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GHOSTHUNTERAPPS™ - VOX & Radar Report: (10-09-2020 21-30-51).html REPORT: (10-09-2020 21-30-51).html This report was generated by FLUX Spirit Radar (GHOSTHUNTERAPPS™) DEPARTED 10/9/2020 @ 21:31:55:452 BLIP[1] ANGLE: 220, RADIUS: 29 10/9/2020 @ 21:35:39:501 DURING 10/9/2020 @ 21:32:15:226 BLIP[1] ANGLE: 219, RADIUS: 30 10/9/2020 @ 21:35:42:580 FATHER 10/9/2020 @ 21:32:15:406 BLIP[1] ANGLE: 220, RADIUS: 31 10/9/2020 @ 21:35:48:551 BEHIND 10/9/2020 @ 21:32:45:196 BLIP[1] ANGLE: 219, RADIUS: 32 10/9/2020 @ 21:36:3:746 KIND 10/9/2020 @ 21:32:55:226 BLIP[1] ANGLE: 221, RADIUS: 32 10/9/2020 @ 21:36:24:516 RIMAYEW 10/9/2020 @ 21:33:5:296 BLIP[1] ANGLE: 222, RADIUS: 33 10/9/2020 @ 21:36:42:658 PAIMON 10/9/2020 @ 21:33:15:427 BLIP[1] ANGLE: 220, RADIUS: 33 10/9/2020 @ 21:37:36:696 ABOVE 10/9/2020 @ 21:33:25:516 BLIP[1] ANGLE: 221, RADIUS: 34 10/9/2020 @ 21:37:39:746 NO GOOD 10/9/2020 @ 21:33:35:616 BLIP[1] ANGLE: 219, RADIUS: 34 10/9/2020 @ 21:38:18:746 HEALTH 10/9/2020 @ 21:33:55:396 BLIP[1] ANGLE: 218, RADIUS: 33 10/9/2020 @ 21:38:24:841 SCHAM 10/9/2020 @ 21:34:5:546 BLIP[1] ANGLE: 217, RADIUS: 32 10/9/2020 @ 21:38:27:823 ATROCIOUS 10/9/2020 @ 21:34:35:592 BLIP[1] ANGLE: 216, RADIUS: 31 10/9/2020 @ 21:38:33:866 QUESTION 10/9/2020 @ 21:35:5:336 BLIP[1] ANGLE: 222, RADIUS: 31 10/9/2020 @ 21:38:58:96 VAHADABO 10/9/2020 @ 21:35:45:536 BLIP[1] ANGLE: 223, RADIUS: 30 10/9/2020 @ 21:39:4:166 XOQUOSEJE 10/9/2020 @ 21:35:55:641 BLIP[1] ANGLE: 222, RADIUS: 29 10/9/2020 @ 21:39:13:246 SPECIES 10/9/2020 @ 21:36:15:401 BLIP[1] ANGLE: 221, RADIUS: 28 10/9/2020 @ 21:39:18:806 APPREHENSIVENESS 10/9/2020 @ 21:36:25:556 BLIP[2] ANGLE: 260, RADIUS: 48 10/9/2020 @ 21:39:24:846 JAJO 10/9/2020 @ 21:36:35:571 BLIP[2] ANGLE: 259, RADIUS: 49 10/9/2020 @ 21:39:30:906 HELEN 10/9/2020 @ 21:36:45:721 BLIP[2] ANGLE: 260, RADIUS: 50 10/9/2020 @ 21:39:33:901 MUERTE 10/9/2020 @ 21:36:55:331 BLIP[2] ANGLE: 259, RADIUS: 51 10/9/2020 @ 21:39:36:931 BESIDE 10/9/2020 @ 21:37:15:446 BLIP[2] ANGLE: 258, RADIUS: 52 10/9/2020 @ 21:39:39:966 JUAN 10/9/2020 @ 21:37:25:591 BLIP[1] ANGLE: 222, RADIUS: 27 10/9/2020 @ 21:39:55:6 SAINTLY 10/9/2020 @ 21:37:35:716 BLIP[2] ANGLE: 259, RADIUS: 53 10/9/2020 @ 21:40:25:306 MISERY 10/9/2020 @ 21:37:45:356 BLIP[2] ANGLE: 260, RADIUS: 52 10/9/2020 @ 21:40:37:436 KINDHEARTED 10/9/2020 @ 21:37:55:441 BLIP[2] ANGLE: 261, RADIUS: 53 10/9/2020 @ 21:40:43:471 PD 10/9/2020 @ 21:38:5:546 BLIP[2] ANGLE: 262, RADIUS: 52 10/9/2020 @ 21:41:1:142 SHAWN 10/9/2020 @ 21:38:15:686 BLIP[2] ANGLE: 263, RADIUS: 51 10/9/2020 @ 21:41:7:226 FINAL 10/9/2020 @ 21:38:35:406 BLIP[2] ANGLE: 262, RADIUS: 50 10/9/2020 @ 21:41:10:290 PEMEFA 10/9/2020 @ 21:39:25:846 BLIP[2] ANGLE: 261, RADIUS: 49 10/9/2020 @ 21:41:13:356 OROBAS 10/9/2020 @ 21:40:5:621 BLIP[2] ANGLE: 258, RADIUS: 50 10/9/2020 @ 21:41:40:166 MURDERER 10/9/2020 @ 21:40:25:846 BLIP[2] ANGLE: 261, RADIUS: 47 10/9/2020 @ 21:41:55:256 ROOM 10/9/2020 @ 21:40:35:466 BLIP[2] ANGLE: 262, RADIUS: 46 10/9/2020 @ 21:42:1:336 OKKULT 10/9/2020 @ 21:40:45:556 BLIP[2] ANGLE: 263, RADIUS: 47 10/9/2020 @ 21:42:10:411 RYAN 10/9/2020 @ 21:40:55:586 BLIP[1] ANGLE: 223, RADIUS: 26 10/9/2020 @ 21:42:25:596 MARAX 10/9/2020 @ 21:41:5:746 BLIP[1] ANGLE: 224, RADIUS: 25 10/9/2020 @ 21:42:34:671 APOCALYPSE 10/9/2020 @ 21:41:15:886 BLIP[2] ANGLE: 260, RADIUS: 46 10/9/2020 @ 21:42:46:271 ASTRAY 10/9/2020 @ 21:41:25:566 BLIP[2] ANGLE: 261, RADIUS: 45 10/9/2020 @ 21:42:49:286 MATTHEW 10/9/2020 @ 21:41:45:751 BLIP[2] ANGLE: 259, RADIUS: 45 10/9/2020 @ 21:42:58:379 PROBLEM 10/9/2020 @ 21:41:55:791 BLIP[1] ANGLE: 224, RADIUS: 27 10/9/2020 @ 21:43:1:416 AROUND 10/9/2020 @ 21:42:15:966 BLIP[2] ANGLE: 259, RADIUS: 47 10/9/2020 @ 21:43:13:516 JIGA 10/9/2020 @ 21:43:5:986 BLIP[1] ANGLE: 225, RADIUS: 28 10/9/2020 @ 21:43:22:616 ELEMENTAL 10/9/2020 @ 21:43:15:631 BLIP[1] ANGLE: 225, RADIUS: 26 10/9/2020 @ 21:43:43:366 DAEMON 10/9/2020 @ 21:43:35:766 BLIP[1] ANGLE: 226, RADIUS: 27 10/9/2020 @ 21:43:46:446 PELEJO 10/9/2020 @ 21:43:45:901 BLIP[1] ANGLE: 226, RADIUS: 25 10/9/2020 @ 21:43:55:476 file:///C|/ProgramData/Windows/{2043AF2B-799C-4839-90B7-51C3A3907D24}/_reports/(10-09-2020%2021-30-51).html[10/9/2020 10:32:51 PM] GHOSTHUNTERAPPS™ - VOX & Radar Report: (10-09-2020 21-30-51).html VIJOGORE 10/9/2020 @ 21:43:55:991 BLIP[2] ANGLE: 258, RADIUS: 46 10/9/2020 @ 21:44:7:586 STRESSFUL 10/9/2020 @ 21:44:6:66 BLIP[1] ANGLE: 227, RADIUS: 24 10/9/2020 @ 21:44:10:596 RIVAL 10/9/2020 @ 21:44:15:656 BLIP[1] ANGLE: 226, RADIUS: 23 10/9/2020 @ 21:44:16:636 SHAX 10/9/2020 @ 21:44:25:681 BLIP[1] ANGLE: 225, RADIUS: 24 10/9/2020 @ 21:44:22:646 CAIM 10/9/2020 @ 21:44:35:816 BLIP[2] ANGLE: 258, RADIUS: 48 10/9/2020 @ 21:44:31:741 SUITECASE 10/9/2020 @ 21:44:55:926 BLIP[1] ANGLE: 227, RADIUS: 26 10/9/2020 @ 21:44:46:856 PREDIGER 10/9/2020 @ 21:45:6:56 BLIP[2] ANGLE: 257, RADIUS: 49 10/9/2020 @ 21:45:7:546 CAUTIOUS 10/9/2020 @ 21:45:25:756 BLIP[2] ANGLE: 256, RADIUS: 48 10/9/2020 @ 21:45:10:551 YOJOQUORO 10/9/2020 @ 21:45:46:36 BLIP[2] ANGLE: 256, RADIUS: 50 10/9/2020 @ 21:45:19:666 INFRACTION 10/9/2020 @ 21:45:55:741 BLIP[2] ANGLE: 257, RADIUS: 53 10/9/2020 @ 21:45:28:766 ACROSS 10/9/2020 @ 21:47:16:17 BLIP[1] ANGLE: 