On the Transition from Logic of Sense to Anti-Oedipus
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Becoming-Other: Foucault, Deleuze, and the Political Nature of Thought Vernon W
Philosophy Faculty Publications Philosophy 4-2014 Becoming-Other: Foucault, Deleuze, and the Political Nature of Thought Vernon W. Cisney Gettysburg College Follow this and additional works at: https://cupola.gettysburg.edu/philfac Part of the Philosophy of Mind Commons Share feedback about the accessibility of this item. Cisney, Vernon W. "Becoming-Other: Foucault, Deleuze, and the Nature of Thought." Foucault Studies 17 Special Issue: Foucault and Deleuze (April 2014). This is the publisher's version of the work. This publication appears in Gettysburg College's institutional repository by permission of the copyright owner for personal use, not for redistribution. Cupola permanent link: https://cupola.gettysburg.edu/philfac/37 This open access article is brought to you by The uC pola: Scholarship at Gettysburg College. It has been accepted for inclusion by an authorized administrator of The uC pola. For more information, please contact [email protected]. Becoming-Other: Foucault, Deleuze, and the Political Nature of Thought Abstract In this paper I employ the notion of the ‘thought of the outside’ as developed by Michel Foucault, in order to defend the philosophy of Gilles Deleuze against the criticisms of ‘elitism,’ ‘aristocratism,’ and ‘political indifference’—famously leveled by Alain Badiou and Peter Hallward. First, I argue that their charges of a theophanic conception of Being, which ground the broader political claims, derive from a misunderstanding of Deleuze’s notion of univocity, as well as a failure to recognize the significance of the concept of multiplicity in Deleuze’s thinking. From here, I go on to discuss Deleuze’s articulation of the ‘dogmatic image of thought,’ which, insofar as it takes ‘recognition’ as its model, can only ever think what is already solidified and sedimented as true, in light of existing structures and institutions of power. -
Thinking Like Grass, with Deleuze in Education?1
Thinking like Grass, with Deleuze in Education?1 XIAO-JIU LING York University Any beginning is difficult. To begin to talk about Gilles Deleuze is particularly difficult. For one thing, he is a philosopher of immense learning which is tightly tied to his rich studies in French or European intellectual history. He confessed to Michel Cressole in his 1973 letter: “I belong to a generation, one of the last generations, that was more or less bludgeoned to death with the history of philosophy… I myself ‘did’ history of philosophy for a long time, read books on this or that author” (Neg., p. 5-6). Indeed, this aspect of his learning is evident in any of his writings. Hence, for someone like me who had meager background in philosophy and in French literature, to start to read Deleuze was and still is a difficult endeavour. Secondly, Deleuze was an experimenter, a player [joueur]. Not only did he play with canonical works handed down from the past in the western philosophical tradition, ranging from his earlier studies on and with work of Hume, Nietzsche, then Kant, Bergson, Spinoza, and later Leibniz (in the order of his related publications), but he also experimented with thinking beyond the traditional boarders of philosophy. In his own words, he “compensated in various ways” (Neg., p. 5-6) in finding new rules to philosophizing. In this effort, he drew sources from and critiqued in the domain of Journal of the Canadian Association for Curriculum Studies Volume 7 Number 2 2009 Journal of the Canadian Association for Curriculum Studies psychoanalysis, literature (most notably Proust, Sacher-Masoch and Kafka) as well as other areas of the arts, such as painting, theatre and cinema. -
Introduction Part I Deleuze and Systematic Philosophy
