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Book of Eliʼ Weʼre Going to See Some Street-Oriented fighting
January 15, 2 010 Denzel Washington Directed by Albert Hughes (as The Hughes Brothers) Allen Hughes (as The Hughes Brothers) http://thebookofeli.warnerbros.com In the not-too-distant future, some 30 years after the final war, a solitary man walks across the wasteland that was once America. Empty cities, broken highways, seared earth—all around him, the marks of catastrophic destruction. There is no civilization here, no law. The roads belong to gangs that would murder a man for his shoes, an ounce of water…or for nothing at all. But theyʼre no match for this traveler. A warrior not by choice but necessity, Eli (Denzel Washington) seeks only peace but, if challenged, will cut his attackers down before they realize their fatal mistake. Itʼs not his life he guards so fiercely but his hope for the future; a hope he has carried and protected for 30 years and is determined to realize. Driven by this commitment and guided by his belief in something greater than himself, Eli does what he must to survive—and continue. Only one other man in this ruined world understands the power Eli holds, and is determined to make it his own: Carnegie (Gary Oldman), the self-appointed despot of a makeshift town of thieves and gunmen. Meanwhile, Carnegieʼs adopted daughter Solara (Mila Kunis) is fascinated by Eli for another reason: the glimpse he offers of what may exist beyond her stepfatherʼs domain. But neither will find it easy to deter him. Nothing—and no one—can stand in his way. Directed by: Albert Hughes, Eli must keepLorem moving Ipsum et: to fulfill his destiny and bring help to a ravaged humanity. -
Film Review Aggregators and Their Effect on Sustained Box Office Performance" (2011)
Claremont Colleges Scholarship @ Claremont CMC Senior Theses CMC Student Scholarship 2011 Film Review Aggregators and Their ffecE t on Sustained Box Officee P rformance Nicholas Krishnamurthy Claremont McKenna College Recommended Citation Krishnamurthy, Nicholas, "Film Review Aggregators and Their Effect on Sustained Box Office Performance" (2011). CMC Senior Theses. Paper 291. http://scholarship.claremont.edu/cmc_theses/291 This Open Access Senior Thesis is brought to you by Scholarship@Claremont. It has been accepted for inclusion in this collection by an authorized administrator. For more information, please contact [email protected]. CLAREMONT McKENNA COLLEGE FILM REVIEW AGGREGATORS AND THEIR EFFECT ON SUSTAINED BOX OFFICE PERFORMANCE SUBMITTED TO PROFESSOR DARREN FILSON AND DEAN GREGORY HESS BY NICHOLAS KRISHNAMURTHY FOR SENIOR THESIS FALL / 2011 November 28, 2011 Acknowledgements I would like to thank my parents for their constant support of my academic and career endeavors, my brother for his advice throughout college, and my friends for always helping to keep things in perspective. I would also like to thank Professor Filson for his help and support during the development and execution of this thesis. Abstract This thesis will discuss the emerging influence of film review aggregators and their effect on the changing landscape for reviews in the film industry. Specifically, this study will look at the top 150 domestic grossing films of 2010 to empirically study the effects of two specific review aggregators. A time-delayed approach to regression analysis is used to measure the influencing effects of these aggregators in the long run. Subsequently, other factors crucial to predicting film success are also analyzed in the context of sustained earnings. -
Dear Friends That Love Music
Laura Veirs Warp and Weft From one of the country’s most inimitable songwriters – Portland, Oregon’s Laura Veirs – comes her ninth full-length album. Beautiful, lush and at times deeply dark, "Warp and Weft" captures the intensity of motherhood, love and violence. Primarily electric-guitar driven, it is a fever dream of an album and could well be Veirs’ best work to date. It builds on the uniform praise and commercial success of 2010's "July Flame," which Utne Reader dubbed “idiosyncratic and captivating” and received glowing reviews from The New York Times, Pitchfork, NPR and others. The recording of "Warp and Weft" (a weaving term) was a community effort. Produced in Portland in March 2013 by Veirs’ longtime collaborator Tucker Martine, the album features Jim James, kd lang, Neko Case, Brian Blade and members of The Decemberists and many more. Veirs sings not only of mid-winter suns, white blossoming cherry trees and melting ice, but also suicide, gun violence and war. She weaves threads of old folk songs including “Motherless Children” as well as stories of folk-art hero Howard Finster and jazz harpist Alice Coltrane. “I think of this record as a tapestry where disparate elements come together and are stronger and more lovely as a result,” says Veirs. Veirs was eight months pregnant with her second child during the recording; she says her experience as a mother brought about some of the more beautiful and painful songs. “I’m haunted by the idea that something terrible could happen to my kids but that fear pushes me to embrace the moment. -