228, RADIUS: 23 10/9/2020 @ 21:46:4:719 LAFIQ 10/9/2020 @ 21:47:26:76 BLIP[2] ANGLE: 257, RADIUS: 51 10/9/2020 @ 21:46:38:36 HIGHWAY 10/9/2020 @ 21:47:36:146 BLIP[1] ANGLE: 227, RADIUS: 22 10/9/2020 @ 21:46:41:116 EXASPERATION 10/9/2020 @ 21:47:45:802 BLIP[1] ANGLE: 226, RADIUS: 21 10/9/2020 @ 21:46:43:704 JOAN 10/9/2020 @ 21:47:55:911 BLIP[1] ANGLE: 227, RADIUS: 20 10/9/2020 @ 21:46:46:736 ASSASSINO 10/9/2020 @ 21:48:5:906 BLIP[1] ANGLE: 226, RADIUS: 19 10/9/2020 @ 21:46:58:871 WEAKNESS 10/9/2020 @ 21:48:16:92 BLIP[1] ANGLE: 228, RADIUS: 19 10/9/2020 @ 21:47:26:81 ILLT 10/9/2020 @ 21:48:26:127 BLIP[1] ANGLE: 227, RADIUS: 18 10/9/2020 @ 21:47:47:227 BENEATH 10/9/2020 @ 21:48:36:242 BLIP[1] ANGLE: 228, RADIUS: 17 10/9/2020 @ 21:47:55:911 THING 10/9/2020 @ 21:49:6:67 BLIP[2] ANGLE: 255, RADIUS: 51 10/9/2020 @ 21:48:4:906 ILLICIT 10/9/2020 @ 21:49:35:927 BLIP[1] ANGLE: 229, RADIUS: 18 10/9/2020 @ 21:48:7:917 VOVOREKE 10/9/2020 @ 21:50:16:272 BLIP[2] ANGLE: 254, RADIUS: 50 10/9/2020 @ 21:48:10:987 WATER 10/9/2020 @ 21:50:45:987 BLIP[1] ANGLE: 230, RADIUS: 19 10/9/2020 @ 21:48:14:23 KADE 10/9/2020 @ 21:51:15:857 BLIP[2] ANGLE: 255, RADIUS: 49 10/9/2020 @ 21:48:23:122 DREPE 10/9/2020 @ 21:51:25:957 BLIP[1] ANGLE: 230, RADIUS: 17 10/9/2020 @ 21:48:32:181 UNEVEN 10/9/2020 @ 21:51:36:7 BLIP[1] ANGLE: 231, RADIUS: 16 10/9/2020 @ 21:48:47:402 BELLIGERENT 10/9/2020 @ 21:51:46:117 BLIP[1] ANGLE: 230, RADIUS: 15 10/9/2020 @ 21:48:59:44 BEFORE 10/9/2020 @ 21:51:56:187 BLIP[2] ANGLE: 253, RADIUS: 49 10/9/2020 @ 21:49:8:71 EXPLICIT 10/9/2020 @ 21:52:15:902 BLIP[3] ANGLE: 84, RADIUS: 26 10/9/2020 @ 21:49:11:117 DEBASEMENT 10/9/2020 @ 21:52:25:927 BLIP[2] ANGLE: 252, RADIUS: 48 10/9/2020 @ 21:49:20:197 TESTAMENT 10/9/2020 @ 21:52:46:47 BLIP[1] ANGLE: 229, RADIUS: 14 10/9/2020 @ 21:49:26:257 HEAVY 10/9/2020 @ 21:52:56:197 BLIP[3] ANGLE: 83, RADIUS: 27 10/9/2020 @ 21:49:29:307 JEMO 10/9/2020 @ 21:53:6:278 BLIP[2] ANGLE: 251, RADIUS: 49 10/9/2020 @ 21:49:32:357 SOLICIT 10/9/2020 @ 21:53:36:88 BLIP[1] ANGLE: 230, RADIUS: 13 10/9/2020 @ 21:49:35:402 WESEKOHE 10/9/2020 @ 21:54:5:903 BLIP[2] ANGLE: 252, RADIUS: 50 10/9/2020 @ 21:49:38:427 DI 10/9/2020 @ 21:54:15:923 BLIP[1] ANGLE: 229, RADIUS: 12 10/9/2020 @ 21:49:41:472 RÃMA 10/9/2020 @ 21:54:36:128 BLIP[1] ANGLE: 228, RADIUS: 13 10/9/2020 @ 21:49:44:482 DARKNESS 10/9/2020 @ 21:55:5:923 BLIP[2] ANGLE: 251, RADIUS: 51 10/9/2020 @ 21:49:50:507 MORTI 10/9/2020 @ 21:55:16:43 BLIP[2] ANGLE: 252, RADIUS: 52 10/9/2020 @ 21:49:53:522 MURDER 10/9/2020 @ 21:55:26:198 BLIP[2] ANGLE: 253, RADIUS: 51 10/9/2020 @ 21:50:2:107 PRIEST 10/9/2020 @ 21:55:36:283 