Notes Introduction 1. Gilles Deleuze and Félix Guattari, Anti-Oedipus: Capitalism and Schizophrenia, trans. Robert Hurley, Mark Seem, and Helen R. Lane (New York: Viking, 1977), p. 240. 2. Gilles Deleuze and Félix Guattari, A Thousand Plateaus: Capitalism and Schizophrenia, trans. Brian Massumi. (Minneapolis, MN: University of Minnesota Press, 1987), p. 3. 3. Gilles Deleuze, Negotiations, trans. Martin Joughin. (New York: Columbia University Press, 1995), pp. 88–89. 4. Gilles Deleuze, Empiricism and Subjectivity: An Essay on Hume’s Theory of Human Nature, trans. Constantine Boundas (New York: Columbia University Press, 1991), p. 107. 5. Ibid., p. 106. 6. Henri Bergson, The Creative Mind, trans. Mabelle L. Andison (New York: Philosophical Library, 1946), pp. 21–28. 7. Gilles Deleuze, Difference and Repetition, trans. Paul Patton (New York: Columbia University Press, 1994), p. 8. Part I Deleuze and Systematic Philosophy 1. Gilles Deleuze, Negotiations (1972–1990), trans. Martin Joughin (New York: Columbia University Press, 1995), p. 31. 2. Gilles Deleuze and Félix Guattari, A Thousand Plateaus: Capitalism and Schizophrenia, trans. Brian Massumi (Minneapolis: University of Minnesota Press, 1987), p. 18. 3. Gilles Deleuze, Difference and Repetition, trans. Paul Patton (New York: Columbia University Press), pp. 170–6. 4. Gilles Deleuze, Expressionism in Philosophy: Spinoza, trans. Martin Joughin (New York: Zone Books, 1992). This logic of expression is developed in chapters 1–2 and 6–8. 5. Spinoza brings together the notion of substance and expression in Part 1 of the Ethics: definitions 4 and 6, Proposition 10, and the Scholium following Proposition 10. The treatment of modifications and individuals first appears in Part 2, Proposition 7 along with its Corollary and Scholium. -
From Opinions to Images: Essays Towards a Sociology of Affects Ulus S
FROM OPINIONS TO IMAGES: ESSAYS TOWARDS A SOCIOLOGY OF AFFECTS ULUS S. BAKER EDITED BY ARAS ÖZGÜN AND ANDREAS TRESKE A SERIES OF READERS PUBLISHED BY THE INSTITUTE OF NETWORK CULTURES ISSUE NO.: 37 FROM OPINIONS TO IMAGES: ESSAYS TOWARDS A SOCIOLOGY OF AFFECTS ULUS S. BAKER EDITED BY ARAS ÖZGÜN AND ANDREAS TRESKE FROM OPINIONS TO IMAGES 2 Theory on Demand #37 From Opinions to Images: Essays Towards a Sociology of Affects Ulus S. Baker Edited by Aras Özgün and Andreas Treske Cover design: Katja van Stiphout Design and EPUB development: Eleni Maragkou Published by the Institute of Network Cultures, Amsterdam, 2020 ISBN print-on-demand: 978-94-92302-66-3 ISBN EPUB: 978-94-92302-67-0 Contact Institute of Network Cultures Phone: +31 (0)20 595 1865 Email: [email protected] Web: http://www.networkcultures.org This publication is available through various print on demand services. EPUB and PDF edi- tions are freely downloadable from our website: http://www.networkcultures.org/publications. This publication is licensed under the Creative Commons Attribution-NonCommer- cial-NoDerivatives 4.0 International. FROM OPINIONS TO IMAGES 3 Cover illustration: Diagram of the signifier from Deleuze, Gilles and Félix Guattari, A Thousand Plateaus: Capitalism and Schizophrenia. Minneapolis: University of Minnesota Press. 1987. 4 THEORY ON DEMAND CONTENTS PASSING THROUGH THE WRITINGS OF ULUS BAKER 5 1. A SOCIOLOGY OF AFFECTS 9 2. WHAT IS OPINION? 13 3. WHAT IS AN AFFECT? 59 4. WHAT IS AN IMAGE? 86 5. TOWARDS A NEO-VERTOVIAN SENSIBILITY OF AFFECTS 160 6. ON CINEMA AND ULUS BAKER 165 BIBLIOGRAPHY 180 BIOGRAPHIES 187 FROM OPINIONS TO IMAGES 5 We have lived at least one century within the idea of opinion which determined some of the major themes in social sciences.. -
Kleinherenbrink's Externality Thesis and Deleuze's Machine Ontology
Cosmos and History: The Journal of Natural and Social Philosophy, vol. 16, no. 1, 2020 REVIEW ARTICLE AGAINST THE VIRTUAL: KLEINHERENBRINK’S EXTERNALITY THESIS AND DELEUZE’S MACHINE ONTOLOGY Ekin Erkan ABSTRACT: Reviewing Arjen Kleinherenbrink’s recent book, Against Continuity: Gilles Deleuze's Speculative Realism (2019), this paper undertakes a detailed review of Kleinherenbrink’s fourfold “externality thesis” vis-à-vis Deleuze’s machine ontology. Reading Deleuze as a philosopher of the actual, this paper renders Deleuzean syntheses as passive contemplations, pulling other (passive) entities into an (active) experience and designating relations as expressed through contraction. In addition to reviewing Kleinherenbrink’s book (which argues that the machine ontology is a guiding current that emerges in Deleuze’s work after Difference and Repetition) alongside much of Deleuze’s oeuvre, we relate and juxtapose Deleuze’s machine ontology to positions concerning externality held by a host of speculative realists. Arguing