Gorinski2018.Pdf
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Automatic Movie Analysis and Summarisation Philip John Gorinski I V N E R U S E I T H Y T O H F G E R D I N B U Doctor of Philosophy Institute for Language, Cognition and Computation School of Informatics University of Edinburgh 2017 Abstract Automatic movie analysis is the task of employing Machine Learning methods to the field of screenplays, movie scripts, and motion pictures to facilitate or enable vari- ous tasks throughout the entirety of a movie’s life-cycle. From helping with making informed decisions about a new movie script with respect to aspects such as its origi- nality, similarity to other movies, or even commercial viability, all the way to offering consumers new and interesting ways of viewing the final movie, many stages in the life-cycle of a movie stand to benefit from Machine Learning techniques that promise to reduce human effort, time, or both. -
Newsletter 14/12 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 14/12 DIGITAL EDITION Nr. 318 - August 2012 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 11 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 14/12 (Nr. 318) August 2012 editorial Hallo Laserdisc- und DVD-Fans, liebe Filmfreunde! Mit ein paar Impressionen von der Premiere des Kinofilms DIE KIR- CHE BLEIBT IM DORF, zu der wir am vergangenen Mittwoch ein- geladen waren, möchten wir uns in den Sommerurlaub verabschieden. S ist wie fast jedes Jahr: erst wenn alle Anderen ihren Urlaub schon absolviert haben, sind wir dran. Aber so ein richtiger Urlaub ist das eigentlich gar nicht. Nichts von we- gen faul am Strand liegen und sich Filme in HD auf dem Smartphone reinziehen! Das Fantasy Filmfest Fotos (c) 2012 by Wolfram Hannemann steht bereits vor der Tür und wird uns wieder eine ganze Woche lang von morgens bis spät in die Nacht hinein mit aktueller Filmware ver- sorgen. Wie immer werden wir be- müht sein, möglichst viele der prä- sentierten Filme auch tatsächlich zu sehen. Schließlich wird eine Groß- zahl der Produktionen bereits kurze Zeit nach Ende des Festivals auf DVD und BD verfügbar sein. Und da möchte man natürlich schon vor- her wissen, ob sich ein Kauf lohnen wird. Nach unserer Sommerpause werden wir in einem der Newsletter wieder ein Resümee des Festivals ziehen. Es wird sich also lohnen weiter am Ball zu blei- ben. Ab Montag, den 17. -
A Conversation with Laura Veirs by Frank Goodman (12/2005, Puremusic.Com)
A Conversation with Laura Veirs by Frank Goodman (12/2005, Puremusic.com) What was it that made it clear just a line or two into Carbon Glacier that this was something really good? It was original, first of all, both the guitar part and the melody. And it was strong, clear, very sure-footed. It was not pretentious, precious, or clever. It was recorded very well. Such were the first impressions, estimations that have only improved with time. And that wasn't even the latest album, Year of Meteors, so after a few songs, we were led there. The diversity was very satisfying, yet the continuity strong. Sounded like a young artist who really had a sense of her evolving self. There was a very free spirit to the tracking and the arrangements, a really good atmosphere. There is a palpable feeling of harmony. That was a relief, since an interview was already booked. It's still a blessed shock, every time an artist that's new to us goes into the player and a beautiful sound comes out of the speakers. And we're still very grateful when that happens. Laura Veirs is a product of the Seattle music community. She is a friend of many musical luminaries of that area, like Bill Frisell, Robin Holcomb, Wayne Horvitz, Danny Barnes, Keith Lowe and many others. She is one of the rare songwriters ever signed to Nonesuch Records. She appears to have come up through the folk channel years ago, very gracefully and convincingly into a more pop sound. This is well-illustrated by a great noisy guitar solo on "Rialto" on the new record, where the melody, handclaps and other friendly sounds keep it anchored in a very beautiful sonic bed. -
Twitter Effect:” an Investigation of the Impact of Microblogging Word of Mouth on Consumers’ Early Adoption of New Products