BLIP[3] ANGLE: 82, RADIUS: 26 10/9/2020 @ 21:50:8:157 UNDERNEATH 10/9/2020 @ 21:55:45:938 BLIP[2] ANGLE: 254, RADIUS: 52 10/9/2020 @ 21:50:11:192 CANAL 10/9/2020 @ 21:55:55:993 BLIP[3] ANGLE: 81, RADIUS: 27 10/9/2020 @ 21:50:20:237 SEX 10/9/2020 @ 21:56:26:213 BLIP[3] ANGLE: 80, RADIUS: 26 10/9/2020 @ 21:50:23:237 MARTHA 10/9/2020 @ 21:56:56:378 BLIP[1] ANGLE: 229, RADIUS: 16 10/9/2020 @ 21:50:26:297 COLD 10/9/2020 @ 21:57:46:383 BLIP[3] ANGLE: 79, RADIUS: 27 10/9/2020 @ 21:50:29:327 NIGHT 10/9/2020 @ 21:58:6:118 BLIP[3] ANGLE: 78, RADIUS: 26 10/9/2020 @ 21:50:32:332 TOXIC 10/9/2020 @ 21:58:16:208 BLIP[2] ANGLE: 253, RADIUS: 53 10/9/2020 @ 21:50:35:397 file:///C|/ProgramData/Windows/{2043AF2B-799C-4839-90B7-51C3A3907D24}/_reports/(10-09-2020%2021-30-51).html[10/9/2020 10:32:51 PM] GHOSTHUNTERAPPS™ - VOX & Radar Report: (10-09-2020 21-30-51).html COFFIN 10/9/2020 @ 21:58:46:128 BLIP[3] ANGLE: 77, RADIUS: 25 10/9/2020 @ 21:50:38:417 LOT 10/9/2020 @ 21:59:6:328 BLIP[1] ANGLE: 228, RADIUS: 15 10/9/2020 @ 21:50:44:457 HÆTTA 10/9/2020 @ 21:59:16:338 BLIP[3] ANGLE: 76, RADIUS: 26 10/9/2020 @ 21:50:47:499 WITHIN 10/9/2020 @ 21:59:26:495 BLIP[3] ANGLE: 75, RADIUS: 25 10/9/2020 @ 21:50:53:562 SPØKELSE 10/9/2020 @ 21:59:36:599 BLIP[2] ANGLE: 255, RADIUS: 53 10/9/2020 @ 21:51:8:262 VIOLENCE 10/9/2020 @ 21:59:46:213 BLIP[2] ANGLE: 254, RADIUS: 54 10/9/2020 @ 21:51:20:352 AMUSEMENT 10/9/2020 @ 21:59:56:253 BLIP[1] ANGLE: 231, RADIUS: 12 10/9/2020 @ 21:51:26:427 JACQUELINE 10/9/2020 @ 22:0:6:368 BLIP[3] ANGLE: 77, RADIUS: 27 10/9/2020 @ 21:51:29:442 LAW 10/9/2020 @ 22:0:26:448 BLIP[1] ANGLE: 230, RADIUS: 11 10/9/2020 @ 21:51:32:477 POGIYI 10/9/2020 @ 22:1:26:474 BLIP[1] ANGLE: 229, RADIUS: 10 10/9/2020 @ 21:51:38:557 GOLD MINE 10/9/2020 @ 22:1:46:209 BLIP[3] ANGLE: 75, RADIUS: 27 10/9/2020 @ 21:51:41:572
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    Dragon Anniversary: Return to the Nine Hells By Rich Baker Illustrations by Jack Crane, Anne Stokes, Warren Mahy, Daarken, Carl Frank, Thomas M. Baxa, Eric Deschamps, and Dave Allsop In 1983, Ed Greenwood laid out the D&D game’s the iron streets of Dis, or battled for their lives in the first great vision for extraplanar adventure in a two- frigid wastes of Stygia. The master villain of many part article appearing in Dragon issues 75 and 76. an adventure waited for the heroes in some hellish Before “The Nine Hells” articles, all that we knew retreat . or in fact turned out to be one of the arch- about Hell in the world of Dungeons & Dragons devils in person. is that it had nine levels and was home to the race To this day, the layers