Curriculum Vitae
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Mythic Metamorphosis: Re-Shaping Identity in the Works of H.D. Sarah Lewis Mitchem Thesis Submitted to the Faculty of the Virgin
Mythic Metamorphosis: Re-shaping Identity in the Works of H.D. Sarah Lewis Mitchem Thesis submitted to the faculty of the Virginia Polytechnic Institute and State University in partial fulfillment of the requirements for the degree of Master of Arts in English Thomas Gardner, Chair Frederick M. D’Aguiar Paul Sorrentino April 13, 2007 Blacksburg, Virginia Keywords: H.D., Imagism, Mythic Metamorphoses, Asklepios Copyright (Optional) Mythic Metamorphosis: Re-shaping Identity in the Works of H.D. Sarah Lewis Mitchem Abstract In section fifteen of the poem The Walls Do Not Fall author Hilda Doolittle (H.D.) address her audience and articulates the purpose of the poet in the following lines: “we are the keepers of the secret,/ the carriers, the spinners/ of the rare intangible thread/ that binds all humanity/ to ancient wisdom,/ to antiquity;/…every concrete object/ has abstract value, is timeless/ in the dream parallel” (Trilogy 24). H.D. mined her own life for charged relationships which she then, through writing, connected to the mythic characters of antiquity whose tales embodied the same struggles she faced. Reading concrete objects as universal symbols which transcend time, her mind meshed the 20th century with previous cultures to create a nexus where the questions embedded in the human spirit are alive on multiple planes. The purpose of this research project is not to define her works as “successful” or “unsuccessful,” nor to weigh the works against each other in terms of “advancement.” Rather it is to describe the way she manipulates this most reliable of tools, mythic metamorphosis, in works stretching from her early Imagist poetry, through her long poem Trilogy, and finally into her last memoir End To Torment, taking note of the way she uses this tool to form beauty from harsh circumstances and help heal her shattered psyche. -
POEMS for REMEMBRANCE DAY, NOVEMBER 11 for the Fallen
POEMS FOR REMEMBRANCE DAY, NOVEMBER 11 For the Fallen Stanzas 3 and 4 from Lawrence Binyon’s 8-stanza poem “For the Fallen” . They went with songs to the battle, they were young, Straight of limb, true of eye, steady and aglow. They were staunch to the end against odds uncounted, They fell with their faces to the foe. They shall grow not old, as we that are left grow old: Age shall not weary them, nor the years condemn. At the going down of the sun and in the morning We will remember them. Robert Laurence Binyon Poem by Robert Laurence Binyon (1869-1943), published in by the artist William Strang The Times newspaper on 21st September 1914. Inspiration for “For the Fallen” Laurence Binyon composed his best-known poem while sitting on the cliff-top looking out to sea from the dramatic scenery of the north Cornish coastline. The poem was written in mid-September 1914, a few weeks after the outbreak of the First World War. Laurence said in 1939 that the four lines of the fourth stanza came to him first. These words of the fourth stanza have become especially familiar and famous, having been adopted as an Exhortation for ceremonies of Remembrance to commemorate fallen service men and women. Laurence Binyon was too old to enlist in the military forces, but he went to work for the Red Cross as a medical orderly in 1916. He lost several close friends and his brother-in-law in the war. . -
Ezra Pound His Metric and Poetry Books by Ezra Pound