that the machine ontology has its own account of interaction, change, and novelty, we ultimately set to prove that positing an ontological “cut” on behalf of the virtual realm is unwarranted because, unlike the realm of actualities, it is extraneous to the structure of becoming—that is, because it cannot be homogenous, any theory of change vis-à-vis the virtual makes it impossible to explain how and why qualitatively different actualities are produced. KEYWORDS: Ontology; Speculative Philosophy; Deleuze; Object-Oriented Ontology; Speculative Realism; Machine Ontology www.cosmosandhistory.org 492 EKIN ERKAN 493 § INTRODUCTION Following Arjen Kleinherenbrink’s Against Continuity: Gilles Deleuze’s Speculative Realism (2019)—arguably one of the closest and most rigorous secondary readings of Deleuze’s oeuvre—this paper seeks to demonstrate how any relation between machines immediately engenders a new machine, accounting for machinic circuits of activity where becoming, or processes of generation, are always necessarily irreducible to their generators. -
Deleuze, History and Becoming
DELEUZE, HISTORY AND BECOMING CRAIG LUNDY A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy School of History and Philosophy University of New South Wales 2010 ii COPYRIGHT STATEMENT ‘I hereby grant the University of New South Wales or its agents the right to archive and to make available my thesis or dissertation in whole or part in the University libraries in all forms of media, now or here after known, subject to the provisions of the Copyright Act 1968. I retain all proprietary rights, such as patent rights. I also retain the right to use in future works (such as articles or books) all or part of this thesis or dissertation. I also authorise University Microfilms to use the 350 word abstract of my thesis in Dissertation Abstract International (this is applicable to doctoral theses only). I have either used no substantial portions of copyright material in my thesis or I have obtained permission to use copyright material; where permission has not been granted I have applied/will apply for a partial restriction of the digital copy of my thesis or dissertation.' Signed .............................................................................. Date .............................................................................. AUTHENTICITY STATEMENT ‘I certify that the Library deposit digital copy is a direct equivalent of the final officially approved version of my thesis. No emendation of content has occurred and if there are any minor variations in formatting, they are the result of the conversion -
The Virtual and the Real
The Virtual and the Real David J. Chalmers How real is virtual reality? The most common view is that virtual reality is a sort of fictional or illusory reality, and that what goes in in virtual reality is not truly real. In Neuromancer, William Gibson famously said that cyberspace (meaning virtual reality) is a “consensual hallucination”. It is common for people discussing virtual worlds to contrast virtual objects with real objects, as if virtual objects are not truly real. I will defend the opposite view: virtual reality is a sort of genuine reality, virtual objects are real objects, and what goes on in virtual reality is truly real. We can get at the issue via a number of questions. (1) Are virtual objects, such as the avatars and tools found in a typical virtual world, real or fictional? (2) Do virtual events, such as a trek through a virtual world, really take place? (3) When we perceive virtual worlds by having immer- sive experiences of a world surrounding us, are our experiences illusory? (4) Are experiences in a virtual world as valuable as experiences in a nonvirtual world? Here we can distinguish two broad packages of views. A package that we can call virtual realism (loosely inspired by Michael Heim’s 1998 book of the same name) holds:1 (1) Virtual objects really exist. (2) Events in virtual reality really take place. (3) Experiences in virtual reality are non-illusory. 0Forthcoming in Disputatio. Thanks to audiences at Arizona, the Australasian Association of Philosophy, Brooklyn Library, Glasgow, Harvard, Hay-on-Wye, La Guardia College, NYU, Skidmore, Stanford, and Sun Valley, and espe- cially at the Petrus Hispanus Lectures at the University of Lisbon. -
