Degrees, Diplomas and Certificates Awarded in Conjunction with the Glasgow School of Art
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Schedule of Award Title Abbreviations
Award Abbreviation Associate Degree in Applied Science AssocDeg(AppSc) Associate Degree in Applied Science (Information Technology) AssocDegAppSc(IT) Associate Degree in Aviation (Professional Pilots) AssocDegAvn(ProfPil) Associate Degree in Business AssocDegBus Associate Degree in Design (Furniture) AssocDegDes(Furn) Associate Degree in Engineering Technology AssocDegEngTech Associate Degree in Engineering Technology (Advanced Manufacturing) AssocDegEngTech(AdvMan) Associate Degree in Engineering Technology (Civil Engineering) AssocDegEngTech(CivEng) Associate Degree in Engineering Technology (Civil) AssocDegEngTech(Civ) Associate Degree in Engineering Technology (Design and Development) AssocDegEngTech(Des&Dev) Associate Degree in Engineering Technology (Electrical/Electronics) AssocDegEngTech(ElecElect) Associate Degree in Engineering Technology (Mechanical) AssocDegEngTech(Mech) Associate Degree in Engineering Technology (Network Engineering) AssocDegEngTech(NetEng) Associate Degree in Engineering Technology (Network) AssocDegEngTech(Net) Associate Degree in Engineering Technology (Systems and Logistics) AssocDegEngTech(Sys&Log) Associate Degree in Fashion and Textile Merchandising AssocDegFash&TextMerch Associate Degree in Fashion Design and Technology AssocDegFashDes&Tech Associate Degree in Graphic Design AssocDegGrDes Associate Degree in Graphic Technology AssocDegGrTech Associate Degree in Health Sciences AssocDegHSc Associate Degree in Information Technology AssocDegInfoTech Associate Degree in Information Technology (System -
Judith D. Swain, AIA Education Master of Architecture University Of
Judith D. Swain, AIA Education Master of Architecture University of Oregon, School of Architecture and Allied Arts – Eugene, Oregon 1987 Bachelor of Fine Arts Massachusetts College of Art – Boston, Massachusetts 1984 Professional Practice Judith D. Swain, Architect, Seattle WA (2001 - present) Weinstein Copeland Architects, Seattle WA (1990 - 2001) Carlson / Ferrin Architects, Seattle WA (1989 - 1990) O.D. 205 / Architecture and Urban Planning, Eindhoven, Netherlands (1988) The Cavendish Partnership / Planning and Landscape Architecture, Ludlow VT (1982 - 1985) Self-employed / Design, Drafting, and Architectural Illustration, Boston MA and Ludlow VT (1978 - 1982) Teaching University of Washington Department of Architecture / Seattle WA - Lecturer, Part Time (1992 - present) Courses taught: graduate and undergraduate design studio; graduate and undergraduate design drawing Recent courses include: ARCH 401, ARCH 312, ARCH 200, ARCH 100, Freehand Drawing for Architecture Program Coordination for ARCH 100 / Introduction to Architecture University of Oregon Department of Architecture / Eugene OR - Adjunct Assistant Professor (1987) University of Oregon Department of Architecture / Eugene OR - Graduate Teaching Fellow (1986-1987) Courses include Media for Design Development and Media Skills and Content Awards and Recognition for Built Projects and Design Honor Award - AIA / Northwest and Pacific Region 1999 for The Pilchuck Glass School Studio Annex Merit Award - The Wood Design Awards 2001 for The Pilchuck Glass School Studio Annex Commendation -
Algorithmic Design Type Design Inquiry by Design Poster Design
Summer Workshops Basel June 29th- July 24th | 2020 Information and Application Form Visual Communication Institute FHNW HGK 29 í Poster Design Type Design í Inquiry by Design Algorithmic Design í 24 July University of Applied Sciences Academy of Art and Design The Basel School of Design Iwaidja Ifo Inabaknon Irish Iwal Ifugao, Amganad Inakeanon IrishNorthwestern Sign Switzerland Language Visual Communication Iwam Institute Ifugao, Batad Summer Workshops Basel June 29th- July 24th | 2020 Information and Application Form Visual Communication Institute FHNW HGK Program Summer Workshops Basel, June 29th to July 24th June 29th to July 03rd–Leander Eisenmann Poster Design What the requirements are for a successful poster design is an on-going theme of discussion. It must