EZRA POUND HIS METRIC AND POETRY BOOKS BY EZRA POUND PROVENÇA, being poems selected from Personae, Exultations, and Canzoniere. (Small, Maynard, Boston, 1910) THE SPIRIT OF ROMANCE: An attempt to define somewhat the charm of the pre-renaissance literature of Latin-Europe. (Dent, London, 1910; and Dutton, New York) THE SONNETS AND BALLATE OF GUIDO CAVALCANTI. (Small, Maynard, Boston, 1912) RIPOSTES. (Swift, London, 1912; and Mathews, London, 1913) DES IMAGISTES: An anthology of the Imagists, Ezra Pound, Aldington, Amy Lowell, Ford Maddox Hueffer, and others GAUDIER-BRZESKA: A memoir. (John Lane, London and New York, 1916) NOH: A study of the Classical Stage of Japan with Ernest Fenollosa. (Alfred A. Knopf, New York, 1917; and Macmillan, London, 1917) LUSTRA with Earlier Poems. (Alfred A. Knopf, New York, 1917) PAVANNES AHD DIVISIONS. (Prose. In preparation: Alfred A. Knopf, New York) EZRA POUND HIS METRIC AND POETRY I "All talk on modern poetry, by people who know," wrote Mr. Carl Sandburg in _Poetry_, "ends with dragging in Ezra Pound somewhere. He may be named only to be cursed as wanton and mocker, poseur, trifler and vagrant. Or he may be classed as filling a niche today like that of Keats in a preceding epoch. The point is, he will be mentioned." This is a simple statement of fact. But though Mr. Pound is well known, even having been the victim of interviews for Sunday papers, it does not follow that his work is thoroughly known. There are twenty people who have their opinion of him for every one who has read his writings with any care. -
Paper 4, Module 17: Text
Paper 4, Module 17: Text Role Name Affiliation Principal Investigator Prof. Tutun Mukherjee University of Hyderabad Paper Coordinator Prof. Hariharan Institute of English, University of Balagovindan Kerala Content Writer/Author Dr. Milon Franz St. Xavier’s College, Aluva (CW) Content Reviewer (CR) Dr. Jameela Begum Former Head & Professor, Institute of English, University of Kerala Language Editor (LE) Prof. Hariharan Institute of English, University of Balagovindan Kerala 2 War Poets. Wilfred Owen, Siegfried Sassoon, Rupert Brooke Introduction War poetry is set in contrast with Georgian poetry, the poetry that preceded it. While the Georgian poets presented war as a noble affair, celebrating ‘the happy warrior’ proud to give his life for his country, the war poets chose to represent the horror and ‘pity’ of war. War poetry was actually anti-war poetry, an indictment of the whole ideology of the nobleness of war. For war poets, war was an unnatural, meaningless, foolish and brutal enterprise in which there is nothing honourable, glorious, or decorous. It was a kind of modern poetry which is naturalistic and painfully realistic, with shocking images and language, intending to show what the war is really like. They tried to portray the common experience on the war front which constitutes mortality, nervous breakdown, constant fear and pressure. The war poetry is replete with the mud, the trenches, death, and the total havoc caused by war. Wilfred Owen wrote: ‘Above all I am not concerned with Poetry. My subject is War, and the pity of war’. 1. War Poetry War poetry encompasses the poetry written during and about the First World War. -
A MEDIUM for MODERNISM: BRITISH POETRY and AMERICAN AUDIENCES April 1997-August 1997
A MEDIUM FOR MODERNISM: BRITISH POETRY AND AMERICAN AUDIENCES April 1997-August 1997 CASE 1 1. Photograph of Harriet Monroe. 1914. Archival Photographic Files Harriet Monroe (1860-1936) was born in Chicago and pursued a career as a journalist, art critic, and poet. In 1889 she wrote the verse for the opening of the Auditorium Theater, and in 1893 she was commissioned to compose the dedicatory ode for the World’s Columbian Exposition. Monroe’s difficulties finding publishers and readers for her work led her to establish Poetry: A Magazine of Verse to publish and encourage appreciation for the best new writing. 2. Joan Fitzgerald (b. 1930). Bronze head of Ezra Pound. Venice, 1963. On Loan from Richard G. Stern This portrait head was made from life by the American artist Joan Fitzgerald in the winter and spring of 1963. Pound was then living in Venice, where Fitzgerald had moved to take advantage of a foundry which cast her work. Fitzgerald made another, somewhat more abstract, head of Pound, which is in the National Portrait Gallery in Washington, D.C. Pound preferred this version, now in the collection of Richard G. Stern. Pound’s last years were lived in the political shadows cast by his indictment for treason because of the broadcasts he made from Italy during the war years. Pound was returned to the United States in 1945; he was declared unfit to stand trial on grounds of insanity and confined to St. Elizabeth’s Hospital for thirteen years. Stern’s novel Stitch (1965) contains a fictional account of some of these events. -