of Avernus, Dis, Minauros, of devils (and a few stray lawful evil gods). But in Phlegethos, Stygia, Malbolge, Maldomini, Cania, and Dragon 75, Ed Greenwood took us all on an unfor- Nessus remain the best known of all the outer planes. gettable tour, filled with vistas of infernal grandeur Ask any D&D player what the first layer of Acheron and dozens of the most fully realized villains to be is like or what the names of the Seven Heavens are, found anywhere in the multiverse. It all began with and you’ll probably get a blank stare. But every true a wonderful full-page illustration of two heroes D&D fan knows that you’ll run into fireballs and standing over the smoking corpse of a barbed devil, spined devils on the plains of Avernus, that Geryon and perhaps the biggest, boldest, and most purely was once the lord of Stygia, and that gelugons—or epic call to action ever written for a D&D game: I ice devils—haunt Cania, the frigid eighth hell.
  • Demon Dictionary

    Demon Dictionary

    Demon Dictionary This file courtesy of S. Connolly and DB Publishing | A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z | COPYRIGHT NOTICE - This dictionary is from the book Modern Demonolatry and The Complete Book of Demonolatry by S. Connolly ©1997-2005 and has been reprinted here with permission. Copyright infringement is a Federal crime punishable by law. If you want to post a LINK to the demon dictionary, please do that instead. Disclaimer: The purposes listed for the various Demons in the hierarchies and Demon directory come from a Christian viewpoint. Demonolators do not necessarily agree on the attributes. The only way you can actually know a Demon’s true attributes is to work with that Demon. The lessons a Demon can teach, or an attribute it has, can vary depending on what the practitioner needs and what wisdom the Demon can impart. -------------------------------------------------------------------------------- A Abaddon - (Hebrew) Destroyer, Advisor. Said to be chief of demons. Sometimes regarded as the destroying angel. Abdiel - (Arabic) from "Abd" meaning slave. Lord of slaves/slavery. Abduxuel - (Enochian) One of the demonic rulers of the lunar mansions. Abigor - (Unk) allegedly a warrior demon who commands sixty legions. Weyer names him as god of Grand Duke of Hell. Appears in a pleasant form. Also Abigar - Can foretell future and give military advice. Aclahayr - (Unk) Of the fourth hour of the Nuctemeron, the genius spirit. Adad, Addu - (Babylonian, Hittite) god of the storm. Adramalech - (Samarian) devil. Commander of Hell. Wierius' chancellor of infernal regions.