Deleuze and Zhuangzi: Actualization and Counter-Actualization
DOI: 10.4312/as.2019.7.1.315-335 315 Deleuze and Zhuangzi: Actualization and Counter-actualization Margus OTT*1 Abstract Deleuze has presented one of the richest ontologies in 20th century philosophy, and its conceptual machinery could be more fully used also in Sinology. This article focuses on two of his concepts: actualization and counter-actualization. Actualization proceeds from the virtual and through the intensive processes of individuation moves towards actual struc- tures. Counter-actualization proceeds in the opposite direction, and starting from the actual, through creative involution discovers intensities and the virtual. It has the aspects of making a body without organs, creating intensities, and diversifying them. Actualization by differen- tiation is a common understanding of genetic processes in the Chinese tradition in general, and in the Zhuangzi in particular. In this article, Deleuze’s concepts are used to (re)interpret the account of differentiation in the story of the death of Zhuangzi’s wife, and the strange story from the chapter “Ultimate Joy” where “horses engender men.” Counter-actualization by discarding, dismantling, forgetting, thawing of forms and reaching towards the intensive and the virtual, a merging with the Dao, is a recurrent theme in the Chinese Daoism, and it is shown on the example of Yan Hui’s “sitting and forgetting,” master swimmer of Lü, and the thought of death, how they project beyond the actualized rigid and metric forms toward a more intensive, plastic, and joyful existence. Keywords: Deleuze, Zhuangzi, ontology, comparative philosophy, virtual, actual, intensities Deleuze in Zhuangzi: aktualizacija in proti-aktualizacija Izvleček Deleuze je predstavil eno najbogatejših antologij filozofije 20. -
97 Giulio Piatti
S&F_n. 17_2017 GIULIO PIATTI «THE POWERFUL, NON‐ORGANIC LIFE WHICH GRIPS THE WORLD». VITALISM AND ONTOLOGY IN GILLES DELEUZE 1. Intro 2. Vitalistic turn. Deleuze’s Bergsonism 3. Ontological framework: virtuality, becoming, univocity 4. From organic to inorganic. Gothic avatar, crystallization, metallurgy 5. Conclusion. Life of things, death of “person” ABSTRACT: «THE POWERFUL, NON‐ORGANIC LIFE WHICH GRIPS THE WORLD». VITALISM AND ONTOLOGY IN GILLES DELEUZE It is well known that Gilles Deleuze is the heir of a complex vitalistic tradition, beginning with Henri Bergson’s Creative Evolution and spanning through an important part of 20th century French philosophy. According to this line of thought, philosophy has to sharpen its vision in order to grasp the irreducible nature of the living. On one hand Deleuze seems to explicitly follow these intuitions, on the other though he strives to find a viable ontological framework for an actual philosophy of life, reaffirming the Nietzschean notion of being as becoming, the Bergsonian virtual coexistence of memory and Scotist univocity of the being. Through such operation, Deleuze actually seems to distance himself from a simply vitalistic approach, and to build instead an original metaphysics that understands life as a powerful inorganic force crossing all levels of reality. The organic, thus, is what traps and diverts (détourne) this impersonal and germinal life. Aim of the presentation is to clarify the originality of Deleuze’s vitalistic ontology and point to its ambiguities and debts towards other philosophical traditions. Even if Deleuze apparently overturns his vitalistic roots, it is nevertheless undeniable that the vital domain will engage him throughout all of his work. -
The Relevance of Michel Serres's Idea of Bodily Hominescence for A
