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Lights, Camera, but Where's the Action? Actor-Network Theory and the Production of Robert Connelly's Three Dollars
Chapter 15 Lights, Camera, but Where's the Action? Actor-Network Theory and the Production of Robert Connelly's Three Dollars O/i Mould In Hollywood, filmmaking is dominated by a number of large production studios tbat have placed increasing emphasis upon contract and freelance labor since the end of the studio era. 1 Feature film production in 1nany other countries and cities relies even more extensively on iinperinancnt self-employed freelance workers that are less integrated into the long-range business plans of the major studios/ distributors. American economist Jeremy Rifkin remarks, ((every filrn production brings together a tean1 of 1;pecialised production companies and independent contractors, each with its own expertise, along with the talent. 2 Together, these disparate parties constitute a short-lived network enterprise whose lifespan will be limited to the duration ?J'the project."3 The project-based nature of einployment in this industry is hence comprehensive, with very few large film producing firms, formulating what has been coined a "cottage econoiny. '14 Noting this mode of production, this chapter will show, through a project-based case study of Three Dollars (an Australian feature film directed by Robert Connolly) how Actor-Network Theory (ANT) can be employed to describe this project-based mode of film production that is sensitive to the freelance workers enrolled within it. The development of ANT in the social sciences literatures has offered scholars an alternative to Marxist approaches of media industry analysis. That is, ANT describes and prioritizes action of production work activities and relationships over structure of the industry's institutions and economies. -
Australian Grunge Fiction, the Bildungsroman and the Long Labor Decade
Unbecoming-of-Age: Australian Grunge Fiction, the Bildungsroman and the Long Labor Decade by Michael Robert Christie BA/ BEd (Hons.) Submitted in fulfilment of the requirements for the Degree of Doctor of Philosophy University of Tasmania, June 2009 Statement of Originality This thesis contains no material which has been accepted for a degree or diploma by the University or any other institution, except by way of background information and duly acknowledged in the thesis. To the best of my knowledge and belief this thesis contains no material previously published or written by another person except where due acknowledgement is made in the text of thesis, nor does the thesis contain any material that infringes copyright. Michael Christie Authority of Access This thesis may be made available for loan and limited copying in accordance with the Copyright Act 1968. Michael Christie Abstract This thesis interprets and explains changes in aspects of the Australian literary and political fields that occurred during the period sociologist Peter Beilharz has named the long Labor decade: 1983 to 1996. During this period tropes of youth, illness and mobility, and the Bildungsroman form were central to the textual embedding, via the putative modernisation of Australian Labourism, of Neoliberalism in Australian political culture. This thesis's central argument is that at its best Grunge and post-Grunge literary fiction both register and attempt to resist Neoliberal governmentality through the tropes of youth, illness and mobility, and through the Bildungsroman form. The introduction surveys the critical reception of Grunge fiction and presents the thesis' central literary-theoretical concepts which are taken from Franco Moretti and Fredric Jameson's historical sociology of literary form. -
The Reasons I Wont Be Coming Free
FREE THE REASONS I WONT BE COMING PDF Elliot Perlman | 323 pages | 05 Dec 2006 | Penguin Putnam Inc | 9781594482236 | English | New York, United States The Reasons I Won't Be Coming by Elliot Perlman - Penguin Books Australia The stories in this collection explore the complex worlds of lovers, poets, lawyers, immigrants, students, and murderers. They tell of corporate betrayals and lost opportunities, and of the obsessions, hopes, fears, and vagaries of desire. Elliot Perlman was born in Australia. Riverhead Books… More about Elliot Perlman. When you buy a book, we donate a book. Sign in. Halloween Books for Kids. Read An Excerpt. Dec 05, ISBN Add to Cart. Also available from:. Available from:. Paperback —. Also by Elliot Perlman. See all books by Elliot Perlman. Product Details. Inspired by Your Browsing History. The Jewish Messiah. Arnon Grunberg. A Beautiful The Reasons I Wont Be Coming. Colin McAdam. Shining at the Bottom of the Sea. Stephen Marche. Through the Safety Net. Charles Baxter. Yann Andrea Steiner. Marguerite Duras. Loot and The Reasons I Wont Be Coming Stories. Nadine Gordimer. The Reasons I Wont Be Coming and Other Stories. Vintage Nabokov. Vladimir Nabokov. Why Are You So Sad? Jason Porter. One More Year. Sana Krasikov. Small Crimes in an Age of Abundance. Matthew Kneale. Red Rover. Deirdre McNamer. Bech Is Back. Philip Roth. The Half-Life of Happiness. Daughters of the Revolution. Carolyn Cooke. Jonathan Galassi. The Everlasting Story of Nory. Nicholson Baker. The Flight. Gaito Gazdanov. Mafeking Road. Herman Charles Bosman. Brief Encounters with the Enemy. Without Blood. Alessandro Baricco. Something Is Out There. -
Johan De Witt
April 2012 Jewish Holocaust Centre Record-breaking number of visitors Winner of Museums and Galleries National Award The magazine of the Jewish Holocaust Centre, Melbourne, Australia Registered by Australia Post. Publication No. VBH 7236 JHC Board: The Jewish Holocaust Centre is dedicated to the memory of the six million Jews President: Pauline Rockman OAM murdered by the Nazis and their collaborators between 1933 and 1945. Vice President: Adam Kreuzer Immediate Past President: We consider the finest memorial to all victims of racist policies to be an educational Shmuel Rosenkranz program which aims to combat antisemitism, racism and prejudice in the Secretary: Elly Brooks community and fosters understanding between people. Treasurer: David Cohen Public Officer: Helen Mahemoff Members: Allen Brostek, Alex Dafner, Abram Goldberg, Sue Hampel, Paul Kegen, Henri Korn, Willy Lermer, Ruth Mushin, Goldie Birch CONTENTS JHC Foundation: Chairperson: Helen Mahemoff From the President 3 Trustees: Editor’s letter 3 Nina Bassat AM Joey Borensztajn Director’s cut 4 Allen Brostek Education 5 Silvana Layton Jeffrey Mahemoff AO Jewish Holocaust Centre celebrates prestigious MAGNA award and record number of visitors 6 Patrons: Professor Yehuda Bauer From access to integration: digital technologies Mrs Eva Besen AO and the study of Jewish history 7 Mr Marc Besen AO Chasidei Umot HaOlam 9 Sir William Deane AC CBE Sir Gustav Nossal AC CBE Elliot Perlman: writing about history, memory and human rights 10 Mrs Diane Shteinman AM Good Living Street 12 Steven