Matthew Nickel and H
1 Matthew C. Nickel Mercy Hall 368 Misericordia University 301 Lake Street Dallas, PA 18612 [email protected] Academic Credentials Education PhD, English, University of Louisiana at Lafayette. 2011. Dissertation: Hemingway’s Dark Night: Catholic Influences and Intertextualities in the Work of Ernest Hemingway Supervisors: Dr. Mary Ann Wilson, Dr. Marcia Gaudet, Dr. Joseph Andriano, Dr. H. R. Stoneback MA, English, The State University of New York at New Paltz. 2007. Thesis: “He Felt Almost Holy About It”: Hemingway’s “Lifelong Subject” of “Saintliness”—or, Pilgrimages Through Sacred Landscapes Supervisor: Dr. H. R. Stoneback BA, English, The State University of New York at New Paltz. 2002. Teaching Experience Assistant Professor of English, Misericordia University. Aug 2013-Present. Instructor, Department of English, SUNY-New Paltz. Aug 2011-2013, 2007. Instructor, Department of English, Marist College. Aug 2012-Dec 2012. Instructor, Department of English, Mount Saint Mary College. Aug 2011-Dec 2011. Instructor of Record, Department of English, University of Louisiana at Lafayette. Aug 2007-May 2011. Instructor of Record, SUNY-New Paltz. Aug 2003-Dec 2006. Courses Taught At Misericordia University: ENG 151: University Writing Seminar (Fall 2013-Spring 2015) ENG 321: 20th Century American Literature (Spring 2015) 2 ENG 341: Imaginative Writing (Spring 2014) ENG 415: Christianity and Literature (Fall 2014) At the State University of New York at New Paltz: ENG 160: Composition I (Fall 2003-Fall 2006) ENG 180: Composition II (Fall -
"Ego, Scriptor Cantilenae": the Cantos and Ezra Pound
University of Northern Iowa UNI ScholarWorks Dissertations and Theses @ UNI Student Work 1991 "Ego, scriptor cantilenae": The Cantos and Ezra Pound Steven R. Gulick University of Northern Iowa Let us know how access to this document benefits ouy Copyright ©1991 Steven R. Gulick Follow this and additional works at: https://scholarworks.uni.edu/etd Part of the Literature in English, North America Commons Recommended Citation Gulick, Steven R., ""Ego, scriptor cantilenae": The Cantos and Ezra Pound" (1991). Dissertations and Theses @ UNI. 753. https://scholarworks.uni.edu/etd/753 This Open Access Thesis is brought to you for free and open access by the Student Work at UNI ScholarWorks. It has been accepted for inclusion in Dissertations and Theses @ UNI by an authorized administrator of UNI ScholarWorks. For more information, please contact [email protected]. "EGO, SCRIPTOR CANTILENAE": THE CANTOS AND EZRA POUND An Abstract of a Thesis Submitted in Fulfillment of the Requirements for the Degree Master of Philosophy Steven R. Gulick University of Northern Iowa August 1991 ABSTRACT Can poetry "make new" the world? Ezra Pound thought so. In "Cantico del Sole" he said: "The thought of what America would be like/ If the Classics had a wide circulation/ Troubles me in my sleep" (Personae 183). He came to write an 815 page poem called The Cantos in which he presents "fragments" drawn from the literature and documents of the past in an attempt to build a new world, "a paradiso terreste" (The Cantos 802). This may be seen as either a noble gesture or sheer egotism. Pound once called The Cantos the "tale of the tribe" (Guide to Kulchur 194), and I believe this is so, particularly if one associates this statement with Allen Ginsberg's concerning The Cantos as a model of a mind, "like all our minds" (Ginsberg 14-16). -
Michael Alexander. What Ezra Pound Meant to Me
