that it contains neither (Wolff 50; Manlove, Modern 55, 71, 77, 79; England 65, 93, 122). Even those scholars who sense a structure or perceive a plot differ not only regarding the types of structure(s) and/or plot(s) they acknowledge (Docherty 17-22; McGillis “Community” 51-63; Gunther “First Two” 32-42), but in deciding into what, if any, genres or traditions Phantastes belongs (Prickett, “Bildungsroman” 109-23; Docherty 19, 23, 30, McGillis, “Femininity” 31-45; etc.).
    [Show full text]
  • DIVINATION SYSTEMS Written by Nicole Yalsovac Additional Sections Contributed by Sean Michael Smith and Christine Breese, D.D
    DIVINATION SYSTEMS Written by Nicole Yalsovac Additional sections contributed by Sean Michael Smith and Christine Breese, D.D. Ph.D. Introduction Nichole Yalsovac Prophetic revelation, or Divination, dates back to the earliest known times of human existence. The oldest of all Chinese texts, the I Ching, is a divination system older than recorded history. James Legge says in his translation of I Ching: Book Of Changes (1996), “The desire to seek answers and to predict the future is as old as civilization itself.” Mankind has always had a desire to know what the future holds. Evidence shows that methods of divination, also known as fortune telling, were used by the ancient Egyptians, Chinese, Babylonians and the Sumerians (who resided in what is now Iraq) as early as six‐thousand years ago. Divination was originally a device of royalty and has often been an essential part of religion and medicine. Significant leaders and royalty often employed priests, doctors, soothsayers and astrologers as advisers and consultants on what the future held. Every civilization has held a belief in at least some type of divination. The point of divination in the ancient world was to ascertain the will of the gods. In fact, divination is so called because it is assumed to be a gift of the divine, a gift from the gods. This gift of obtaining knowledge of the unknown uses a wide range of tools and an enormous variety of techniques, as we will see in this course. No matter which method is used, the most imperative aspect is the interpretation and presentation of what is seen.
    [Show full text]
  • Parthenon 1 Parthenon
    Parthenon 1 Parthenon Parthenon Παρθενών (Greek) The Parthenon Location within Greece Athens central General information Type Greek Temple Architectural style Classical Location Athens, Greece Coordinates 37°58′12.9″N 23°43′20.89″E Current tenants Museum [1] [2] Construction started 447 BC [1] [2] Completed 432 BC Height 13.72 m (45.0 ft) Technical details Size 69.5 by 30.9 m (228 by 101 ft) Other dimensions Cella: 29.8 by 19.2 m (98 by 63 ft) Design and construction Owner Greek government Architect Iktinos, Kallikrates Other designers Phidias (sculptor) The Parthenon (Ancient Greek: Παρθενών) is a temple on the Athenian Acropolis, Greece, dedicated to the Greek goddess Athena, whom the people of Athens considered their patron. Its construction began in 447 BC and was completed in 438 BC, although decorations of the Parthenon continued until 432 BC. It is the most important surviving building of Classical Greece, generally considered to be the culmination of the development of the Doric order. Its decorative sculptures are considered some of the high points of Greek art. The Parthenon is regarded as an Parthenon 2 enduring symbol of Ancient Greece and of Athenian democracy and one of the world's greatest cultural monuments. The Greek Ministry of Culture is currently carrying out a program of selective restoration and reconstruction to ensure the stability of the partially ruined structure.[3] The Parthenon itself replaced an older temple of Athena, which historians call the Pre-Parthenon or Older Parthenon, that was destroyed in the Persian invasion of 480 BC. Like most Greek temples, the Parthenon was used as a treasury.
    [Show full text]
  • The Adorabyssal Oracle
    THE ADORABYSSAL ORACLE The Adorabyssal Oracle is an oracle deck featuring the cutest versions of mythological, supernatural, and cryptozoological creatures from around the world! Thirty-six spooky cuties come with associated elements and themes to help bring some introspection to your day-to-day divinations and meditations. If you’re looking for something a bit more playful, The Adorabyssal Oracle deck doubles as a card game featuring those same cute and spooky creatures. It is meant for 2-4 players and games typically take 5-10 minutes. If you’re interested mainly in the card game rules, you can skip past the next couple of sections. However you choose to use your Adorabyssal Deck, it is my hope that these darkly delightful creatures will bring some fun to your day! WHAT IS AN ORACLE DECK? An Oracle deck is similar to, but different from, a Tarot deck. Where a Tarot deck has specific symbolism, number of cards, and a distinct way of interpreting card meanings, Oracle decks are a bit more free-form and their structures are dependent on their creators. The Adorabyssal Oracle, like many oracle decks, provides general themes accompanying the artwork. The basic and most prominent structure for this deck is the grouping of cards based on elemental associations. My hope is that this deck can provide a simple way to read for new readers and grow in complexity from there. My previous Tarot decks have seen very specific interpretation and symbolism. This Oracle deck opens things up a bit. It can be used for more general or free-form readings, and it makes a delightful addition to your existing decks.
    [Show full text]
  • Ancient Greek Painting and Mosaics in Macedonia
    ANCIENT GREEK PAINTING AND MOSAICS IN MACEDONIA All the manuals of Greek Art state that ancient Greek paintinG has been destroyed almost completely. Philological testimony, on the other hand, how­ ever rich, does no more than confirm the great loss. Vase painting affirms how skilful were the artisans in their drawings although it cannot replace the lost large paintinG compositions. Later wall-paintings of Roman towns such as Pompeii or Herculaneum testifying undoubted Greek or Hellenistic influ­ ence, enable us to have a glimpse of what the art of paintinG had achieved in Greece. Nevertheless, such paintings are chronologically too far removed from their probable Greek models for any accurate assessment to be made about the degree of dependence or the difference in quality they may have had between them. Archaeological investigation, undaunted, persists in revealing methodi­ cally more and more monuments that throw light into previously dark areas of the ancient world. Macedonia has always been a glorious name in later Greek history, illumined by the amazing brilliance of Alexander the Great. Yet knowledge was scarce about life in Macedonian towns where had reigned the ancestors and the descendants of that unique king, and so was life in many other Greek towns situated on the shores of the northern Aegean Sea. It is not many years ago, since systematic investigation began in these areas and we are still at the initial stage; but results are already very important, es­ pecially as they give the hope that we shall soon be able to reveal unknown folds of the Greek world in a district which has always been prominent in the his­ torical process of Hellenism.
    [Show full text]