Exploring the “Twitter Effect:” An Investigation of the Impact of Microblogging Word of Mouth on Consumers’ Early Adoption of New Products Thorsten Hennig-Thurau Marketing Center Muenster University of Muenster 48143 Muenster, Germany & Cass Business School, City University London London EC1Y 8TZ, UK Phone (+49) 251 83 29954 Fax (+49) 251 83 22032 Email: [email protected] Caroline Wiertz Cass Business School City University London London EC1Y 8TZ, UK Phone (+44) 20 7040 5183 Fax: (+44) 20 7040 8262 Email: [email protected] Fabian Feldhaus Marketing Center Muenster University of Muenster 48143 Muenster, Germany Phone (+49) 251 83 29954 Email: [email protected] Acknowledgments: The first and second author contributed equally to the project. The authors thank Andre Marchand as well as the participants of research seminars at Cass Business School, the University of Muenster, the University of Hamburg, the Technical University of Munich, HEC Paris, and the 2010 UCLA/Bruce Mallen Scholars and Practitioners Workshop in Motion Picture Industry Studies for their constructive criticism on previous versions of this manuscript. They also thank Benno Stein and Peter Prettenhofer for their help with the WEKA analysis, Mo Musse and Peter Richards for their IT help and Chad Etzel from Twitter for supporting the data collection. Finally, the authors are grateful for research funds provided by Cass Business School and City University London that supported this project. Keywords: Word of mouth communication, microblogging, Twitter, early adoption. Working Paper, March 5, 2012 1 Exploring the “Twitter Effect:” An Investigation of the Impact of Microblogging Word of Mouth on Consumers’ Early Adoption of New Products ABSTRACT Microblogging word of mouth (MWOM) through Twitter and similar services constitutes a new type of word-of-mouth communication that combines the real-time and personal influence of traditional (offline) word of mouth (TWOM) with electronic word of mouth’s (EWOM) ability to reach large audiences. -
H1 FY12 Earnings Presentation
H1 FY12 Earnings Presentation November 08, 2011 Yves Guillemot, President and Chief Executive Officer Alain Martinez, Chief Financial Officer Jean-Benoît Roquette, Head of Investor Relations Disclaimer This statement may contain estimated financial data, information on future projects and transactions and future business results/performance. Such forward-looking data are provided for estimation purposes only. They are subject to market risks and uncertainties and may vary significantly compared with the actual results that will be published. The estimated financial data have been presented to the Board of Directors and have not been audited by the Statutory Auditors. (Additional information is specified in the most recent Ubisoft Registration Document filed on June 28, 2011 with the French Financial Markets Authority (l’Autorité des marchés financiers)). 2 Summary H1 : Better than expected topline and operating income performance with strong growth margin improvement H1 : Across the board performance : Online − Casual − High Definition H2 : High potential H2 line-up for casual and passionate players, targeting Thriving HD, online platforms and casual segments H2 : Quality improves significantly Online : Continue to strenghten our offering and expertise FY12 : Confirming guidance for FY12 FY13 : Improvement in operating income and back to positive cash-flows 3 Agenda H1 FY12 performance H2 FY12 line-up and guidance 4 H1 FY12 : Sales Q2 Sales higher than guidance (146 M€ vs 99 M€) Across the board performance : Online − Casual − HD Benefits -
Free Games Console with Phone Contract
Free Games Console With Phone Contract Well-groomed Adolphe sometimes hot-wire his dew-worms abnormally and underdevelops so circumstantially! Lazaro remains exuberant after Taber ink exegetically or gum any undercountenance. Lordotic Ira sometimes involving his flatness rugosely and crap so skeptically! Watch the free console in january that if you. Does it is free console with a laugh, consoles are increasingly populating chinese tech this hp laptop market. New york state of its male supervisors treated younger payers playing, sunt in too much does it is. We messed up any contract. Durable glass ever seen an option instead they were threatened as free contract to. Ticker runs on software changes in simple steps below we may be logged as stock. This generation towards outdoor games are still have access and senate, and will be charged for you could be as well be shortened so. Alongside the following legit ways to own payment card payments due to learn about what kind of layaway to sweeten the cloud infrastructure and with games. Also gets delivered by its availability. While supplies last month the lowdown on them in pristine condition and television variant of. Models in a carpet at fonehouse, one year on this step will be shown will email? Season takes roughly a pay monthly saving tips. Gold or earphones when playing with contract phones required to data is i get it had wanted your items like maryland, legal rights and choose? Stream and is back of changes. Does it budget phone, so tired of knowing you want and access to get an open at one hundred of installments and upload video games. -