Philosophy Study, February 2020, Vol. 10, No. 2, 119-126 doi: 10.17265/2159-5313/2020.02.003 D DAVID PUBLISHING The Relevance of Michel Serres’s Idea of Bodily Hominescence for a Convergence of Posthumanism and Transhumanism: A Trans/Posthuman Body Orsola Rignani University of Florence, Florence, Italy Faced with the challenge of arguments about the relation of post-, and trans-humanism, putting forth questions on their “antagonism”, or “convergence”, I propose to (re-)evaluate/highlight the relevance of the thinking of Michel Serres for posthuman debates. It specifically seems to me that Serresian idea of bodily hominescence can be read as a suggestion of “convergence” of post- and trans-humanism. Starting from the assumption that the body is a crucial node of both of them in that its consideration by one and the other marks a major front of their divergence (tool body according to transhumanism, dimensional body according to posthumanism), I seem to grasp, within the Serresian theme of the hominescent body as totipotent/virtual, the idea of bodily virtuality as a point of their convergence. Following Serres’s argument that, due to its virtuality/potentiality (intended as the totality of the possibilities), the body, though always involved in (technological) hybridization processes, is difficult to be artificially reproduced and to be reduced to information, I assume virtuality as an “operational concept” capable of “producing” convergence of post- and trans-humanism. Such a concept allows me, in fact, to read the body (re-)invested, by technology as an infiltrative agent, of a dimensional role as hybridizer (and in this sense normalized). -
The Cry of the Body Without Organs: a Schizoanalysis of Ed Bland's
LA DELEUZIANA – ONLINE JOURNAL OF PHILOSOPHY – ISSN 2421-3098 N. 10 / 2019 – RHYTHM, CHAOS AND NONPULSED MAN The Cry of the Body Without Organs: a Schizoanalysis of Ed Bland’s Critical Race Theory of Jazz by PADDY FARR Abstract Through an analysis of the film The Cry of Jazz, the Afro-Futurism of Ed Bland is contrasted with the schizoanalysis of Deleuze and Guattari to demonstrate Both the application of schizoanal- ysis to jazz theory and the application of Afro-Futurism to schizoanalysis. In the first part, Bland’s critical race theory of jazz is outlined through the dialogue provided By the protagonist Alex in The Cry of Jazz demonstrating the dialectical Hegelianism of Bland’s analysis. Bland’s theory of jazz is sifted through a reading of Deleuze’s Difference and Repetition as a critique of Hegelianism. Through an elaBoration of jazz theory, the Deleuzian concepts of difference and repetition develop further Bland’s jazz theory leading to the death of jazz and the potential Becoming of a new Amer- ica. The survival of the spirit of jazz after death is demonstrated through the Body without organs. Here, Bland’s Afro-Futurist critical race theory comes into focus as a pure affectivity that decom- poses the Boundaries of musicality and the social condition simultaneously. In 1977, the Sex Pistols released their hit single, rising to numBer 2 on the UK Singles Chart, «God Save the Queen». In the song, singer Johnny Rotten roared, «Don’t Be told what you want; Don’t Be told what you need; There’s no future; No future; No future for you». -
Syllabus, Assignments, and Other Course-Related Materials
Future, Futurism, and Technology: The Philosophy of Virtual Reality (DRAFT COPY) Course Instructor: Jordan Kokot Course Dates: Contact Information: [email protected] Course Location: Office Location: Course Time: Office Hours: Credits: Course Librarian: TBD Contact Information: Course Description Humanity has expressed a remarkable capacity to invent and manipulate new realities. From dreams and ancient storytelling to modern 3d superhero movies and VR video games, we are all captivated by the process of losing ourselves in different worlds and different possibilities. Nowhere is this drive more pronounced than in the rapid rise of modern “alternate reality” technologies. In this course, we will begin to explore some of the philosophical and ethical implications of the development of virtual reality in light of the meteoric rise of modern technology and the tremendous impact it has had on the human experience. In addition to investigating the history and technology of VR, MR (mixed reality), and AR (Augmented Reality), we will seek answers to difficult questions concerning the phenomenology, metaphysics, and social and ethical implications of VR technologies. What does it mean for something to be “virtual?” What is “real” about virtual reality? Are we all in a giant simulation? Would it matter if we were? Can we model consciousness and even develop robust artificial intelligences using lessons learned from VR technologies? Are we destined for a virtual future and what would it mean if we could change our appearance as easily as we can change