  • LEMEGETON CLAVICULA SALOMONIS REGIS Reworked, Written and Inspired from the Original Manuscript by Michael W

    LEMEGETON CLAVICULA SALOMONIS REGIS Reworked, Written and Inspired from the Original Manuscript by Michael W

    1 The GOETIA THE LESSER KEY OF SOLOMON THE KING LEMEGETON CLAVICULA SALOMONIS REGIS Reworked, Written and inspired from the original manuscript by Michael W. Ford Illustrated by Elda Isela Ford The Luciferian Edition, Houston, TX 2003 2 The Goetia Written and presented anew by Michael W. Ford ~ Akhtya Seker Arimanius To Restore the Sorcerous Path and the Art of Luciferian Ascension Illustrations also by Original Manuscript Sigils, Aleister Crowley reworked Sigils from the 1904-1976 Equinox Edition with new drawings. Inspired from the original manuscript edition, also the irreplaceable Goetia translated by SAMUEL LIDDELL MACGRAGOR MATHERS EDITED, ANNOTATED AND INTRODUCED BY ALEISTER CROWLEY Re-Print Issued by Equinox Publishing, London, 1976. Illustration Listing at end of Book. Also inspired by the meticulous and scholarly Illustrated Second Edition with annotations by ALEISTER CROWLEY and edited by HYMENAEUS BETA (Weiser 1995) The edition is intended as a personal grimoire Working. My original focus was to rework the Goetia in a modern Luciferian form, which focused on the development of the Will and the Self through Antinomian Left Hand Path techniques. The Author and Publisher accept no responsibility for the misuse of this edition. The Author wishes to thank- Jack Ehrhardt, Ms. Napper, Frater Scorpius Nokmet, Frater A.S.L., Dana Dark, a special thank you to fellow initiate Marie Buckner, Ugly Shyla and mother, Robert Mahar, Shemyaza of Immortal Coil Designs, Magus Books and all of the Brothers and Sisters of The Order of Phosphorus. Lucifer Triumphans! 3 Illumination Spell of the Seeker The Perception of the Serpent’s Mind who in the Dream of the Celestial and Infernal shall walk between the Worlds.
  • Black Easter

    Black Easter

    BLACK EASTER Screenplay by Robert Hawks Based On The Novel By James Blish 27 September 2014 Robert Hawks @occasionalities [email protected] 847-343-8705 FADE IN: For the experimentally minded, be forewarned: Although the quotations, diagrams, and rituals presented are authentic, they are in no case complete. What follows is not vade mecum, but a cursus infamam. ------------------------------------------ JAMES BLISH OPENING CREDIT SEQUENCE, FOLLOWED BY: Preparation of the Operator INT. THE MAGICIAN’S OFFICE - MORNING An elite, discreet, PROFESSIONAL’S OFFICE - within a large Italian Estate, some time in the fall. A briefcase concealing a recording device rests at the feet of two men who sit comfortably before a magnificent desk. They are: BAINES - early 50’s, billionaire, born captain. Wanted more. Seized and became bored by more’s limitations. JACK GINSBERG, early 40’s, Baines’s Chief-of-Staff. No lap dog, Jack’s a biter with no scars. It’s his briefcase. At his ease behind the desk: THERON WARE mid-30’s. Shaved head, diamond ear stud, expensive suit and accessories: rings, watch, cuff-links in the shape of a chess piece - the rook. Successful practitioner. Ware is mid-explanation: WARE --No, I can not help you ‘persuade’ a woman. (Beat.) Should you desire her raped, I can arrange that. Should you desire to rape her yourself, that is also manageable. With difficulty - more possibly than if one simply accepted one’s notions and with obvious discretion acted accordingly. (Beat.) Is that your purpose here today? To hide your nature? You contemplate a dangerous cloak. CLOSE UP: 2.