be readable from far away and close-up, attract curiosity, be informative and communicate an idea. A poster is a large 2-dimensional surface with a fas- cinating illusion of space and perspective. Its design, depending on the content, has to comply with many factors such as the concept, an existing corporate identity, recognizability, readability originality, and of course artistic expression. But, how can a poster function under all these demands? What is design quality? What demands are put on the designer? Does the informa- tional content, on the one hand, and the medium of print, on the other hand, require a different approach to finding design solutions? How many design possibilities are there and which is the right one? How do you achieve an optimal result? Can the design process in turn have an influence on the content message? In the workshop we will analyze and question the approach- es necessary for a dynamic, contextually correct and aesthetically successful poster design. -
KARLA BLACK Born 1972 in Alexandria, Scotland Lives And
KARLA BLACK Born 1972 in Alexandria, Scotland Lives and works in Glasgow Education 2002-2004 Master of Fine Art, Glasgow School of Art 1999-2000 Master of Philosophy (Art in Organisational Contexts), Glasgow School of Art 1995-1999 BA (Hons) Fine Art, Sculpture, Glasgow School of Art Solo Exhibitions 2021 Karla Black: Sculptures 2000 - 2020, FruitMarket Gallery, Edinburgh 2020 Karla Black: 20 Years, Des Moines Art Centre, Des Moines 2019 Schirn Kunsthalle, Frankfurt Galerie Gisela Capitain, Cologne 2018 The Power Plant, Toronto Karla Black / Luke Fowler, Capitain Petzel, Berlin 2017 Stuart Shave / Modern Art, London Festival d’AutoMne, Musée des Archives Nationales and École des Beaux-Arts, Paris MuseuM Dhondt-Dhaenens, Deurle 2016 Galleria Raffaella Cortese, Milan A New Order (with Kishio Suga), Scottish National Gallery of Modern Art, National Galleries of Scotland, Edinburgh David Zwirner, New York Galerie Gisela Capitain, Cologne 2015 Irish MuseuM of Modern Art, Dublin 2014 Stuart Shave / Modern Art, London Galleria Raffaella Cortese, Milan David Zwirner, New York 2013 Kestner Gesellschaft, Hannover Institute of ConteMporary Art, University of Pennsylvania, Philadelphia Galerie Gisela Capitain, Cologne GeMeenteMuseuM, The Hague 2012 Concentrations 55, Dallas MuseuM of Art, Dallas Schinkel Pavillon, Berlin Gallery of Modern Art, Glasgow Stuart Shave / Modern Art, London 2011 Scotland + Venice 2011 (curated by The FruitMarket Gallery), Palazzo Pisani, 54th Venice Biennale, Venice 2010 Capitain Petzel, Berlin WittMann Collection, Ingolstadt -
Download Press Release
LUCY SKAER CAROL RHODES HANNELINE VISNES HEAVY WEATHER May 18 – July 13, 2019 Opening Saturday May 18th Frans Halsstraat 26 From 6pm until 8pm GRIMM is proud to present Heavy Weather, an exhibition showers’ and ‘Violent Thunder’. These works function as an organised by Lucy Skaer (UK, 1975) with selected works by exploration of the role of feeling, emotion and subjectivity in Carol Rhodes (UK, 1959-2018) and Hanneline Visnes (NO, how we experience history, objects, images, or situations, 1972). The works in the show are united by the theme of despite degrees of abstraction or transmutation. temporality and landscape, meditating on nature, how it is altered and effected by human vision and action. This is In the paintings of Hanneline Visnes, which surround Skaer’s Skaer’s second exhibition with the gallery in Amsterdam La Chasse, stylised motifs of animals and plants are used to and follows her recent collaborative exhibition The Green comment on the representation and control of nature. Visnes Man held at the Talbot Rice Gallery in Edinburgh (UK). merges disparate patterns, motifs, and subjects into her meticulously crafted paintings. She explores and harnesses Lucy Skaer’s main body of work in the exhibition is titled the power of colour, utilising complementary hues that bounce La Chasse, after Le Livre du Chasse, a hunting manual by and fight off the surface, causing her still lifes to dance with Gaston Phébus from the fourteenth century. Skaer was agitated energy. By treating her ‘subject’ and background compelled by illustrations in this medieval manuscript with the same process, the traditional focal point of the work for their representation of time and form. -