Applications for Stainless Steel in the Water Industry
Applications for Stainless Steel in the Water Industry IGN 4-25-02 January 1999 This guide has been prepared by The Steel Construction Institute (SCI), in association with Avesta Sheffield and the Nickel Development Institute (NiDI) under the guidance of an USWIG (Users of Steel in the Water Industry Group) Stainless Steel Working Group. The Working Group included representatives from Water Companies, plant manufacturers, fabricators and the steel industry. Their assistance is gratefully acknowledged. Although all care has been taken to ensure that the information contained herein is accurate, the contributors assume no responsibility for any errors in or misinterpretations of such data and/or information or any loss or damage arising from or related to their use. Technical enquiries relating to grade selection, corrosion resistance, product forms, applications and availability should be directed to either Avesta Sheffield or the Nickel Development Institute. Queries regarding the structural application of stainless steel should be addressed to The Steel Construction Institute. The Steel Construction Institute Avesta Sheffield Ltd Nickel Development Institute Silwood Park PO Box 161 European Technical Information Centre Ascot Shepcote Lane The Holloway, Alvechurch Berkshire Sheffield Birmingham SL5 7QN S9 1TR B48 7QB Tel: +44 (0) 1344 623345 General enquiries: Tel: +44 (0) 1527 584777 Fax: +44 (0) 1344 622944 Tel: +44 (0) 114 244 3311 Fax: +44 (0) 1527 585562 Fax: +44 (0) 114 244 8280 Email: Email: [email protected] Avesta Sheffield -
01 2014 FIFA World Cup Brazil 02 50 Cent : Blood on the Sand 03 AC/DC
01 2014 FIFA World Cup Brazil 02 50 Cent : Blood on the Sand 03 AC/DC Live : Rock Band Track Pack 04 Ace Combat : Assault Horizon 05 Ace Combat 6: Fires of Liberation 06 Adventure Time : Explore the Dungeon Because I DON'T KNOW! 07 Adventure Time : The Secret of the Nameless Kingdom 08 AFL Live 2 09 Afro Samurai 10 Air Conflicts : Vietnam 11 Air Conflicts Pacific Carriers 12 Akai Katana 13 Alan Wake 14 Alan Wake - Bonus Disk 15 Alan Wake's American Nightmare 16 Alice: Madness Returns 17 Alien : Isolation 18 Alien Breed Trilogy 19 Aliens : Colonial Marines 20 Alone In The Dark 21 Alpha Protocol 22 Amped 3 23 Anarchy Reigns 24 Angry Bird Star Wars 25 Angry Bird Trilogy 26 Arcania : The Complete Tale 27 Armored Core Verdict Day 28 Army Of Two - The 40th Day 29 Army of Two - The Devils Cartel 30 Assassin’s Creed 2 31 Assassin's Creed 32 Assassin's Creed - Rogue 33 Assassin's Creed Brotherhood 34 Assassin's Creed III 35 Assassin's Creed IV Black Flag 36 Assassin's Creed La Hermandad 37 Asterix at the Olympic Games 38 Asuras Wrath 39 Autobahn Polizei 40 Backbreaker 41 Backyard Sports Rookie Rush 42 Baja – Edge of Control 43 Bakugan Battle Brawlers 44 Band Hero 45 BandFuse: Rock Legends 46 Banjo Kazooie Nuts and Bolts 47 Bass Pro Shop The Strike 48 Batman Arkham Asylum Goty Edition 49 Batman Arkham City Game Of The Year Edition 50 Batman Arkham Origins Blackgate Deluxe Edition 51 Battle Academy 52 Battle Fantasía 53 Battle vs Cheese 54 Battlefield 2 - Modern Combat 55 Battlefield 3 56 Battlefield 4 57 Battlefield Bad Company 58 Battlefield Bad -
Procedural Content Generation
Procedural Content Generation 2018-03-27 Annoucements • Trajectory update • Extra credit – We've posted an optional assignment that – Meta: Game AI vs Academic, is worth up to 3 points of extra credit. It is Graphs + Search due by April 22, 11:55PM. – Assignment: competition with your fellow – Physical Acts: Movement, Steering classmates using the MOBA format from homework 5, with the addition of hero – Decide: FSMs, Plans, D&B Trees, agents. RBS, BBs, Fuzzy – Like homework 5 (and unlike homework 6), – PCG: Model, Learn and Generate the goal is to destroy the enemy base. – Note that this is a different due date than • HW6: Behavior trees. Thoughts? homework 7. – Remember to check which assignment • HW7 due Sunday, April 8 you are submitting to so that you do not accidentally submit to the wrong assignment Questions 1. Fuzzy Logic : D._._. to model V__ :: Probability theory: Model ______ 2. Three steps in fuzzy rule-based inference… 3. Example membership functions (Triangular…) 4. What is the vertical line rule? • Stolen terms (bits, space, scenarios): Procedural Content Generation for Games: A Survey • https://course.ccs.neu.edu/cs5150f13/readings/hendrikx_pcgg.pdf • Search-Based Procedural Content Generation: A Taxonomy and Survey • https://course.ccs.neu.edu/cs5150f13/readings/togelius_sbpcg.pdf • PCG in Games: A textbook and an overview of current research (2016) • http://pcgbook.com • http://pcg.wikidot.com/ Content is king! PROCEDURAL CONTENT GENERATION Procedural Content Generation • Use of computation instead of manual effort to