  • College Journal

    College Journal

    QUEEN'S COLLEGE JOURNAL, KINGSTON9 \. \ICANADA. vol- XlII - SESSION 1885-86. S~TAF. J. J. MACIINNAN,- ilaitaging Editor. DAVID MILLAR,- E dito r. F. C. HFATII, W.G. NIii- i.s.1 MISS M. OLIVER, W. A. LOGIE, E. RVAN, J. MICCUAIG, WV. H. CORNTT. Sccrecary- Treasutrci-, - I. N. DuNNING. ~J\ (E[(.. ..... 67, 10i8,1 '3 RUPbI o Antiseli All.............4 ALMýi.t N]ATFjt BjiANC7jI (W EýN-loWN1ENT ýSCn1E-M.. 141) 'ysîud h osb Ovrokd.....22 ART EPUCATION...................7 157xcvi~............... AizTs VALEDICTORY. ................... 162 CoxRsxoE................169 ATLTISi, 25, 41, 98 ('Vit TES IN DEMAND.......... .............. A. SIIOE'rT, NM.A....................DE Noms Noîisimas. 14, 28, 42, 1' 6, 70, 84, 98, 112, 16 hASE , 11T.......................25 [140), 154 BERIIRSSIPL ''ET...............150 1Dix NinY Hui.jý 9, 23, 40, 53, 68, 81, 96, ]10, 124, Bmis........................:>L[137, 152 IIOAt'RTEANOWELIN(TON................79I)o'~Ný\oýSs TO TUE LîiAî............42, 1'22 BONPTUE AND................3 WEA. AANOGTI Ci 'YILRON TIE SALVAT1ONISTS.....8 (,APITAL PUTNISIIMENT..................51 E«TION TTi iv, 5n........... CHAINCE'LI,OR'S ACKNOWLEDGMENT, T......108S EnITORItAîS: CIIANCEI.LOWR' ADDRESS, 'I'U.............157 Alma Mfater .Society.........29, 72, 127, 141 (H1)OSIN(I A COLLEUE................148 1 Alnma Mater Elein...........2, 57 CIIUISTMASX DAY IN LoNUoN......... .... .... 6 (3 Animuai Fe-Stivities.................9 Co0LLEtui WOIILD......12, 54, 69, 111, 125, 139, 153 Anciernt ('laIssies................74 AdditiRSONs toE 1~ Stf.................Answer to 'Pollux'...............88 Addîitions e, eStf15 Appointinents of the Mission Board.......13o Aima, Mater Eleetions. ................. 0 Associated SOCietieS of Edinb)oro' Uiiversity. 129 Alitta Maiýter Society..................1 Board of Comînon Examiners..........155 B.A.
  • Elizabethan Demonology

    Elizabethan Demonology

    Elizabethan Demonology Thomas Alfred Spalding The Project Gutenberg eBook, Elizabethan Demonology, by Thomas Alfred Spalding This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Elizabethan Demonology Author: Thomas Alfred Spalding Release Date: July 12, 2004 [eBook #12890] Language: English Character set encoding: ISO-646-US (US-ASCII) ***START OF THE PROJECT GUTENBERG EBOOK ELIZABETHAN DEMONOLOGY*** E-text prepared by Imran Ghory, Stan Goodman, Linda Cantoni, and the Project Gutenberg Online Distributed Proofreading Team ELIZABETHAN DEMONOLOGY An Essay in Illustration of the Belief in the Existence of Devils, and the Powers Possessed By Them, as It Was Generally Held during the Period of the Reformation, and the Times Immediately Succeeding; with Special Reference to Shakspere and His Works by THOMAS ALFRED SPALDING, LL.B. (LOND.) Barrister-at-Law, Honorary Treasurer of The New Shakspere Society London 1880 TO ROBERT BROWNING, PRESIDENT OF THE NEW SHAKSPERE SOCIETY, THIS VOLUME IS DEDICATED. FOREWORDS. This Essay is an expansion, in accordance with a preconceived scheme, of two papers, one on "The Witches in Macbeth," and the other on "The Demonology of Shakspere," which were read before the New Shakspere Society in the years 1877 and 1878. The Shakspere references in the text are made to the Globe Edition. The writer's best thanks are due to his friends Mr. F.J. Furnivall and Mr. Lauriston E.