Ersatz University
Rochester Institute of Technology Golisano Institute for Sustainability Architecture Program Report for 2017 NAAB Visit for: Initial Accreditation Master of Architecture 105 credit program for students entering Rochester Institute of Technology with a four-year undergraduate degree in a field other than architecture Year of the Previous Visit: 2015 Current Term of Accreditation: Continution of Candidacy Submitted to: The National Architectural Accrediting Board 15 March, 2017 Rochester Institute of Technology Rochester Institute of Technology Architecture Program Report March 15, 2017 Master of Architecture Program Golisano Institute for Sustainability College of imaging Arts and Sciences Architecture Program Report for Initial Accreditation (APR-IA) Program Administrator: Dennis A. Andrejko, FAIA Head, Department of Architecture Master of Architecture Program Golisano Institute for Sustainability 90 Lomb Memorial Drive Rochester Institute of Technology Rochester, New York 14214 585.475.4990 [email protected] Chief Administrator for the academic unit in which the program is located: Dr. Nabil Z. Nasr, Associate Provost and Director Golisano Institute for Sustainability Chief Academic Officer of the Institution: Dr. Jeremy Haefner Provost and Senior Vice President for Academic Affairs President of the Institution: Dr. William W. Destler, President Office of the President Individual submitting the Architecture Program Report: Dennis A. Andrejko, FAIA Head, Department of Architecture [email protected] Name of individual to whom questions should be directed: Dennis A. Andrejko, FAIA Head, Department of Architecture [email protected] ii Rochester Institute of Technology Architecture Program Report March 15, 2017 Table of Contents Section Page Section 1. Program Description 1 I.1.1 History and Mission 1 I.1.2 Learning Culture 4 I.1.3 Social Equity 5 I.1.4 Defining Perspectives 6 I.1.5 Long Range Planning 10 I.1.6A Program Self-Assessment 11 I.1.6B Curricular Assessment and Development 12 Section 2. -
Jim Lambie Education Solo Exhibitions & Projects
FUNCTIONAL OBJECTS BY CONTEMPORARY ARTISTS ! ! ! ! !JIM LAMBIE Born in Glasgow, Scotland, 1964 !Lives and works in Glasgow ! !EDUCATION !1980 Glasgow School of Art, BA (Hons) Fine Art ! !SOLO EXHIBITIONS & PROJECTS 2015 Anton Kern Gallery, New York, NY (forthcoming) Zero Concerto, Roslyn Oxley9 Gallery, Sydney, Australia Sun Rise, Sun Ra, Sun Set, Rat Hole Gallery, Tokyo, Japan 2014 Answer Machine, Sadie Coles HQ, London, UK The Fruitmarket Gallery, Edinburgh, Scotland 2013 The Flowers of Romance, Pearl Lam Galleries, Hong Kong! 2012 Shaved Ice, The Modern Institute, Glasgow, Scotland Metal Box, Gerhardsen Gerner, Berlin, Germany you drunken me – Jim Lambie in collaboration with Richard Hell, Arch Six, Glasgow, Scotland Everything Louder Than Everything Else, Franco Noero Gallery, Torino, Italy 2011 Spiritualized, Anton Kern Gallery, New York, NY Beach Boy, Pier Art Centre, Orkney, Scotland Goss-Michael Foundation, Dallas, TX 2010 Boyzilian, Galerie Patrick Seguin, Paris, France Jupiter Artland, Edinburgh, Scotland Metal Urbain, The Modern Institute, Glasgow, Scotland! 2009 Atelier Hermes, Seoul, South Korea ! Jim Lambie: Selected works 1996- 2006, Charles Riva Collection, Brussels, Belgium Television, Sadie Coles HQ, London, UK 2008 RSVP: Jim Lambie, Museum of Fine Arts, Boston, MA ! Festival Secret Afair, Inverleith House, Ediburgh, Scotland Forever Changes, Glasgow Museum of Modern Art, Glasgow, Scotland Rowche Rumble, c/o Atle Gerhardsen, Berlin, Germany Eight Miles High, ACCA, Melbourne, Australia Unknown Pleasures, Hara Museum of -
NAAB-Accredited Architecture Programs in the United States