MEMORIES ABOUT POUND UDC 821.111 DOI 10.22455/2541-7894-2019-7-186-201 Michael ALEXANDER WHAT EZRA POUND MEANT TO ME Abstract: The memoir about personal meetings with Ezra Pound in Rapallo in 1962 and 1963, at T. S. Eliot’s memorial service in London in 1965, and finally in Venice in the later 1960s, dwells also on the reception of the poet’s work in postwar Britain and in the USA. In the 1960s England largely forgot Pound; his role was historic, his name and his presence faded: in a version of literary history current in British universities in 1960, Ezra Pound figured as “the precursor of Eliot”. In the USA, on the contrary, his breakthrough in modernist poetry as well as his anti-Semitism and admiration for Italian Fascism were well recognized, thanks to the controversy over the award of the Bollingen Prize to Pound’s Pisan Cantos. The memoir shows how a name from literary history becomes a part of personal experience after meeting the man himself, and how it leads to a new understanding of the poet’s legacy – against wider historical, cultural, and literary background. The memoir also provides interesting facts that stimulate reflections on the literary canon, its constant change and flux despite its apparently stable nature. Keywords: memoir, Ezra Pound, T.S. Eliot, Olga Rudge. 2019 Michael Alexander (translator, poet, Professor Emeritus, University of St Andrews, Scotland) [email protected] 186 ВОСПОМИНАНИЯ О ПАУНДЕ УДК 821.111 DOI 10.22455/2541-7894-2019-7-186-201 Майкл АЛЕКСАНДЕР ЭЗРА ПАУНД В МОЕЙ ЖИЗНИ Аннотация: Публикация представляет собой мемуарный материал, в центре которого – личные воспоминания о встречах с Эзрой Паундом в Рапалло в 1962 и 1963 гг., на похоронах Т.С. -
Ideas About Ezra Pound
A Handful of Ideas about Ezra Pound Work in Progress Press Release Thursday 1 January 2015 Contemporary Literature Press The University of Bucharest Online publication A Handful of Ideas about Ezra Pound Work in Progress ISBN 978-606-8592-43-5 In 2015, Ezra Pound would have been 130 years old. When you are looking for the author of thoughts you want to understand, images can offer a handful of ideas. The graduate students of the University of Bucharest have done just that. They have started a research of their own, which opens one possible way into Ezra Pound’s thinking. This is no more than a Work in Progress. ISBN 978-606-8592-43-5 © Universitatea din Bucureşti © MTTLC IT Expertise: Simona Sămulescu Publicity: Violeta Baroană Acknowledgments This volume is the outcome of research done for didactic purposes by graduate students in the English Department of the University of Bucharest, the MA Programme for the Translation of the Contemporary Literary Text. All the images included in this book exist as such on the Internet. Work in Progress (Ezra Pound: ABC of Reading, Chapter Three, 1934) A Handful of Ideas About Ezra Pound. Work in Progress 1 Contents Late 1890s Thaddeus Pound, Ezra Pound’s grandfather. p. 10 30 October 1885 Birthpace of Ezra Pound. Hailey, Idaho. p. 11 1898 Ezra Pound with his mother. p. 12 Venice, June 1908 The first book of poetry published by Ezra p. 13 Pound. 1909 Portrait of Ezra Pound by Eugene Paul p. 14 Ullmann. 1910 Ezra Pound. p. 15 January 1910 Calendar card for Ezra Pound lecture series p. -
From Idaho to Confucius, Or, from the American West to the Far East— on Explaining a Poet Misguided Or Misunderstood Mary De Rachewiltz
CONVERSATION Michael Wutz in Conversation with Mary de Rachewiltz on Ezra Pound From Idaho to Confucius, or, from the American West to the Far East— On Explaining a Poet Misguided or Misunderstood Mary de Rachewiltz Niccoló Caranti Mary de Rachewiltz and Erza Pound, following his release from St. Elisabeths Hospital and his return to Italy, at Schloss Brunnenburg, ca. 1958. Ezra Pound (1885-1972) INTRODUCTION Ezra (Weston Loomis) Pound may well (in collaboration with the poets H.D. and be the most famous (and perhaps misun- William Carlos Williams, and in com- derstood) American literary figure born petition with the poet Amy Lowell) with west of the Mississippi. Born in Hailey, developing the poetic aesthetic of Imagism, then still the Idaho Territory, in 1885, he and of importing classical Chinese and is often considered to be among the chief Japanese poetry into the modernist canon. architects of classical Anglo-American During his further migrations, first, to modernism, who helped launch the careers Paris, and eventually to Italy, where Pound of T.S. Eliot, James Joyce, Robert Frost, would spend most of his life (and where in and Ernest Hemingway, among others. 1972 he would be buried near Igor Stravin- Influential as the foreign editor of several sky and Sergei Dhiagilev in Venice), the literary magazines in London, he is credited Chinese philosopher Confucius resides likes a tutelary deity over much of his thinking, six-foot outdoor cage and where he wrote particularly in his unfinished 120-section the first drafts, often for days and nights on epic The Cantos (1917-1969), but also in end, of what later came to be known as The his writings on economics and politics. -