  • Canada (Calgary, Edmonton, Inuvik), USA (Denver, Salt Lake City) ]

    The Complete Satanic Calendar for Spiritual Satanists This file is for UTC-7:00 DST [Canada (Calgary, Edmonton, Inuvik), USA (Denver, Salt Lake City) ] Entries in this Calendar do observe Daylight Saving Time! January 2020 ☾ MONDAY ♂ TUESDAY ☿ WEDNESDAY ♃ THURSDAY ♀ FRIDAY ♄ SATURDAY ☉ SUNDAY ☾ apogee 18:30 ☾ ♈ all day ♂→♐ 2:37 VoC ◼ 9:15 ☾ ♉ all day 01 VoC ► 19:13 02 21:45 03 VoC ► 18:18 04 ☾→♉ 9:15 05 VoC ◼ 21:00 ☾→♈ 21:00 (Moon in Taurus) (Moon in Aries) Money, permanence, (before the VoC) Increasing athletics, lasting results, material (Moon in Pisces) physical energy, things, possessions, Psychic healing independence, risks sensuality OSE VoC ► 5:07 ☾ ♊ all day VoC ► 15:15 VoC ◼ 1:43 ☾ eclipse 12:09 VoC ◼ 5:15 ☾ ♌ all day 06 VoC ◼ 19:10 07 08 09 ☾→♋ 1:43 10 12:21 11 ☾→♌ 5:15 12 ☾→♊ 19:10 VoC ► 16:58 ♅ Ð (♉) 18:48 (before the VoC) E (before the VoC) (Moon in Gemini) S (Moon in Cancer) Computers, B Love, psychic communications, A endeavors, relatives/siblings, T family, fertility, MOON ▢ neighbors pregnancy, home AMY ORIAS © Copyrighted under Joy of Satan Ministry VoC ► 6:41 ☾ ♍ all day VoC ► 5:11 ☾ ♎ all day 5:58 ☾ ♏ all day VoC ► 14:21 13 VoC ◼ 7:06 14 15 VoC ◼ 8:43 16 ☿→♒ 11:31 17 VoC ► 5:58 18 19 VoC ◼ 15:40 ☾→♍ 7:06 ☾→♎ 8:43 VoC ◼ 11:20 ☾→♐ 15:40 ♀→♓ 11:39 ☾→♏ 11:20 ☾ perigee 13:20 (before the VoC) (Moon in Scorpio) (Moon in Virgo) Black magick, Removing health banishing, detaching, issues VENUS ▢ freeing soul ORIAS VAPULA © Copyrighted under Joy of Satan Ministry ☉→♒ 7:55 VoC ◼ 21:59 ☾ ♑ all day VoC ► 19:08 VoC ◼ 6:20 VoC ► 12:06 VoC ◼ 16:43 20 VoC ► 21:45 21 ☾→♑ 21:59 22 23 24 ☾→♒ 6:20 25 26 ☾→♓ 16:43 14:41 (before the VoC) (Moon in Capricorn) Black magick, MERCURY ▢ banishing, detaching VENUS ▢ DAGON VOLAC ☾ ♓ all day VoC ► 18:08 VoC ◼ 4:50 ☾ ♈ all day VoC ► 8:09 27 28 29 ☾→♈ 4:50 30 31 VoC ◼ 17:27 ☾ apogee 14:26 ☾→♉ 17:27 (Moon in Pisces) Psychic endeavors MERCURY ▢ VENUS ▢ VOLAC ANDRAS Important Information Ingresses and Retrogrades The 8 Sabbats are important Satanic/Pagan holidays.
  • Discographic Grimoire Blzbz – Mmxv Discographic Grimoire

    Discographic Grimoire Blzbz – Mmxv Discographic Grimoire

    discographic grimoire blzbz – mmxv discographic grimoire the vision that we had when we introduced music publish- ing into the mystical body of belzebez was one of a repository of ritual music, aimed specifically at wanderers of the Draconian path. The first year of this new venture has seen the publication of no less than eight releases. We underestimated the volume of available material within the current, and therefore each release has not received a worthy introduction. To remedy this oversight we now present a few straightforward applications of the different compositions in order to place them in their proper context. We are most grateful for the overwhelming reception that our work has received, and we hope that all of you will appreciate this belat- ed discographic grimoire. The descriptions below are the result of several long discussions with the artists, and we have tried to con- vey the sometimes wordless gnosis of their art by contextualising them through the correspondences available in Qabalah, Qliphoth and Goetic Magic by Thomas Karlsson. Please keep in mind that this is intended as an inspirational guide, and is by no means intended to restrict the use or the perception of the art. tabernacle in the wilderness tvlpa The voice of him that crieth in the wilderness, Prepare ye the way of the LORD, make straight in the desert a highway for our God. – Isaiah 40:3 The theme of this piece, as hinted by the title, is about leaving the known and entering into uncharted territory, and setting up a temple of reflection in the midst of the untamed chaos beyond the patterns of mundane existence.