NAAB‐Accredited Architecture Programs in the United States BArch = Bachelor of Architecture; MArch = Master of Architecture; DArch = Doctor of Architecture For more details on accreditation, please visit – www.naab.org ALABAMA (2) California at Berkeley, University of Auburn University College of Environmental Design College of Architecture, Design & Construction Department of Architecture School of Architecture Berkeley, CA Auburn University, AL arch.ced.berkeley.edu www.cadc.auburn.edu/soa/ MArch BArch California at Los Angeles, University of (UCLA) Tuskegee University Department of Architecture and Urban Design College of Engineering, Architecture and Physical Sciences Los Angeles, CA Department of Architecture www.aud.ucla.edu Tuskegee, AL MArch www.tuskegee.edu/ceaps/ BArch California College of the Arts School of Architectural Studies ALASKA ‐ None San Francisco, CA www.cca.edu/ ARIZONA (3) BArch; MArch Arizona State University College of Design California Polytechnic State University – San Luis Obispo School of Architecture + Landscape Architecture College of Architecture & Environmental Design Tempe, AZ Architecture Department design.asu.edu/ San Luis Obispo, CA MArch www.arch.calpoly.edu/ BArch Arizona, University of College of Architecture and Landscape Architecture California State Polytechnic University ‐ Pomona School of Architecture College of Environmental Design Tuscon, AZ Department of Architecture www.architecture.arizona.edu/ Pomona, CA BArch www.csupomona.edu/~arc BArch; MArch Frank Lloyd Wright School of Architecture -
Design, Architecture and Building Undergraduate Courses 2022
Design, Architecture and Building Undergraduate Courses 2022 No. UTS ranked Australia’s #1 young◆ 1uni Welcome to the Faculty of Design, Architecture and Building Contents UTS at a glance 02 Why design, architecture and building at UTS? 33,752 Undergraduate enrolments 10,208 Postgraduate coursework 03 Design 2199 Higher degree research 04 Bachelor of Design in Animation UTS student diversity 05 Bachelor of Design in Fashion and Textiles 29% are 25 or older 06 Bachelor of Design in Product Design 49% are female 07 Bachelor of Design in Visual Communication 50% were born outside of Australia 08 Architecture Please note the above numbers are approximates as of 09 Bachelor of Design in Architecture January 2020. 10 Bachelor of Landscape Architecture (Honours) 11 Bachelor of Design in Interior Architecture 12 Built Environment 13 Bachelor of Construction Project Management 14 Bachelor of Property Economics 15 Combined Degrees 15 Bachelor of Creative Intelligence and Innovation 15 Bachelor of Arts in International Studies 16 Degree add-ons 17 Applying to UTS Connect with us 17 How to apply 17 Admission schemes UTSDAB 17 Admission pathways UTSDAB 17 Scholarships 17 Fees and financial assistance Acknowledgement of Country UTS acknowledges the Gadigal People of the Eora Nation, the Boorooberongal People of the Dharug Nation, the Bidiagal people and the Gamaygal people upon whose ancestral lands our university stands. We would also like to pay respect to the Elders both past and present, acknowledging them as the traditional custodians of knowledge for these lands. 1 Faculty of Design, Architecture and Building Why design, architecture and building at UTS? Our students are creative and critical thinkers, connected with the best the world has to offer. -
This Copy Is for Staff Use Only
Architecture, Design and Planning Handbook 2018 This copy is for staff use only Handbooks online: sydney.edu.au/handbooks Contents Contents Honours 21 Welcome 1 Bachelor of Design in Architecture enrolment 21 A message from the Dean 1 planner Bachelor of Architecture and Environments 3 Bachelor of Design in Architecture 23 Overview 3 Bachelor of Design in Architecture 23 Bachelor in Architecture and Environment 3 Bachelor of Design in Architecture (Honours) 23 enrolment guide Course Resolutions 23 Summary of requirements 3 Master of Architecture prerequisite unit of study 3 Bachelor of Design in Architecture 25 Honours 3 Table A: Units of study in the Bachelor of Design 25 Bachelor of Architecture and Environments 3 in Architecture enrolment planner Bachelor of Design in Architecture 29 Bachelor of Architecture and Environments 5 Table A: Units of study in the Bachelor of Design 29 Bachelor of Architecture and Environments 5 in Architecture Bachelor of Architecture and Environments 5 Bachelor of Design in Architecture - Core units of 29 (Honours) study Course Resolutions 5 Junior units of study 29 Senior units of study 29 7 Bachelor of Architecture and Environments Bachelor of Design in Architecture 31 Table D: Units of study in the Bachelor of 7 (Honours)/Master of Architecture honours core Architecture and Environments units Recommended electives 31 Bachelor of Architecture and Environments 9 Master of Architecture - Prerequisite unit of study 31 Table D: Units of study in the Bachelor of 9 Architecture and Environments School electives -