Bradley Mcduffie 2010 Arts and Sciences Emerging Scholar of the Year
Bradley McDuffie 2010 Arts and Sciences Emerging Scholar of the Year Lecturer of English 1 South Boulevard North Campus, Room 201 Nyack, NY. 10960 [email protected] 845.675.4520 Education Ph.D. Candidate, Indiana University of Pennsylvania M.A. State University of New York, New Paltz B.A. Nyack College Areas of Specialization/Expertise • Modern Literature • Creative Writing Current Areas of Research • Ernest Hemingway • J. D. Salinger • Cormac McCarthy • Modern Poetry • Modern Film Courses Taught • Modern Poetry • Modern American Novel • Modern British Novel • Victorian Literature • American Romanticism • American Realism • Introduction to TV/Film • Scriptwriting • English 101 & 102 Membership in Professional Societies • Robert Penn Warren Circle • Elizabeth Madox Robert’s Society • Hemingway Society • Richard Aldington Society • Sports Literature Association • The Nick Adams Society Publications & Presentations Books • And The West Was Not So Far Away. West Park, NY: Des Hymnagistes, 2009. • Seven Hymns from the West. Babylon, NY: Dying Tree, 2010. Poems • The North Dakota Quarterly. “Teaching In Our Time to Freshmen” (Forthcoming) • Des Hymnagistes: An Anthology. Lafayette, LA: Des Hymnagistes: Pgs. 40-47: “Seven Hymns From the West” • The South Carolina Review 2010: 42.2 Spring: "Visiting Coney Island, January 2005" • Shawangunk Review 2009: Vol. XX: “Fidelity” and “On Through to Sundown” • Aethlon: The Journal of Sport Literature 2008: Vol. XXV:1: Pgs. 86-87: “Grace Rituals” • Shawangunk Review 2008: Vol. XIX: Pg. 103: “The Gulls Leave Gentle Traces” • Florida English: Special Imagist Issue 2008 : Vol. 6: Pgs. 29-32: “In Season,” “Morse Codes,” and “To Go Home” • Hurricane Poems: An Anthology: “Last Call Before the Flood” • Homage to RPW: An Anthology of Poems For Robert Penn Warren: “God Have Mercy on the Mariner...” • North Dakota Quarterly 2007: Vol. -
A Masonic Minute M.W
A Masonic Minute M.W. Bro. Raymond S. J. Daniels VIMY – LEST WE FORGET Greater love hath no man than this, that a man lay down his life for his friends. John 15: 13 ‘Lest we forget’ Out of the horrors of war comes some of the most inspired and evocative poetry in the English language? As we commemorate the centenary of The Great War– The War to end War (1914- 1918) – now known as World War I, in this Month of Remembrance, these poems help us to reflect and transform history into a personal experience. These poems articulate our inexpressible feelings when we are lost for words. A poem by Sir John Stanhope Arkwright (1872–1954), published in The Supreme Sacrifice, and other Poems in Time of War (1919), embodies the essence of Remembrance – honour and self- sacrifice. It was set to music by the Rev. Dr. Charles Harris, Vicar of Colwall, Herefordshire (1909-1929) and is frequently sung at cenotaph services. O valiant hearts who to your glory came Through dust of conflict and through battle flame; Tranquil you lie, your knightly virtue proved, Your memory hallowed in the land you loved. Proudly you gathered, rank on rank, to war As who had heard God’s message from afar; All you had hoped for, all you had, you gave, To save mankind—yourselves you scorned to save. Splendid you passed, the great surrender made; Into the light that nevermore shall fade; Deep your contentment in that blest abode, Who wait the last clear trumpet call of God. Hanging in many lodge rooms throughout this jurisdiction are engraved plaques and Honour Rolls list the names of those young Masons who served King and Country and paid the Supreme Sacrifice.