How Interaction Design for Ceramics Exhibition Will Help Audiences to Have a Better Experience in Museums
How interaction design for ceramics exhibition will help audiences to have a better experience in museums. A thesis submitted to the Graduate School College of Design, Architecture, Art, and Planning of the University of Cincinnati in partial fulfillment of the requirements for the degree of Master of Design in the School of Design of the College of Design, Architecture, Art, and Planning by Fei Xie July 24, 2013 B.E., Automation School, Beijing University of Posts and Telecommunications (BUPT), P. R. China, 2010 Committee: Craig M. Vogel, MID Chair Katie Parker, MFA Member Renee Seward, MGD Member Abstract The common ways of offering information and educating visitors in museums are providing audio, interpretive signs and video displays. However, non-interactive ways don’t work well at engaging audiences. Artifacts in most museums are not allowed to be touched by visitors. They are usually put into glass display cabinets for protection. This thesis focuses on identify issues of user experience design in museums and define interactive product requirements for museum exhibitions as a harmonious whole system in order to provide audiences exciting experiences during visiting. Among archaeological artifacts, ceramics play an important role in understanding a region’s culture and technology. However, for audiences from a different cultural background, it is hard to understand when there is a lack of contextual information. There are also lots of stories behind ceramics, which are worth detailed explanations. However, only a limited amount of information can be presented to audiences in the museums. For that reason, this thesis uses ceramics as an entry point and discusses how to present knowledge of exhibition subject and artifacts information to audiences by using interaction designs. -
Graduate Study in Architecture 1
Graduate Study in Architecture 1 In each of these research areas, we intersect the perspectives of GRADUATE STUDY IN architectural design, science, technology, and the humanities even as we expect individual research projects to rigorously pursue specific ARCHITECTURE disciplinary agendas. Graduate studies in architecture at Georgia Tech are comprised of four Qualifications Needed to Apply distinct degree-granting programs: Applicants to the MSUD Program are limited to those with prior • Master of Architecture (M.Arch.) STEM Degree Program accredited professional degrees in • Master of Science in Urban Design (MSUD) • Architecture (M.ARCH or B.ARCH), • Master of Science in Architecture (MS Arch) with several possible • Landscape Architecture (BLA or MLA), research emphases. STEM Degree Program • City and Regional Planning (MCRP or equivalent), or • Doctor of Philosophy with a major in Architecture (PhD). • Civil Engineering (BCE or equivalent). The M.Arch. Program is the professional program in architecture leading Professional degrees from other countries are acceptable with proper to the NAAB-accredited Master of Architecture degree. This program documentation with the understanding that the MSUD cannot serve, in accommodates both a two-year curriculum for those students with a itself, as a professional degree in the US. It is preferable that applicants four-year, pre-professional degree in architecture and a three-and-a-half- have a year or more of professional experience. year curriculum for those students without a pre-professional degree in architecture. Applicants must demonstrate their ability for graduate study in architecture by submitting the following in their application package: The MSUD Program is oriented to those who wish to expand upon their previous professional education and professional experience, as 1.